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Artist: ANKERSMIT & VALERIO TRICOLI, THOMAS Title: Forma II Format: CD Label: Pan Country: UK Price: $18.00 |
| "Forma II is the first collaborative output by Thomas Ankersmit and Valerio Tricoli. Composed and recorded in Berlin from 2008 to 2010, the music consists of four electroacoustic pieces based largely on analog synthesizer material and one long-form, swarm-like composition for multiple overdubbed saxophones. Additional sounds range from metal foil floating on ultrasonic sound-beams to mechanical clickers recorded in the abandoned radar domes at Teufelsberg. The raw materials have been extensively processed and re-constructed using analog tape and digital methods. The five pieces shift between sharply detailed blizzards of electronic interference to passages of delicate balance, between calm and turbulence, between stasis and rapid shape-shifting, between multiple virtual spaces and non-spaces. Thomas Ankersmit is a saxophonist, electronic musician and installation artist based in Berlin and Amsterdam, who combines abstract, intensely-focused acoustic saxophone work with hyper-kinetic analog synth and computer improvisation. He also creates installation pieces that use sound, infrasound and "modifications to the acoustic characters of spaces" that disrupt the viewer/listeners perception of the exhibition space and their presence within it. He frequently works together with New York minimalist Phill Niblock. Other recent collaborators have included Kevin Drumm and Borbetomagus. Valerio Tricoli is a Berlin-based composer, improviser, sound installation artist, producer, sound engineer and curator bridging musique concrète and conceptual forms of sound with a radical interest in how reality, virtuality and memory relate to each other during the acoustic event. He mostly uses analog electronic devices (reel-to-reel tape recorders, synthesizers, microphones, light effects, ultrasonic speakers). The structure of the set-up is ever-changing however, seeking multiple relations between the performers, the device and the space in which the event takes place. He is one of the founders of 3/4HadBeenEliminated and the Bowindo label/collective. The CD is mastered by Rashad Becker at Clunk, in a limited edition of 1,000 copies. It is packaged in a pro-press digisleeve jacket which itself is housed in a one-tone silk-screened PVC sleeve with interweaving geometric designs, with artwork by Kathryn Politis and Bill Kouligas." -Pan. |
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Artist: BILLY BAO Title: Urban Disease Format: LP Label: Pan Country: UK Price: $27.00 |
| 2010 release. "Urban Disease is the new radical work by Billy Bao, Mattin, Taku Unami, Tim Barnes, Barry Weisblat and Margarida Garcia. Its important to remember that before Mattin and anarchism ruined his life, Billy Bao was a bit of a troubadour who accompanied himself on acoustic guitar and warbled wild songs of protest in his native Nigerian patois. This new album, his third on vinyl, finds Billy in a transitional phase toward the end of 2006, before the gaztetxes of Bilbao burrowed into his marrow, before Mattin became the Merle to his G.G., before Billy turned into herpes sore in the mouth of global capitalism. "Billy doesnt believe in hypnagogia," were told, "because he always sleeps with one eye open, and when he dreams, all he sees is AIDS denialists, German shepherds, and soldiers disguised as UN peacekeepers." Before Taku Unami fucked it up, this session found Bao relaxed and in high spirits as he conducted a pickup band of itinerant improvisers through a song-by-song cover of Amon Düüls Psychedelic Underground. Margarida Garcia lent her astounding skill and highly personal idiom on the electric double-bass, in her hands an instrument with the tension of string on wood and the disruptive potential of a crackle box. Barry Weisblat, meanwhile, teased out a century of drone from a Cornell lunchbox of filament and circuitry. Who better to play drums and percussion than the sainted Tim Barnes? Mattin, thumb and forefinger compulsively pinching or stroking his Hitler mustache after every take, funneled Billys malaise through laptop, percussion, and folk instrumentation. There was even, astonishingly, a womens choir on hand, eerily filling out the atmosphere with wordless vocals and incantations. But this is after, and the result is a fragmentary, extremely loud hippie jam session punctuated by stretches of uneasy silence and scrape. The Lp is mastered and cut by Rashad Becker at D&M, in a limited edition of 500 copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a silk screened pvc sleeve with original artwork by New York artist HENRY FLYNT." - Pan. |
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Artist: BLOOD STEREO Title: Your Snakelike King Format: LP Label: Pan Country: UK Price: $33.00 |
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"Brand new release from Brighton mongs Blood Stereo, duo of Dylan Nyoukis and Karen Constance. Your Snakelike King picks up where 2008s The Magnetic Headache left off, a shape shifting and strange mix of tape collage, free vocals and electro-acoustic mischief. Midnight to 3am recordings fueled by grape and smoke conjour up a blurred narrative, the meaning of which is never quite clear, like weird off camera sounds in some tripped out movie. Anal fins tucked in tight behind them, Blood Stereo look like a pair of ill-kempt roosters, fighting over a doughnut. The guy rooster is jibbering in some unknown tongue, turning his face inside out, while shoving the microphone slowly through a hole in his cheek. The girl rooster appears to be pecking at him, either that or shes picking at various trash they have strewn around the stage. Every time she ducks her head there is the sound of a jet passing overhead. But when you look up at the sky there is no sign of a contrail. After a while you think you are starting to get a handle on what they are doing, but the guy falls down and starts doing a spazz dance so utterly convincing you begin to worry about him. Then the girls starts screaming and it seems as though something is really profoundly wrong. And it is. But its not like theyre in any kind of trouble. Theyre just wrong, yknow? So savagely wrong from every angle that its really tough to imagine there s anything you could do to really help them. As if theyd even want in. In their masks or out, they sow confusion like wheat. -- Byron Coley. The LP is mastered and cut by Rashad Becker at D&M, in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened pvc sleeve with interweaving geometric designs." -Pan.
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Artist: BUTZMANN, FRIEDER Title: Wie Zeit Vergeht Format: LP Label: Pan Country: UK Price: $32.00 |
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"The Berserker of Berlins uninterrupted stream of timbre-changing and alternating sounds takes influence from aspects of Stockhausens work, albeit certainly far from Serielle Komposition methods. Using an entirely different array of equipment and caring less for technical finesse, a raw and sometimes absurd quality emerges. In spite of the dramatic character of the compositions, FRIEDER BUTZMANN works with the same joy and intuition as when he first heard them almost 40 years ago. Manipulating analogue sounds culled from old electronic recordings that he made at STEIM in Amsterdam back in 1995 (using the infamous Black Box modular system), a dadaistic influence shines through in the semi-naive use of electronics, vocals and undefined sound sources. For Butzmannm the basic idea is always more important than the perfect realization. The lyrics are excerpts of ... Wie Die Zeit Vergeht ..., Telemusik and Kurzwellen by Stockhausen plus re-writings of lyrics used in the first section of the composers concrete and electronic composition Hymnen. 140-gram vinyl, color jacket, silkscreened PVC sleeve. Edition of 500." - Pan.
