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Artist: F INGERS
Title: Hide Before Dinner
Format: LP
Label: Blackest Ever Black
Country: UK
Price: $29.00
“Hide Before Dinner is an extraordinary LP from a group comprising Carla dal Forno (Tarcar), Samuel Karmel, and Tarquin Manek (Tarcar,LST). Deeply drugged, synth-daubed death-folk and DIY electronics of the highest order; acutely psychedelic, inscrutable but emotional, sunken but prone to soaring, with flashes of horror too. Beautifully conjures the mirth and murk of childhood summers... a relatable surburban gothic... grazed knees, hide-and-seek, nettle-stings. Trampled flowerbeds and failing light. Ghouls in your neighbors garden. Think Nico meets Dome or Alison Statton wandering The Pickle Factory after dark. If you dream you die, you die. Cover art by dal Forno and Manek. Layout assistance by Oliver Smith. Cut by Noel Summerville and pressed at Optimal. Housed in full-color gloss sleeve with printed inner sleeve and download code.” - Blackest Ever Black.

Artist: F.D.A.S.F.D.A.
Title: High Fashion
Format: 7"
Label: Djuring/Borft
Country: Sweden
Price: $6.50
"a cool & bizzare sound that mix together classic folk music with today electonics and much more." - Borft. Edition of 250.

Artist: F/i
Title: Blanga
Format: CD
Label: Lexicon Devil
Country: Australia
Price: $13.00
"Blanga was originally released in 2005 on Lexicon Devil. Milwaukee space/psych-rock veterans F/i saw original member Richard Franecki (Vocokesh) return to the fold and the results are here to behold. With a string of highly-praised reissues from the band under Lexicons belts, ranging from the years 1983-1991, they figured it was high time to release some of their contemporary recordings. Also returning are Brian Wensing, Grant Richter with Rick Hake and John Frankovic. Most of all, Blanga (apparently an in-joke within the group and something to do with Amon Düül and Hawkwind) rips out some of the most awe-inspiring, trance-inducing and speaker-destroying psychedelic space-rock of the last 25 years. All the crucial pieces are in place: the metronomic drum beats, the Eno/Hawkwindesque synth swirls and, most of all, the overwhelming cloud of fuzzbox guitar distortion coating the proceedings. You get a mere 5 songs in 47 minutes; from the raga-drone of "An Extremely Lovely Girl Dreams of Blanga" to the stunning blips n whirls of the keyboard/sitar track, "Blangas Love Song," right on through to the closer, "Grandfather Blanga and His Band Light It Up," a Flipper-y dirge with one foot on Earth, one on Mars." -Lexicon Devil

Artist: F/i
Title: Paradise Out Here
Format: CD
Label: Lexicon Devil
Country: Australia
Price: $13.00
"Reissued by Lexicon Devil in 2006. Originally released on the Human Wrechords label in 1989, Paradise Out Here has long been the most elusive and sought-after recording from Milwaukees space-rock giants, F/i. Having once again gained a substantial cult following after the other F/i reissues Lexicon Devil has released over the last 5 years, the band came back together. The time is right to get the one non-RRRecords LP from the 80s back into the public eye, and since the LP was only released in an edition of 300 copies, therell be plenty who will want to hear this. Recorded between the Why Not? and Blue Star LPs, it captures the band in peak form. The opener, "From Poppy With Love" is one of the bands strongest numbers, a surging collision of 80s punk rock energy dosed in clouds of cosmic guitar fuzz. It slays. The drive of the following two songs, "The House Of The Pharaohs Daughter" and "The Ninth Corner," never lets up until the band sets the controls for the heart of the sun with the nigh-on 20-minutes tribal dirge of "Om 21." The holy combination of amp-destroying guitar noise, anchored, low-end bass, rock-steady drumming and other-worldly synth whoops and bleeps is a beauty to experience. To finish it off, the band has whacked on two bonus tracks, "Satellite Surfer" and "Five Crowns Of The Saxon King," both recorded around the same period, as a taster for the bounties they have sitting around in dusty tape boxes. Paradise Out Here could just be F/is best recorded work, and Lexicon Devil is pleased to get it out once again for a whole new generation of fans. Fully remastered by the band with all new artwork." -Lexicon Devil
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Artist: FABRIC
Title: A Sort Of Radiance
Format: LP
Label: Spectrum Spools
Country: USA
Price: $20.00
"Edition of 500. Matthew Mullane is a Chicago multi-instrumentalist performing under the guise of Fabric. Here we have a fine suite of compositions which embark on a voyage through darkness of night and the brightness of day. Washed-out dark colors and static pulses sweep across your stereo painting a portrait of intense yearning and determination. Recorded over the course of a year, Matthew has constructed a multi-dimensional organism of sound that has perplexing depth and astounding detail. The album reveals new shapes and sizes with repeat listens and is truly a work which you can submerge yourself in to get lost. "Leaving The House" is an energetic workout with its dense, ultraviolet fog and stream-like melodies. Then theres the vignettes such as "Orange And Red" or "Containers," that branch out into unfamiliar territory in their own special ways, synthesizing a journey far from home. So far, Fabric releases have appeared in very small editions including a split with Sparkling Wide Pressure and a practically non-existent cassette on Fairchild Tapes. Spectrum Spools is proud to kick off the label by presenting the debut Fabric album. Cut by Rashad Becker at Dubplates & Mastering, January 2011." -Spectrum Spools

Artist: FABULOUS DIAMONDS
Title: Commercial Music
Format: LP
Label: Chapter Music
Country: Australia
Price: $18.00
"After two albums and an EP without song or record titles, the presence of names on Melbourne duo Fabulous Diamonds third album is probably going to be the first thing that people notice. Its also the most irrelevant. What really matters is that Commercial Music is Fabulous Diamonds most textured, luxurious album yet. While their first record was baby steps and stabs in the dark, and their second album reached for an under-produced liveliness, Commercial Music -- titled with no hint of irony -- is high-brow, young adult contemporary pop music. As with their last album, 2010s Fabulous Diamonds II (CH 077CD), the band recorded with Eddy Current Suppression Ring/Total Control guitarist Mikey Young, this time taking over the upstairs room in Melbournes John Curtin Hotel for four days in mid-2011. Photographic assistance again comes from the inimitable Karl Scullin. But the deep shimmer of "Inverted Vamp" introduces a new, all-enveloping sound, and later "Wandering Eye" and "Lothario" display a newfound ease with canny song construction. Drummer Nisa Venerosa and keyboardist Jarrod Zlatics lyrics deal with cynical social observations and bleak character portraits, but over the billowing music, they take on a dreamy languor that makes them seem almost harmless. And as always, Fabulous Diamonds explore each of their ponderous grooves to its fullest, but now, the weight is lifted by nuanced arrangements and seamless digital production. Commercial Music is both deep and feather-light, the heaviest of transcendental pop." - Chapter Music.

Artist: FABULOUS DIAMONDS
Title: Fabulous Diamonds
Format: 7"
Label: Nervous Jerk
Country: Australia
Price: $10.00
Latest release from this "hypnotic acid-dub outfit" out of Melbourne, Australia. "nisa venerosa & jarrod zlatic. elements of dub, minimalisim, psychedlia, post punk etc. derived into a sound made with drums, sax, electric organ and lots of delay. we got songs but everythings always a bit shaky and improvised/off-the-cuff" - www.myspace.com/fabulousdiamonds. Forthcoming LP on Siltbreeze.
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Artist: FABULOUS DIAMONDS
Title: Fabulous Diamonds II
Format: CD
Label: Chapter
Country: Australia
Price: $16.00
"This is the second album by Melbourne duo Fabulous Diamonds. This odd duo makes overtly hypnotic music, full of lulling, sensual repetition, but theres also an edge of irritation, an undercurrent of friction that cuts through the drone and propels the songs forward. Fabulous Diamonds II begins with drummer/vocalist Nisa Venerosa yelling at keyboardist Jarrod Zlatic, as he counts in the first track, but they still start together in perfect unison. Its this combination of tension and intuitive understanding that makes Fabulous Diamonds so special. They have been playing and arguing together for more than five years now, and their musical bond has grown deeper and more expansive since their 2008 self-titled debut. That album made it into revered UK mag The Wires top albums of the year, and got glowing reviews from the likes of Pitchfork and The Fader. But this new record is still a remarkable development. Of its five untitled tracks, two extend well past the ten-minute mark, sustaining a kind of grumpy intensity that never lags. The album was recorded with budding producer Mikey Young of Eddy Current Suppression Ring, and was mastered by Quas Cornel Wilczek. Like their first album, it will be released on vinyl by venerable U.S. label Siltbreeze. Fabulous Diamonds toured the U.S. in 2008 with Times New Viking and Psychedelic Horseshit, playing 26 dates in one month. In 2009, they were invited to perform at Belgiums Kraak Festival alongside Wavves, Kurt Vile and others. They also played in the UK, Holland, France, Switzerland, Portugal and Sweden on their 2009 European tour. In Australia, the band have played with Deerhunter, Yeasayer, Akron Family, Beach House, and many more." -Chapter

Artist: FABULOUS DIAMONDS
Title: Fabulous Diamonds II
Format: LP
Label: Siltbreeze
Country: USA
Price: $16.00
"The second full-length outing from FABULOUS DIAMONDS is a continuation of the lush and mesmerizing electro / percussive landscapes explored on their self-titled debut LP (released on Siltbreeze in 2008). JARROD ZLATIC and NISA VENEROSA spark lots of musical embers along the way: dub, trance, house, ambient, minimalist, hints of Suicide and Terry Riley-basically everything from Silver Apples to Silver Apples of the Moon. Fabulous Diamonds are equally at home in indie gulags, art galleries or disco gullies. Fans of the more esoteric side of Siltbreeze-Blues Control and US Girls, especially-should be mightily chuffed by the beauteous hypnotic (hypnagogic?) pop Fab Ds are laying down here. Look for the band to tour Europe in mid/late 2010. Includes a free download coupon. Received a 7.4 rating from Pitchfork." -Siltbreeze

Artist: FABULOUS DIAMONDS
Title: S/T
Format: LP
Label: Siltbreeze
Country: USA
Price: $14.00
"Adorably known to friends and family in Australia as JARROD and NISA, THE FABULOUS DIAMONDS beguiling truck is a mesmerizing mix of synth, dub, and percussion, woven around honey-ache vocal stylings recalling (in spirit) past Aussie noisemakers Scattered Order or Makers Of The Dead Travel Fast, as well as those of Augustus Pablo, Young Marble Giants, and Suicide. Their one previous release was a 7-inch co-released by Nervous Jerk and Misteltone, and it garnered praise from the Blogosphere and a smattering of airplay on discerning freeform radio stations around the US. This LP on Siltbreeze has been in the works for the better part of a year; its release coincides their first American tour (along with Siltbreeze labelmates, Psychedelic Horseshit)." -Siltbreeze

Artist: FACIALMESS
Title: You Trip Me Up
Format: Cass
Label: No Rent
Country: USA
Price: $8.00
Sold out at source. “The newest effort from Facialmess is an exercise in precision industrial noise that provides all the punches you have come to expect from the project, while growing horns in new directions. On "You Trip Me Up" Sanderson shows restraint and carefully builds environments that have only been alluded to with previous efforts. Taking a dive into deep ambience and heavy industrial grooves Facialmess pushes all angles further than ever before while still maintaining intensity. The attention to detail in his cold, calculated edits creates compositions that build to climax rather than unfurling a constant barrage of cuts and blasts. An essential release for any fan of modern concrete.” - Justin Lakes.

Artist: FACTORYMEN
Title: Factorymen
Format: 7
Label: Minds Eye
Country: USA
Price: $5.00
"Recordings made with STEVE from HOMOSTUPIDS during and after their Brutal Birthday sessions. Seven spooky cuts featuring synth, drum, guitars and mouth." - Minds Eye.
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Artist: FACTORYMEN
Title: Yellow Eyes & The Sound of Vomit
Format: 12"
Label: Richie
Country: USA
Price: $16.00
"More Mensa material from the Rust Belt. FACTORYMEN is a sociopathic, meticulously crafted studio project that centers around Steve Peffer (Homostupids, Folded Shirt, Pleasure Leftists, etc.). It involves the targeted misuse of Rock & even Dance Music instruments and its certain to test the patience of your roommate, lover, or father. Yellow Eyes & The Sound of Vomit is an obtuse, off-putting, though catchy mini-album. These are the types of tunes that will roll around in your empty head and youll recall them, with horror, as you wait for the bus or write a check for rent or when you beg for forgiveness from your boss after your latest fuck-up. This record is the soundtrack to unpleasantness. 305 copies. Covers silk-screened by Neil Burke at Monoroid. Includes mp3 download for Yellow Eyes... + Shitman + the debut FACTORYMEN 45 on My Minds Eye Records." - Richie.

Artist: FACTRIX
Title: Scheintot
Format: CD
Label: Superior Viaduct
Country: USA
Price: $15.00
"Arguably the most prescient band of the entire late 70s San Francisco underground, Factrix released just one 7-inch and two pioneering LPs in the early 80s. Formed in 1978 by Cole Palme (one-time member of the LAFMS group Airway) and Bond Bergland (later of Saqqara Dogs), the two initially called themselves Minimal Man and performed a handful of shows along with Patrick Miller (who would go on to have a great solo career under the MM moniker). Soon they enlisted bassist Joseph T. Jacobs (Bay Of Pigs) and emerged from their Mission-district basement with their own unique take on the burgeoning English and New York post-punk scenes. The results were throbbing walls of damaged electronics, grim lyrical musings, droning bass, piercing guitar, and a modified Roland CR-78 played at 1/4 its slowest speed. Factrixs sole studio album, 1981s Scheintot, is a dark, moody, and penetrating work that grows more contemporary every year. Genuinely disturbing at times and often disorientating, it filters the influence of peers such as Cabaret Voltaire and DNA through the sonic and structural sensibilities of The Velvet Underground. An underappreciated masterpiece of the early industrial/No Wave era, Scheintot is a record that compels the listener to lift the needle from the run-out groove and listen again and again. Julian Cope describes it best: Factrixs Scheintot deserves to be experienced several times, preferably in the darkness and in a state of near exhaustion (and/or informed by psychoactive chemicals). CD with 16-page booklet + Empire of Passion b/w Splice of Life single. Liner notes by Julian Cope." -Superior Viaduct.

Artist: FACTRIX
Title: Scheintot
Format: LP
Label: Superior Viaduct
Country: USA
Price: $17.00
"Arguably the most prescient band of the entire late 70s San Francisco underground, Factrix released just one 7-inch and two pioneering LPs in the early 80s. Formed in 1978 by Cole Palme (one-time member of the LAFMS group Airway) and Bond Bergland (later of Saqqara Dogs), the two initially called themselves Minimal Man and performed a handful of shows along with Patrick Miller (who would go on to have a great solo career under the MM moniker). Soon they enlisted bassist Joseph T. Jacobs (Bay Of Pigs) and emerged from their Mission-district basement with their own unique take on the burgeoning English and New York post-punk scenes. The results were throbbing walls of damaged electronics, grim lyrical musings, droning bass, piercing guitar, and a modified Roland CR-78 played at 1/4 its slowest speed. Factrixs sole studio album, 1981s Scheintot, is a dark, moody, and penetrating work that grows more contemporary every year. Genuinely disturbing at times and often disorientating, it filters the influence of peers such as Cabaret Voltaire and DNA through the sonic and structural sensibilities of The Velvet Underground. An underappreciated masterpiece of the early industrial/No Wave era, Scheintot is a record that compels the listener to lift the needle from the run-out groove and listen again and again. Julian Cope describes it best: Factrixs Scheintot deserves to be experienced several times, preferably in the darkness and in a state of near exhaustion (and/or informed by psychoactive chemicals)." 4-page insert with liner notes by Julian Cope." -Superior Viaduct.
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Artist: FACTRIX/CAZAZZA
Title: California Babylon
Format: CD/DVD
Label: Superior Viaduct
Country: USA
Price: $19.00
"California Babylon is a far more sparse and caustic offering than Factixs debut, Scheintot, documenting their live collaboration with notorious artist Monte Cazazza, who along with recording for Throbbing Gristles Industrial label also coined its Industrial Music for Industrial People motto. Originally released on the seminal Subterranean Records in 1982, California Babylon remains one of the best collections of violent guitar and primitive machine-noise resonance ever released. Featuring a musical treatment of the Brion Gysin permutation poem, Kick That Habit Man, with avant-garde percussionist ZEV backing the band. This first time reissue comes from the original analog source. DVD contains bonus material of four studio tracks previously unreleased in the US, the Prescient Dreams single, and a feature-length movie, the so-called Night of the Succubus (live in San Francisco 1981), complete with special appearance by Mark Pauline from Survival Research Labs. NTSC all-region format DVD." -Superior Viaduct.

Artist: FACTRIX/CAZAZZA
Title: California Babylon
Format: LP
Label: Superior Viaduct
Country: USA
Price: $17.00
"California Babylon is a far more sparse and caustic offering than Factrixs debut, Scheintot, documenting their live collaboration with notorious artist Monte Cazazza, who along with recording for Throbbing Gristles Industrial label also coined its Industrial Music for Industrial People motto. Originally released on the seminal Subterranean Records in 1982, California Babylon remains one of the best collections of violent guitar and primitive machine-noise resonance ever released. Featuring a musical treatment of the Brion Gysin permutation poem, Kick That Habit Man, with avant-garde percussionist ZEV backing the band. This first time reissue comes from the original analog source." -Superior Viaduct.

Artist: FACTUMS
Title: Alien Native
Format: LP
Label: Siltbreeze
Country: US
Price: $13.00
"FACTUMS are a contempo three-piece hailing outve Seattle who claim to have ties with (i.e. include former members of) A-FRAMES and THE INTELLIGENCE. Originally released as a CD in 2004, Alien Native shows a band burrowed deep in the mystery and menace of the nascent gnarl of experimental art rock. Imagine a record collection consisting solely of The Residents Fingerprince, Chromes Alien Soundtracks, and Cabaret Voltaires Nag Nag Nag. A blast from any of these records could clear a house back in the old days; now they fill it. Fortunately The Factums dont operate on such a binary plane. They are capable of resorting to either option, depending on the time and place. Alien Native is a great swab of past-sounding electro-junkoid rumble absorbed into the mind and matter of present day pre-analog excavators. Limited vinyl-only pressing of 500 copies with hand-screened jackets." - Siltbreeze.
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Artist: FACTUMS
Title: Flowers
Format: LP
Label: Sacred Bones
Country: USA
Price: $14.00
"Flowers" is the latest full length from Seattles bleak and ominous Factums and is their second for the Sacred Bones label. Recorded between 2006 and 2007 but only now seeing a proper release, "Flowers" is dark and disturbing. The album has twenty two tracks that fluctuate from sound collage to soundtrack-esque moments as well as more structured songwriting. This album also has flashes of abrasive electropunk that has garnered them well-deserved comparisons to Chrome, Cabaret Voltaire, Throbbing Gristle and much of the early Wax Trax catalog." -Sacred Bones.

Artist: FACTUMS
Title: Gilding The Lillies
Format: Double LP
Label: Assophon
Country: USA
Price: $20.00
"Double LPs tend to make quite the statement. The proof is in the pudding, as they say. Just listen to classics like Trout Mask Replica, Double Nickles On The Dime, Lake, Twin Infinitives, Harsh 70s Reality....well, Factums have thrown their hat into the proverbial ring with Gilding The Lilies. This mythic release has been rumored and debated for some time and to say this is their crowing achievement is an understatement. Factums have been shrouded in mystery, rarely playing live -- this hermetic Seattle/Chicago combo have been releasing rustic/futuristic artifacts for a variety of labels over the last few years. On Gilding The Lilies, all the ideas come together: sci-fi surf rock, post-apocalyptic murder ballads, musique concrète anthems, hell, on Gilding The Lilies they even dedicate the latter half of this masterpiece to Far Eastern exotica and incorporate sitars and tablas. Yeah, this aint no Beatles trip, its a Factums take on their inner chakra or pith helmet exploitation or whatever the kids are calling it these days. Limited one-time pressing of 700 copies." -Assophon

Artist: FACTUMS
Title: OST: A Primitive Future
Format: LP
Label: Assophon
Country: USA
Price: $16.00
"Primitive Future indeed! Its 4000 a.d. and human kinds fate from a binge of manifest destiny has finally collapsed on itself. Now were back to the basics. The jungle is in charge again. The Factums have crafted a soundtrack to this dark and mysterious place. A world where the listener is the prey and this record is the hunter. This is exploratory music, a melding of rusted out kraut debris, dead c. carnage and lost in time sci-fi rock moves. edition of 400 copies." - Assophon

Artist: FACTUMS
Title: Roman Soldier
Format: LP
Label: HBSP-2X
Country: USA
Price: $16.00
"Three-piece unit FACTUMS and Captcha (HBSP-2x) Records, of Seattle and Chicago, present Roman Soldier, a multi-dimensional sonic experience of cinematic beauty. The first decaying hit of this record sounds like the approach of an apocalyptic army overheard from the inside of an insurgents desolate cave. Suspense builds as the cadence of the piece accelerates, the twists and turns of its theme provoking high anxiety and cold sweats. As tension climaxes and the sonic assault begins to fade, sounds evocative of dazed contemplation suffuse the aural space, creating an impression of crystalline clarity that might be reminiscent of an introspective montage, replaying the last conversation you had with the one you love. In its primal minimalism, calculated chaos and transcendental ambience, this record presents an opportunity to abandon the banality of modern life and lose yourself in the complexities of your imagination. The Roman Soldier EP follows up the exquisite release Flowers on the Sacred Bones label, arriving in advance of the highly anticipated release Gilding the Lilies. This record, featuring an etching on the reverse, is being produced in an edition of 500 copies and will not be repressed." - HBSP-2X

Artist: FACTUMS
Title: S/T
Format: 7"
Label: Pollymaggoo
Country: France
Price: $9.00
"Factums are a dark and brooding bunch of lads from Seattle with membership directly descending from The Intelligence, Pyramids, Fruit Bats etc.. Factums play crazy wierd glitched out industrial punk rock. 4 songs EP in heavy cardboard sleeve, 11 minutes of gliding and seductive synth, insistent beat, and phone-tapped vocals, each one featuring another side of Factums fuzzed out scuzz." - Pollymaggoo.
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Artist: FACTUMS
Title: Spells and Charms
Format: CD
Label: Kill Shaman
Country: USA
Price: $10.00
"FACTUMS are a dark and brooding bunch of lads from Seattle and Chicago featuring ex-members of THE INTELLIGENCE and FRUIT BATS. They play crazy, weird glitched-out industrial punk rock. Seventeen fairly alien sounding tracks." - Kill Shaman. Previous LP on Siltbreeze.

