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CHRISTIANSEN, HENNING - Symphony Natura
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_¢‚Ǩ_ìReissue on black vinyl, strictly limited to 90 copies, hand numbered, contains the original cover from the first edition plus the score, also numbered. Limited quantities available! "Symphony Natura op.170" (1985) is a long collage of electronic drones and animal sounds, recorded at the Zoo in Rome in 1985._¢‚Ǩ¬ù - Slowscan. \r\n
\r\n"First of all, I think of Bruckners great symphonies modelled after nature, from the days of flourishing orchestral culture, great feelings and gazing into the soundscape. Which was always the landscape of a concert hall and musicians dressed up as penguins, many violins. Originally most ideals of instrumental sounds were derived from animal voices or other sounds of natural phenomena. The violins, for instance: someone found out that stretched out, dried bowels could produce sounds, there is a funny saying: "My bowels are crying." \r\n\r\nThis has been civilized, "refined", and much has been achieved for the human mind (Save the Nature, use it). The strings have played spirituality to the human being. Today, however, I have the opportunity to treat the voices of sheep electrically so that they can be used as instruments for our acoustic expression and also to set us thinking about our present-day relation to nature - also to our own nature as human beings. I have worked with animal voices before, in the ROMA ZOO, e. g., I made a suite of animal voices which I called SYMPHONY NATURA, I have also worked with the howling of wolves and with canaries (The Green Birdchoirpiano - Museum of Art, Northern Jutland) ("Freedom Is Around the Corner" - Yellow Music in Berlin) and also monkey singing, all of it nature variations on tape. What is important to me now is where and in which context such works are being performed. I have been in concert halls, in theaters, but I am not really harpy with these environments for my animal music. I have to construct new "concert halls" for such works and therefore I really like this relatively large "Concert castle" on the meadow at the Danube in front of the famous Brucknerhaus, it is ideal for me and I am writing a new slogan: "Sheep instead of Violins." The meadow belongs to the sheep, it is their territory, thats where they belong and people come to visit them._¢‚Ǩ¬ù - Henning Christiansen. \r\n
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\r\n"First of all, I think of Bruckners great symphonies modelled after nature, from the days of flourishing orchestral culture, great feelings and gazing into the soundscape. Which was always the landscape of a concert hall and musicians dressed up as penguins, many violins. Originally most ideals of instrumental sounds were derived from animal voices or other sounds of natural phenomena. The violins, for instance: someone found out that stretched out, dried bowels could produce sounds, there is a funny saying: "My bowels are crying." \r\n\r\nThis has been civilized, "refined", and much has been achieved for the human mind (Save the Nature, use it). The strings have played spirituality to the human being. Today, however, I have the opportunity to treat the voices of sheep electrically so that they can be used as instruments for our acoustic expression and also to set us thinking about our present-day relation to nature - also to our own nature as human beings. I have worked with animal voices before, in the ROMA ZOO, e. g., I made a suite of animal voices which I called SYMPHONY NATURA, I have also worked with the howling of wolves and with canaries (The Green Birdchoirpiano - Museum of Art, Northern Jutland) ("Freedom Is Around the Corner" - Yellow Music in Berlin) and also monkey singing, all of it nature variations on tape. What is important to me now is where and in which context such works are being performed. I have been in concert halls, in theaters, but I am not really harpy with these environments for my animal music. I have to construct new "concert halls" for such works and therefore I really like this relatively large "Concert castle" on the meadow at the Danube in front of the famous Brucknerhaus, it is ideal for me and I am writing a new slogan: "Sheep instead of Violins." The meadow belongs to the sheep, it is their territory, thats where they belong and people come to visit them._¢‚Ǩ¬ù - Henning Christiansen. \r\n