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Artist: DAS SYNTHETISCHE MISCHGEWEBE Title: Frequency Conquistadors Format: LP Label: Pan Country: UK Price: $35.00 |
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"Words are more often then not the point of departure for many works of Das Synthetische Mischegewebe. The track titles here stem from El Mundo Alucinante de Reinaldo Arenas, which itself is inspired by François-René de Chateaubriands Mémoires doutre-tombe. It is about time rather than history and about being in history. Having lost the war of time, the only thing that remains to do is being, and here we go, being infiniment exigent in its means of expression. DSM began in Berlin armed with a visual education from the early 80s. They quickly became part of the international industrial cassette scene. Composing for light installations with open-reel machines, cassette recorders, microphone and guitar fuzz boxes with both loud, quiet, occasionally full blast and frequently sneaking in little sounds, all alternating within a few seconds, create an electroacoustic anti-music. With unusual concerts in the underground network as well as in high art institutions and museums (such as Centre Pompidou) and later on with performances for mixed media installation, exhibitions and conferences on cognitive science and neurologic research related topics, the group toured with changing casts since the early 80s, and participated in international festivals throughout Europe and the US. Since 1982 they continue to produce vinyls, CDs and tapes on many international labels: Discos Esplendor Geometrico, RRRecords, Hypnagogia, Vinyl-on-Demand, Auf Abwegen, Harsh Reality Music, Equation Records, Das Cassetten Combinat and many others. Live and recording collaborations with musicians such as: The New Blockaders, Ralf Wehowsky, Frans de Waard, Ios Smolders, Zeitkratzer Ensemble, Artificial Memory Trace, ERG, MSBR, Toy Bizarre, Roel Meelkop and others. The LP is mastered and cut by Rashad Becker at D&M, in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened pvc sleeve with interweaving geometric designs." -Pan.
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Artist: DILLOWAY & JASON LESCALLEET, AARON Title: Grapes and Snakes Format: LP Label: Pan Country: UK Price: $27.00 |
| "Grapes and Snakes is the first collaborative work of two of the most respected American underground experimental/noise artists, Aaron Dilloway and Jason Lescalleet. Using purely analog synths and tape manipulation, they build a foggy psychoacoustic mass that lies between dynamic yet patiently treated tape-music and industrial howl. Aaron Dilloway has been releasing and recording music since the age of 16. He was a member of experimental bands Couch, Galen and Universal Indians. He is a former guitarist and tape manipulator for the experimental band Wolf Eyes, which he left in 2005 to live most of that year in Kathmandu, Nepal. While his wife did her graduate work there, he roamed the streets recording every sound he could, many of which are used in his recent recordings and performances. Currently he runs the noise record label, record store and mailorder Hanson Records, which he began in Brighton, Michigan in 1994. Hanson then moved to Ann Arbor, Michigan for several years, before finally settling in Oberlin, Ohio, after a brief return to Ann Arbor. He performs solo using eight track tapes and vocal sounds, and records modular synthesizer music as Spine Scavenger. Recently, he has played with an ever-changing cast of sound artists under the name The Nevari Butchers. Jason Lescalleets sound world occupies a space between noise, contemporary composition, and minimal electronics. Using decidedly primitive tactics and equipment (e.g. antiquated reel-to-reel recorders, damaged tape, etc.), his work focuses on extreme frequencies and microscopic audio detail. Hes been a member of Due Process, performed and recorded with Keith Rowe, Joe Colley, Jason Kahn, John Hudak, Bhob Rainey and Greg Kelley (both separately and as Nmperign), and most recently Graham Lambkin in their Breadwinner project which has yielded unprecedented and glorious results in the electroacoustic music of today. He lives and works in the state of Maine. The LP is mastered and cut by Rashad Becker at Dubplates & Mastering, pressed on 140 gram vinyl and it is packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas. Aaron Dilloway (synth and tapes); Jason Lescalleet (synth, tapes, and Dell XPS)." -Pan. |
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Artist: DURGAN, MARK Title: Plouging Furrows Into Rotten Burrows Format: LP Label: Pan Country: UK Price: $28.00 |
| "Made up of junk sounds, be they acoustic or electronic, Ploughing Furrows Into Rotten Burrows is informed by a caustic patience and steady pacing. With a concentrated approach, Mark Durgan makes the space, and even silences between sounds, an integral part of his constructions. He builds up tracks from the beginning with loops, samples or acoustic sounds, then the sound becomes quite automated due to the influence of the feedback generated from the electronic devices. For the past twenty years, Mark Durgan, known under the Putrefier moniker and his label Birthbiter (1986), is one of the few genuinely curious anomalies operating today. Disassociated with a lot of noise, he is more of a true outsider of this scene, somewhat akin to the older sound poets. Although their realm of art is very different to that of his, comparisons can be made. The lack of concrete documentation, both written and recorded, could be construed as an attempt at mystery, but the reality is that it all comes down to a total ambivalence about having a public persona. Despite that this is his first official work under his own name, it still bears similarity to the Putrefier concept. From the influences of power electronics and especially early nineties Japanese noise (Cog Dominance cassette, 1987 on Broken Flag), his music has developed into different areas of the avant garde spectrum, such as musique concrete, improvisation and electroacoustic music, demonstrated in one of his latest works done with The New Blockaders. Being able to appreciate other forms of experimentation, he takes noise to a different level. The LP is mastered and cut by Rashad Becker in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened PVC sleeve with interweaving geometric designs." -Pan |
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Artist: GAMBLE, LEE Title: Diversions 1994-1996 Format: LP Label: Pan Country: UK Price: $19.00 |
| Repressed. "The 30-minute Diversions 1994-1996 EP is made up entirely from samples from the collection of Lee Gambles jungle cassette mix-tapes. The audio has been subjected to analog and digital deformations, while trying to extract, expand upon, and convey particular qualities emblematic of the original music. The effect is that of a musical body scan, all that is solid melts into air. Sounds are unearthed, dissected on the operating table, melted and unlocked , evoking sonics not unlike the heavy dub processes of Jah Shaka and Scion in an INA GRM frame of mind or bearing a similar methodological approach with what Mark Leckey explored in his piece "Fiorucci Made Me Hardcore." It can be heard as a "memory" of a period of music and for some could work as a "cued recall," which is a form of memory retrieval. Lee Gamble started out as a teenager DJing on pirate radio and on the emerging jungle scene; however, his own approach to music has taken a more experimental direction. Exploring the outer realms of abstraction through digital synthesis/resynthesis, Lee has described his current compositional process as "the configuration of material (ex nihilo) via various digital synthesis methods, prompts further disfigurations and reconfigurations. What you then have left is often the detritus or debris of an idea. Phantasms of both previous and current musical, pseudo-scientific and sculptural influences are manifest as new material abstractions, created from the digital blank canvas. This abstraction allows several interests to appear in the works simultaneously." He is also a founding member of the UK-based CYRK collective and has curated/co-curated several CYRK events. He has also produced and curated three radio series for London-based radio station Resonance 104.4 FM and he continues to DJ. Lee has released his computer compositions on the Entracte label and has collaborated with composer John Wall and artists Yutaka Makino and Bryan Lewis Saunders. Diversions 1994-1996 is the beginning of a longer-term collaboration with Pan. Mastered and cut by Rashad Becker at Dubplates & Mastering. Pressed on 140 gram white vinyl housed in a silk screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." - Pan. |