Artist: FADENSONNEN
Title: Badlands
Format: LP
Label: One Hand
Country: USA
Price: $21.00
“Fadensonnen are a Brooklyn/Vermont duo consisting of PD and RD. They have a full-length and a few EPs to their name, all self released, and have played a couple gigs a year. But theyve stayed under most radars cept for the more sophisticated ones (hello FMU). "Badlands" is their second full length, and their vinyl debut, and it strikes with the menace of IIIrd Gatekeeper-era Skullflower and the wasted sprawl of some of the PSF catalogs more punishing moments. The guitars are feral and upfront, the rhythm section is a murky brew of rumbling and pounding that fights to be heard above the squeal. This is a massive blast of dark psych amp-destruction. Play these 3 tracks loud at 45 RPM. For fans of Skullflower, Urthona, Fushitsusha, Les Rallizes and Celan. Edition of 150 numbered copies. Hand-drawn, silk-screened jacket with art insert.” - One Hand.

Artist: FADOUL
Title: Al Zman Saib
Format: LP
Label: Habibi Funk
Country: Germany
Price: $27.00
"Reissue of very rare arabic funk music with a punk attitude, for fans of labels like Now Again, Pharaway Sounds, Soundway, Analog Africa, etc. 8 tracks of raw Arabic funk music, none of these have ever been reissued before. So far Fadoul (or Fadaul, or Faddoul, the transcription of his name to Latin letters differs)& his music had not been rediscovered, as a matter of fact most of those songs still left no trace whatsoever in the world wide web. It took us 2 years and countless trips to Morocco to find the artists family to license the release from them. Comes with liner notes, unseen live photos and lyrics translations." - Habibi Funk.

Artist: FAHEY, JOHN
Title: 1978 Live At Audimax Hamburg
Format: DVD
Label: Blast First Petite
Country: UK
Price: $18.00
"Shot live for TV by the legendary German music show "Rockpalast", this DVD represents the earliest example of a complete John Fahey concert performance, given on March 17, 1978. The multi-camera filming features detailed close-ups of Faheys playing style, giving Fahey fans a rare insight into what Pete Townshend has called the William Burroughs of the guitar. Faheys 1978 visit to Europe saw him in fine wild form, performing an 10-track set and, as an incredibly rare bonus, a short interview with the maverick iconoclast. All-Region NTSC-compatible DVD in CD digipak. Location: Audimax, Hamburg. John Fahey: vocals, guitar." -Blast First Petite.

Artist: FAHEY, JOHN
Title: America
Format: Double LP
Label: 4 Men With Beards
Country: USA
Price: $30.00
"Originally released in 1971, America is one of the artistic high points of John Faheys career. And yet, for nearly 30 years it was not heard in its entirety, as what was originally intended as a double album was pared down to a single LP. 4 Men With Beards is proud to present the complete America double album, released on vinyl for the first time ever. Fahey himself had this to say about America: "Out of all the songs I ever wrote, I consider only two of them epic or classic or in the great category and they are both on this record." Deluxe gatefold packaging that includes a reproduction of the original illustrated booklet. 180 gram vinyl." - 4 Men With Beards.

Artist: FAHEY, JOHN
Title: Blind Joe Death
Format: LP
Label: Takoma
Country: USA
Price: $14.00
"Back in print on vinyl at last, this is a 60s reworking of the songs on the legendary guitarists very rare 1959 self-released debut album, and also his first release on the Takoma label. In 1959 Fahey was just beginning to work out his unique experimental blues-folk acoustic fusion techniques, so heres a chance to see how it all started."
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Artist: FAHEY, JOHN
Title: Blind Joe Death Volume 1
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $24.00
180-gram vinyl. "For several years major labels had been issuing records in both mono and stereo formats. By 1967 Takoma was doing well enough financially to justify the recording of Faheys first and second albums for the burgeoning stereo market. Thus Vol.1: Blind Joe Death, as the record would be titled henceforth, was recorded for the third time and it is probably this release that most people are familiar with today. For the new version Fahey recorded all but one song on the album. He recorded one new track for the reissue: “Im Gonna Do All I Can for My Lord.” His new take of the Episcopal hymn “In Christ There Is No East or West” would become the most well-known and oft-played song on the album." - 4 Men With Beards.

Artist: FAHEY, JOHN
Title: Death Chants, Breakdowns, and Military Waltzes
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $24.00
180-gram vinyl. "Death Chants is John Faheys second album, following the brilliantly apocryphal Blind Joe Death. As massive as that earlier work was, it represented only a tentative first step towards the fields of hodologic splendor that our hero would go on to create. Death Chants represents a much more fully realized syncretism of the modernist and primitive poles between which Fahey wobbled. It is also the first album he deigned to release entirely under his own name and the one with which he truly began to cast a shadow across the blandly-lit landscape of the worlds subconscious." - 4 Men With Beards.
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Artist: FAHEY, JOHN
Title: Hard Time Empty Bottle Blues
Format: LP
Label: Table Of The Elements
Country: USA
Price: $15.00
"One of acoustic musics true innovators and eccentrics, John Fahey was a crucial figure in expanding the boundaries of the acoustic guitar. He drew from blues, Native American music, Indian ragas, experimental dissonance, and pop, and was the first to demonstrate that the finger-picking techniques of traditional country and blues steel-string guitar could be used to express a world of non-traditional musical ideas-harmonies and melodies more readily associated with Bartok, Charles Ives, or the music of India. Fahey played with a fierce imagination and versatility, and while his idiosyncrasy may have limited him to a cult following, it also ensured that his work continues to sound startlingly original." - Table Of The Elements.
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Artist: FAHEY, JOHN
Title: Hitomi
Format: Double LP
Label: Important
Country: UK
Price: $26.00
"John Faheys final record released in his lifetime was the discrete album titled Hitomi . Previously available on CD only, Hitomi finds Fahey at peace with all his musical phases, working them together with a frail, fragile aesthetic supported by various reverb, echo and digital delays. Fahey creates a stark, naked sound which is 100% Fahey at its core. Important Records is proud to release John Faheys Hitomi album pressed on double 180 gram virgin vinyl and housed in a deluxe tip-on heavy duty gatefold jacket. This is a limited edition release." - Important.
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Artist: FAHEY, JOHN
Title: Paintings
Format: Hardcover Book
Label: Inventory Press
Country: USA
Price: $38.00
"The much-revered avant-garde guitarist John Fahey (1939-2001) incorporated influences ranging from folk, blues, and bluegrass to classical music, musique concrete, and noise in his primarily acoustic guitar-based compositions. Considered a legend by many, Fahey released upward of three dozen LPs in his lifetime.

Relatively late in life, Fahey extended his so-called American Primitive approach beyond music, and into the creation of a substantial body of paintings. Painting on found poster board and discarded spiral notebook paper, working with tempera, acrylic, spray paint, and magic marker, Faheys intuitive approach echoes the action painters and abstract expressionists. His painting studio floated from motel bed to motel bed and eventually ended up in his home in Salem, Oregon. The same alluring and tranquilizing aesthetics that defines much of Faheys musical output are equally present in his paintings.

The first publication focusing on his visual output, John Fahey: Paintings, edited in collaboration with Audio Visual Arts (AVA), is illustrated with 92 plates and is accompanied by essays from Keith Connolly, founding member of No-Neck Blues Band, and the critic Bob Nickas." - Inventory Press.

Artist: FAHEY, JOHN
Title: Record Plant, Sausalito CA, September 9th 1973
Format: CD
Label: Keyhole
Country: UK
Price: $18.00
"Taped for broadcast on KSAN-FM, this remarkable 1973 set at the Record Plant in Sausalito, California, finds John Fahey, the master of American primitive guitar, at the peak of his mesmerizing powers, performing a series of lengthy medleys that incorporate a wide variety of influences and styles. Its presented here with rare images and background notes." - Keyhole.

Artist: FAHEY, JOHN
Title: The Dance of Death and Other Plantation Favorites
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $24.00
180-gram vinyl. "Originally released in 1964, Dance of Death offers a glimpse of an artist in transformation. More than half the albums titles draw from the traditional blues and country repertoire Fahey had spent his teen years and young adulthood collecting, listening to, and learning to play, yet the recordings proved once and for all that his interests lay in musical transfigurations rather than preservation -- Fahey was not afraid to use these old tunes as raw material." - 4 Men With Beards.

Artist: FAHEY, JOHN
Title: The Mill Pond & Collected Paintings
Format: CD
Label: Important
Country: USA
Price: $13.00
"The Mill Pond was originally released in 1997 as a double 7" that went immediately out of print. For its 10th anniversary, were issuing it on compact disc housed in a deluxe letterpressed jacket and including an extensive booklet collecting John Faheys paintings for the very first time. Limited edition. On this release, Fahey uses heavy reverb, electric slide and feedback to create an eerie mood. He gets a bit of help from Jeff Allman, who recorded the songs and adds some electronic noise in spots, and from Scott Colburn, who mixed the tracks, but this record is all Fahey. The Mill Pond is all over the place stylistically, so it should confuse those who try to pigeonhole Fahey into any one category. The Mill Pond further proves that there is only one category into which he fits: truly innovative guitar genius. Four ecstatic, lo-fi grabs for the ring of eternity, recorded in Faheys Oregon hotel room. Containing the first graspable evidence of Johns throat-singing abilities, this represents the merging of the bull and the china shop. The crudity of the electronics and the delicacy of the stringwork makes for a wonderful match." --Byron Coley

Artist: FAHEY, JOHN
Title: The Transcendental Waterfall: Guitar Excursions 1962-1967
Format: 6LP Box Set
Label: 4 Men With Beards
Country: USA
Price: $130.00
"The Transcendental Waterfall: Guitar Excursions 1962-1967 is a 6-LP box set drawing from John Faheys best, and most influential, period. Included in the set are Blind Joe Death, Death Chants, Breakdowns, And Military Waltzes, The Dance Of Death And Other Plantation Favorites, The Great San Bernardino Birthday Party, The Transfiguration Of Blind Joe Death, and Days Have Gone By, all reissued on 180 gram vinyl with deluxe tip-on jackets. Also included are a t-shirt (size L only), a poster, and a postcard, all of which are housed in a deluxe box. An amazing package featuring some of the most important guitar solo recordings of the 20th century. Limited to 2,000 numbered copies." - 4 Men With Beards.

Artist: FAHEY, JOHN
Title: Voice of the Turtle
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $25.00
"The Voice of the Turtle is one of the most beguiling albums from one of Americas most legendarily beguiling musicians. Originally released in 1968 on his own Takoma label, Fahey credits some of the compositions and performances to the fictional guitarist Blind Joe Death, and some of the songs are actually rumored to not be Fahey at all but in fact obscure blues 78s. Whatever the case may be, its one of Faheys most adventurous and beautiful LPs. Reissued here on 180 gram vinyl in a deluxe tip-on jacket with an exact replica of the original 12 page booklet." -4 Men With Beards.

Artist: FAHEY, JOHN
Title: Your Past Comes Back To Haunt You
Format: 5 CD Box Set + Book
Label: Dust-to-Digital
Country: USA
Price: $85.00
"Subtitled: The Fonotone Years 1958-1965. More than 10 years in the making, this box set features the earliest recordings and the first book ever written about one of the most influential guitarists from the 1960s and 70s, John Fahey. The five CDs feature 115 tracks, most of which are available on CD for the first time. The audio was remastered from Joe Bussards reel-to-reel tapes to achieve pristine sound quality. As for the accompanying book, the list of scholars who contributed essays includes Eddie Dean, Claudio Guerrierri, Glenn Jones, Malcolm Kirton, Mike Stewart and Johns childhood friend R. Anthony Lee. Byron Coley contributed a poem about John, and Douglas Blazeks 1967 interview with Fahey is published for the first time. Released 10 years after John Faheys death, this set puts one of the final puzzle pieces of Faheys career in place. Everyone can now hear where this guitar legend got his start -- a smoky basement in Frederick, Maryland. Co-produced by Dean Blackwood of Revenant, Glenn Jones, and Lance Ledbetter of Dust-to-Digital, this set is released with the support of Joe Bussard and the John Fahey Estate. The set is dedicated to Johns mother, Jane C. Hayes and the late musician Jack Rose. Includes a 88-page hardcover book with 5 CDs in a separate gatefold portfolio -- all housed in a deluxe slipcase." -Dust to Digital.

Artist: FAHLSTROM, OYVIND
Title: Manipulate The World!
Format: Hardcover Book/ Double CD
Label: Fylkingen
Country: Switzerland
Price: $56.00
"Under the motto: Manipulate the world - take care of the world, Fahlstrom set up a variety of meeting-places in which participants were invited to take part in an interdisciplinary game of purposeful discovery. He introduced elements of popular culture into his work early on and made substantial contributions to a critical assessment of the medialisation of art. In this, the most extensive book about Oyvind Fahlstrom to date, Teddy Hultberg charts the artists predominant lines of creative development and shows how his cross-genre endeavors were based on a few central ideas: character forms, signs, games and life materials. The present study focuses on two innovative and extraordinary compositions for radio: Birds in Sweden (1963) and The Holy Torsten Nilsson (1966). These works can be heard on the two accompanying CD records and are also included here in written form. Some unique and hitherto unpublished visual and textual material, the result of several years of research by Teddy Hultberg, is also included in the book." -Fylkingen Records
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Artist: FAHNLEIN FIESELSCHWEIF
Title: Pluto Grüsst Unsere Perser
Format: 7"
Label: Luna Park
Country: Germany
Price: $12.00
Original copies of this bizarre 1981 single by Fähnlein Fieselschweif out of Hamburg. Produced by Holger Hiller. For fans of Hiller, Der Plan and the quirkier side of NDW. Full color picture sleeve. All "mint"/unplayed. "It all sounds like a smashed up train set, and the strange journey concludes with Kinderparty, a short jam on the Casio VL-1. The VL-1 tone was a weapon of sorts and an absolute compulsory battery operated childs toy for the sarcastic German New Waver. Even Matthias Schuster, back turned away from the flash of the camera, gravely holds one up like a knife on the front of Atemlos." - Brotbeutel blog.

Artist: FAIL, JOHN W.
Title: 15,000 Day Boat Trip
Format: LP
Label: 8mm
Country: Italy
Price: $26.00
"It happens every so often, something astounding arrives out of nowhere. Like a revelation from another era that has been trapped between dimensions, floating endlessly through the empty layers of space and time and then suddenly arriving like an ancient message in a bottle. The message: The 15,000 Day Boat Trip A stunning  soundtrack to an imaginary travel through the oceans of the mind, and the wonderful diary of a lonely traveller across the world. My word: This record sounds like nothing youve ever heard before, a strange alchemy between styles. Completely without genre and extending beyond the boundaries of the infinite! Decades of avant garde, are homaged together in a sort of harmonic schizophrenia In this unique distillation of (electro) acoustic music, sound collage, spectral folk passages, free improvisation, and an almost orchestral arrangement for violin and strings. Each subject is particularly approached and concurring in the creation of an ancestral form of a blues hybrid. If what you ask from a record is the chance to travel with your imagination, close your eyes and youll be somewhere between Atlantis and Utopia floating in the hold of this ship full of ghosts! Music Composed, performed and edited By John W. Fail. Massive nautical-style silkscreened artwork and inserts  by Cavalo Branco. Handnumbered and limited to 300 copies." -8mm

Artist: FAIL, JOHN W.
Title: The Frozen Musics
Format: 4 x Cass Box Set
Label: Dronedisco
Country: USA
Price: $14.00
"Packaged in a vinyl box, with photocopied booklet and insert. Eight different projects/collaborations physically separated onto eight sides of four cassettes, centering around one dude John Fail. Some will soon know him as one-half of Lied Music (the other half being Glasgow UK-based young filmmaker Luke Fowler; forthcoming LP on Cenotaph, and cassette on Rampart); others will know of Fail already in a variety of contexts and situations (unforgettable -- or perhaps regrettable!). Just some of the collaborators involved: Robert Beatty (Three Legged Race), Sara Okeefe (Eyes and Arms of Smoke), Mike Shiflet (Noumena), Matt Wellins, Matt McDowell (Arco Flute Foundation) -- anyways, its all explained in the liner notes. The vibe is consistent throughout, but general styles could range from drones to sparse sound organization, to some This Meat-esque "rock." - Dronedisco.
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Artist: FAIL, JOHN W.
Title: The Icewhistle
Format: CDR
Label: Sharks & Pfennigs
Country: UK
Price: $8.00
John W. Fail has turned up in a lot of places but on few recordings; this is the first release entirely under his own name, following an 8-project cassette compilation on Dronedisco last year. Most well-known as 1/2 of Lied Music, The Icewhistle finds Fail quietly scraping ghost overtones from his israj (the traditional Bengali instrument heard on Lied Music recordings). In eight minimal tracks, the sounds of air and urban ambiance mix with the israj to create a haunting, suspended soliloquy." - Sharks & Pfennigs.

Artist: FAIL, JOHN W. & BEN REYNOLDS
Title: Uncabineted`
Format: CDR
Label: Sharks & Pfennigs
Country: UK
Price: $8.00
"Ben Reynolds and John W. Fail collated several recordings to compile Uncabineted, covering the period between September 2005 (when they met) and March 2006. Reynolds work is well-documented on labels such as Ikuisuss, Memoirs of an Aesthete, Time-Lag and 267 Lattajjaa while Fail has dabbled in myriad projects including Lied Music, Intro to Pterodactyl and Land. Ranging from screaming acoustics to dirgy fuzzfests, the real document is that of experience, joy and camaraderie." - Sharks & Pfennigs.

Artist: FAILING LIGHTS
Title: Black Swamps
Format: Cass
Label: Tapeworm
Country: USA
Price: $7.50
"you can hear ghouls meandering towards candlelit swamps, like a flicker of images projected on the back of your brain. limited to 61." - Tapeworm.
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Artist: FAILING LIGHTS
Title: Dismal Winds
Format: Cass
Label: Heavy Tapes
Country: USA
Price: $10.00
"Failing Lights is Mike Connelly, who also plays in Hair Police, Wolf Eyes, and runs the Gods of Tundra label. His work in the mentioned bands is incredible, deranged and shows his uncanny ability to work with other powerful players, always to synergistic ends. With "Dismal Winds," Connelly starts a strange dance with some electronic devices that seem to be confounded by themselves: a sludgy, clogged, and choked affair. A short and thick burst, this is dark, bass-heavy, and "just right." - Heavy Tapes.
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Artist: FAILING LIGHTS
Title: Hunting Ethic
Format: One Sided LP
Label: Gods of Tundra
Country: USA
Price: $15.00
"Hymns to distance and obscurity. Winter hibernation approaches...time to prepare.  Edition of 100." - Gods Of Tundra.
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Artist: FAILING LIGHTS
Title: The Shining Wall
Format: Cass
Label: Tape Tektoniks
Country: Germany
Price: $12.00
"edition of 70 ...connelly of hair police and wolf eyes fame ....anything else?...extra grim....artwork by aleen solari" -Meu Dia De Morte.
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Artist: FAILING LIGHTS
Title: Untitled
Format: Lathe Cut 7'/Art
Label: AA
Country: USA
Price: $22.00
Failing Lights is Mike Connelly, who also plays in Hair Police, Wolf Eyes, and runs the Gods of Tundra label.

Artist: FAILING LIGHTS
Title: What Once Was
Format: Cass
Label: Hospital Productions
Country: USA
Price: $8.50
"grisly rough and raw organ noise from mike connelly. bizarre organic noise wrought with tension and narrow minded singularity ? as if it could all collapse and suffocate at any moment. like an ill child preparing for a hike naively thinking they will last the mile. packaged in vinyl box with color cover." - Hospital Productions.
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Artist: FAILING LIGHTS/SICK LLAMA
Title: Collaboration
Format: Cass
Label: Fag Tapes
Country: USA
Price: $8.00

Artist: FAILING LIGHTS/SICK LLAMA
Title: Scared FromThe Crypt
Format: Cass
Label: Fag Tapes
Country: USA
Price: $8.50
"the mics used to record this turned in on themselves like a black hole. intuitive one take out the trash style changes that come and go outa nowhere. recorded at HAM Studios. edition 77." - Fag Tapes.

Artist: FAILING LIGHTS/UNUSEABLE SIGNAL
Title: Split
Format: LP
Label: Gods Of Tundra
Country: USA
Price: $18.00
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Artist: FAITED, THONGHUAD
Title: Diew Sor Isan
Format: CD
Label: EM
Country: Japan
Price: $21.00
"Subtitled: The North East Thai Violin Of Thonghuad Faited. Em Records returns to Thailand, this time back to 1970s Isan. For Em Records latest foray into unchartered musical territory, we are concentrating on the sor from Thailand, the traditional two-stringed violin that is a mainstay of Isan musical culture. Diew Sor Isan: The North East Thai Violin Of Thonghuad Faited focuses on the talents of one of the instruments greatest proponents and brings his key releases together onto one anthology for the first time. Thonghuad Faited comes from the "molam" tradition, the dominant rural music that hails from Isan, the northeast Thai province that borders with Laos and Cambodia. Underpinned by woozy basslines, drones and clattering percussion, his music is characterized by sprightly melodies through to haunting dirges that could come from as far a field as eastern China, or even the Celtic traditions of Ireland. Detailed notes trace his history from humble beginnings to playing up to five gigs a night in Bangkok at the peak of his fame. Whether its playing beautifully-crafted solo pieces, or providing a counterpoint for raw vocal work, Thonghuad Faited is a nationally-recognized master of his craft who has additionally cut sides with dozens of established singers over the years, such as Waipod Petchsupan and Angkanang Kunchai. Percussive, otherworldly and universal, Em Records is proud to present this unique music to the world, much of it released outside of Thailand for the first time. Housed in a gatefold cardboard sleeve jacket plus inserts with liner notes in English and Japanese." -EmM

Artist: FAITED, THONGHUAD
Title: Diew Sor Isan
Format: LP
Label: EM
Country: Japan
Price: $23.00
"Subtitled: The North East Thai Violin Of Thonghuad Faited. Em Records returns to Thailand, this time back to 1970s Isan. For Em Records latest foray into unchartered musical territory, we are concentrating on the sor from Thailand, the traditional two-stringed violin that is a mainstay of Isan musical culture. Diew Sor Isan: The North East Thai Violin Of Thonghuad Faited focuses on the talents of one of the instruments greatest proponents and brings his key releases together onto one anthology for the first time. Thonghuad Faited comes from the "molam" tradition, the dominant rural music that hails from Isan, the northeast Thai province that borders with Laos and Cambodia. Underpinned by woozy basslines, drones and clattering percussion, his music is characterized by sprightly melodies through to haunting dirges that could come from as far a field as eastern China, or even the Celtic traditions of Ireland. Detailed notes trace his history from humble beginnings to playing up to five gigs a night in Bangkok at the peak of his fame. Whether its playing beautifully-crafted solo pieces, or providing a counterpoint for raw vocal work, Thonghuad Faited is a nationally-recognized master of his craft who has additionally cut sides with dozens of established singers over the years, such as Waipod Petchsupan and Angkanang Kunchai. Percussive, otherworldly and universal, Em Records is proud to present this unique music to the world, much of it released outside of Thailand for the first time. Includes liner notes in English and Japanese." -EM.

