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DAIKYOFUROSHIKI - Yuu
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‚Äú大凶風呂敷 [DaiKyoFuroShiki] is Tamio Shiraishi and Cammisa Buerhaus. Yuu is their debut LP.\r\nThe record documents their improvisations, capturing their evolution from free music toward minimal electronics in 11 tracks. Recorded over the span of a year everywhere from downtown Manhattan artist lofts to Brooklyn living rooms to warehouses by the water. \r\nShiraishi plays saxophone and voice. Buerhaus plays the Chroma Color Organ, her self built pipe organ, as well as electric guitar, voice, shortwave radio, and a Soviet synthesizer. \r\nThis is a limited edition of 500. Cover art by C. Buerhaus. Mastered by Bhob Rainey.‚Äù - Wild Flesh.
\r\n"大凶風呂敷 are Cammisa Buerhaus and Tamio Shirashi, a dash of twin impossibilities out of time yet essentially contemporary. They are the best new unit in lower New York City. Buerhaus is a leader in the new wave of hand made sound. She puts a youth spin on the Broken Music approach of classically decadent avant-garde sonic events and the plastic esoterica of a figure like, say, Anne Gillis. With 大凶風呂敷, she plays her self built wood organ, half part sound sculpture, half part hallucinatory drone machine. Shirashi needs no introduction; he was a central figure in the Club Minor scene in Japan, jammed in Taco and A-Musik, helped form Fushitsusha, has released various works of site specific saxophone playing. His style is some of the most atom splitting minimalism to ever locate your body in space. Thus, the sound of 大凶風呂敷 is a tense drama whose nerve chilling minimalism literally encodes the space for terrifying truths to appear all around you." - Ravi Binning. \r\n
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\r\n"大凶風呂敷 are Cammisa Buerhaus and Tamio Shirashi, a dash of twin impossibilities out of time yet essentially contemporary. They are the best new unit in lower New York City. Buerhaus is a leader in the new wave of hand made sound. She puts a youth spin on the Broken Music approach of classically decadent avant-garde sonic events and the plastic esoterica of a figure like, say, Anne Gillis. With 大凶風呂敷, she plays her self built wood organ, half part sound sculpture, half part hallucinatory drone machine. Shirashi needs no introduction; he was a central figure in the Club Minor scene in Japan, jammed in Taco and A-Musik, helped form Fushitsusha, has released various works of site specific saxophone playing. His style is some of the most atom splitting minimalism to ever locate your body in space. Thus, the sound of 大凶風呂敷 is a tense drama whose nerve chilling minimalism literally encodes the space for terrifying truths to appear all around you." - Ravi Binning. \r\n