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Artist: GAMBLE, LEE Title: Dutch Tvashar Plumes Format: LP Label: Pan Country: UK Price: $27.00 |
| Repressed. "Dutch Tvashar Plumes seems to map the changes in Lee Gambles approach to music-making over the last couple of years. From his initial exposure and subsequent immersion into jungle as a teenager, he soon began experimenting with structure and sound design, which led him to a more "academic" approach to "computer music." There were many self-imposed rules he adhered to during this time. These last few years he decided to break with that and make an intuitive venture forward. This record is the first real document of that. Lee Gamble started out as a teenager DJing on pirate radio and on the emerging jungle scene; however, his own approach to music has taken a more experimental direction. Exploring the outer realms of abstraction through digital synthesis/re-synthesis, Lee has described his current compositional process as: "The configuration of material (ex nihilo) via various digital synthesis methods, prompts further disfigurations and reconfigurations. What you then have left is often the detritus or debris of an idea. Phantasms of both previous and current musical, pseudo-scientific and sculptural influences are manifest as new material abstractions, created from the digital blank canvas. This abstraction allows several interests to appear in the works simultaneously." He is a also a founding member of the UK-based CYRK collective and has curated/co-curated several CYRK events. He has also produced and curated three radio series for London-based radio station Resonance 104.4FM and he continues to DJ. Lee has released his computer compositions on the Entracte label and has collaborated with composer John Wall and artists Yutaka Makino and Bryan Lewis Saunders. Packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas. Mastered and cut by Rashad Becker at Dubplates & Mastering and pressed on 140 gram vinyl." - Pan. |
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Artist: HAMMER, JOSEPH Title: I Love You, Please Love Me Too Format: LP Label: Pan Country: UK Price: $27.00 |
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"With I Love You, Please Love Me Too, Joseph Hammer continues his journey into playful yet heavily focused idiot-savant infinite psychedelic inertia. Utilizing consumer audio technology and 20th century detritus, Hammer lovingly decodes his passion for mid-century sci-fi and AM radio stations beyond all point of recognition like a snake charmer. Multi-dimensional audio collage techniques to a freeform and completely unorthodox plunderphonic hypnosis. Baked devotionals for tape loop minds. Joseph Hammer, a sound artist from Los Angeles, has actively created experimental works since 1980 as a member of the LAFMS collective. His practice draws on the complexities of the process of listening and playing, reflecting on the role of the audience versus the performer, and uses music as it influences our notion of time, memory and intimacy as the basis for improvisation and abstraction. In various collaborations, solo, and as a founding member of the trio Solid Eye along with several other projects (Joe & Joe, Dinosaurs With Horns, Dimmer, Points of Friction), Hammer has performed widely and is an influential contributor to the Los Angeles underground scene. The LP is mastered by Rashad Becker at D&M, in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket, which is itself housed in a two-tone silkscreened PVC sleeve with interweaving geometric designs. All artwork by Kathryn Politis and Bill Kouligas." -Pan.
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Artist: HEATSICK Title: Deviation Format: 12" Label: Pan Country: UK Price: $19.00 |
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"Equipped with only a Casio keyboard, Heatsick has played alongside everyone from Omar Souleyman to DJ Harvey, Daniel Wang and Legowelt, and has demonstrated his ability not only to extend his keyboard to its limits, but to transcend its musical territory. Déviation features four tracks of kaleidoscopic house that combine a lo-fi aesthetic with clear, textured structures. Mastered and cut by Rashad Becker at D&M and pressed on 140 gram white vinyl, housed in a silk-screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." -Pan. Heatsick No Fixed Address (PAN 29) from Bill Kouligas on Vimeo. |
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Artist: HEATSICK Title: Intersex Format: LP Label: Pan Country: UK Price: $27.00 |
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"Intersex is the debut LP by Steven Warwick aka Heatsick. The title references the work of German sexologist Magnus Hirschfeld, looking at how music and sexuality can operate in flux on a constantly sliding scale. Executed on just a Casio keyboard and manipulated loops via guitar pedals, Intersex deliberately evokes "ersatz" notions of electronic dance music and early electronics in the line of Roberto Cacciapaglias Ann Steel record, the work of Warner Jepson and the kaleidoscopic sound of Ron Hardy, pushing dance/body music through a saturated psychedelic lens. Steven Warwick is a Berlin-based performer, also known for his work in the electronic duo, Birds Of Delay. His approach is one of carefully thought-out loops which are then sent into varying interactions and play. Active in the club, art and music scenes, Warwicks work is one existing in a luminal space, meditating both at once in real time and the "just past." The LP is mastered and cut by Rashad Becker at Dubplates & Mastering, in a limited edition of 500 copies, pressed on 140 gram vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk-screened PVC sleeve with artwork by Steven Warwick, Kathryn Politis & Bill Kouligas." -Pan
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Artist: HELM Title: Impossible Symmetry Format: LP Label: Pan Country: UK Price: $27.00 |
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"Impossible Symmetry is the third full length record by Helm, the project of London-based artist Luke Younger. It marks a new chapter in the artists canon as its his first to be informed by live performance rather than studio experimentation. The recording and engineering was primarily a solo venture, with some technical assistance from John Hannon on a few tracks. Most of the compositions were created out of ideas/improvisations that were conceived in a live context and then fed back into the studio work. The album was recorded over the duration of a year in London with source material culled from acoustic sound sources in a similar methodology to his previous album, Cryptography, while also simultaneously incorporating more extensive use of electronic elements and moments of rhythmic dark ambience recalling the outputs from early Coil and Cabaret Voltaire to even Traversable Wormholes industrial minimalism. His last LP, Cryptography, presented a five-part suite of expertly rendered electro-acoustic study which uses processed piano, Casio MT-40, cymbal and broken guitar strings. Younger creates a world where these instruments morph into spectral rust, a shimmering klang swims alongside passive noise and the relationship between acoustic and electronic derived sounds forms a solid foundation. This sound is steered through a mélange of fringe territories: glacial drone meditations, reconfigured gamelan clusters, and howling walls of organized feedback, all coalesced in a post-industrial fashion with a commitment to homemade exploratory zeal. For the past ten years, Younger has also performed extensively in Europe and the U.S. with Steven Warwick as pioneering avant-drone duo Birds Of Delay. The LP was mastered and cut by Rashad Becker at Dubplates & Mastering, pressed on 140 gram vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with photos by Traianos Pakioufakis and artwork by Kathryn Politis and Bill Kouligas." -Pan.