Artist: FALCO, TAV & THE PANTHER BURNS
Title: Shes the One to Blame
Format: 7
Label: Mighty Mouth
Country: USA
Price: $8.00
"Reissue of debut. Featuring Alex Chilton and Ross Johnson. Comes in silk-screened envelope sleeve. Just like 1979! " -Mighty Mouth.

Artist: FALCONS
Title: Please Understand Me / Two Hearts Have Took The Lead / El Camel / Geneviève
Format: 7"
Label: Cameleon
Country: France
Price: $11.00
Edition of 500. "Official reissue of this very rare French EP THE FALCONS released in 1967, Fuzz Beat, original tracks. Sound remastered in Parélies (Paris) , laminated 300gsm sleeve." - Cameleon.


Artist: FALL
Title: Totally Wired
Format: 7"
Label: No Label
Country: Europe
Price: $10.00
"Two live versions from 1981. A-side: shambling, insane acapella party version of the song. B-side: best performance ever captured on vinyl, from a show at the Keystone, Berkeley, broadcast on KALX. black vinyl, 500 copies."

Artist: FALL OF SAIGON
Title: Untitled EP
Format: 12"
Label: Dark Entries
Country: USA
Price: $16.00
"Dark Entires Records is honored to re-issue the debut EP by FALL OF SAIGON. The band was born in 1981 when FLORENCE BERTHON (vocals), PASCAL COMELADE (organ, synthesizer) and THIERRY DEN (guitar, vocals) met at a concert in Montpellier, France. They chose to the name the project Fall Of Saigon after a song by UK post-punk act This Heat. They self-released their debut EP in 1983 citing Nico & The Velvet Underground, Suicide and James Joyce as influences. At the time the band formed, Pascal Comelade was an accomplished musician with instrumental sketches composed for the trio. The 6 songs on the EP were recorded in two stages. "She Leaves Me All Alone" and "On The Beach At Fontana" were sung by Thierry and recorded at Pascals home on a Revox 2-track in one shot. The four songs sung by Florence-"Visions", "Blue Eyes", "So Long" and "The Swimmer"-were recorded and mixed at the Montpellier Languedoc Video Animation Center by Jean Alain Sidi on two ReVox A77 reel to reels and a small mixer. On "Visions," "Blue Eyes" and "So Long," the group employed a drum machine that could only play four or five rhythms with a single slider to increase or decrease the tempo. The songs were minimal: verse, chorus, no bridge, no intro. Built on a simple spine, they create a feeling of space with just a voice and an organ or synthesizer melody. Full of class and inventiveness, Fall Of Saigon are often compared to Young Marble Giants due to the fragile, ephemeral quality of the songs. All songs have been remastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley. The vinyl comes housed in a full color jacket using the original artwork from the EP and includes an insert with lyrics and photos. Through two years of existence, Fall Of Saigon only released one EP and 30 years later their subtle sound is an essential guidepost in post-punk history." - Dark Entries.

Artist: FALL, THE
Title: Bingo-Masters Break-Out
Format: 7"
Label: Superior Viaduct
Country: USA
Price: $12.00
"The Falls debut release from 1978. Three spiky numbers boldly announce the arrival of this Mancheste group that eschewed the cosmetic elements of punk and New Wave. This first-time vinyl reissue an first-time domestic release comes with original sleeve design. Limited edition blue vinyl." - Superior Viaduct.

Artist: FALL, THE
Title: Hex Enduction Hour
Format: LP
Label: Superior Viaduct
Country: USA
Price: $24.00
"Hex Enduction Hour was originally conceptualized as the death knell for The Fall. Beleaguered by career uncertainty and guided by vague premonitions of collapse, Mark E. Smith declared that one full hour was needed to thoroughly and perhaps finally state his case with The Fall. This framework resulted in a true classic of the post-punk era and an album that gave The Fall their first taste of album chart success, thankfully removing surrender from the equation. Recorded in haste in both Iceland and England in late 1981, the performances on Hex Enduction Hour are among the bands most urgent and distinctive. The album begins with the severe provocation of The Classical and the terse punk of Jawbone And The Air-Rifle, but its Hip Priest that stands out as Smiths calling-card theme, a song that would become inextricable from his character (or perception thereof) in the years that followed. The elongated And This Day fittingly positions the band as spell-casters, closing the hour by filling every conceivable bit of space with wild, primitive percussion and whimsical electric piano. Superior Viaducts edition is the first time that Hex Enduction Hour has been available on vinyl domestically since its initial release in 1982. Liner notes by Brian Turner." - Superior Viaduct.

Artist: FALL, THE
Title: Its the New Thing
Format: 7"
Label: Superior Viaduct
Country: USA
Price: $12.00
"The Falls second single hit in November 1978, still pre-dating their first LP. While Mark E. Smiths acid-tinged poetry illuminates the dour North, the bands snot-nosed scrabble afflicts the shape of pop to come. This first-time vinyl reissue and first-time domestic release comes with original sleeve design. Limited edition blue vinyl." - Superior Viaduct.

Artist: FALL, THE
Title: Room to Live
Format: LP
Label: Superior Viaduct
Country: USA
Price: $24.00
"On Room To Live, The Fall take the hurried, all-or-nothing approach of their preceding Kamera Records releases to extreme ends. Forged via Mark E. Smiths continual disassembling of players and focus on previously unrehearsed material, the album collects The Falls most experimental and improvisational recordings. As proclaimed on the album cover, Undilutable Slang Truth! would be revealed throughout Room To Live. With the albums comparatively lo-fi production and always- teetering performances, the title track comes closest to a stab at pop (by The Falls standards), built on fantastically bent saloon swaying under one of Smiths by-now characteristic dressing-downs of square life. Detective Instinct is an unshakeable creeper, as languid and ominous as the band would get during the Marc Riley years. Marquis Cha Cha is a post-punk rhumba, beginning with fury and then easing into something only The Fall could conjure. Superior Viaducts edition is the first time that Room To Live has been available on vinyl domestically since its initial release in 1982. Liner notes by Brian Turner." - Superior Viaduct.

Artist: FALL, THE
Title: Slates
Format: 10"
Label: Superior Viaduct
Country: USA
Price: $19.00
"If The Fall truly is a cult band, then Slates both benefits from and reinforces such shrouded obsessions. In presenting these six particular songs as a 10" EP, the inherent and attractive difficulty of The Falls sound is made physical, framing the urgency of their singles from this period alongside lengthy rumblings normally restricted to long players. The tumbling and phased Middle Mass begins on an incredible high note, segueing into the snake-charm hypnotism of An Older Lover Etc. Slates, Slags, Etc. is built on stretched VU-inspired riffing, complete with ace feedback bleed that doubtlessly went on long after fade-out. Ultimately, its the piercing chimes of guitar and marching drum grind of Prole Art Threat that elevates Slates beyond oddity. Truly one of Mark E. Smiths finest, busiest and most enigmatic performances, equally matched by a band at the peak of their powers. Superior Viaducts edition is the first time that Slates has been available on vinyl domestically since its initial release in 1981. Liner notes by Brian Turner." - Super Viaduct.

Artist: FALLEN ANGELS, THE
Title: Its A Long Way Down
Format: LP
Label: Roulette
Country: USA
Price: $14.00
"1968 album from the Baltimore psych group. Exact repro, manufactured by Rhino. The opener Poor Old Man is an inspired leadoff track that features a strong west coast influence, both Love & The Doors immediately come to mind, it sports a killer bass riff along with loose, John Densmore style percussion and a myriad of psychedelic effects, about midway in, the whole piece breaks down and singer Jack Bryant does this totally off the wall jazz type scat vocal that completely derails the song, luckily it doesnt last long as the group leap back into the opening riff and its back to the races. A Horn Playing On My Thin Wall is next and it is a dead ringer for Da Capo era Love (both Orange Skies & Que Vida), this track becomes better as it rolls along, it ends with a rush of great harmony vocals. Something You Can Hide In is full tilt psychedelia that features every psychedelic trick in the book with fabulous results, this number reminds me a great deal of Loves underrated Four Sail album." -Head Heritage

Artist: FALSINI, FRANCO
Title: Cold Nose
Format: LP
Label: Spectrum Spools
Country: USA
Price: $21.00
"Franco Falsini is an Italian musician and producer perhaps best known for his work with his space/prog-rock group Sensations Fix, who released seminal albums in the 1970s. His music was primarily crafted with impressive guitar technique (proven to be way ahead of his time), various synthesizers, and unorthodox recording methods to churn out beautiful experimental psychedelic sounds. Cold Nose was his debut solo outing, originally released on Polydor in 1975 as a soundtrack to a film that has never been widely released and has only been seen by very few people. Falsini applied many experimental methods to his recording process, including a mechanism borrowed from the Bio-Electronic Meditation Society, which would monitor his brain activity in the studio. Only when his brain would produce Alpha/Theta waves would he begin to write and commit his music to tape. Composed in three suites of spiraling and kaleidoscopic proto-ambient psychedelic rock, Falsini had created a masterpiece that today stands as one of the all-time treasures of the Italian progressive music scene of the 1970s. Throughout the recording, we are treated to gentle washes of EMS and Minimoog synthesizers laced with floating guitar line melodies that break out into sky-high guitar leads. Cold Nose is a rare and gorgeous organic creation, glowing with colorful pulses and morphing algorithms. Spectrum Spools is pleased to present the first pressing of the album in over 30 years, remastered by Falsini to his specifications from the original tapes and cut to vinyl at Dubplates and Mastering, Berlin. Original record jacket scans by Devon Dagworthy." -Spectrum Spools

Artist: FAMILY FODDER
Title: Just Love Songs
Format: LP
Label: Staubgold
Country: Germany
Price: $19.00
"A limited vinyl-only collection of 11 love songs by Family Fodder that have never before been released on vinyl. Alig Fodder says: "We collected all the love songs together without all the annoying instrumentals, dubs and solos. Lou Reed once sang: No kinds of love are better than others. I think he meant something else. The kinds of love here include: the love for a child, nostalgic love and imaginary journeys, love renewed and shared, love of animals, love of music, nostalgia, love in loss and memory, love in kinship across generations, poetic and physical loving, love of the unknown or unfamiliar and the desperate love of needing." Different versions of these songs are available on the albums Classical Music (2010) and Variety (2013) as CDs or digital downloads from the state51 Conspiracy label. Meanwhile, the band (alive and well -- but smelling funny after all these years) prepare for their second European tour, and are writing new material for the next album -- working title: Rough Mix." - Staubgold.

Artist: FAMILY FODDER
Title: Monkey Banana Kitchen
Format: LP
Label: Staubgold
Country: Germany
Price: $19.00
"Staubgold proudly presents the legendary first album from 1980 by UK underground heroes Family Fodder, for the first time reissued on vinyl. Guest musicians include This Heats Charles Bullen on drums, guitar, vocals, percussion and viola. Wire magazine listed Monkey Banana Kitchen among their "100 Records That Set the World on Fire (While No One Was Listening)" and wrote: "A loose collection of friends and, more often than not, wanderers, Family Fodder reached their apex (or at least one of them) with Monkey Banana Kitchen. The music took the ferocity of contemporaneous British punk and scaled it way back. They also eschewed the giant pop hook, replacing it with the hoop jumping of songs in three languages, instruments played for only four seconds, harmonic call-and-response motifs and opaque but symbolic political lyrics. Multiple reprises of phrases and fragments result in a much more subtle and effective memory-tickle. I cant count how many instruments finally made it onto the album, though piano (providing much of the rhythm), melodica, sax, synth and cowbell dominate. Their integrated eclecticism is actually layer after thin layer of dub, jazz and New Wave -- peering down into this music, you detect traces of structural complexity, and the pop thats there blurs. Lesson #537 from Fodder members: participate only when absolutely necessary -- knowing when to pare down makes it easier to transcend." -Staubgold.

Artist: FAMILY FODDER
Title: Schizophrenia Party (Directors Cut)
Format: LP
Label: Staubgold
Country: Germany
Price: $19.00
"Reissued on vinyl for the first time, in a strictly limited-edition of 500 copies. Comes with four exclusive bonus tracks. Schizophrenia Party (Directors Cut) represents the second chapter in the career of UK underground heroes Family Fodder after their legendary debut Monkey Banana Kitchen. This full-length album features the complete 12" EP Schizophrenia Party (including the nine-minute monster tune "Dinosaur Sex") from 1981 and the 7" singles Film Music (1981) and The Big Dig (1982), all originally released on Fresh Records." -Staubgold.

Artist: FAMILY FODDER
Title: Sunday Girls (Directors Cut)
Format: CD
Label: Staubgold
Country: Germany
Price: $18.00
"The legendary first 12" EP by UK underground heroes Family Fodder, originally released in 1979, is now reissued for the first time. Sunday Girls (Directors Cut) is a lovingly assembled full-length album compilation featuring the complete Sunday Girls EP, the debut Family Fodder 7" Playing Golf (With My Flesh Crawling)/My Baby Takes Valium (1979), the Debbie Harrry/A “Version” 7" from 1980, the 7" A-side "Warm" (1980), and two tracks from the rare Te Deum 12" (1979) by Alig Fodders pre-Fodder project Frank Sumatra. Family Fodder was originally formed in 1979 by Alig Pearce, with a cast of thousands joining over the ensuing three decades. They emerged from the melting-pot of 70s/80s London alongside This Heat, The Flying Lizards, The Pop Group, The Slits, and many others. The original formula consisted of psychedelic and new wave influences, incisive songwriting, improvisation, experimentation, and far-out dub mixing. They always managed to evade major exposure, but influenced generations of bands on five continents. Family Fodder was often more at home in the studio than on stage, but completed several European tours as well as cherished performances in their native London. The group released a series of compelling (now collectable) singles and albums between 1979 and 1983. Described as "entertaining idiosyncratic experimentalism with pop sensibilities," Family Fodder appear on the famous Nurse With Wound list, and were best known for indie-chart hits such as "Debbie Harry," "Playing Golf (With My Flesh Crawling)," and "Savoir Faire." More recently, Family Fodder songs have been covered by Zion Train and Unrest, and theyve been hailed as "unsung heroes" in The Wire." - Staubgold.

Artist: FAMILY FODDER
Title: Sunday Girls (Directors Cut)
Format: LP
Label: Staubgold
Country: Germany
Price: $19.00
“The legendary first 12" EP by UK underground heroes Family Fodder, originally released in 1979, is now reissued for the first time.Sunday Girls (Directors Cut) is a lovingly assembled full-length album compilation featuring the complete Sunday Girls EP, the debut Family Fodder 7" Playing Golf (With My Flesh Crawling)/My Baby Takes Valium(1979), the Debbie Harrry/A “Version” 7" from 1980, the 7" A-side "Warm" (1980), and two tracks from the rare Te Deum 12" (1979) byAlig Fodders pre-Fodder project Frank Sumatra. Family Fodder was originally formed in 1979 by Alig Pearce, with a cast of thousands joining over the ensuing three decades. They emerged from the melting-pot of 70s/80s London alongside This Heat, The Flying Lizards, The Pop Group, The Slits, and many others. The original formula consisted of psychedelic and new wave influences, incisive songwriting, improvisation, experimentation, and far-out dub mixing. They always managed to evade major exposure, but influenced generations of bands on five continents. Family Fodder was often more at home in the studio than on stage, but completed several European tours as well as cherished performances in their native London. The group released a series of compelling (now collectable) singles and albums between 1979 and 1983. Described as "entertaining idiosyncratic experimentalism with pop sensibilities," Family Fodder appear on the famous Nurse With Woundlist, and were best known for indie-chart hits such as "Debbie Harry," "Playing Golf (With My Flesh Crawling)," and "Savoir Faire." More recently, Family Fodder songs have been covered by Zion Train andUnrest, and theyve been hailed as "unsung heroes" in The Wire.” - Staubgold.

Artist: FAMILY OF APOSTOLIC
Title: s/t
Format: LP
Label: Future Days
Country: USA
Price: $12.00
"Apostolic was many things: a label, a collective, a state of mind even. But before all of that, it was a recording studio set up by New Yorker John Townley. As a member of the Magicians, (you recognize that name from the Nuggets albums), Townley worked in some of the finest studios in the USA, but he felt he was on a conveyor belt. “You had to do the creation ahead of time, which is not my idea of a good time,” he says now. "You had all this stuff to play with, and you werent allowed to play with it.” When Townley came into an $85,000 inheritance he immediately invested in a loft building on 10th Street, New York, against the advice of, well, “everybody”. But there were fellow believers. Friends Matt Hoffman and Michael and Danny Weiss, heirs to the Weiss jewelry fortune, helped assemble the studio, which was built to bleeding-edge specifications and even had a 12-track recorder. Soon, it was attracting likeminded souls such as Frank Zappa, whose Mothers Of Invention recorded several landmark LPs at Apostolic. But the greatest example of the output of this artistic community is the sprawling double LP The Family of Apostolic. A utopian album inspired by global cultures ranging from Pakistani folk songs to Scottish traditional music and Chinese opera, it was made by a cast of 19, bonded by a desire to create “primitive performance art” from surrealist happenings. "The idea of Apostolic was that the whole operation was a family,” says Townley. “Anybody could do anything if they participated.” Despite the possibilities opened up by the studio and the chance to treat the desk as an instrument, The Family Of Apostolic is nonetheless a folk record at heart, and sounds downright spare in places. The experimentation was there in subtle ways, per Townleys desire for each song to be “like just a natural happening. We were trying to get a very close, upfront, live feeling.” Released under a deal with Vanguard, the rambling album proved too difficult to market. Singles were released under different artist names, serving only to confuse the public more. Soon the studio was heading down the tubes, thanks in part to Jimi Hendrixs multi-track studio Electric Lady opening two blocks away. And before long, the Apostolic dream was over. The album remains a curates egg, but one filled with delights. Opening track Redeemer asks, "O say, are you a true believer?” By the time youve listened to our deluxe reissue, you will be." - Future Days.

Artist: FAMILY OF APOSTOLIC, THE
Title: s/t
Format: Double LP
Label: Future Days
Country: USA
Price: $31.00
Double LP version housed in a deluxe gatefold tip-on jacket and limited to 1000 copies. "Apostolic was many things: a label, a collective, a state of mind even. But before all of that, it was a recording studio set up by New Yorker John Townley. As a member of the Magicians, (you recognize that name from the Nuggets albums), Townley worked in some of the finest studios in the USA, but he felt he was on a conveyor belt. “You had to do the creation ahead of time, which is not my idea of a good time,” he says now. “You had all this stuff to play with, and you werent allowed to play with it.” When Townley came into an $85,000 inheritance he immediately invested in a loft building on 10th Street, New York, against the advice of, well, “everybody”. But there were fellow believers. Friends Matt Hoffman and Michael and Danny Weiss, heirs to the Weiss jewelry fortune, helped assemble the studio, which was built to bleeding-edge specifications and even had a 12-track recorder. Soon, it was attracting likeminded souls such as Frank Zappa, whose Mothers Of Invention recorded several landmark LPs at Apostolic. But the greatest example of the output of this artistic community is the sprawling double LP The Family of Apostolic. A utopian album inspired by global cultures ranging from Pakistani folk songs to Scottish traditional music and Chinese opera, it was made by a cast of 19, bonded by a desire to create “primitive performance art” from surrealist happenings. “The idea of Apostolic was that the whole operation was a family,” says Townley. “Anybody could do anything if they participated.” Despite the possibilities opened up by the studio and the chance to treat the desk as an instrument, The Family Of Apostolic is nonetheless a folk record at heart, and sounds downright spare in places. The experimentation was there in subtle ways, per Townleys desire for each song to be “like just a natural happening. We were trying to get a very close, upfront, live feeling.” Released under a deal with Vanguard, the rambling album proved too difficult to market. Singles were released under different artist names, serving only to confuse the public more. Soon the studio was heading down the tubes, thanks in part to Jimi Hendrixs multi-track studio Electric Lady opening two blocks away. And before long, the Apostolic dream was over. The album remains a curates egg, but one filled with delights. Opening track Redeemer asks, “O say, are you a true believer?” By the time youve listened to our deluxe reissue, you will be." - Future Days

Artist: FAMILY OF APOSTOLIC, THE
Title: s/t
Format: CD
Label: Future Days
Country: USA
Price: $17.00
"Apostolic was many things: a label, a collective, a state of mind even. But before all of that, it was a recording studio set up by New Yorker John Townley. As a member of the Magicians, (you recognize that name from the Nuggets albums), Townley worked in some of the finest studios in the USA, but he felt he was on a conveyor belt. You had to do the creation ahead of time, which is not my idea of a good time, he says now. You had all this stuff to play with, and you werent allowed to play with it. When Townley came into an $85,000 inheritance he immediately invested in a loft building on 10th Street, New York, against the advice of, well, everybody. But there were fellow believers. Friends Matt Hoffman and Michael and Danny Weiss, heirs to the Weiss jewelry fortune, helped assemble the studio, which was built to bleeding-edge specifications and even had a 12-track recorder. Soon, it was attracting likeminded souls such as Frank Zappa, whose Mothers Of Invention recorded several landmark LPs at Apostolic. But the greatest example of the output of this artistic community is the sprawling double LP The Family of Apostolic. A utopian album inspired by global cultures ranging from Pakistani folk songs to Scottish traditional music and Chinese opera, it was made by a cast of 19, bonded by a desire to create primitive performance art from surrealist happenings. The idea of Apostolic was that the whole operation was a family, says Townley. Anybody could do anything if they participated. Despite the possibilities opened up by the studio and the chance to treat the desk as an instrument, The Family Of Apostolic is nonetheless a folk record at heart, and sounds downright spare in places. The experimentation was there in subtle ways, per Townleys desire for each song to be like just a natural happening. We were trying to get a very close, upfront, live feeling. Released under a deal with Vanguard, the rambling album proved too difficult to market. Singles were released under different artist names, serving only to confuse the public more. Soon the studio was heading down the tubes, thanks in part to Jimi Hendrixs multi-track studio Electric Lady opening two blocks away. And before long, the Apostolic dream was over. The album remains a curates egg, but one filled with delights. Opening track Redeemer asks, O say, are you a true believer? By the time youve listened to our deluxe reissue, you will be." - Future Days.

Artist: FAMILY UNDERGROUND
Title: Ancient Shadows
Format: Picture Disc LP
Label: QBICO
Country: Italy
Price: $24.00
Rec. 2004 in Denmark. "If you liked Double Leopards Urban Concussion pic disk, this Ancient Shadowsll kill you! Its like listening to some weird electronic vibes in a room without gravity... you feel like floating around in space, weightless..." - QBICO.
SOLD OUT

Artist: FAMILY UNDERGROUND
Title: Black Hole
Format: Double LP
Label: Weird Forest
Country: USA
Price: $20.00
"Family Underground drenched the east coast of the USA in molten syrup last year and they toted along a tour CD-R entitled Black Hole released by the fine folk of Secret Eye. Mega bummed I didnt get to feel their magic live but I ordered that tour disc post-haste. Man, when I got it I was slain. I thought it was their finest work to date so I had to invoke it on vinyl. I tapped into the bands communication network and together we figured this would make a killer double LP, definitely one for the record books. So The Underground sent me a half hour of unreleased musics to fill the vinyl sides to fruition. Holy Hannah was I unprepared for A! How well the new jams mind-melded with the other tracks. And B ⿿ the superb variation of the entire work with paramount peaks and deep arcane valleys. Get it and trip! Limited to 500 copies on black vinyl with full color gatefold jackets." -Weird Forest.

