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RENDERERS, THE - Monsters and Miasmas

Last Visible Dog

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Brian Crook (from The Terminals, Max Block, solo releases) and wife Maryrose make up the long-running Renderers whos releases on Ajax/3 beads of sweat and Siltbreeze records have continued to tread a line between haunting contry-esque ballads and the brand of noise-rock for which the Terminals is known. From a review of their previous album (Ghosts of Our Vegas Lives): A charred near mythical psychedelic wasteland sparsely populated by tortured souls and twisted creatures. Brian Crook (her husband) is the perfect foil for such surrealism-meets-rustic imagery, whether lathering melting feedback on top of ghostly ballads or kicking up a slash and burn racket, captured with garage rock immediacy. ....a world where Hank Williams and Townes Van Zandt are revered as preciously as Sonic Youth, the Dead C and Can, to name but a few. A different kind of transcendance indeed. -- Lee Jackson,Womblife. Monsters and Miasmas continues upward from the foundation that the Renderers have built over the previous two decades while losing no ground from their previous accomplishments. I doubt any of us no exactly what genre this is, but theres no one out there doing what the Renderers do better. - Last Visible Dog\r\n

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