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Artist: ILIOS Title: Kenrimono Format: LP Label: Pan Country: UK Price: $33.00 |
| "Kenrimono is a type of pachinko machine for advanced players which gives certain privileges during the course of a high-risk game. This LP is entirely based on field recordings and manipulations made from sounds in pachinko parlors in Kansai area, Japan in 2007. A very intense and meditative atmosphere to be played at maximum volume. Active since the early 90s in sound art and image, ILIOS has been exploring the extremes of sound and image derived phenomena. Through constant change in his sound palette touching and surpassing the limits of the sound spectrum he definitely advocates for an anti-career. By 2009 ILIOS has performed more than 170 times in various venues and festivals in Asia, Europe, South and North America, pushing the space and body resistances to a hard test pursuing a state of alert for the human senses. He has done studio and live collaborations with the likes of: Francisco Lopez, Jason Kahn, Keiichiro Shibuya, Mattin, Michael Gendreau, Norbert Möslang, Coti K, Xabier Erkizia (Billy Bao), Julien Ottavi, Bernd Schurer, Ralph Steinbruechel, Takehiro Nishide, Tzesne, Thurston Moore amongst many others. Since 1997 he runs Antifrost, a publishing label for sound media with more than 40 works published to date. The LP is mastered and cut by Rashad Becker at D&M, in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened pvc sleeve with interweaving geometric designs." -Pan. |
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Artist: JAR MOFF Title: Commercial Mouth Format: LP Label: Pan Country: UK Price: $27.00 |
| "Commercial Mouth is the debut LP from Jar Moff, an Athens-based artist working in collage forms. Following on from his previous remix on the Harald Grosskopf Synthesist/Re-Synthesist LP on RVNG, and a digital release for Leaving Records, this is his first full-length album. Both his visual and aural oeuvre take the form of cut-up and reformations in the manner of previous PAN stablemates like Joseph Hammer and Ghedalia Tazartes, remodeling the past in order to create something new out of the modern detritus, and nestles in nicely alongside the recent Diversions release from Lee Gamble. The result is a baffling-yet-functioning head-on collision between early plunderphonics and an abstracted futuristic hip-hop aesthetic. Mastered and cut by Rashad Becker at Dubplates & Mastering, pressed on 140 gram vinyl. Packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." -Pan. |
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Artist: KESZLER, ELI Title: Catching Net Format: Double CD Label: Pan Country: UK Price: $21.00 |
| "PAN presents a 2CD set from experimental composer/artist/multi-instrumentalist Eli Keszler. The first disc features two ensemble versions of Cold Pin (PAN 021LP), previously released in a 2011 LP of the same title on PAN, plus a 26-minute, previously-unreleased live ensemble recording (mixed sextet and piano quintet; these are captured in contrasting acoustical spaces). The personnel for all three tracks is Eli Keszler (drums, percussion, crotales, guitar); Ashley Paul (alto saxophone, bass harp); Geoff Mullen (prepared guitar); Greg Kelley (trumpet); Reuben Son (bassoon) and Benny Nelson (cello). The second disc begins with the title-track, "Catching Net," a 17-minute score for string quartet and piano with the "Cold Pin" installation. It is performed by pianist Sakiko Mori and the Providence String Quartet: Carole Bestvater (violin); Rachel Panitch (violin); Chloë Kline (viola); Laura Cetilia (cello). The score is fully notated, timed with stopwatch markings rather than tempo or meter. Following are two recordings of Keszlers large-scale installations functioning on their own. "Collecting Basin" features piano strings/wires up to 250 feet long splayed from a two-story water tower in Shreveport, Louisiana, across two large, empty water purification basins, which acted as an amplifier for the sounds produced by the installation. A "solo" version of "Cold Pin" (without live performers) concludes the album. Tracks 1 and 3 on the first disc and track 2 on the second disc were recorded at the historic Cyclorama, a massive dome at the Boston Center for the Arts. "Cold Pin" was installed directly on a large curved wall in the dome, using micro-controlled motors and beaters to strike extended strings ranging in length from three to 25 feet. The 2CD is mastered by Rashad Becker at Clunk, in a limited edition of 1,000 copies. It is packaged in a pro-press digisleeve jacket which itself is housed in a silk screened PVC sleeve with extensive images from the installations, program notes, sketches of the installations, scores, electronic schematics from the projects, and accompanying drawings and artwork by Eli Keszler and Bill Kouligas." - Pan. |
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Artist: KESZLER, ELI Title: Cold Pin Format: LP Label: Pan Country: UK Price: $27.00 |