Artist: FAMILY UNDERGROUND
Title: Candle Fingers Part One and Two
Format: CDR
Label: Into The Lunar Night
Country: Denmark
Price: $13.00
"This one is a special one from the Lunar crew we had Stefan Neville (Pumice) chillin at our place the week before we left for the UK and one night while making this release ready Sara asked if he wanted to make the cover drawing cause nothing is for free hehe! so the FU went out to the waffle cone to do the final tour jam and coming home later that night we found that Stefan had drawn it all plus even an innersleeve. those kiwis are fast man! much unlike the the usual Lunar speed of things. so here goes candle fingers with two 15 minutes plus tracks. and colour printed covers courtesy of Stefan Neville." -Into The Lunar Night
SOLD OUT

Artist: FAMILY UNDERGROUND
Title: Crystal Hangovers
Format: CDR
Label: Our Mouth
Country: USA
Price: $9.00

Artist: FAMILY UNDERGROUND
Title: Demon Parade
Format: LP
Label: DNT
Country: USA
Price: $15.00
"Denmarks drone demons return with another gloomy, dark, intense drone-rock based release. Edition of 500 on black vinyl, pro-printed matte jackets, shrink wrapped." - DNT

Artist: FAMILY UNDERGROUND
Title: Familiar Places
Format: LP
Label: Into The Lunar Night
Country: Denmark
Price: $24.00
"a wild blend of earthqake drones and microphone whispers. it comes in an edition of 300 copies and with black covers and minimal screenprinting." - Into The Lunar Night.
SOLD OUT

Artist: FAMILY UNDERGROUND
Title: Future Bread
Format: Cass
Label: Fuck It Tapes
Country: USA
Price: $6.50
SOLD OUT

Artist: FAMILY UNDERGROUND
Title: Helium Rug
Format: LP
Label: DNT
Country: USA
Price: $13.00
"Denmarks drone demons release another one. A helium rug would float, which is exactly what your melted mind will do while listening to this record. Whistling blown by the birds of hell. This has been in the works for quite some time. Originally intended to come out last summer on their US tour, but we didnt want to flood the market (they already had 3 LPs coming out the same time). Edition of 300 on black vinyl with bi-color stencil. The front cover is what you will look like after listening to this. Your mind will split open unleashing the helium rug from within. Artwork by Zachary Fleming.1-sided LP" - Dnt

Artist: FAMILY UNDERGROUND
Title: Risen Under Altar Souls
Format: Cass
Label: Heavy Tapes
Country: USA
Price: $10.00
SOLD OUT

Artist: FAMILY UNDERGROUND
Title: Riven
Format: LP
Label: Not Not Fun
Country: USA
Price: $14.00
"crushing new full-length by this legendary Danish drone squad. 2 massive side-long black holes, mastered by Pete Swanson of Yellow Swans." -Not Not Fun.

Artist: FAMILY UNDERGROUND/MY CAT IS AN ALIEN
Title: Split
Format: LP
Label: Reverse
Country: Denmark
Price: $22.00
356 copies on transparent vinyl in clear silkscreened plastic sleeve.

Artist: FAMILY UNDERGROUND/QUINTANA ROO
Title: Vengeance Valley b/w Horses Neck
Format: 7"
Label: Not Not Fun
Country: USA
Price: $6.50
"A pair of implosion constructs from Denmarks finest and Eagle Rocks vaguest. Originally conceived for the Quintana/Underground doomed west coast tour dates, but car rental hostilities and passport chaos shot the drone team scheme dead. Alas. At any rate: the single still stands. Vengeance Valley finds FU at their most steeped-in-dread, channeling Spahn Ranch brainwash kill vibes into rumbling black hills of bad acid alchemy. Pure murder magick. Q Roos Horses Neck wanders its own Death Valley nothingness, loses contact/control, and carves slow sigils in the sand. A hovering aura of desert oblivion. Black vinyl 7 inches in hand-numbered, hand-screened grey cardstock jackets with skull-rider/ancient ruins cover art. Limited to 300." - Not Not Fun.
SOLD OUT

Artist: FANCY GOODS, LES
Title: Gloria/Get Off Of My Cloud/I Can Only Give You Everything/Under My Thumb
Format: 7"
Label: Cameleon
Country: France
Price: $9.00
"Reissue 500 copies of this extremely rare EP, some copies with no sleeves are pressed in 1967 on JBP label. Great covers of ROLLING STONES & THEM." - Cameleon.


Artist: FANKHAUSER, MERRELL
Title: s/t
Format: LP
Label: Out-Sider
Country: Spain
Price: $27.00
"After his stint with Fapardokly, HMS Bounty and Mu, Merrell Fankhauser released his first solo album in 1976. Containing songs written a year earlier while Merrell and violin player Mary Lee were living in the jungle of Maui, this is a brilliant set of spiritual folk-rock and light orchestrated pop. The album was recorded at various Hollywood studios, initially sponsored by a producer from George Harrisons Dark Horse label. In fact, Harrison was so impressed with Merrells songs that he expressed interest in playing slide guitar on "On Our Way to Hana." Sadly, due to internal problems, Dark Horse backed off and Merrell found himself without a label to release the album. Finally, a couple of friends from Maui released it on the small Maui Music label. On the recordings, Merrell and Mary Lee were joined by several studio musicians, among them drummer Bill Berg, who had played on Bob Dylans Blood On the Tracks (1975). This reissue of Fankausers self-titled debut, which has also been reissued as The Maui Album and Maui, features master tape sound, tracks restored to their original running order, original artwork, and an insert with in-depth liner notes by Jeremy Cargill (Ugly Things, Got Kinda Lost), presenting the most complete written story about Merrells musical career." - Out-Sider.

Artist: FANKHAUSER, MERRELL & HMS BOUNTY
Title: (Girl) Im Waiting For You/Im Flying Home
Format: 7"
Label: Cherry Red
Country: UK
Price: $8.00
Warehouse find of 1968 recordings issued in 1985. New/unplayed copies.
SOLD OUT

Artist: FANKHAUSER, MERRELL & HMS BOUNTY
Title: Things
Format: LP
Label: Guerssen
Country: Spain
Price: $25.00
"One of the all-time 60s classics, coming out from the California desert of Antelope Valley where HMS leader Merrell Fankhauser lived for a couple of years. This was released on Uni in late 1968, and gosh its a killer! Flower power psychedelia, great all original songs, this is one of these albums you shouldnt miss under any circumstance. Make yourself a favor and get one of these wonderful reissues we have for you, with remastered sound, original artwork and an insert with liners by Merrell and a great photo from his own archive." -Guerssen

Artist: FANTAILS, THE
Title: Matariki Mayhem
Format: Lathe Cut 7"
Label: Epic Sweep
Country: New Zealand
Price: $17.00
Limited to 30 copies."The Fantails are an all whaine punk band from Wellington and this EP is their second release. It contains seven blisteringly short songs, including re-recorded classics from their Shake Your Tail Feather debut album alongside newer songs." -Epic Sweep.
SOLD OUT

Artist: FANTAMATRES
Title: Delitto Antico
Format: 7"
Label: Holidays
Country: Italy
Price: $15.00
"Fantamatres is the duo formed by Giovanni Donadini - former member of With Love and Nastro Mortal, also known for his solo-project Ottaven - and the slang-poet Sissy Biasin, whos been active since the 70s as a pioneer of the Italian industrial scene with Teatro Satanico and Teatrino della Volpe. Fantamatres is their weird collaboration whose output is a regional surreal poetry performed - or more often improvised - over sleazy organ grooves and pulsing italo disco electronics. After the stunning debut tape release Contacto Salino (Hundebiss Records, 2012) this is their first vinyl release, prepared as a challenge in less than 48 hours and resulted in three real hits that capture the irrepressible rampage of their rare and unbelievable live sets." - Holidays.

Artist: FANTASTIC PALACE
Title: Early Recordings/Hello The Mellow Man
Format: LP
Label: Audio Dregs
Country: USA
Price: $15.00
Fantastic Palace is Alexander Ross (whos "Grandfather Paradox" cass was recently reisuued on LP on Jan Anderzens Vauva label...). "Here we pair two early and very limited cassette releases of unexplainable instrumentals by FANTASTIC PALACE. It is utterly unique, and wonderful music! Sounding like good times in a Chrome universe, Wümme era Faust as a circus band, or Super Roots 6 era Boredomes trying to do covers of Byrds outtakes. Songs alternate between sunshine psychedelia and dark alien soundtracks. Even though songs are often short and experimental in nature, rather than sounding like sketches they create fully formed melodic vignettes that feel as if theyve been beamed in from a neighboring dimension. This stuffs never been on vinyl before (though a later tape release by Ross, Grandfather Paradox, garnered much acclaim when reissued last year). This is a joint release with Audio Dregs and Social Music. First pressing of 200 copies." - Audio Dregs.

Artist: FAPARDOKLY
Title: Fapardokly
Format: LP
Label: Guerssen
Country: Spain
Price: $29.00
"Fapardokly is probably regarded as the most important release in Merrell Fankhausers long career, and an absolute collectors item. The band recorded about 30 tracks in a small studio in Palmdale, California, from 1965 to 1967, when the owner of the studio decided to release an album with some of these tracks. With such different recording dates, you find here different sounds -- organized 60s pop, jangly folk-rock, psychedelia -- a truly fantastic album that finally gets, for the first time, a legit vinyl reissue and with the original artwork. Comes with an insert featuring photo from Merrells personal archive, and liner notes by him as well." -Guerssen

Artist: FAR CORNERS
Title: Ruling The Roost
Format: 7"
Label: Limited Appeal
Country: USA
Price: $7.00
"THE FAR CORNERS are ex-MR. AIRPLANE MAN / TURPENTINE BROTHERS (married couple TARA and JUSTIN HUBBARD, plus one). They have drifted from the more direct garage-rock stylings of those outfits and into the strange New Mexican desert. They sound somewhere in between Spray Paint and first-LP Eat Skull with some Aussie vibes mixed in. Edition of 165." - Limited Appeal.

Artist: FAR EAST FAMILY BAND
Title: Nipponjin
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
"CD version previously-released on Phoenix Records, now available in a vinyl version. Regarded by many as the first Japanese progressive rock group, the Far East Family Band featured the keyboardist and future new age composer, Kitaro. A keyboard-dominated space rock band, the Far East Family Band played extended compositions that brought comparisons to Tangerine Dream and early Pink Floyd. Nipponjin (1975), the bands second album under their new name (after their Far Out moniker), featured re-recorded material from the previous The Cave Down To Earth (1974) as well as Nihonjin and was produced by Tangerine Dreams Klaus Schultz. One of Japans earliest prog bands, Far East Family Band became hugely popular in Japan and also achieved considerable attention in Europe. Digitally remastered, numbered limited edition of 1,000 copies only." -Phoenix

Artist: FAR EAST FAMILY BAND
Title: Parallel World
Format: CD
Label: Phoenix
Country: UK
Price: $18.00
"Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Unlike other albums where the band focused on Pink Floyd-esque psych ballads, on Parallel World, the influence of German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didnt!), the synth star here is Masanori Takahashi who was later to find new age fame and fortune under the name of Kitaro. This is space rock at its finest and the bands extended compositions attracted favorable comparisons with both Tangerine Dream and Pink Floyd, and even at times the vocal style of the Moody Blues. Unfortunately, this was the bands last album, but they went out on a high, achieving the rare feat of appealing to devotees of both Krautrock and electronic psychedelia alike. Digitally remastered, numbered limited edition of 1,000 copies only in a unique LP-replica card wallet." - Phoenix.

Artist: FAR EAST FAMILY BAND
Title: Parallel World
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
"Originally released in 1976 by Nippon Columbia, this is the final album by legendary Japanese space/psych-rockers Far East Family Band. Unlike other albums where the band focused on Pink Floyd-esque psych ballads, on Parallel World, the influence of German producer/electronic music composer Klaus Schulze is more pronounced, merging prog rock with electronic music to create something rather weird and wonderful. Although Schulze oversaw the production of the album rather than playing on it (which he definitely didnt!), the synth star here is Masanori Takahashi who was later to find new age fame and fortune under the name of Kitaro. This is space rock at its finest and the bands extended compositions attracted favorable comparisons with both Tangerine Dream and Pink Floyd, and even at times the vocal style of the Moody Blues. Unfortunately, this was the bands last album, but they went out on a high, achieving the rare feat of appealing to devotees of both Krautrock and electronic psychedelia alike." -Phoenix

Artist: FAR EAST FAMILY BAND
Title: Tenkujin
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
"The fifth and final release by Far East Family Band (if you include 1973s Nihonjin, released under the Far Out banner), 1977s Tenkujin was the first of the bands albums to be released in the U.S. on the small and short-lived California-based All Ears label. Without Kitaro, who by this time had departed to pursue a solo career, the band reverted to its earlier ballad-based sound, this time supported on drums by former Samurai alumnus, Yujin Harada. The expected Pink Floyd influences appear in abundance, although this time the songs are sung partly in English and in Japanese. Another solid album from what many consider to be Japans finest new age/psychedelic group. On 180 gram vinyl." -Phoenix

Artist: FAR EAST FAMILY BAND
Title: The Cave Down To The Earth
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
"180 gram LP version. Regarded by many as the first Japanese progressive rock group, the Far East Family Band, whose first album release was under the name Far Out, released "The Cave" Down To The Earth in 1975. Influential in the creation of the bands distinctive psychedelic sound was keyboard player Kitaro, who went on to establish himself as a major new age artist in the 80s. Although the band was often categorized as new age too, their sound was distinctly progressive and often brought comparisons with Tangerine Dream and early Pink Floyd. The ethereal, space-rock quality of the bands music is here in abundance but the centerpiece is without doubt the title track, which starts off in a mellow mood but then becomes a killer guitar jam. For music fans that have yet to discover the delights of 70s Japanese psychedelic rock, "The Cave" Down To The Earth is a fabulous introduction. Housed in a die-cut sleeve with a printed inner sleeve. Includes the original LP insert." -Phoenix

Artist: FAR OUT
Title: Nihonjin
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
"Gatefold LP version. Fully-remastered, first-ever vinyl reissue. Prior to metamorphosing into Far East Family Band, Japans Far Out released this sole, space-y, guitar-drenched psychedelic prog album in 1971. Although the Floyd influences are highly apparent, the band produces an original sound which defines its own unique identity rather than being a reflection of the British and American bands that were dominating the genre. Although there is a keyboard-dominated opening, synthesizers are relegated to a supporting role, and their sparse presence is restricted to occasional sound effects. The psychedelic ambiance comes largely from the guitars, electric sitars and intelligent percussion. The original album contained just two single-sided tracks, and the intense guitar soloing, fantastic sound effects, including gongs and howling wind drones, combine to create an album of sparse beauty which effortlessly merges exotic Asian instrumentals with a psych sound occasionally reminiscent of Saucerful Of Secrets. Pressed on 180 gram vinyl." - Phoenix.

Artist: FAR-OUT FANGTOOTH
Title: Borrowed Time
Format: LP
Label: Siltbreeze
Country: USA
Price: $16.00
"Borrowed Time is FAR-OUT FANGTOOTHs second full-length LP for Siltbreeze and follows an excellent one-off seven-inch effort for the HoZac label. In the two years since the bands debut, Pure & Disinterested, their sound has matured; their direction, finessed. While the first LP carried heavy Sonic Youth / Christian Death vibes, Borrowed Time segues in and out of the fuzz / feedback pop of The Jesus & Mary Chain, the smoldering post-punk darkness of Sort Sol and the crashing, echo-laden psychedelia of Five Day Week Straw People. Look for the band out on the road in late 2013. Edition of 500 copies with download code." -Sitlbreeze.

Artist: FAR-OUT FANGTOOTH
Title: Pure & Disinterested
Format: LP
Label: Siltbreeze
Country: USA
Price: $16.00
"Existing in the musty shadows of the Philly scene, FAR-OUT FANGTOOTH have built a most unique foundation of sound, mixing early Cramps swamp / garage blackout, nascent Bauhaus post-punk / quasi-goth bleakness as well as an uncanny nod to the witchy, ethereal leather glam of first-generation Blue Oeyster Cult. Their debut LP, Pure & Disinterested, follows a limited-edition 7-inch for local label Ian! Records. In recent months, Far-Out Fangtooth has seen live action on bills with the likes of Times New Viking, Circle Pit, Blank Dogs and R. Stevie Moore. The band intends to launch a full-scale US tour to coincide with the release of Pure & Disinterested, so keep your eyes (and ears) peeled. Limited to 500 copies; features free download card." - Siltbreeze.

Artist: FAR-OUT FANGTOOTH
Title: Thorns
Format: 7"
Label: Hozac
Country: USA
Price: $7.00
"Philadelphias FAR OUT FANGTOOTH have been meddling within their own poisonous cloud of murky, atmospheric noise for a while now, and after a stellar debut LP on Siltbreeze last year, weve cornered their deliriously downtrodden din for a blurry 3-song EP of devastating caliber. Their solidly mid-tempo, gazey gait, braced with gothic flourishes of noise and carefully arranged explosions of angelic harmony are beautifully morose and radiant at the same time, combining the guit-architecture of Sonic Youths early primal scree with Circle Pits squalorous nuances to create a heavenly hypnotic, haunting haze. This is a band that seduces you when your guard is down, only to soar down and rip your heart out of your chest just at the moment when the rising tide of crashing noise hits you at full force, breaking any human down into their simplest parts. A deeply disturbing, yet fulfilling set of tracks that make that dark place in your heart seem like a nice place for a picnic, and a greater sense of anticipation for what Far Out Fangtooth will drudge up next. Edition of 475 copies." - Hozac.

Artist: FARISELLI, PATRIZIO
Title: Antropofagia
Format: CD
Label: Cramps
Country: Italy
Price: $7.00
“2013 reissue; originally released in 1977 as number seven in the DIVersoseries. An outstanding recording, and an unjustly neglected contribution to prepared piano performance by Area member Patrizio Fariselli with an energy somewhere between John Cage and Cecil Taylor! At times, Patrizio Fariselli plays with a great sensitivity to silence -- letting it emerge with as much force as his well-placed work on the keys of the piano. But at other times, he comes off with a full, frenzied sound thats really dynamic and almost explosive -- so much so that one is left wondering about the state of the piano after hes walked away.” - Cramps.

Artist: FARM
Title: S/T
Format: LP
Label: Shadoks
Country: Germany
Price: $44.00
"Numbered edition of 500 copies; 180 gram pressing housed in a heavy sleeve with insert "Farm recorded this wonderful album in 1971 in Southern Illinois, USA and the band is: Del Herbert - guitars, Gary Gordon - guitars & vocals, Jim Elwyn - bass & vocals, Steve Evanchik - percussion & harp, Roger Greenwalt - organ & piano, Mike Young - drums. Of cause there are many good albums from that time who need to be released again, but this album really stands out. We would vote this album by FARM as one of the best US releases on our label right next to jewels like BRIGADE (also from 1971). Killer dual fuzz guitar in every track, fantastic underground rock songs with an Allman Brothers vibe and Canned Heat boogie, speed driven rhythm, with music roots in west coast & blues rock and guitar-propelled numbers ála Santana." -Shadoks.

Artist: FARM
Title: S/T
Format: CD
Label: Shadoks
Country: Germany
Price: $18.00
"Farm recorded this wonderful album in 1971 in Southern Illinois, USA and the band is: Del Herbert (guitars), Gary Gordon (guitars & vocals), Jim Elwyn (bass & vocals), Steve Evanchik (percussion & harp), Roger Greenwalt (organ & piano), and Mike Young (drums). Of course, there are many good albums from that time that need to be released again, but this album really stands out. Shadoks would vote this album as one of the best U.S. releases on their label right next to jewels like Brigade (also from 1971). Killer dual fuzz guitar in every track, fantastic underground rock songs with an Allman Brothers vibe and Canned Heat boogie and speed-driven rhythm, with music roots in West Coast & blues rock with guitar-propelled numbers á la Santana. This record is reissued in cooperation with the band." - Shadoks

Artist: FARMERS
Title: August 11, 1984
Format: LP
Label: Feeding Tube
Country: USA
Price: $20.00
"This is listed as a Farmers LP, but its actually a survey of Daved Hilds earliest work after the dissolution of Bostons best-ever band, The Girls. Chronologically, the earliest recording here is “The Fear,” recorded at Sorcerer Sound in NYC for a proposed Lust/Unlust EP called A Dogs Prayer. Daved is joined by another ex-Girl, Robin Amos, and ex-Mission of Burma multi-tasker Roger Miller. After that come the Farmers tracks, recorded in Cambridge. Daved had been doing solo work in NYC, dressed as a Mennonite farmer, but when he was up north the Farmers were a duo with Roger, whod add trumpet, keys, and whatnot to the mix. Finally, there are a couple of demo tracks recorded in Boston with Roger, David Minehan (of The Neighborhoods), and Dan Salzmann (ex-Maps, then in Christmas). Daved, of course, played in a vast array of different units and configurations after The Girls, but this album is a solid survey of his early output. His approach to songwriting (perhaps best known for “Jeffrey I Hear You,” from The Girls Hearthan single) is amazing and cuts into personal flesh no matter whether he knows anything about yr history or not. Singing like a pro wrestler trying to get all sensitive, he manages to convey huge vistas of hurt and strangeness without coming off like either a fop or a thug. It is a sheer pleasure to present this album of Daveds purist inventions" - Byron Coley, 2015. Edition of 350.

Artist: FARNETI, MICHAEL
Title: Good Morning Kisses
Format: LP
Label: Companion
Country: USA
Price: $32.00
2016 repress. "Finally available, the first licensed reissue of Michael Farnetis elusive Good Morning Kisses LP from 1976. This South Florida marvel has eluded collectors for eons and we are thrilled to get it back into circulation. 500 exact repro copies were pressed at RTI with crisp, heavy jackets produced by Stoughton." - Companion.

Artist: FARQUHAR, JW
Title: The Formal Female
Format: LP
Label: Shadoks
Country: Germany
Price: $46.00
"Reissue of this private pressing from the USA, 1972. LP in an edition of 450 numbered copies, with glossy heavy sleeve, 180 gram pressing. "All tracks were recorded by JW Jarquhar in 1972. The songs on The Formal Female were written as an outcry against the materialistic nature of the woman during that time period in 1972. Many will tell you it is still that way. JW had recently extricated himself from a 10 year marriage and the words from this experience fit the lyrics on the album still. During that time he lived by himself in a 3rd floor apartment in Philadelphia. It was a street with a lot of traffic. Car horns, busses, police sirens, fire engines, screams, and sometimes even gunshots filled the airwaves. For this reason he sealed up the windows and any other openings with sound-proofing foam. This was necessary because his music was recorded in there. JW was the instrumentalist; rhythm guitar, lead guitar, drums, vocals, and bass. However he could not play them all at once, so he purchased a four track simulsync Teac recorder... professional version. This allowed him to record on one track and then play it back and separately record on a second, third, and fourth track. The original tracks were recorded at 15 IPS. A final mix was then made in stereo with yet a fifth overdub, when needed. At that time other effects were limited. It is amazing electric fuzz album full of effects and its a masterpiece such as D.R. Hooker. Extra heavy psychedelic." -Shadoks.

Artist: FARQUHAR, JW
Title: The Formal Female
Format: LP
Label: Brainblobru
Country: USA
Price: $15.00
"180 gram exact repro reissue of this absolutely insular, deranged private press masterpiece. JW Farquhar recorded this on 4-track alone in his apartment in 1972 after ending a 10-year marriage. The songs are part of a "rock opera" and are "written as an outcry against the materialistic nature of the woman." The result is something you will never put on a mixtape for your girlfriend. "...its a fascinating slice of ambitious, primitively lo-fi private press psych with an extreme lonesome/marginalized edge and some great fuzz and F/X. There are points where he gets into a whole schizophrenic exchange between two characters, one of whom talks in a weird fucked-up cartoon monster style, that almost makes you think of James Ferraros Lamborghini Crystal broadcasts but the rest of the album is just great basement/loner jams with a huge fucking chip on their shoulder, just the way we like em." -Kicktokill
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Artist: FARREN, MICK
Title: Mona/The Carnivorous Circus
Format: CD
Label: Captain Trip
Country: Japan
Price: $10.00
"Debut solo album of former Deviants leader released on Transatlantic in 1970; primarily hard-rocking heavy metal-ish versions of R&B songs. Farren had returned to the UK from a tour of the west coast of North America with The Deviants, who had risen up against him and sacked him. Farren had, however, previously discussed the idea of a solo album for the second LP of three on the Transatlantic contract. "I was crazy when I did Mona—really mentally ill," Farren has said. "If I listen to it I can still feel it. Maybe I should have chilled out for a few months before making the album, but I was a bit depressed, and I thought Id just do it entirely my own way for the first time." Carnivorous Circus is a montage of song and spoken word, featuring interviews with a Hells Angel and Steve Took, the latter recounting time he spent in Ashford Remand Centre, as well as recordings of political speeches. Took also provides lead vocal for the short Observe The Ravens section of the title track. Also, during the Society of the Horsemen jam he quotes a lyric ("it dont feel good, cos it was made out of wood") from one of his own songs, Steel Abortion (later recorded by his band Shagrat). The cello on "Mona" was provided by Paul Buckmaster, who had demonstrated to Farren the similarities between Bo Diddley and Bela Bartok." - Captain Trip. Original copies of the 1999 CD release.

Artist: FASAWANG, KHWANTA
Title: Lam Phaen Motorsai Tham Saep: The Best of Lam Phaen Sister No. 1
Format: CD
Label: EM
Country: Japan
Price: $19.00
"The best of Khwanta Fasawang, the number-one soulful sister of 1980s lam phaen, queen of the cassette era. She was chosen, from over a thousand demo tapes, by legendary producer and songwriter Doi Inthanon, who wanted to create a new streetwise dance music. The lam phaen genre was the result, and Khwanta Fasawang was the singer he chose to be its representative. Combining earlier musical trajectories with electronic elements and lyrics dealing with drinking and love, money and motorcycles, Khwanta led the cassette-format lam phaen boom of the early 80s, gaining great popularity in both her native Isan and across the whole country. A change in lyrical concerns and the use of electronics has parallels with Jamaican dancehall, and this music can be heard as one of the roots of lam sin, the Thai bass music that began in the 80s and 90s, but these recordings are not mere musicology. This is living music, and very fine music at that. Queen Khwanta, Sister Fasawang. She cant be denied. Selection, liner notes, and cover art by Soi 48. Includes 20-page booklet with English liner notes and lyrics.” - EM.

Artist: FASAWANG, KHWANTA
Title: Lam Phaen Motorsai Tham Saep: The Best of Lam Phaen Sister No. 1
Format: LP
Label: EM
Country: Japan
Price: $23.00
"The best of Khwanta Fasawang, the number-one soulful sister of 1980s lam phaen, queen of the cassette era. She was chosen, from over a thousand demo tapes, by legendary producer and songwriter Doi Inthanon, who wanted to create a new streetwise dance music. The lam phaen genre was the result, and Khwanta Fasawang was the singer he chose to be its representative. Combining earlier musical trajectories with electronic elements and lyrics dealing with drinking and love, money and motorcycles, Khwanta led the cassette-format lam phaen boom of the early 80s, gaining great popularity in both her native Isan and across the whole country. A change in lyrical concerns and the use of electronics has parallels with Jamaican dancehall, and this music can be heard as one of the roots of lam sin, the Thai bass music that began in the 80s and 90s, but these recordings are not mere musicology. This is living music, and very fine music at that. Queen Khwanta, Sister Fasawang. She cant be denied. Selection, liner notes, and cover art by Soi 48." - Em.

Artist: FASENUOVA/ANGELDUST
Title: Split
Format: LP
Label: Ozonokids
Country: Spain
Price: $14.00
"Split between Fasenuova (Spain) and Angeldust (USA). Fasenuova is conceived by Ernesto Avelino and Roberto Lobo in year 2006 under the names Hegemonía or Goodbye. Active almost secretly since early 90s, making use of synthesizers and modulators. Dynamic rough waves go along drum-machine generated beats. The lyrics, all of them in spanish bring you to the most bizarre and surrealistic corners of your brain, thru the melodic cricked vocals of frontman Ernesto Avelino. Angeldust is formed by three characters in the greyest warehouse in the american East Coast: Robert Francisco, Nate Davis and Jacob Anodide. Defenitely a noise industrial band has only released cassettes and CDRs up until the dates. Has toured Europe, Spain and the US extensively. They spit out intense feedback, fuzzadelic howls, drum-machine malfunction and string instruments build from different kinds of junk, always accompanied of the gnarliest lyrics. Aggressive and extremely wild. Record cover consists in a disco bag, one ink silk-screened cover with drawing by Robert Francisco. Limited to 250 copies in black, hand numbered and 250 copies in white, also hand-numbered. Art by: Robert Francisco

Artist: FASSETT, JIM
Title: Symphony of the Birds
Format: CD
Label: EM
Country: Japan
Price: $21.00
"2013 repress, originally released in 2006. Symphony of the Birds is a CD reissue of the historical 1950s LP, featuring a three-track multi-speed tape collage, "Symphony," made by ONLY natures birdsongs (its REAL), plus regular-speed and time-stretched field recordings, and explanations from the man himself. Jim Fassett was the musical director of CBS radio in the 50s-60s, and also famous as the author of another concrete work, Strange to Your Ears in the 50s. The kinda roots of recent field recordings/drones stuff. Total birdsong mania! Huge booklet of photos and (mostly Japanese-only) texts -- so big that EM actually uses a slightly larger-than-normal jewel case to make it fit!" -EM.

Artist: FASSONAKI, HELGA
Title: Covert Loadstones
Format: Lathe Cut 8"
Label: A Binary Datum
Country: New Zealand
Price: $12.00
"Helga hurt my ears in Auckland on more than a few ocassions. Her merciless broken tape machine assault was more brutal than most in the local noisy munter scene. For this release, she extracts a more listenable (but by no means compromised) stream of gritty sounds from her tape heads, realising an uneffected, low fi electronica." - A Binary Datum.
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Artist: FASTER DETAIL
Title: Phase Lock
Format: Cass
Label: No Rent
Country: USA
Price: $8.00
"Anyone familiar with Alex Chesneys musical legacy (Ashrae Fax, Gam Spun) will find in Phase Lock flickers of his previous projects that have been mostly hidden before now—rhythms strike harder, moods shift faster, and looks linger longer— with beats rooted in electro and acid house, spiraling arpeggios, and sharp melodic dissonance that serve as a backdrop for cogitative, Easter egg moments of harsh noise, Zef-like satire, and porcelain despair." Edition of 100. - Renee Mendoza Haran.

Artist: FAT AND THE MASTERS OF HAHA
Title: s/t
Format: CD
Label: Cat Dog Mouse
Country: USA
Price: $13.00
"FAT and the Masters of Haha is a 73-minute release of FATs recording with the southern Moroccan Berber group Aouad Mia, master rebab player Rais Lahcen Benlamouden, and other Berber singers and percussionists. It was recorded in Agadir, Morocco, in 1991 after development during FATs numerous visits to Morocco over the previous three years. Aouad Mias music is improvised but extremely tight and crisp, and combined with FAT, the music ranges from ferocious looped attacks through complex melodic and rhythmic passages to extended trance-like grooves. This was FATs final recorded album, and is a rare marriage of noise, improv, and free jazz with the intensity and virtuosity of a traditional ethnic music group -- in this case Aouad Mia, Rais Lahcen Benlamouden, and the accompanying Berber musicians." - Cat Dog Mouse.

Artist: FAT AND THE MASTERS OF HAHA
Title: s/t
Format: Double LP
Label: Cat Dog Mouse
Country: USA
Price: $23.00
"FAT and the Masters of Haha is a 73-minute release of FATs recording with the southern Moroccan Berber group Aouad Mia, master rebab player Rais Lahcen Benlamouden, and other Berber singers and percussionists. It was recorded in Agadir, Morocco, in 1991 after development during FATs numerous visits to Morocco over the previous three years. Aouad Mias music is improvised but extremely tight and crisp, and combined with FAT, the music ranges from ferocious looped attacks through complex melodic and rhythmic passages to extended trance-like grooves. This was FATs final recorded album, and is a rare marriage of noise, improv, and free jazz with the intensity and virtuosity of a traditional ethnic music group -- in this case Aouad Mia, Rais Lahcen Benlamouden, and the accompanying Berber musicians." - Cat Dog Mouse.

Artist: FAT CREEPS/ZEBU!
Title: S/T
Format: 12"
Label: Feeding Tube
Country: USA
Price: $18.00
"First vinyl outing by Fat Creeps, a Boston-area trio (Lynn, Mass, actually), who have been brilliantly assaulting local audiences for the last year and a half. Like Montreals No Joy, Fat Creeps combine guitar tones developed specifically for shoegazing, with a garage-pop sensibility that will not be stilled. Vocally, I am also reminded of Barbara Mannings classic early solo work (about the highest compliment I can offer), and theres a great friction between alternating layers of lassitude and energy. This makes for a coarse and classic blend, sure to be gobbled like ear-candy by anyone who wanders anywhere near the disk. As Bryan Ferry might say, "Marvelous." On the flip is new spamso-outsider-rock-aktion by Zebu! -- a duo (with guests) (with privileges) who seem utterly dedicated to dissolving genre walls in a gush of pearly abandon. This outing has the same roots-ripped sax that blasted through the center of chill wave, and even adds some female vocals (c/o Meredith Thomason) that provide an unusual shine. The rest is the howling, rhythm-whacked splooge we have come to expect of the Zebu! experience. Piles of guitars, drums and creepy vocals, teetering on the edge of your doorway, threatening to destroy your equilibrium forever. Nice. Edition of 600. Includes download card and insert." -Feeding Tube.

Artist: FAT WORM OF ERROR
Title: Broods
Format: LP
Label: Open Mouth
Country: USA
Price: $17.00
Co-release w/ Ecstatic Peace. "Maybe its something in the raw cows milk one can so fortuitously procure here in Western Massachusetts, or maybe its that lysergic haze of Berkshire foothill emanation, but whatever it may be, it is most definitely in manifestation as the five-headed rock n noise n bleet n zzrrp n roll n weirdcore phenomenon known only as FAT WORM OF ERROR. After more than six years of live gig decimation and confusion and a smattering of cassettes, cdrs, legit LP releases (on labels as swank as LOAD and Ultra Eczema), FWOE has become, along with Noise Nomads and Dinosaur Jr, as one of the most astounding musical whatsis factors in the Pioneer Valley. It was after being stunned into melted delight one evening at our local hang (the Flywheel natch) by the dead battery guitar, silent psycho-killer bass, drums punked beyond the free thump joy of John Stevens n Drumbo, and the supremely swinging costume-cuhraziness of the FREEKwency singerwell, we wanted to do a, ahem, proper LP. Put this genius fringe into the studio with Justin Pizzoferrato (thats right, the guy who helps engineer J Mascis and T Moore sides) and capture the delirious magic of FWOE in their inimitable prime. And we did! And Mark Beyer did the cover art! And the drummers name is Neil Young! And this LP rules HARD, and if you happened to be in the same room as the live FWOE this last summer than you know: Fat Worm of Error has got the coolest moustache in town. Case closed." - Open Mouth.
SOLD OUT

Artist: FAT WORM OF ERROR
Title: Feelin Fine
Format: 7"
Label: Yeay!
Country: USA
Price: $5.00
"FWOEs self released debut single - messy, twitchy wrecks in effects... "...the racket moves in a lot of directions at once. Theres definitely a goofy overlay to some of the moves displayed here, but none of them are crappy or pro forma. Their weirdness is as original as cud.  Woozy, too. I mean, youll swoon its so woozy at times." - Byron Coley, WIRE 236 Oct 2003." Silkscreeened cover.
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Artist: FAT WORM OF ERROR
Title: Pregnant Babies Pregnant with Pregnant Babies
Format: LP
Label: Load
Country: USA
Price: $12.00
"Iron Valleys bedazzled bunch spring forth with a stunner of a record that drones, moans, chortles and squeaks in completely unexpected ways. Beefheart-soaked and strangulated guitar tactics, double mutter drumming, and bass all collide in uncharted territory with hysterical vocal yelps to make this record advance to the head of the class in your record pile.Think of this band in the unlikely company of the real R n R Hall of Famers like Half Japanese, Thinking Fellers Local 182, and Arab On Radar. Load Records is insisting you listen to this record as it features instrumental diversity with horns, synths, basses, guitars, and all manners of percussion. The songs on this record are not all storm and flash as there are moments of quiet beauty, like a candy bar found in a pair of pants not worn for months. A truly refreshing listen, its got spasm and moan." - Load. CD also available.
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Artist: FAT WORM OF ERROR
Title: s/t
Format: 7"
Label: Ultra Eczema
Country: Belgium
Price: $16.00
"the most spastic band of this very moment on this gross planet is definatly the north-or east (whatever) hampton based no wave fartband FAT WORM OF ERROR, someone is fingerfucking a drumkit while a guitar gets raped by a pink elephant, the synth dances to fucked up tape rewinds, the bassplayer rolls on the floor in his own neon yellow poopoo and the singers throat gets squizzed non stop by a huge bouncer dressed in self made residents styled eye ball costumes. these druids change costumes with every song on their scary live shows while 567 different sounds pop out of 456 instruments, they have moustages that are bigger then anyones hairsausage in the antwerpse snorrenclub, and play actually very tight songs! it doesnt sound like they are just nuts, i mean they are nuts, but they also make "tight noise", they stop and start at the same time, like ARAB ON RADAR meets THE RESIDENTS meets DEVO meets BRIAN RURYK meets STEVEN STAPLETON meets LIGHTNING BOLT meets etc.. and at the same time sounding like none of these.. some of these people played in DEERHOOF and CAROLINER and some of these still do a million different side projects such as the great YEAY records label, BROMP TREB (a harch noise hip hop outfit) etc.. FAT WORM OF ERROR will also have a full lp out on providence based black metal label LOAD RECORDS!! this 7" comes in an oversized cutout stencilprinted cover design by dennis tyfus." - Ultra Eczema.
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Artist: FAT WORM OF ERROR
Title: Summer Mixtape 200
Format: Cass
Label: Yeay!
Country: USA
Price: $5.00
"a kinky continuous loop of this band in their most defribulated and deconstructed - a few songs & a wealth of treatments of 4 track fragments, digital scrubbery, tape collage, & eeew! improvisation. totally gay package is hand spray-painted in their infamous paranoid googly-eyed motif.  "Music streams along, a song here and there, and lots of slurpage and bleepage. Gleeping electronics get hi-jacked by exploding clusters that are sometimes identifiable as guitar, bass, and drums. Vocalist knows better than to overdo it or try to keep up, so (s)he just kind of cuckoos every now and then, and does it well. Absolutely whacked song structures; they work hard on this." - Fuzz-O Dolman, Blastitude 16. spraypainted case /photocopy insert." - Yeay!
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Artist: FATES, THE
Title: Furia
Format: LP
Label: Bird
Country: UK
Price: $26.00
2016 repress. “2014 reissue. Originally scheduled for release on Halloween 1985 (but delayed until Feburary 86), this privately pressed post-punk/broken-folk collective concept LP features personnel pulled from the ashes of The Falls original lineup and Blue Orchids, the Manchester post-punk band that backed Nico during her live performances in the early 80s. Led by Manchester punk icon Una Baines, The Fates released Furia in 1985 and then disappeared into the annals of UK punk purgatory. With all the DIY traits and snarling attitudes of Manchesters smart-assed punk retaliation, the band delivered a record of haunting, mechanical folk and pastoral drones. This virtually unknown LP, with a backstory that unites sleeve artist Linder Sterling (Ludus), Spider King, Martin Hannett, Tony Baines, Martin Bramah, and John Cooper Clarke with the 16th century Pendle witches, is a vital missing piece in Manchesters self-help anti-pop industry. Lost in the ether, lauded by collectors, and likened by Mark E. Smith to the Third Ear Band, this unclassifiable arty-fact renders tags like "pagan punk" utterly inadequate. File under-ground.” - Bird.

Artist: FATES, THE
Title: Furia
Format: CD
Label: Bird
Country: UK
Price: $18.00
"2014 reissue. Originally scheduled for release on Halloween 1985 (but delayed until Feburary 86), this privately pressed post-punk/broken-folk collective concept LP features personnel pulled from the ashes of The Falls original lineup and Blue Orchids, the Manchester post-punk band that backed Nico during her live performances in the early 80s. Led by Manchester punk icon Una Baines, The Fates released Furia in 1985 and then disappeared into the annals of UK punk purgatory. With all the DIY traits and snarling attitudes of Manchesters smart-assed punk retaliation, the band delivered a record of haunting, mechanical folk and pastoral drones. This virtually unknown LP, with a backstory that unites sleeve artist Linder Sterling (Ludus), Spider King, Martin Hannett, Tony Baines, Martin Bramah, and John Cooper Clarke with the 16th century Pendle witches, is a vital missing piece in Manchesters self-help anti-pop industry. Lost in the ether, lauded by collectors, and likened by Mark E. Smith to the Third Ear Band, this unclassifiable arty-fact renders tags like "pagan punk" utterly inadequate. File under-ground." - Bird.

Artist: FATHER YOD
Title: Liberation
Format: Book
Label: Source Foundation
Country: USA
Price: $14.00
"Fathers personal book. He wrote it in 1970 in 10 days and has been re-issued with a current update about the Source Family. Fathers Wisdom is timeless and will definitely help you to find your own "Path" !"-Source Foundation
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Artist: FATHER YOD AND THE SOURCE FAMILY
Title: The Source Family
Format: DVD
Label: Drag City
Country: USA
Price: $16.00
"Awareness of The Source Family, YaHoWa13 and Father Yod has been growing since their early 1970s heyday. A spiritual commune dedicated to a wide-ranging blend of eastern and western mysticism, The Source Family were very much a part of the infamous era of tuning in, turning on and dropping out in the late 1960s and 70s. The Source Familys celebrity-hang-out vegetarian restaurant, rock band, utopian commune, and beautiful women made them darlings of Hollywoods Sunset Strip; but their outsider ideals and controversial spiritual leader Father Yod provoked local authorities, leading to their dramatic demise. Still, Yods spirit lives on -- in the hearts and souls of Family members, and in the music that he and the familys various bands made during his life, much of which remains in circulation. Additionally, new finds from the many hours of tapes they left behind are released every year. This incredible true story -- told largely through home movies and photographs maintained by archivist Isis Aquarian, one of Father Yods fourteen wives, features a soundtrack comprised entirely of original Source Family music. The Source Family provides an unparalleled insiders view into the cult/commune phenomenon and wild social experimentation of the 70s; a penetrating and bittersweet examination of the joys of the free love generation and the contradictions that lay beneath the surface of their peaceful, easy feelings. In this, it is a uniquely Californian story as well." NTSC format.; 99 minutes; aspect ratio: 16:9." - Drag City.
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Artist: FATHER YOD AND THE SOURCE FAMILY
Title: The Source Family Original Motion Picture Soundtrack
Format: LP
Label: Drag City
Country: USA
Price: $19.00
"For at least the last couple decades, the cult around The Source Family cult has enjoyed the music of Ya Ho Wa 13, whose nine albums with Father were a major part of the story. Recorded during an eleven-month span during 1973 and 74, pressed on their own Higher Key label and sold in The Source Restaurant for $10 a piece at that time, these recordings continue to fascinate listeners to this day, and have been reprinted multiple times, including a massive box-set version of the whole catalog made in Japan in the mid-1990s. In 2007, the release of Isis Aquarians book The Source: The Untold Story of Father Yod, Ya Ho Wa 13 and The Source Family, opened the doors on the mysterious and influential doings of The Source Family -- and now the Spring of 2013 sees a definitive documentary film on the subject, entitled The Source Family. For the soundtrack to The Source Family documentary, a selection of material was chosen to include the widest variety of Source Family members, showcasing the talents of many not previously showcased. And so, in addition to Ya Ho Wa 13 members Djin, Sunflower and Octavius, we also hear the contributions of Cinderella, Ahom, Aquariana, Anastasia, Rhythm, Horn, Electron, Zoroaster, Vibration, Pythias, Damian, and Zinaru -- as well as the omnipotent Yahowa himself, Father Yod. Their music ranges from soulful to spiritual to shamanistic, with Father fronting the band on journeys through inner and outer psychosis and bliss. These recordings were intended to further the teachings of Yahowa, and while they certainly do so, what the listener is left with some forty years on, aside from a deeply compelling curiosity, is..." -Drag City.