| "Over two years in the making, Cold Pin is the new full-length record by Eli Keszler. Both a composition and stand-alone installation, 14 strings ranging in length from 25 to 3 feet are strung across a 15x40 curved wall, with motors attacking the strings, connected by microcontrollers, pick-ups and RCA cables. Recorded in Bostons historic Cyclorama, a massive dome built to house the Cyclorama of the Battle of Gettysburg painting in 1884. The B-side features, in addition, a "dry" version of the installation with motor attacks on metal squares rather than strings, creating dense percussive clusters. Cold Pin works within the frame work of left-to-right time and vertical structure. The installation acts as the architecture of the music, surrounding and immersing the live instruments into incredible density and sharp, angular mass shapes, and functions alone as the performers stop. Rather than an individual sound, the sustained horns, strings, drums and metallic attacks function as a singular unit, and continue, too, when they stop alongside the installation. Cold Pin features Eli Keszler (drums, crotales installation and guitar), Geoff Mullen (guitar), Ashley Paul (clarinet, guitar, greenbox), Greg Kelley (trumpet), Reuben Son (bassoon) and Benjamin Nelson (cello). Eli Keszler is a composer, artist and multi-instrumentalist based in New York City. In performance, he often plays drums, bowed crotales and guitar in conjunction with his installations. In his ensemble compositions, he uses extended strings, motors, crotales, horns and mechanical devices to create his sound, balancing intense harmonic formations with acoustic sustain, fast, jarring rhythm, mechanical propulsion, dense textures and detailed visual presentations. He has most recently won the Mata composers competition for the 2012 season. Eli Keszler is a graduate of the New England Conservatory in Boston where he studied with Anthony Coleman and Ran Blake. Limited edition of 500 copies, pressed on 140 gram vinyl housed in a silk screened PVC sleeve. Mastered and cut by Rashad Becker at Dubplates & Mastering." -Pan |
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Artist: MOHAMMAD Title: Som Sakrifis Format: LP Label: Pan Country: UK Price: $27.00 |
| "Based in Greece, Mohammad make long-form drone works that explore the lower end of the frequency spectrum while retaining an intense emotional capacity. The results are monumental, slow-moving blocks of sound, both daunting and musical. The sheer weight of these recordings is impressive, the interplay of the musicians and instruments staggering, this end result being an album rich with harmonious abstraction which highlights years of dedication to their unique path. Following on from their previous releases (the highly-regarded Roto Vildblomma CD and the Spiriti 3LP box, both on Antifrost) Som Sakrifis follows the trio through three tracks of deep space experimentation where the acoustic and electronic blend together as a monumental whole. Listening to Som Sakrifis takes the listener on an expansive journey through the netherworld of the low range while retaining distinct traces of musicality. The time and space in these works have a logic more akin to that of Hungarian filmmaker Béla Tarr than any contemporary music references. Monumental monochromatic movement is the order of the day. Sit back, strap in and let these fine explorers take you way out into the nether world. Mastered and cut by Rashad Becker at Dubplates & Mastering, pressed on 140 gram vinyl. Packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." - Pan. |
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Artist: NHKKOYXEN Title: Dance Classics Vol. I Format: LP Label: Pan Country: UK Price: $27.00 |
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"Born in Osaka, Kouhei Matsunaga is a musician and an illustrator. He started drawing during childhood under the influence of his grandfather. He grew up listening to hardcore techno and hip-hop, studied architecture and has been mainly making music since 1992. Under many different aliases (NHK, NHKyx, Internet Magic, Koyxen) he has released numerous albums on labels such as Skam Records, Wordsound, Raster-Noton and his first-ever album Upside Down on Mille Plateaux in 1998. He has also collaborated with artists like Merzbow, Jungle Brothers Sensational, Autechres Sean Booth, Mika Vainio, Conrad Schnitzler, Anti Pop Consoriums High Priest, Rudolf Eb.er, Puppetmastaz crew, Asmus Tietchens, Ralf "RLW" Wehowsky and so on. His own label Flying Swimming was founded in 2002 with the main purpose of publishing and curating experimental contemporary music and art events. Dance Classics Vol. I documents his more dance-oriented material, as seen from his sets with Sensational and also his other minimal techno project, NHK. Not feeling tied down to one genre, Matsunaga nestles in the PAN roster, but that isnt to say that his is any kind of ordinary dance music. As witnessed from his recent collaborations with Conrad Schnitzler, the album focuses more on bass/base electronics, music for the dancefloor and/or altered state reflection. Having composed pieces for WDR based on Henry Chopin, Kouhei is equally at ease jamming with Sensational, while simultaneously executing an obsessively numerical sequence of dance pieces that border on Hanne Darboven-like compulsivity. Limited edition of 500 copies, pressed on 140 gram vinyl in a poly-lined inner sleeve, packaged in a pro-press color jacket which itself is housed in a silk-screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas. Mastered and cut by Rashad Becker at Dubplates & Mastering." -Pan.