Artist: FATHER YOD AND THE SOURCE FAMILY
Title: The Thought Adjusters - Source Family Jams Circa 1973-1974
Format: Double LP
Label: Drag City
Country: USA
Price: $22.00
"Man, our minds were blown by that God and Hair box. When we were given a chance to work with some of the folks from The Source back in 2008, we just said yeah, lets hear more of that craaazy music. First came the never-before-heard tape from Children of the Sixth Root Race, Songs From the Source. Then, Magnificence in the Memory, a vault-diving expedition by NNCKs Dave Nuss credited to Father Yod and the Source Family. Now in the year 2012, rare energies are at play, and the times are calling for another trip into the deep pile of Source Family song-and-dance music. With The Thought Adjusters, the focus is on extended rhythms created not only by YaHoWha13 but all the family musicians. The focus is on extended rhythms created in support of Father as he made his teachings, with all the jams integrating both aspects; music and wisdom. Musicians on this record include Pythias, Sunflower, Djin, Octavius, Rhythm, Vibration and Zoraster, with backing vocals from Ahom, Aquariana, Cinderella and Anastasia. Truly, a family vibe can be felt in the recordings here, as impromptu teachings from Father are augmented by improvised riffs which blossom into lengthy mindand- soul-excursions, heavy with communal rock and blistering thoughts from the band and Father. After a brief opening sounding of ritual bells, these four sides are filled to the max with five monolithic jams meant to open your head -- which was the goal of everyday life with The Source Family. Notes explaining the physical and philosophical paths of Father Yod are written by Source Family member, scribe and archivist Isis Aquarian, whose collection contains even more photographs and tapes than are included in this package. With a documentary film on The Source Family making the rounds on the festival circuit this year, we anticipate greater desire for revelation -- not just on Fathers whens and wheres and his thirteen wives, but also the beliefs of The Source Family, and how it relates to the rising up of man in the very near future." In a gatefold sleeve. -Drag City.

Artist: FATHER YOD AND THE SPIRIT OF 76
Title: Contraction
Format: LP
Label: Swordfish
Country: UK
Price: $29.00
"The legendary and ultra-rare second album fully remastered and presented in the original full colour sleeve. Includes new notes from various family members especially written for this release. The extremely positive & instructive nature of the Contraction period lyrically is amazing. Father is like a marine taking a beachhead in WWII and we were the beachhead. Our previous Pavlovian lives of following the repetitive death culture were the enemy and he was taking no prisoners. His aim in Contraction was to give birth to the highest conception of oneself as no less than the messiah." - DJIN AQUARIAN, 2005.
SOLD OUT

Artist: FATHER YOD AND THE SPIRIT OF 76
Title: Contraction
Format: CD
Label: Swordfish
Country: UK
Price: $15.00
First authorized CD reissue of this album, originally issued by Higher Key in 1974. "The legendary and ultra-rare second album fully remastered and presented in the original full color sleeve. Includes new notes from various family members especially written for this release. The extremely positive & instructive nature of the Contraction period lyrically is amazing. Father is like a marine taking a beachhead in WWII and we were the beachhead. Our previous Pavlovian lives of following the repetitive death culture were the enemy and he was taking no prisoners. His aim in Contraction was to give birth to the highest conception of oneself as no less than the messiah." - DJIN AQUARIAN 2005.

Artist: FATHER YOD AND THE SPIRIT OF 76
Title: Kohoutek
Format: LP
Label: Drag City
Country: USA
Price: $23.00
"....the second coming of Kohoutek. This was the first spontaneous release that was made into a record, credited to Father Yod and The Spirit of 76. It came out in 1973, the year of Kohoutek, when the imminent arrival of the big comet spawned a new round of cosmic consciousness in the media and with people all over the planet. This was more than a comet, its radiance was enormous, it came from ancient times to be experienced again by the enlightened people of the day. The Source Family were alive with expectation about the return of this long-haired messenger, and Father devoted considerable time chanting and eventually changing in his identity to Yahowa while meditating on the comet. Events like these were to be cherished for bringing infusions of energy that could only be accessed via the rare occasions. Life had to be lived in order to grow -- and the two sides of Kohoutek are a special jam that passes through tranquility to exultation, a tapping of the passing flame in the skies and a greeting from Father to the messenger and bearer of such awesome gifts. Very pure. After the original LP pressing in 1973, Kohoutek was issued on CD for the first time as a part of the God and Hair boxset in 1996; this is the first time the vinyl has been available again since the 1970s. Features all of the original artwork, including an insert about the comet, plus new inserts with reflections from Isis. These emanations from the original Source are pure, uncut spiritual visions from the mid-1970s, not to be missed." - Drag City.

Artist: FAUST
Title: 71 Minutes
Format: Double LP
Label: Recommended/Goodfellas
Country: Italy
Price: $40.00
2016 repress. "With Magma, Faust was one of the most important of all the European groups of the 70s. Compiled from lost and unreleased material, originally released as Munich & Elsewhere on the 10th Anniversary of their disbandment (inc. prophetic pre-dub mixing) as well as most of the unreleased Faust Party 3 LP. Intense, eccentric, hypnotic, a true timeless classic." 180 gram vinyl." - Recommended/Goodfellas.
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Artist: FAUST
Title: Just Us
Format: LP/CD
Label: Bureau B
Country: Germany
Price: $27.00
"Includes full album on CD. Faust for all. The Krautrock legends lay down the musical foundations for everyone else to make something of their own. "j US t" -- pronounced "Just Us" -- is the new album from legendary Hamburg band, Faust. Founding members Jean-Hervé Peron and Zappi Diermaier have laid down 12 musical foundations, inviting the whole world to use them as a base on which to build their own music. The tracks presented by Peron and Diermaier are clearly, intrinsically typical of Faust in their own right, yet offer enough space for completely different works to develop. Which is exactly what they hope will happen. While Diermaier largely remains true to his habitual handiwork -- drums and percussion --Peron, as we might expect, incorporates all manner of unusual sonic sources alongside his bass, various string instruments and piano, even using a sewing machine as a metronome. Tracks like "nur nous" and "ich bin ein pavian" show that Faust have lost none of their predilection for avant-garde Dadaism and improvisation. Peron and Diermaier actually surprise us with folkloristic excursions ("cavaquinho," "gammes"). In short, there is something for everyone to work with here. Peron and Diermaier await the results with bated breath. Faust will follow the same principle on the accompanying tour by inviting local artists to collaborate with them on stage. The history of the band: "There is no group more mythical than Faust." Thus wrote English musician and eccentric Julian Cope. Which says it all really, neither the habitus nor the music of the Hamburg group was easy to grasp. While some lauded Faust as the best thing that ever happened to rock, others dismissed them as shameless dilettantes. Their collage of Dadaism, avant garde rock and free improvisation radically divided opinion. When the first LP was unleashed on the world in 1971, Faust were very much the prophet in their own land, as the saying goes: few were interested in listening to their music -- in Germany. Not so across the Channel: this is where Fausts career really kickstarted. These monoliths of avant-garde rock sold 100,000 copies of their album The Faust Tapes. More than 40 years after their debut, Faust have come up with another archetypical album: inspiring, innovative, unpredictable, crossing boundaries, anarchic - Faustian!" - Bureau B.

Artist: FAUST
Title: S/T
Format: LP
Label: Lilith
Country: Russian Federation
Price: $26.00
Repressed. "Legendary German post-rock band formed in 1971 by undisputed noise pioneer Uwe Nettelbeck, Faust garnered an immediate following due to its artistically extreme experimentations with music cut-ups and other mixed sources hinging on cacophony and distortion. Dont miss their 1971 cult classic debut, now reissued with its original clear printed sleeve on clear vinyl." - Lilith.

Artist: FAUST
Title: s/t
Format: CD
Label: Recommended
Country: UK
Price: $17.00
2016 repress. "In 1971, Polydor entered a deal with Uwe Nettelbeck to assemble a musical ensemble that could compete with the likes of The Rolling Stones, The Kinks, and Small Faces. Before the release of their debut, Faust would send tapes to Polydor containing anything from studio experiments to recordings of someone washing dishes. Allmusic critic Archie Patterson lauded the bands accomplishment, writing that The impact of Faust cannot be overstated; their debut album was truly a revolutionary step forward in the progress of rock music. He awarded Faust four and a half out of five stars, concluding that the level of imagination is staggering, the concept is totally unique and its fun to listen to as well. The first 1971 Polydor (transparent) album and one of the great testaments to originality and innovation in the field, this album took two years to create, but in the 45 years since has come to be recognized as a breathtaking achievement, which hasnt aged. Remastered, repackaged for the ReR Megacorp release, which is also a part of the Faust Wumme Years Box Set." - Recommended.

Artist: FAUST
Title: So Far
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $23.00
2012 repress, 180 gram vinyl. "Originally released in 1972, this is the second album from Uwe Nettelbecks legendary Krautrock group Faust. More song oriented than the first record, So Far is an absolute stone classic of outsider (pop) music reissued here in its original packaging (including reproductions of all 10 inserts). Received a 9.6 rating from Pitchfork Media." -4 Men With Beards.
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Artist: FAUST
Title: So Far / Its A Bit Of A Pain
Format: 7"
Label: Play Loud!
Country: Germany
Price: $10.00
“2010 reissue. First reissue of Fausts only 7", originally released only in Germany, France, and the UK in 1972. This reissue bears the original artwork and was remastered by Faust member Hans-Joachim Irmler from the original recordings. Both tracks are non-LP versions. It is said that "Its a Bit of Pain" was John Peels favorite Faust track. Archive your music on vinyl!” - Play Loud!

Artist: FAUST & NURSE WITH WOUND
Title: Disconnected
Format: Double LP
Label: Dirter Promotions
Country: UK
Price: $40.00
"An entirely logical and almost mythical collaboration, this joining of the two greatest studio bands in the history of audio recording has finally arrived on vinyl. Disconnected delivers in every way. Sounding, as you might expect, like both bands, but also standing on it own as might not. With bands such as Faust having an early influence way back on a young NWW, its clear that as the years pass, NWW have had a profound effect on the German legends. The feeling is mutual, and it comes across." -Dirtier Promotions
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Artist: FAUST/BAND OF PAIN
Title: John Cage - Radio Music (1956)
Format: 10"
Label: Dirter Promotions
Country: UK
Price: $14.00
"John Cage composed the piece "Radio Music" in 1956. It is scored in 8 parts (A-H) with each part to be performed either individually or together with other parts as an ensemble. The performers follow a score that is a sequence of radio frequency tunings and silent parts. Obviously, each time the piece is performed, it yields a different end result. We present here 4 solo versions on this limited edition 10" EP. The works are performed by members of German legends, Faust (Jean-Hervé Péron and Zappi Diermaier) by Steve Pittis project, Band Of Pain. All tracks were recorded live in the studio with absolutely no overdubs. The 10" vinyl EP is packaged in a superb gloss laminated sleeve and is strictly limited to 500 copies." - Dirtier Promotions.

Artist: FAXED HEAD
Title: From Coalinga To Osaka
Format: DVD
Label: Mimicry
Country: USA
Price: $14.00
"From Coalinga To Osaka documents the pride of Coalinga, CA in all their self-handicapped, brain-damaged glory. Beautifully shot on three cameras during FAXED HEADs improbable 1995 tour of Japan, the live footage of this self-proclaimed "desk metal" quartet is interspersed with baffling but authentic footage of a Japanese junior high school class where the students are instructed on the subject of... Faxed Head! In addition to the electronics-and mayhem-heavy 1995 Osaka set, the DVD includes bonus live footage of a reconstituted (and much more metal-sounding) Faxed Head on tour in Canada in 2001. And, for the true fan, a 45-minute long hidden "Easter egg" showcases an entire concert by Faxed Heads long-time nemesis, pitiful Coalinga-area boogie-blues idiots THE BON LARVIS BAND. This strange and wonderful DVD is a surefire seller to fans of MR. BUNGLE, NEIL HAMBURGER, and CAROLINER-all acts with which Faxed Head has long been associated, for reasons that are not clear. Faxed Heads devoted fan-base remains hungry for product, as health problems have prevented the band from any activity since 2001s Chiropractic CD." -Mimicry

Artist: FAXED HEAD
Title: From Coalinga To Osaka -- Live in Japan 1995
Format: DVD
Label: Web of Mimicry
Country: USA
Price: $14.00
"Beautifully shot on three cameras during Faxed Heads improbable 1995 tour of Japan, From Coalinga To Osaka documents the pride of Coalinga, CA in all their self-handicapped, brain-damaged glory. Live footage of the self-proclaimed "desk metal" quartet is interspersed with baffling but authentic footage of a Japanese junior high school class in which the students are being instructed on the subject of... Faxed Head! In addition to the electronics- and mayhem-heavy 1995 Osaka set, the DVD includes bonus live footage of a reconstituted (and much more metal-sounding) Faxed Head on tour in Canada in 2001. And, for the true fan, a 45-minute long hidden "Easter egg" showcases an entire concert by Faxed Heads long-time nemesis, pitiful Coalinga-area boogie-blues idiots The Bon Larvis Band." -Web of Mimicry

Artist: FAY, BILL
Title: S/T
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $23.00
"London singer-songwriter Bill Fay released two albums on the Deram label in the early 70s and promptly disappeared into relative obscurity for 30+ years. In the last 10 years or so those albums have finally begun to get the recognition they deserve, and 4 Men with Beards is proud to be able to bring them back into circulation on 180 gram LP. First up is the self-titled debut from 1970, an absolute classic of British folk-rock." -4 Men With Beards.

Artist: FAY, BILL
Title: Time of the Last Persecution
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $23.00
"Time of the Last Persecution is Bill Fays second and final album for the Deram label, originally released in 1971. An absolute classic of melancholy (borderline morbid) folk-rock that falls somewhere between Pearls Before Swine, Leonard Cohen, and a suicide prevention hotline. Time of the Last Persecution is almost single-mindedly obsessed with end times so its fitting that this brilliant album would be his last release for over 30 years. Now that Fay is back with a new and highly lauded album, its high time that his classic, definitive statement, is available again on 180 gram vinyl." -4 Men With Beards.

Artist: FAY, BILL GROUP
Title: Tomorrow, Tomorrow and Tomorrrow
Format: CD
Label: Durtro/Jnana
Country: Canada
Price: $16.00
"Third album (previously unreleased) from iconoclastic folkster Bill Fay, recorded between 1978 and 1981; With the intense interest in Fays past work, its surprising to discover that twenty new songs have remained unreleased for over two decades. Fay has been portrayed as a mysterious figure who somehow created two brilliant albums and then vanished. But as Fay himself has said, It wasnt me who left the music, it was the music business that left me. Tomorrow, Tomorrow And Tomorrow continues Fays tradition of writing thoughtful, life-affirming songs that, this time, benefit from extended studio sessions and input from three equally committed musicians. This disc does not consist of demos, outtakes or alternative versions of previously recorded songs. It was planned and recorded as Fays follow-up to Time Of The Last Persecution." - Durtro/Jnana.

Artist: FAZZINI, TOM
Title: Neck To Neck
Format: LP
Label: Locust
Country: USA
Price: $19.00
"The record was made with the backdrop of recovery - a new place to live and a chance at renewal - quite on the edge, lots of anger and the absurdity of life all swirling around. Remember believing at the time that I would probably have a short life, so that desperation fed into the album. First and last chance to maybe say something on record. It took several months to record and each session was a short burst. Towards the end of the recording a welcome sense of levity crept in, spurred on by the ludicrous Casio pre-sets. That felt good, given the whole Industrial scene, in the broad sense, was a bit earnest and po-faced. The album title came to me from being familiar with a bar called the swan with two necks. I imagined Lyn and myself as two separate swans, damaged, their necks entwined and in my mind that poetically offset the industrial harshness within the grooves. - Tom Fazzini. Neck To Neck is a head scratching slab of warped primitive synth punk cut by a young Tom Fazzini in exile from a madness inducing tenure as a London postal carrier at Paul Dillons Complex studios. Originally released in 1984 on Gordon A. Hopes short lived A-mission label (which also counted releases by Asmus Tietchens & O Yuki Conjugate), Tom Fazzinis combination of minimal synth and brutalist /absurdist industrial songs had more in line with the broader discomforts of the early 80s international tape network, Family Fodder, LAFMS, Flying Lizards and Ralph records than the agit pop that dominated the Leeds music scene at the time. Once an outsider, always an outsider. Features new liner notes by Tom Fazzini & previously unpublished photos. Remastered and pressed up on 180 gram virgin vinyl. One time edition of 500." -Locust

Artist: FÖRDÄMNING
Title: #1
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $2.50
"Printed in September 2012. Interviews with FAMILY UNDERGROUND, MATTEO CASTRO (LETTERA 22, KAM HASSAH, SECOND SLEEP), SPRACHLOS VERLAG, CONCERN. Film talk with Sam McKinlay/THE RITA. Reviews. A5, 28 pages. 500 copies.” - I Dischi Del Barone.

Artist: FÖRDÄMNING
Title: #10
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $5.00
"Printed in October 2016. Interviews with Russell Walker and Korea Undok Group. A feature on Betley Welcomes Careful Drivers. Speaker Crackle In The Garden (NZ lathe cuts - Part II)Reviews. A5, 24 pages. 250 copies." - I Dischi Del Barone.

Artist: FÖRDÄMNING
Title: #3
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $4.50
"“Printed in December 2013. The mailorder issue. Interviews with RRR, Volcanic Tongue, Millstone Vinyl, Mimaroglu and Tordon Ljud. Editoral writings and other contributions on the subject. Harsh Head Rituals feature. Reviews. A5, 36 pages. 250 copies.” - I Dischi Del Barone."

Artist: FÖRDÄMNING
Title: #4
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $4.50
“Printed in February 2014. Interviews with ALTAR OF FLIES, GOOD AREA, and SPOILS & RELICS. Gothenburg 84-86/87-08. HNW: The Final Exit. Reviews. A5, 32 pages. 250 copies.” - I Dischi Del Barone.
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Artist: FÖRDÄMNING
Title: #5
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $5.00
"Printed in December 2014. Interviews with Sky Needle, Kostis Kilymis and Misanthropic Agenda. Writings on Vanilla Records (by Allen Mozek), Sandra Bell, Wellenfeld (by Stefan Paulus) + tons of reviews etc. A5, 32 pages. 250 copies." - I Dischi Del Barone.

Artist: FÖRDÄMNING
Title: #6
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $5.00
"Printed in April 2015. A long interview with Evil Moisture, a shorter one with Girls Pissing On Girls Pissing and an old one with The Desperate Bicycles. A great guide to blackhumour by Chris Sienko. Reviews. A5, 32 pages. 250 copies.” - I Dischi Del Barone.

Artist: FÖRDÄMNING
Title: #7
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $5.00
"Printed in August 2015. “You Can Never Be Totally Random” (a big special on the NZ-label Corpus Hermeticum). “(Furniture) Theatre - The Uncommon Albums of Massimo Toniutti” (including a 2015 interview with Massimo, all by Allen Mozek). Penultimate Press (Interview with label boss Mark Harwood). Cassette reviews. A5, 32 pages. 250 copies." - I Dischi Del Barone.

Artist: FÖRDÄMNING
Title: #8
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $5.00
“Are You Swedish? No, We Are Not (A guide to the reissued works of Its War Boys and associates); Crisis of Taste (interview with Thomas DeAngelo, mailorder-chief and joy-spreader); Lots of reviews. Cover artwork by Andy Bolus.” - I Dischi Del Barone.

Artist: FÖRDÄMNING
Title: #9
Format: Mag
Label: I Dischi Del Barone
Country: Sweden
Price: $5.00
"Printed in May 2016. Interviews with Lasse Marhaug and Greedy Ventilator. Obsessive Listening Within National Borders (a big feature on Music Gallery Editions by Allen Mozek) Stuff on Neutral and Skaters. Speaker Crackle In The Garden (NZ lathe cuts - Part I) Reviews. Cover artwork by Dennis Tyfus. A5, 40 pages. 250 copies." - Il Dischi Del Barone.

Artist: FE-MAIL
Title: Blixter Toad
Format: Double CD
Label: Asphodel
Country: USA
Price: $14.50
"Fe-mail, Maja Ratkje and Hild Sofie Tafjord, have crafted a site-specific survey of the chaparrals of noise music. As half of the Scandinavian female improv quartet, Spunk, they began to adapt their mediums of French horn and voice to multiple formats for musical arrangements. In working for film, installation, studio, and performance they began to evolve their musical process to a compulsive physical act, opposing their classically trained standards. Exposure to distorted live sampling and field recordings allowed Maja and Hild to grab the limit and make it their instrument. Through synched communication and developed improvisation, their project further evolved into their newest release for Asphodel, Blixter Toad. This two disc set is best described as the taxonomic designation of feminine conviction through gadgetry and acoustic archaeology." - Asphodel.

Artist: FE-MAIL
Title: Syklubb Fra Hælvete
Format: CD
Label: Important
Country: USA
Price: $13.00
"Out of Norway comes the most exciting noise LP Ive heard to date. These two women romp thru stimulating noise compositions fresh and clean w/ a distinct Scandinavian frost. But theres always an undercurrent of warm embrace, sweet and masterful. -- Thurston Moore. Already an incontestable figure of the Scandinavian music scene, Maja Ratkje follows the release of her stunning first solo album, Voice (Rune Grammaphone), with Fe-Mail. A compulsive musician who, beside her main activity as part of all-female avant-garde free-improvisation quartet Spunk, is, at only 29, a lecturer in composition at the Norwegian University of Science and Technology, a world-renowned contemporary composer, an impressive singer and accomplished musician. Together with fellow Spunk-ette Hild Sofie Tafjord, Ratkje improvises with analogue electronic gear, samplers, voice, harmonica, and miscellaneous acoustic instruments to shape a more defined and delicate, if such a word can in any way define the realm in which Fe-mail evolve, series of soundscapes." - Important.

Artist: FEAR ITSELF
Title: Fear Itself
Format: LP
Label: World In Sound
Country: Germany
Price: $25.00
LP version, full color gatefold sleeve. "The album was originally released in 1969 on Dot-Records but didnt receive too much attention - maybe it appeared as a too freaked out heavy version of Jefferson Airplane or Big Brother & the Holding Co. The group started back in Atlanta Georgia in 1967 as a quartet with two guitars and played true psychedelic sound, recorded at the Record Plant in NYC, and moved to Woodstock (NY). The 10 album tracks contain two arrangements of traditional tunes all others are originals reflecting true electric heavy blues with a strong Hendrix feel, duelling guitar work and an outstanding female voice/vocals/screams...lots of intense stereo effects. This release is issued with stunning sound quality from the masters. For all 60s collectors who are not familiar with this masterpiece - its a must - there are not many groups that were able to present the freewheelin live on stage feeling on their studio album!" - World In Sound.