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Artist: NHKKOYXEN Title: Dance Classics Vol. II Format: LP Label: Pan Country: UK Price: $27.00 |
| "Kouhei Matsunagas Dance Classics Vol. II is the continuation of his ongoing development of his more dance-oriented material, as seen from his sets with Sensational and also his other minimal techno project, NHK. Not feeling tied down to one genre, Matsunaga nestles in the Pan roster. That isnt to say, however, that he is dance per se, as witnessed from his recent collaborations with Conrad Schnitzler. The album focuses more on bass/base electronics, music for the dancefloor and/or altered-state reflection. Having composed pieces for WDR based on Henri Chopin, Kouhei is equally at ease jamming with Sensational, while simultaneously executing an obsessively numerical sequence of dance pieces that borders on Hanne Darboven-like compulsivity. Born in Osaka, Kouhei Matsunaga is a musician and an illustrator. He grew up listening to hardcore techno and hip-hop, studied architecture, and has been mainly making music since 1992. Under many different aliases (NHK, NHKyx, Internet Magic, Koyxen) he has released numerous albums on labels such as Skam Records, Wordsound, Raster Noton, and his first-ever album Upside Down on Mille Plateaux in 1998. He has also collaborated with artists like Merzbow, Jungle Brothers Sensational, Autechres Sean Booth, Mika Vainio, Conrad Schnitzler, Anti Pop Consoriums High Priest, Rudolf Eb.er, Puppetmastaz crew, Asmus Tietchens, Ralf "RLW" Wehowsky and so on. The LP is mastered and cut by Rashad Becker at Dubplates & Mastering and pressed on 140 gram vinyl. It is packaged in a pro-press color jacket which itself is housed in a silk screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." - Pan. |
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Artist: ORTMANN, ANDY Title: Provocative Electronics Format: LP Label: Pan Country: UK Price: $28.00 |
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"Provocative Electronics is an exploration in analog synthesizers and recording techniques. As in the days of musique concrete and the beginning years of synthesizer development, Ortmann experiments with tones and his own brand of electronic tweakage. Provocative Electronics is not a homage, but yet another document in the ongoing history of Electronic Music. For fans of the 20th century Greek composer Xenakis, minimalist John Cage, or pioneer of musique concrete Pierre Schaeffer, Mort Garson, Milton Babbitt, Tom Dissevelt, Ruth White, Delia Derbyshire, Lejaren Hiller, Raymond Scott, Jean Jacques Perrey and Pierre Schaeffer. Andy Ortmann is also known for his work with the transgressive experimental group Panicsville, psych freaks Plastic Crimewave Sound and sole curator of the equally bizarre Nihilist Records label (USA). The LP is mastered and cut by Rashad Becker in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket which itself is housed in a two-tone silk screened PVC sleeve with interweaving geometric designs." -Pan
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Artist: PARKER, EVAN & JOHN WIESE Title: C-Section Format: LP Label: Pan Country: UK Price: $35.00 |
| "British free-jazz phenomenon Evan Parker with electronic and tape noise artist John Wiese in a set of real-time evolving improvisations intended for maximum volume. Vinyl version of the CD released earlier this year (2010), but slightly different, containing all the final mixes and edits of the sessions with a new and more intense mastering for the maximum listening experience. C-Section finds density in scarcity -- deep, glacial muck bubbles emerge beneath Parkers inhuman circular breathing, only to plunge into an incessant clatter of industrial landscape. Evan Parker is a free-sax legend, best known for his work with Keith Rowe (AMM), Anthony Braxton, Joe McPhee, Cecil Taylor, Peter Brotzmann (including on his epochal Machine Gun), Derek Bailey, and for his inspired, individualistic take on musical freedom. Being the U.K.s equivalent of Peter Brotzmann means that as far as free-jazz saxophonists go, Evan Parker has very few equals. Hugely respected with a rich and varied back catalogue, Parker has graced the cream of the free-jazz racks for the last forty years. John Wiese is an artist and composer from Los Angeles, California. His recent works have a focus on installation and multi-channel diffusions, as well as scoring for large ensembles. He has toured extensively throughout the world, covering the U.S., U.K., Europe, Scandinavia, Japan, Australia, and New Zealand. He is also a founding member of the concrète grindcore band Sissy Spacek. The LP is mastered by Diane Maroney, cut by Rashad Becker at D&M, in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket, which is itself housed in a two-tone silkscreened PVC sleeve with interweaving geometric designs. All artwork by Kathryn Politis and Bill Kouligas." -Pan. |
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Artist: R/S (PETER REHBERG/MARCUS SCHMICKLER) Title: USA Format: LP Label: Pan Country: UK Price: $27.00 |
| "2011 release. Archival release documenting the 2009 USA tour of Peter Rehberg and Marcus Schmickler under the R/S moniker. Real time extreme music improvisations recorded at Lampo in Chicago and No Fun Fest in New York City. USA is the second full length release by the leading electronic music duo, follow up to their 2007 One (Snow Mud Rain) on Erstwhile Records. The LP is mastered and cut by Rashad Becker at D&M, in a limited edition of 500 copies, pressed on 140 gram vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk screened PVC sleeve with artwork by Kathryn Politis and Bill Kouligas." -Pan |
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Artist: SENSATE FOCUS Title: Deviation Heat-Treated Format: LP Label: Pan Country: USA Price: $19.00 |
| "From behind your ear, PAN pluck a blink-and-miss exclusive: a 35-minute audio response by Mark Fell (aka Sensate Focus) to source material by Heatsick, somewhere between cover version, remix, and deconstruction. Along the A-side "X" plane, tones are exploded, harmonies refracted with HD dissonance; time is extruded, made ductile yet intangible. On the B-side, "Y" axis hydraulic undulations and roiling tones expand and contract between kinetic kink and gyroscopic funk with the pointillist, freeform choreography of a Merce Cunningham piece." -Pan. |
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Artist: SEWER ELECTION Title: Vidöppna Sår Format: LP Label: Pan Country: UK Price: $33.00 |
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"Following on from his Kassettmusik release, Vidöppna Sår is an evolution in scum-brow field recordings and voice recorded to mono tape -- akin to OU Revue -- recorded on a building site. This record shows the development, as witnessed from his recent live performances, of aggressive blur build-up and ominous restraint, tape speed replacing effect pedals, going beyond the mere junk noise description and closer to the original idea of musique concrete, namely altering everyday sounds onto tape into a wholly other vocabulary. Sewer Election is Dan Johansson, based in Gothenburg, Sweden. He is most known for his extreme and nasty noise on often limited edition cassettes and obscure vinyl releases on labels such as iDEAL, Troniks, Chondritic Sound, Release the Bats!, Freak Animal, Segerhuva, and Gameboy to name a few. He is a member of the Swedish collective Utmarken and lo-fi group Attestupa. What separates him from the rest of the wall-of-noise heads is that he is great at creating uncomfort and filth. To experience his stuff is like experiencing pure power and energy through subtle and restrained soundscapes of a world falling into pieces. The LP is mastered by Viktor Ottosson and cut by Rashad Becker at D&M, in a limited edition of 330 hand-numbered copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press jacket, which is itself housed in a two-tone silkscreened PVC sleeve with interweaving geometric designs. All artwork by Kathryn Politis and Bill Kouligas." -Pan.
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Artist: TAZARTES, GHEDALIA Title: Repas Froid Format: LP Label: Pan Country: UK Price: $27.00 |
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"An extraordinary combination of culled found and taped fragments juxtaposed against drums, field recordings and mystery noises, sound loops, birdsong, keyboards and emanations of Ghédalia Tazartès own throaty drones and voice propelled by hypnotic, ritualistic rhythms balanced on a razor-sharp edge. This is the complete work of Repas Froid; previously released on CD in 2009 as brief tracks of source material and a palette of various sounds. It includes archival and as of yet previously-unreleased recordings from the late 1970s and early 1980s, strung together to form two long compositions. A French musician of Turkish parentage, Ghédalia Tazartès is an uncompromising character who defies categorization. Born in 1947 in Paris, he is one of Frances most idiosyncratic talents. He has spent over 30 years within musical practice and experimentation, letting his musical work wander from chant to rhythm, from one voice to another. Manipulating magnetic tape recorders into a rough collage and loose ethno-instrumental mulch, he paves the way for the electric and the vocal paths, between the muezzin psalmody and the screaming of a rocker. He traces vague landscapes where the mitre of the white clown, the plumes of the sorcerer, the helmet of a cop and Parisian anhydride collide into polyphonic ceremonies. The LP is mastered and cut by Rashad Becker at Dubplates & Mastering, in a limited edition repress of 350 copies, pressed on 140 gram vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk-screened PVC sleeve with artwork by Kathryn Politis and Bill Kouligas." -Pan
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Artist: VAINIO/KEVIN DRUMM/AXEL DORNER/LUCIO CAPECE, MIKA Title: Venexia Format: LP Label: Pan Country: UK Price: $27.00 |
| "Pan presents a collaborative album from Mika Vainio (electronics), Kevin Drumm (electronics), Axel Dörner (trumpet, computer) and Lucio Capece (soprano saxophone, bass clarinet, shruti box). Vainio, Drumm, Dörner and Capece have strong points in common, that have been executed in different contexts. The musical map is generally divided into categories that are determined by its most evident and often banal elements; if it has beats or not, if it is quiet or loud, if it has raw material or a carefully worked aesthetic. These four musicians have been working using all the previous elements, but these elements did not determine the music, they were used at the service of deeper ideas related to time and perception. How the sound of our environment can become music, how can music be attractive without telling a story, the work of sound in its extreme: noise, granular and delicate, digital, electronic, instrumental extended techniques, preparations. The musicians involved in this project have worked with each other in various formations: Kevin Drumm and Axel Dörner started working together in the late 90s as part of a trio with Paul Lovens; as a duo they released an influential album on Erstwhile Records. Mika Vainio and Lucio Capece released Trahnie, an album they worked on for three years. Capece and Dörner worked on several projects together, including a residence with Keith Rowe working on Treatise by Cornelius Cardew. Capece and Vainio have been part of the Vladislav Delay Quartet. Capece has played and toured with Kevin Drumm in a trio with Radu Malfatti... finally, theyve all come together on Venexia, recorded in Venice and mixed by Capece with minimal edits. The LP was mastered and cut by Rashad Becker at Dubplates and Mastering, pressed on 140 gram vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silkscreened PVC sleeve with photos by Traianos Pakioufakis and artwork by Kathryn Politis and Bill Kouligas." -Pan. |
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Artist: VIDA, ANDRE Title: Brud: Volumes I-III Format: Triple CD Label: Pan Country: UK Price: $24.00 |
| "Brud is a three volume compilation of recordings from 1995 to 2011 by Andre Vida, morphing seamlessly between a sense of total irreverence and the sublime. His spontaneous compositions and notated works are the angled mirrored counterparts of a transient saxophone-driven performance language, drawing on elements of 1970s performance art, new music, improvisation cult, folk and pop hybrids, channeling them into asymmetrical tunes of feral beauty. Brud traces the development of Vidas wayward language through 16 years of copious ruminations. The three delightfully polymorphic, perverse discs unite sparkling solo sax, pieces for cello and woodwind sextet, synth/concrete electronic music, nocturnal improvisations, rare 90s New York free jazz compositions, and the Kreuzberg suite -- a distilled culmination of a hundred nights of Berlin mayhem into ecstatic, swinging lyricism -- both solo works and as well as various collaborations with Anthony Braxton, Rashad Becker, Axel Dörner, Matt "MV" Valentine, Tim Barnes, Helen Rush, Olaf Rupp, Clare Cooper, Clayton Thomas, Brandon Evans, Elisabeth King, Steve Heather and many more. Andre Vida is a Hungarian American saxophonist, composer and lyricist living in Berlin. More downtown cheeky grin than mere caveman smile, he is cosmically notorious for continuing the Rahsaan Roland Kirk one-man horn section legacy with hydra-headed style. He has been at the forefront of several major developments in experimental music, being mainly in Anthony Braxtons original Ghost Trance Ensemble, as founding member of New York collective the CTIA, subsequent "freak folk" groups such as The Tower Recordings, and his extensive collaborations with electronic music visionaries Jamie Lidell, Tim Exile and Kevin Blechdom, Elton John, Gonzales, Cecil Taylor, Ornette Coleman, to name but a few, sewing up some heavy threads in downtown sax patchwork refracted through a Borgesian lens. Limited edition of 1,000 copies. Packaged in a pro-press digisleeve jacket in a one-tone silk-screened PVC sleeve." -Pan |
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Artist: VIDA, BEN Title: Esstends-Esstends-Esstends Format: LP Label: Pan Country: UK Price: $27.00 |
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"In collaboration with Keith Fullerton Whitman and Greg Davis, Ben Vida explores cross-control voltage-integrated improvisation and real-time automatic group composition. Ben has worked with artists Hisham Bharoocha (duo as Soft Circle), Siebren Versteeg, Doug Aitken, Nadia Hironaka and Mathew Suib. He has played in ensembles led by Tony Conrad, Rhys Chatham, and Werner Dafeldecker. As an improviser, he has performed with Milo Fine, Fred Lonberg-Holm, Chad Taylor, Kevin Drumm, Yamatsuka Eye and C. Spencer Yeh, among many others. He has released over 20 records on such labels as Thrill Jockey, Drag City, PAN, Amish, Bottrop-Boy, Häpna and Kranky. In 2011, Ben was Composer in Residency at Diapason Space, NYC and at EMS Studios, Stockholm and was awarded a Swedish Arts Committee Travel Grant, ISSUE Project Room Emerging Artists Commission and Museu dArt Contemporani de Barcelona "Composing with Process" Exclusive Works Commission. Esstends-Esstends-Esstends is a collection of spatial compositions in which audio focal points shift between external and internal emanation sources. The intent with this work is to escape the stereo image and create an activated listening space of expanded spatialization. Using just intoned pitch combinations to produce difference tones and harmonic distortions, sound materials are created that emanate from both the playback speakers and inner ear of the listener. By engaging the listeners sense of aural perception and sound localization in relationship to compositional structure, these pieces act to reframe the listening experience and encourage an engagement with, not only the form and aesthetic of the music, but the sonic space a recorded piece of music projects. Higher amplitude will help to reveal. Limited edition of 500 copies, pressed on 140 gram vinyl. Housed in a poly-lined inner sleeve, packaged in a pro-press color jacket which itself is housed in a silk-screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." -Pan.