Artist: FEATHERS
Title: S/T
Format: LP
Label: Feathers Family
Country: USA
Price: $17.00
"Hailing from the verdant hills of Vermont, Feathers has come down to the valleys to play their own tunes of goat horns, sentimental ballads and angel children for you. Until this point, you could only buy their very limited CD-R?s as you caught their live performances. Now, for the first time, their self released LP is available, complete with large full color poster and is limited to 1,000 copies. Feathers is eight musicians, five of whom write the songs. They play a range of instruments; mountain dulcimer, lap harp, sitar, banjo, acoustic guitar and electric guitar solos with a heavy focus on vocal harmonies. There is an unsullied quality to the songs, which is difficult to find in the music scene of today. Feathers will be appearing on a few tracks of DEVENDRA BANHART?S new album, Cripple Crow. They are recently back from a two week tour with SMOG, and are now working on their various side projects. Two members of Feathers play with J Mascis of Dinosaur Jr. in the band WITCH." - Feathers Family.
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Artist: FEATHERS
Title: s/t
Format: CD
Label: Gnomonsong
Country: USA
Price: $13.00
"FEATHERS are an eight-piece collective musical ensemble, currently based between Northampton, Massachusetts and Brattleboro, Vermont. Formed in 2003, the band features five primary songwriters, each with a unique style, and four singers. All eight musicians switch around on numerous instruments, loosely playing what can be described as psychedelic folk. Their debut album, now issued on CD for the first time via Gnomonsong, features simple strummed guitars, delightfully sweet harmonies, lysergic electric guitar, and tribal drumming, with a swirly folk vibe throughout. The group seems to draw inspiration from the same magical, natural forest elements that motivated Incredible String Band and Comus to release their own classic music in decades past. Yes, songs about forest creatures and loving the moon are contained herein." - Gnomonsong.

Artist: FEATURELESS GHOST
Title: Personal Matrix
Format: LP
Label: Night People
Country: USA
Price: $17.00
"Personality Matrix is the debut LP by Atlanta duo FEATURELESS GHOST following a steady stream of EPs including the recent Mind Body cassette on Night-People. All of those prior releases were great but Featureless Ghost were holding onto something special  that they have now fully materialized in the form of this LP. Pre-release listens of the vinyl had friends of the band and the label awed by the heavy and deep sound of this record, a true stunner that buries the speakers and space around the sound.  A fully realized master work recorded and mastered to perfect specifications; Night-People has never released anything that simply sounds this good. Featureless Ghost set high expectations and surpassed them. Any reference to the aesthetic or influence seems too simple to fully describe what has been accomplished with this release. Synth pop, dark wave, minimal synth,  trance, none of it really matters. This is deep eclectic electronic music performed to live midi, hybrid digital and analog perfection. The dual male/female vocal delivery presented on this record shows a high concern for distinctly developed interplay and identity that is perhaps unequaled in contemporary synth pop. Cyber dreams, lost worlds, and dystopian futures seem to be the subject of Featureless Ghosts expression but the music itself couldnt be more solidly realized and perfected. Night-People is so honored to be a part of this release and we hope you end up enjoying it as much as we do." -Night People.

Artist: FEATURES
Title: Floozie of the Neighborhood
Format: 7"
Label: Mighty Mouth Music
Country: USA
Price: $7.50
"This almost tops the Eat. Ahhh so intense. Listen to the hi-hat sound. You dont hear that nowadays. And the clicking sound when hitting the ride cymbal. Add to that the (r)obnoxious “I don’t give a fuck” style of singing and we have a winner. And the way they end the song it sounds like theyre just glad it’s over. The b-side “I Wanna Be Your Man” is a great cover with inspirational vocals." - KBD Records blog.




Artist: FEATURES, THE
Title: X-Features
Format: LP
Label: Flying Nun
Country: New Zealand
Price: $22.00
"The Features, perhaps more than anybody, were the band that provided the stylistic delineation between punk and post-punk in the Auckland, New Zealand scene. The band formed in late 1979, led by Jed Town (guitar) and James Pinker (drums). Both were members of The Superettes with Paul Kean (later The Bats), and when Kean left to join Toy Love they pulled in Karel Van Bergen (vocals, ex-Primmers), and Chris Orange (bass, ex-Terrorways) to complete the line-up. Features are repeatedly named as a primary influence by many acts that followed them, breaking down, as they did, the barriers that had been constructed by the first and second waves of New Zealand punk." - Flying Nun.

Artist: FEEDTIME
Title: Today Is Friday
Format: LP
Label: S-S
Country: USA
Price: $18.00
"Formed in 1984, feedtime, the legendary Australian band, created a rumble that has carried over the decades like a subterranean fault rupture; a persis¬tent, threatening tectonic shift that has swallowed anyone lucky enough to encounter one of their records. feedtime started out as a WTF project that suddenly coalesced into something quite unlike anything else going: a pounding rhythm section with a hoarse vocalist that swam against the fast-faster-fastest hardcore tides of the time to create a time¬less rock n roll sound that is equal parts psych pound, punk holler, gutter blues, and post-punk noisescape, without ever sacrificing the song to the concept. Neat trick that. Their initial period of intense activity was the mid-80s to the mid-90s. They released a series of records on the Aberrant (OZ), Rough Trade (UK/US), and Amphetamine Rep¬tile (USA) labels. So, in 2011, when S.S. Records was working on bringing feedtime to the US in order to play our tenth anniversary showcase, SS10 (where they ruled), I asked Bruce Aberrant if there was any archival stuff laying around. Bruce snorted a Yes and said that there were reels of it, but none of it had been accessed for years. Over the next six months Bruce went through hours of feedtime sessions, demos, and live tapes, transferring the keepers for S.S. to hear. We culled through dozens of songs ? outtakes from feedtimes great debut album and their even greater follow-up, shov¬el. We also put our ears on demos from the Billy era, as well as live stuff recorded in both a hotel and a hole in the ground. We came across songs that had never seen release in any form (e b g d, garbage scow, girlfriend, etc.), amazing outtakes of old favorites (shovel, fractured, possums, nice, etc), and cover versions that no one out¬side Bruce and the band had heard (Fears I Dont Care About You, Flippers Life). The result is Today is Friday, a 15-song LP, with all previously unreleased recordings. feedtime is a fantastic Australian rock monster as compelling and insistent as the best of their class: Coloured Balls, Venom P. Stinger, Buffalo, Scientists, Saints, Primitive Calculators, Slugfuckers, etc. No hype: feedtime is truly a classic Australian rock & roll band and Today is Friday shows that as clearly as any of their classic albums do." - S-S.

Artist: FEEDTIME
Title: Today Is Friday
Format: CD
Label: S-S
Country: USA
Price: $13.00
"Formed in 1984, feedtime, the legendary Australian band, created a rumble that has carried over the decades like a subterranean fault rupture; a persis¬tent, threatening tectonic shift that has swallowed anyone lucky enough to encounter one of their records. feedtime started out as a WTF project that suddenly coalesced into something quite unlike anything else going: a pounding rhythm section with a hoarse vocalist that swam against the fast-faster-fastest hardcore tides of the time to create a time¬less rock n roll sound that is equal parts psych pound, punk holler, gutter blues, and post-punk noisescape, without ever sacrificing the song to the concept. Neat trick that. Their initial period of intense activity was the mid-80s to the mid-90s. They released a series of records on the Aberrant (OZ), Rough Trade (UK/US), and Amphetamine Rep¬tile (USA) labels. So, in 2011, when S.S. Records was working on bringing feedtime to the US in order to play our tenth anniversary showcase, SS10 (where they ruled), I asked Bruce Aberrant if there was any archival stuff laying around. Bruce snorted a Yes and said that there were reels of it, but none of it had been accessed for years. Over the next six months Bruce went through hours of feedtime sessions, demos, and live tapes, transferring the keepers for S.S. to hear. We culled through dozens of songs ? outtakes from feedtimes great debut album and their even greater follow-up, shov¬el. We also put our ears on demos from the Billy era, as well as live stuff recorded in both a hotel and a hole in the ground. We came across songs that had never seen release in any form (e b g d, garbage scow, girlfriend, etc.), amazing outtakes of old favorites (shovel, fractured, possums, nice, etc), and cover versions that no one out¬side Bruce and the band had heard (Fears I Dont Care About You, Flippers Life). The result is Today is Friday, a 15-song LP, with all previously unreleased recordings. feedtime is a fantastic Australian rock monster as compelling and insistent as the best of their class: Coloured Balls, Venom P. Stinger, Buffalo, Scientists, Saints, Primitive Calculators, Slugfuckers, etc. No hype: feedtime is truly a classic Australian rock & roll band and Today is Friday shows that as clearly as any of their classic albums do. CD includes five additional bonus tracks." - S-S.

Artist: FEEHAN, MARK
Title: MF
Format: LP
Label: Siltbreeze
Country: USA
Price: $16.00
"While our erstwhile maestro is likely to point out personal involvement in Miamis BROKEN TALENT or TRASH MONKEYS as the apex of his twisted musical endeavors, the fact remains that MARK FEEHAN is most likely best remembered as the "other" cold-blooded string-mangler that shredded synapses through the Siltbreeze era of HARRY PUSSY two decades ago. While recent years have seen former bandmate Bill Orcutt reinvent the essence of gut-bucket blues, Feehan whiled away the time building an exact replica of an infamous Confederate submarine (the H.L. Hunley) and traveling the world, submerged. During that tenure nestled in Neptunes realm, he created a masterful album of his own-this very collection bearing his humble monogram. MF is a lively mix of guitar-based compositions steeped in modal harmonics that explode into miasmic, aural waves, transporting emanations of Phil Yost, Magical Power Mako, Michael Chapman and Hans Reichel into the mind stream. Swirling, spacey eddies will open like maelstroms and flood your subconscious, but do not be afraid. That much time under water changes a man. But sometimes its for the best. And MF is a case in point." - Siltbreeze. Limited edition of 350 copies.


Artist: FEEHAN, MARK
Title: MFII
Format: LP
Label: Richie/Testostertunes
Country: USA
Price: $19.00
"Mark Feehan is a guitarist. In the 80s he bummed Floridian punks in Broken Talent. In the 90s he strangled strings and blew minds in Harry Pussy. Currently he is in post-no wave noiseniks Taiwan Housing Project. These are mentioned merely as biographical material, as these things -- hell, even Feehans lone solo album (2012s MF on Siltbreeze) -- gives you zero preparation for the sounds lurking inside MF II. This album has moments of surprising acoustic beauty bookended with perplexing electronic sound pools, with buzzing, almost-punk, Germanic vocal narration. It is safe to say this is the weirdest thing ever to appear on this Richie Records. For those who welcome befuddlement and bemusement -- hop on board!" - Richie.

Artist: FEELING OF LOVE
Title: OK Judge Revival
Format: LP
Label: Kill Shaman
Country: USA
Price: $17.00
"The newest LP from Metz, Frances FEELING OF LOVE is a blues-wrangling nightmare, full of nods to THE JOHN SPENCER BLUES EXPLOSION, THE VELVET UNDERGROUND, and French glue-wavers CRASH NORMAL. This newest full-length studio album is an awesome follow up to their first LP and the one-sided 12-inch  from last few years. Songs include amazing slide guitar riffs over drum machines, synths and tight rhythm section. This album is a complete reminder of why we have such a fondness for their first few releases and 7-inches; their tracks are driving grooves with a wild blues edge, all followed up with that magical French synthesis that delivers a "cant miss" experience. Awesome cover art, printed sleeves and limited to our usual 500 copies on black vinyl." - Kill Shaman.

Artist: FEELING OF LOVE
Title: School Yeah
Format: 7"
Label: Sweet Rot
Country: USA
Price: $7.00
"The Metz Trifecta is complete. First it was The Anals, then A.H. Kraken, and now Sweet Rot is pleased to present a third record from Metz, France, a three-song single from THE FEELING OF LOVE. Just like their previous releases this one features a schizophrenic mix that somehow makes perfect sense. You get one studio-recorded hit and one drum machine fueled jam on the A-side, and an absolutely beautiful, yet fucked, reinterpretation of a Gainsbourg classic on the flip. Pretty cool cover art too. Black vinyl." - Sweet Rot. 
SOLD OUT

Artist: FEELING OF LOVE
Title: Waiting For The Cheerleaders To Get Drunk
Format: 7"
Label: Avant
Country: Italy
Price: $8.00
"TFOL is an actual threesome now; synth came to stay, and you can hear how this makes the whole thing sound really more groovy than ever. 2 new songs, big hole labels, 500 pressed on black wax." - Avant.

Artist: FEHLFARBEN
Title: Ein Jahr (Es Geht Voran)/Feuer An Bord
Format: 7"
Label: Bureau B
Country: Germany
Price: $16.00
"Officially licensed exact repro of this 1982 single, originally issued on EMI Electrola. Fehlfarben were formed in 1979 from previous members of Mittagspause, D.A.F., S.Y.P.H., Der Plan, and other musicians from the Düsseldorf punk scene. In 1980, they released Monarchie And Alltag (Monarchy And Everyday Life), an album recognized as one of the most important German-language rock records. The single "Ein Jahr (Es Geht Voran)" would be their only hit single, and was, in fact, disliked by the band members themselves, who had initially produced its slick disco groove more in jest than seriousness." -Bureau B

Artist: FEILER, DROR
Title: The Return Of The Real
Format: CDR
Label: Tochnit Aleph
Country: Germany
Price: $12.00
"Dror Feiler, eye-bleeding ultimate composer of intifadic and eruptive lung-outs, music trasher, saxophone screamer and computer terrorist. Born 1951 in Tel Aviv, Israel and living in Sweden since 1973. "My music and words should function as a tool kits for an anti-fascist existence. My music is a strategy and subversion, my compositions and writings should escape even my own intentions." this is a raging maelstrom. Dror Feiler recently was TOP-NEWS when the israelian ambassador vandalized his installation at an art-exhibition in Stockholm." - Tochnit Aleph.
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Artist: FELDMAN MORTON/EARLE BROWN
Title: Morton Feldman/Earle Brown
Format: LP
Label: Doxy
Country: Russian Federation
Price: $25.00
On 180 gram vinyl. "Finally back in print. This rare Morton Feldman/Earle Brown split LP was originally released in 1962 on the small NY-based Time Records and features Feldmans Durations I-IV on side A and Browns Hodograph I, Music for Violin, Cello and Piano and Music for Cello and Piano on side B. David Tudor is featured on piano throughout. Feldman and Brown, who were both interested in non-traditional systems of notation and improvisation, were very closely aligned with the New York School, a group of avant-garde composers in the 1950s and 60s that included John Cage, David Tudor, and Christian Wolff. These composers applied to music many of the same ideas and experiments that visual artists, like Jackson Pollock, Mark Rothko, Robert Rauschenberg, were applying to painting." - Doxy.

Artist: FELDMAN, MORTON
Title: Clarinet and String Quartet
Format: CD
Label: Saltern
Country: USA
Price: $16.00
"Saltern returns with a gorgeous new recording of Morton Feldmans Clarinet and String Quartet (1983) performed by Anthony Burr(clarinet), Graeme Jennings (violin), Gascia Ouzounian (violin), Che-Yen Chen (viola) and Charles Curtis (cello). This performance highlights Feldmans interest in notation by treating the slight differences in intonation and rhythm literally and specifically. Recorded by Tom Erbein the living room of a friend of the musicians. Edition of 400. Housed in jackets printed at Stoughton and featuring a cover image by artist Raha Raissnia. From Anthony Burr and Charles Curtiss liner notes: "Near the end of the final Contrapunctus in The Art Of Fugue, Bach introduces a new four-note countersubject which, in the German note names, spells B, A, C, H (in our note names, B-flat, A, C, B-natural). To those within Bachs circle, and probably to any attentive musician of his day, the notes thus sounded would have unmistakably articulated Bachs name -- an embedded signature, not just a melodic motif but a salutation in musical code. Morton Feldman begins Clarinet and String Quartet with the same four notes in reverse order -- H, C, A, B, if you will. These four notes are repeated over and over by the clarinet and the cello simultaneously, the two instruments in minutely different rhythms and phrasings. These notes, however, are given anomalous names: in the cello, B, D-double flat, G-double sharp, A-sharp; and in the clarinet, C-flat, C, A, B-flat. Whether or not Feldman placed the retrograde B, A, C, H motif intentionally, it fits seamlessly into the pitch world of his late music, in which chromatic clusters (often four notes) are obsessively restated in different permutations, like anagrams." - Saltern.

Artist: FELDMAN, MORTON
Title: For Bunita Marcus
Format: Double LP
Label: God
Country: Austria
Price: $37.00
2014 release. Lenio Liatsou performs Morton Feldmans composition "For Bunita Marcus". In the 1980s, Morton Feldman composed two large-sized pieces for his favorite instrument, the piano. Both pieces, "Triadic Memories" (1981) and "For Bunita Marcus" (1985), clock in at about 90 minutes. Both compositions are excellent examples of the group of works that they belong to. "Triadic Memories" demonstrates the complexity and tonal opulence of Feldmans pattern compositions from 1977 through 1983, whereas "For Bunita Marcus" shows the stripped-down, almost dismissive structures of his last works created from 1984 to 1987. Feldman himself described "For Bunita Marcus" as a piece in which he "seriously grappled with the idea of meter. I was very interested in this whole problem of meter and the bar line. I was so interested that I started to write a piece in which I took meter very seriously. I saw that nobody knew how to notate. Sometimes, Stravinsky! In my notation Im close to Stravinsky; that is, meter and rhythm actually being simultaneous and also being more grid-oriented, a balance between rhythm and meter. For Bunita Marcus is essentially made up of just three-eight, five-sixteen and two-two. Sometimes the two-two would have musical content, which was at the end of the piece. Sometimes the two-two acted as silences, either on the left side or the right side or in the middle of the three-eight and the five-sixteen, and I was using meter as a construction, not rhythm but meter and the time, the length of what is going on." - Excerpt from liner notes by Sebastian Claren.

Artist: FELL, MARK
Title: Focal Music #3, #4, #5a, #5b
Format: Cass
Label: The Tapeworm
Country: UK
Price: $8.00
"This series of works on this cassette began in 2011 when I attended a workshop/residency program led by the British sound artist, composer and performer Jan Hendrickse. During a workshop session I played a pattern generating system via headphones to a drummer, Patrik Jarlestam, who played a single snare drum. The basic premise of the work was that the performer should follow the pattern as accurately as possible, and to see what happened at the moments when the pattern changed - i.e. to foreground the performers attempts to follow the pattern and their ability to cope with the subtle yet unusual changes. The pattern itself consists of a single percussive sound. The timing of the sound is determined by a list of five values ranging from one to 11 that represent timing intervals... Although the patterns are relatively simple, and as a listener one can assimilate their form quite easily, it can be quite difficult to play along to them especially at those moments of change. So the piece can be thought of as a kind of intervention into the musical training and embedded musical vocabularies that the performer brings to the work. The point of the piece is not a perfect recital, but the difficulties that the performer encounters and the musical moments that these difficulties produce. Unfortunately I believe there is no recording of Jarlestams first performance of this piece - Focal Music #1. The piece was performed a second time by Okkyung Lee during her residency at Cafe Oto, London 2015. Focal Music #3 was performed with Laura Cannell at Baltic 39 (Newcastle, 2015) for Broken Telephone, an event which formed part of Peter J. Evanss exhibition Across Islands, Divides. Focal Music #4 was performed with Aby Vulliamy at The Leeds Library (Leeds, 2015). Focal Music #5a and Focal Music #5b were recorded with Sandro Mussida at Zentrum für Kunst und Medientechnologie (Karlsruhe, 2016) in the Kubus studio. The piece, performed on piano, takes two forms: the first based upon a six note pitch set of which any two notes are played at the same time; the second is formed of five discreet layers each with a single note. These were played in isolation following the same guide pattern and then later overlaid to form a single pseudo chord." - Mark Fell. Tracks mastered for this release by Phil Julian; Edition of 150.
SOLD OUT

Artist: FELL, MARK
Title: UL8
Format: CD
Label: Editions Mego
Country: Austria
Price: $16.00
"Written and recorded in Whitby, York and Rotherham (UK) during summer 2010 by Mark Fell (one-half of the duo snd). Mastered at Dubpates and Mastering Berlin in 2010 by Lupo. Part 1: The Occultation of 3C 273. Using 32 operator frequency modulation synthesis configured in 16 pairs of operator and modulator. Frequency, modulation ratio and amount determined by linear interpolation between two spatial extremes, with further interpolation over variable temporal divisions. Panned at equal positions around the circumference of a circle using high order ambisonics. First implemented for the DVD Attack On Silence (Line Records 2008) and developed for the cassette release Thunder Bollocks with Evol (Alku 2009). The compositions here also feature modified Roland TR707 and Linn kick drum samples. Part 2: Vortex Studies with 2, 4 or 8 channel rectangular waveforms with variable pulse width subject to frequency modulation from synchronized sine functions with variable phase offsets. Initially implemented with synchronized blue light at Algorithm, Glade (Thatcham 2008) with further presentations at Enjoy (Leeds 2008), Centre dArt Santa Mònica, Sónar (Barcelona 2008), Three Pieces For Unattended, Somewhat Attended and Attended Computer (Sheffield 2008), Avoid (Leeds 2009), Three Neurocognitive Approaches To The Formation Of Cross-Modal Objecthood (Rotherham 2009) Sonic Materialities (Sheffield 2010) and as Supersymmetry at Matter-Space-Motion (Elsecar 2010). Here with percussion synthesis. -Editions Mego "This project takes its name from the Celestion UL8 speaker. My older brother bought a pair of these when I was starting comprehensive school, and between his 10cc and Supertramp records, I first encountered very loud electronically-synthesized sound. I soon noticed a pattern emerging in my musical tastes which excluded guitars or drums. Instead, I favored almost exclusively the electronic textures and rhythms of The Human League, Fad Gadget and other synthesizer-based music of that period. I was quite curious about this prejudice and would try to work out why Kraftwerk sounded so much better than a rock band of the time. Since then, my interest was in the texture of synthetic sound -- there was something much more beautiful (and perhaps more emotionally-charged) about a sustained square wave than any guitar solo. Soon, I began to search out and replay sections of music which dropped to a single sound -- these, for some reason, were the best." -Mark Fell

Artist: FELL, MARK FEAT. RHODRI DAVIES & OKKYUNG LEE
Title: A Pattern for Becoming
Format: Cass
Label: The Tapeworm
Country: UK
Price: $8.00
"A Pattern For Becoming is a piece by Mark Fell for seven moving speakers and solo improvising instrumentalist (Rhodri Davis and Okkyung Lee). The piece was first conceived for and performed at Harmonic Series at Southbank Centre, as programmed by Oliver Coates. In this piece each speaker plays a different and entirely static synthetic tone. The speakers are positioned around the audience and, throughout the piece, the direction and position of each speaker is changed, creating a slowly evolving synthetic sound field. For the performances featured on this edition, the speakers were moved by the following performers: Amy Kate Riach, Oliver Coates, Tom Rose, Naama Zisser, Rian Treanor, Galya Bisengalieva, Daniel Pioro, Hugh Brunt and Robert Ames. The recording and live sound engineer was Trevor Davison. 150 copies only. Cover collage by D.M. Nagu." - The Tapeworm.