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Artist: VIDA, BEN Title: Esstends-Esstends-Esstends Format: LP Label: Pan Country: UK Price: $27.00 |
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"In collaboration with Keith Fullerton Whitman and Greg Davis, Ben Vida explores cross-control voltage-integrated improvisation and real-time automatic group composition. Ben has worked with artists Hisham Bharoocha (duo as Soft Circle), Siebren Versteeg, Doug Aitken, Nadia Hironaka and Mathew Suib. He has played in ensembles led by Tony Conrad, Rhys Chatham, and Werner Dafeldecker. As an improviser, he has performed with Milo Fine, Fred Lonberg-Holm, Chad Taylor, Kevin Drumm, Yamatsuka Eye and C. Spencer Yeh, among many others. He has released over 20 records on such labels as Thrill Jockey, Drag City, PAN, Amish, Bottrop-Boy, Häpna and Kranky. In 2011, Ben was Composer in Residency at Diapason Space, NYC and at EMS Studios, Stockholm and was awarded a Swedish Arts Committee Travel Grant, ISSUE Project Room Emerging Artists Commission and Museu dArt Contemporani de Barcelona "Composing with Process" Exclusive Works Commission. Esstends-Esstends-Esstends is a collection of spatial compositions in which audio focal points shift between external and internal emanation sources. The intent with this work is to escape the stereo image and create an activated listening space of expanded spatialization. Using just intoned pitch combinations to produce difference tones and harmonic distortions, sound materials are created that emanate from both the playback speakers and inner ear of the listener. By engaging the listeners sense of aural perception and sound localization in relationship to compositional structure, these pieces act to reframe the listening experience and encourage an engagement with, not only the form and aesthetic of the music, but the sonic space a recorded piece of music projects. Higher amplitude will help to reveal. Limited edition of 500 copies, pressed on 140 gram vinyl. Housed in a poly-lined inner sleeve, packaged in a pro-press color jacket which itself is housed in a silk-screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." - Pan.
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Artist: WHITMAN, KEITH FULLERTON Title: Disingenuity/Disingenuousness Format: LP Label: Pan Country: Greece Price: $27.00 |
| "Keith Fullerton Whitman bursts back with his first full length record in four years, Disingenuity b/w Disingenuousness, comprising of two pieces of forward thinking electronic music with a deep exploration into the analogue sound. Live and studio recordings of the past two years (Cambridge-New York-Toronto) were used as source material, which were then realized into two longform compositions. Using a Musique Concrète approach of deconstructed sounds (ala Pietro Grossi, Costin Miereanu, Basil Kirchin, Dub Taylor, etc), Disingenuity b/w Disingenuousness encompasses various reference points from François Bayle, Jacques Lejeune, Richard Pinhas & Heldon to the minimal textures of Basic Channel / Chain Reaction axis... Both tape-collage pieces which derived from an hour-long improvisation based around a setup involving a tape of chance field-recordings (a helicopter, walking on snow, children) bounced to a mono nagra tape machine, which is covered in contact mics that translate not just the sound coming from the speakers, but the actual mechanical interface of the unit into control voltage & triggers that drive a modular synth thats processing said audio using the classic electronic music toolkit (i.e. ring modulation, panning VCAs, filters, etc). The LP is mastered and cut by Rashad Becker at D&M, in a limited edition of 500 copies, pressed on 140g vinyl and comes in a poly-lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk screened PVC sleeve with artwork by Bill Kouligas." - Pan. |
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Artist: WIESE, JOHN Title: Seven of Wands Format: CD Label: Pan Country: UK Price: $18.00 |
| "As a composer, John Wiese is an elusive one. Employing a very healthy range of conceptual framework throughout his oevure, hes unmistakably recognizable, but rarely easy to predict. No matter what the sound, we find it always sounds like Wiese. Seven Of Wands contains a romanticism only hinted at previously. Comprised of pieces from a range of eras and sequenced into a narrative arc, this very unique album has a quality of being beautiful, listenable, immersive, and transportive all at once. On this latest, we find more emphasis on beauty and musical qualities, employing strategies and techniques of musique concrete and electroacoustic music throughout, all the while further emphasizing the mixing desk as a true instrument. Two of the albums central pieces were developed while touring the U.S., UK and Europe with Liars, No Age, and (in quadraphonic) Matmos, and feature source material contributed by Angus Andrew (voice, field recording) and Julian Gross (percussion) of Liars. CD is a limited edition of 1,000 copies, packaged in a pro-press digisleeve jacket which is housed in a one-tone silk-screened PVC sleeve." -Pan |
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Artist: WISHART, TREVOR Title: Fanfare & Contrapunctus/Imago Format: LP Label: Pan Country: Greece Price: $27.00 |
| "Vinyl issue of two very important works by this early British sound poet and electronic composer, compiling one of Trevor Wisharts first ever pieces Fanfare & Contrapunctus (from 1976) and one of his latest, Imago (from 2002), documenting a modern approach in composition and an extremely unique progress in sound manipulation and music technology. Fanfare & Contrapunctus (1976): These two short pieces were made at the newly opened electronic studio at the Sydney Conservatorium, before the advent of music computer technology. The source material derives from free improvisations by Trevor Wishart and Martin Mayes using soft trumpets, pop-guns, French Horn and virtuoso eating noises, plus recordings of birdsong and other environmental sources. Imago (2002) ...the universe in a grain of sand... Imago is a piece of magical sound metamorphosis in which the single clink of two whisky glasses gradually metamorphoses into a multitude of other sounds, eventually alluding to the sounds of birdsong, a junkyard gamelan, the ocean and the human voice, but never entirely abandoning its links to this minimal source. The piece was made using sound transformation software written by the composer, available through the Composers Desktop Project, and the original source sound was taken from Jonty Harrisons et ainsi de suite. The LP is mastered and cut by Rashad Becker at D&M, in a limited edition of 500 copies, pressed on 140g vinyl and comes in a poly- lined inner sleeve. It is packaged in a pro-press color jacket which itself is housed in a silk screened PVC sleeve with artwork by Kathryn Politis & Bill Kouligas." - Pan. |