Artist: FELL, MARK/MILES/SOME TRUTHS/JOANE SKYLER
Title: Live
Format: Double LP
Label: Travel By Goods
Country: Germany
Price: $29.00
"Travel By Goods collect four acutely contrasting live presentations by Mark Fell, Miles Whittaker, Some Truths (Bass Clef), and Joane Skyler, recorded in Basel, Switzerland, September 28, 2013 for the closing party of Thomas Baldischwylers "Hot Knobbing" installation at Oslo 10. The record presents 12+ minute tracks from each contributors set yielding very different results from different approaches. Joane Skyler manipulates chrome cassettes with digital and analog means to make an emphatically scatty, funked-up sound prone to fold and veer off at angles in highly visual geometries, whereas Ralf Cumbers aka Some Truths indulges in pure analog electronics to realize a roiling tunnel of plonging bass and contoured bleeps informed by a trained musical sensibility. On the other hand, Miles (Demdike Stare) uses hands-on hardware and computers to traverse spectral, electro-acoustic techno dimensions, and finally, Mark Fell presents a cascade of razor-sharp electronic rhythms and strobing chords modeled in-the-box with MAX software. 2LP set with insert and printed inners. Edition of 400 copies." - Travel By Goods.

Artist: FELL, SIMON H.
Title: 44.1 + 56
Format: 7"
Label: Irrational Arts
Country: UK
Price: $8.00
2002 release. Fells other releases include collaborations with Derek Bailey, Peter Brötzmann, and Lol Coxhill, among others.. "Composition No. 44.1 was realized between 1998 and 2002. Its my tribute to the early pioneers of electronic music, whose experiments were documented on classic LPs from the late fifties and early sixties. These LPs were among my most inspirational early listening, and its a pleasure to be able to repay that debt now. The fact that you are listening to this on vinyl is an extra bonus! The raw material of the piece is derived exclusively from sine and square waves, subjected to series of basic processing options, The piece was entirely realized within my home PC - the first work with such a pedigree. Composition No. 56 is an offshoot from Composition No. 56: Six Bells Pieces, commissioned by Haverhill Town Council in 2000, This was a piece for quintet and prerecorded processed & sampled bell sounds; the bells used were those of great St, Marys Church, in Haverhill. The sound source recordings were by Graham Halliwell, with funding provided by Haverhill Town Council and the kind assistance of the G.S.M. Bellringers and Dave Pullin. This piece uses the bell recordings as a sound source for a different kind of piece - a free rhapsody with three short development sections exploring pitch bending, distortion and gapping respectively. It was realized between 2000 and 2002." - Simon H. Fell.

Artist: FELL/MILES/SOME TRUTHS/JOANE SKYLER, MARK
Title: Live
Format: Double LP
Label: Travel By Goods
Country: Germany
Price: $29.00
“Travel By Goods collect four acutely contrasting live presentations by Mark Fell, Miles Whittaker, Some Truths (Bass Clef), and Joane Skyler, recorded in Basel, Switzerland, September 28, 2013 for the closing party of Thomas Baldischwylers "Hot Knobbing" installation at Oslo 10. The record presents 12+ minute tracks from each contributors set yielding very different results from different approaches. Joane Skyler manipulates chrome cassettes with digital and analog means to make an emphatically scatty, funked-up sound prone to fold and veer off at angles in highly visual geometries, whereas Ralf Cumbers aka Some Truths indulges in pure analog electronics to realize a roiling tunnel of plonging bass and contoured bleeps informed by a trained musical sensibility. On the other hand, Miles (Demdike Stare) uses hands-on hardware and computers to traverse spectral, electro-acoustic techno dimensions, and finally, Mark Fell presents a cascade of razor-sharp electronic rhythms and strobing chords modeled in-the-box with MAX software. 2LP set with insert and printed inners. Edition of 400 copies.” - Travel By Goods.

Artist: FELT
Title: s/t
Format: LP
Label: Nashboro
Country: USA
Price: $15.00
"Classic Floydian psych record from Alabama, fronted by a 17-year-old composer, guitarist, lead singer and arranger. Side twos "The Change" clocks in at just over 10 minutes, moving through blistering guitar workouts and prog moves. So worth it. 180 gram exact repro of this classic, originally released in 1971." - FE

Artist: FEMS
Title: Go to a Party
Format: 7"
Label: Drag City
Country: USA
Price: $6.50
"Drag City resurrects the fantastic  sound of THE FEMS. To do so, they had to  travel back to the year 1982, when this  single was pressed in some insignificant amount by the band  and spread around the country, one copy at a time. The Fems  represented early American hardcore punk at a time when  speed wasnt necessary in order to punk out and the intersection of angst and humor was a common crossroads for aspirant  songwriters. Hence, the barbed humor of "Go To A Party" and  "Is It Living?," alongside the primal screaming of "Order." The  Fems were a legend in their hometown of Buffalo, presiding  over energy-charged crowds with loads of sarcastic banter and  making themselves a party favorite in the wide-open early 80s.  Their 7-inch EP Go To A Party was recorded with the vocals,  drums and bass closest to the mic and the guitar somewhere in  the next room-but the low, rumbling sound that resulted is a  unique vision from early punk days. For frustrated collectors, its a must-have-but not too many copies have been pressed,  as part of our effort to duplicate the original release in every  way." - Drag City.

Artist: FENCOTT, CLIVE
Title: Non Hysteron Proteron
Format: Book
Label: Underwhich Editions
Country: Canada
Price: $10.00

Artist: FENIAN
Title: Metempsychosis
Format: LP
Label: Angry Island
Country: USA
Price: $16.00
"Loops and noise created with handmade spring devices, rare earth magnets and junkednjacked samples of found sounds. Plain black jacket with hand-sewn fabric. Green vinyl. Includes free download. Edition of 100." -Angry Island.

Artist: FENNELLY, JAIME / W.O.O. REVELATOR
Title: Splitting Series #2
Format: LP
Label: Happy Zloty
Country: Germany
Price: $16.00
"Jaime Fennelly is an electronicist from Brooklyn, New York implicitly interested in sonic feedback and the perverse use of electro/acoustic objects within performance groups including Pee in My Face with Surgery (with visual artist/musician Fritz Welch) and psi (Fritz Welch and guitarist Chris Forsyth). Since 2001, Jaime has been collaborating with choreographer/dancer Miguel Gutierrez on several projects including their improvised duet Sabotage as well as their most recent piece, dAMNATION rOAD which premiered in January 2004 at The Kitchen, NYC. A residency at STEIM (Studio for Electro-Instrumental Music) last year, spawned Jaime⿿s duo with Swiss/UK drummer Nicolas Field. Other collaborators include Chris Heenan, Sean Meehan, Naval Cassidy and John Jasperse. W.O.O. Revelator are Bonnie Kane (Sax) and Chris Forsyth (guitar) from New York. In 1988, the W.O.O. Core of Bonnie Kane and drummer Ray Sage magnetically connected with electric guitarist Chris Forsyth. The recordings on the Splitting Series are the result of Chris and Bonnies european tour in 2002 (Ray Sage is not involved), a unique and intense free-form conversation between sax and guitar." - Happy Zloty. HAPPY ZLOTY is a small label from Bremen that has released a series of beautiful 7"s and LPs. All are editions of 200 or 300 in silkscreened sleeves.

Artist: FENNESZ
Title: Szampler
Format: Cass
Label: The Tapeworm
Country: UK
Price: $8.00
"Cassette-only release. Edition of 500 copies. Here Christian Fennesz opens his magic box to reveal a plethora of samples from his old Ensoniq EPS-16 Plus and ASR-10 samplers which he used for his recordings from 1989 to 1996. For those of you familiar with his work, you will recognize some of them... from noise to dub and blasts of sheared electronics with his familiar patina, a palette of extraordinary energy and spirit is made manifest. An exciting and invigorating collection, with great wit and flair, this cassette is the perfect accompaniment to his wonderful albums." - The Tapeworm.

Artist: FENNESZ
Title: Venice
Format: Double LP
Label: Touch
Country: UK
Price: $21.00
“Special 10th anniversary edition & first time available on vinyl. Gatefold double LP release -- 14 tracks. Artwork and photography by Jon Wozencroft. Featuring David Sylvian (vocals) and Burkhard Stangl(guitar). Venice, the fourth studio album by Christian Fennesz, finds electronic music at a crossroads between its early status as digital subculture, and the feeling that there has to be something more, an emotional quality that rises above noise and moves towards melody and rapture. It was voted No. 3 in The Top 50, The Wire, December 2004, was album of the week at BBCi on its release and remains Christian Fenneszs best-selling record to date. Prefix (USA) noted: "Although Fenneszs breakout record Endless Summer was followed by a live release and a collaboration with Jim ORourke and Peter Rehberg as Fenn OBerg, Venice is the true heir to that albums ascendant pop. Venice is not as unabashedly poppy as its predecessor (the lack of Beach Boysreferences can attest to that), but still mines much the same vein. It was marked by critics at the time as a move away from the relatively robotic music spawned by the IDM craze of the late nineties. Instead, its melodic, emotive tracks foresaw an electronic music that could be purely human." Pitchfork Media (USA), in a lengthy review, also noted: "Venices quality extends beyond its sound. Touch proprietor Jon Wozencroft -- through his breathtaking design and photography -- continues to fight the good fight against records-as-pure-data by making the CD a value-added prospect." and The Declaration Online (Web): "Two blue empty row boats left listless on rippling water. Red orange green riverbed foliage reflected in the waters gauzy oil slick surface. An airport enveloped in dull gray stratus and snow. Upon seeing the photography and packaging accompanying Christian Fenneszs latest recording, Venice, it is clear that the record label Touch remains intent on not simply putting out records but creating audio-visual imprints dedicated to inextricably tying sound and vision.”” - Touch.

Artist: FEREMANS, ERIC
Title: The Antwerp Killer
Format: LP
Label: Finders Keepers
Country: UK
Price: $26.00
"One of the rarest vinyl horror soundtracks of all time, 1983s The Antwerp Killer consists of remarkable homemade electronic experiments created by a wunderkind synth designer for a smart-talking teenage movie maverick. Combining self-propelled punk attitude and uninhibited confidence, the hyper-proactive work of these DIY prodigies pinpoints an important era when youthful ambition and creative technology met. By the age of 16 Eric Feremans had started building modulators and eventually his first proto synthesizer; he later played a concert with Belgian electronica pioneer Karel Goeyvaerts. Feremans founded a school for building and playing synthesizers, the EEF, where volunteers ended up producing about 20 or 30 build-your-own packages. After appearing as a guest on a national television show, the demand for his courses exploded, and Feremans began lecturing internationally, even attracting the king of the Amsterdam mafia, who was driven down from Amsterdam with two body guards in his Rolls-Royce every week. One day Feremans got a visit from a Luc Veldeman, a 16-year-old with a manner of speech way beyond his age and larger-than-life projects. Veldeman was making Antwerps first crime movie, The Antwerp Killer. He had seen Feremans play live and he wanted some of his music to be used as the score, and to press as an album to promote the film. Feremans gave him one of the rare recordings he had made with the synthesizer, a session he had just recorded upon installing his new studio; a session, according to Feremans, that was the result of the pure joy he experienced at having such a wonderful machine in his studio and the bottle of vodka he downed during the session. Veldeman cut up that session and it turned it into the soundtrack of The Antwerp Killer. The press and the audience shared a general reaction to the film: bad acting, bad editing, bad script -- cool soundtrack, though. Veldeman, who had rented the film equipment under a false identity and dumped it in a canal after shooting, was nowhere to be found, and his investors lost their money. A magnum opus by a true criminal and the synthesizer teacher of the Amsterdam mafia king, The Antwerp Killer remains a prime document of the broody Belgian 80s and a heck of a soundtrack. This first-ever reissue was beautifully remastered with the full cooperation of Eric Feremans himself. Includes liner notes by Belgian archivist Gerd de Wilde." - Finders Keepers.

Artist: FERGUS & GERONIMO
Title: Blind Muslim Girl
Format: 7"
Label: Tic Tac Totally
Country: USA
Price: $6.00
"Denton white-man-soul/pop duo featuring JASON KELLY (WAX MUSEUMS) and ANDREW SAVAGE (TEENAGE COOL KIDS). In FERGUS & GERONIMO, the WM lo-fi recording aesthetic is alive and well to be sure, but dont expect any songs about "jack off rats" here. Just Blind Muslim Girls! A casual project, but the band cites a serious well of inspiration including southern soul, 60s pop, psychedelic and Motown influences as the kick behind Fergus & Geronimos sound." -Tic Tac Totally

Artist: FERGUS & GERONIMO
Title: Harder Than Its Ever Been
Format: 7"
Label: Woodsist
Country: USA
Price: $5.50
"Fergus & Geronimo are Jason Kelly (of Wax Museums) and Andrew Savage (of Teenage Cool Kids) from Denton, TX, with a sound that is reminiscent of motown, proto-punk, hardcore and garage influences."

Artist: FERIAL CONFINE
Title: First, Second and Third Drop
Format: CD
Label: Siren
Country: Japan
Price: $30.00
"500 copies in handmade covers by Andrew Chalk. Early solo noise project of Andrew Chalk. Recorded in 1986 and remastered in 2004. Limited edition Japanese import in handmade sleeve with obi-strip." -Siren

Artist: FERIAL CONFINE
Title: Full Use Of Nothing
Format: LP
Label: Fusetron
Country: USA
Price: $18.00
"Reissue of the ultra rare (edition of 50) debut cassette from 1985 by Andrew Chalk at this time not yet going under his own name. more noisy, yet still very organic, this shows the roots of his sounds, which The New Blockaders would later heavily borrow from for their later recordings.repacked in new and stunning color artwork." - Anomalous.
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Artist: FERRARI, BRUNHILD
Title: Tranquilles Impatiences
Format: LP
Label: Alga Marghen
Country: Italy
Price: $29.00
"Alga Marghen proudly presents the first record edition ever by Brunhild Meyer-Ferrari, a very refined and talented German composer, wife of Luc Ferrari with whom she collaborated for over 40 years in creating some of the most beautiful sound works ever created in the past decades. First there was Et tournent les sons dans la Garrigue that Luc Ferrari composed in 1977 before Exercises dImprovisation in the same year (a previously unreleased work, to be issued on the PLANAM label). These two pieces ...conceived for individual or collective improvisation for any instrument or instrumental group... are based on identical sound elements. Exercises dImprovisation consists of a sequence of 7 separate tapes, while for Et tournent les sons dans la Garrigue Luc Ferrari mixed these tapes into one. Listening to the separate tapes Brunhild Meyer-Ferrari felt the irresistible desire to compose a new piece using ad libitum five of these seven tapes. As she remarked: Impatiences represents for me those high-pitched rhythmic sounds, those imperturbable wriggling interfering with the low rhythms which are falsely quiet, because each of them is submitted to different and contradictory rhythms. I wished these to be perturbing enough to make the physical balance stagger by fractions of seconds. Edition limited to 300 copies, issued by Alga Marghen to celebrate the Oeuvres sonores 3 event conceived in collaboration with the New Media Department of Centre Pompidou and La mason rouge, Fondation Antoine de Galbert in Paris. This LP is the third in the Oeuvres sonores series after the Charlemagne Palestine Sound I LP and Luc Ferrari Danse LP. One-sided release." -Alga Marghen

Artist: FERRARI, LUC
Title: Archives Genetiquement Modifiees/Societe II
Format: CD
Label: Robot
Country: USA
Price: $16.00
2008 release. "Two historic compositions by the late, great Luc Ferrari on CD for the first time. The program opens with Archives Génétiquement Modifiées ("Genetically Modified Archives"), a work for "memorized sounds" from 2000. This composition (subtitled "Exploitation des Concepts No. 3") was the third in a series of later pieces in which Ferrari revisited aspects of his early concepts and compositional strategies to create wholly new works. The result here is a very bizarre, sensual, and beautifully paced electroacoustic work of aural memories and (re)collections created sounds from Ferraris vast archive of musical activities. After a short intermission, the program continues with a true highlight of Ferraris early instrumental work titled Société II from 1967. Subtitled "Et Si Le Piano Était Un Corps De Femme" ("And If The Piano Were the Body of a Woman") (for four soloists and 16 instruments), this composition appeared opposite Presque Rien on the legendary 1970 Deutsche Grammophon LP. Société II may be viewed as an erotically charged piece of musical theater in which the soloists compete for the attention of a woman (the piano). This concerto, with its gestures and a fantastic kaleidoscope of styles and color, shows the extravagant qualities of the piano in its "harmony, imagination, and brutality." Packaged in a full-color digipak with a 20-page bilingual (French/English) booklet featuring Ferraris early artwork, notations, and program notes, along with an extensive commentary by Jim ORourke and Jay Sanders. Remastered sound with audio restoration by fellow INA-GRM alumnus Jean Schwarz. A wonderful glimpse into the world of one of the most legendary, unique, and inspiring musical figures of the 20th century." -Robot

Artist: FERRARI, LUC
Title: Didascalies 2
Format: LP
Label: Sub Rosa
Country: Belgium
Price: $16.00
"Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007s Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled Revenir à la Note de Départ (trans. Getting Back To The Initial Note). So I decided to turn it into a new composition without changing a single note in it -- it contained very little notes actually, which suited me just fine. So I called it Didascalies 2, in memory of what I had done the previous year: a piece for piano and viola entitled Didascalies Tout Court. That piece was played on two notes, one for the piano and the same one for the viola. It had an obsessive feel. Very, very obsessive!" --Luc Ferrari Upon his last visit to La Chaux-de-Fonds in Neuchâtel, Switzerland, the composer specifically asked for Didascalies 2 to be performed by La Chaux-de-Fonds pianist Claude Berset and Brussels pianist Jean-Philippe Collard-Neven. The performers developed an event around the world premiere of this release -- the last work by Luc Ferrari not yet played in front of an audience. Didascalies 2 was premiered on October 25, 2008 as part of an anti-tribute to Luc Ferrari in La Chaux-de-Fonds in a version for two pianos and viola. Luc stipulated that toward the end of the piece "an instrument comes in (I dont know which one yet). This instrument should be very powerful and be able to sustain a very loud note (I dont know which one yet)." The musicians chose the viola." -Sub Rosa

Artist: FERRARI, LUC
Title: Ephemere I & II
Format: CD
Label: Alga Marghen
Country: Italy
Price: $20.00
"Presented here for the first time, �?phémère I & II (for tape, or to be played with various instruments) are two previously unpublished masterpieces which represent for several reasons a very specific moment in the creative life and catalogue of Luc Ferrari. Even if Luc Ferraris perfect skill in creating some of the most beautiful sonic works ever is now well known to the large audience appreciating his music, the undetermined character marking the two works presented here is quite surprising. Luc Ferrari was tempted in the mid-1970s by the idea of leaving the final realization of these pieces open to the performers intervention (a perspective he decided not to develop in future researches). Exercises dImprovisation, a score conceived in 1977 and unreleased for almost 35 years (first recorded this year by the GOL collective with Brunhild Meyer-Ferrari for an LP to be issued on PLANAM), directly comes from the two works presented here. �?phémère I (or Lordinateur ça sert à quoin? i.e. Whats the use of computers) is a 27 minute piece for tape only, created in 1974, conceived as a kind of electronic drone superimposed by fragments of multi-language whispered voices that creates the thrilling effect of a sea-like continuum. �?phémère II (or Lyon 75 after the only recorded realization) is a 51 minute tape piece with guitar improvisation. The electronic repetitive structure reminds some of the most radical works of American composer Terry Riley, while the guitar sounds, first resulting as live manipulated pointillistic impulses, develop into a blues sonority superimposing the tape drone and creating a heavy psychedelic atmosphere of the most sublime kind. The end of this long suite lead us back into more abstract and live-electronic sonorities. This very intense work can be placed in a context between scored music and totally improvised music. First press limited to 500 copies in tri-folded digipack sleeve. Please note: these 2 previously unpublished pieces revealing a hidden part of Luc Ferrari poetics are not included in the INA 10CD boxset. Only available on this CD edition." -Alga Marghen

Artist: FERRARI, LUC
Title: Exercices DImprovisation
Format: LP
Label: Planam
Country: Italy
Price: $29.00
"Luc Ferrari conceived this work in 1977 as a sequence of seven individually or collectively improvised exercises for tape and any instrument or group of instruments. Never performed before, Exercices dimprovisation have been released by the GOL collective and issued now on LP by PLANAM. The seven exercises follow each others in a suite of growing intensity where GOL acoustic and electric instruments react to Luc Ferraris tape, lively re-interpreted by Brunhild Ferrari: from a more meditative form, the music turns into free mental spiraling sections to finally culminate in a live musique concrete drama. The tracks were recorded at Ferraris Atelier Post-billig on April 12th and 13th, 2010, a few days before the world premiere performance at La Maison Rouge in Paris. Exercices dimprovisation on one hand presents a new perspective on Ferraris music and on the other pays a panorama-like tribute to his rich and eclectic corpus; somewhere between Tête et Queue du Dragon and Tautologos with a touch of Danses Organiques. GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric Rebotier, Ravi Sharda and Samon Takahashi. On this record GOL play flutes, electric guitar, bass guitar, melodica, janotron, ocarina, nagara, electric guembri, vocoder and message box. This LP is the forth in the gollaboration series after records by GOL with Dumitrescu/Avram, with Charlemagne Palestine and with Charles Hayward of This Heat fame. The front sleeve shows a four colour wild collage by the French artist, film-maker and Ferraris collaborator Jacques Brissot based on photo sessions done by Myriam Tirler, who also shot the back cover and inner sleeve images presenting GOL members and Brunhild Ferrari in Kagel-Exotica-like appearances. The edition limited to 350 copies also includes an insert with the complete score by Luc Ferrari. Please note: this previously unpublished work revealing a hidden part of Luc Ferrari poetics is not included in the INA 10CD boxset. Only available on this LP edition." - Planam.

Artist: FERRARI, LUC
Title: Exercices Dimprovisation
Format: LP
Label: Planam
Country: Italy
Price: $26.00
"2010 release. Luc Ferrari conceived this work in 1977 as a sequence of seven individually or collectively improvised exercises for tape and any instrument or group of instruments. Never performed before, Exercices dimprovisation have been released by the GOL collective and issued on LP by Planam. The seven exercises follow each other in a suite of growing intensity where GOLs acoustic and electric instruments react to Luc Ferraris tape, lively re-interpreted by Brunhild Ferrari: from a more meditative form, the music turns into free mental spiraling sections to finally culminate in a live musique concrète drama. The tracks were recorded at Ferraris Atelier Post-Billig on April 12th and 13th, 2010, a few days before the world premiere performance at La Maison Rouge in Paris. Exercices dimprovisation on one hand presents a new perspective on Ferraris music and on the other pays a panorama-like tribute to his rich and eclectic corpus; somewhere between "Tête et Queue du Dragon" and "Tautologos" with a touch of "Danses Organiques." GOL was formed in 1988 in Paris by Jean-Marcel Busson, Frédéric Rebotier, Ravi Sharda and Samon Takahashi. On this record GOL play flutes, electric guitar, bass guitar, melodica, janotron, ocarina, nagara, electric guembri, vocoder and message box. This LP is the fourth in the "Gollaboration" series, after records by GOL with Dumitrescu/Avram, with Charlemagne Palestine and with Charles Hayward of This Heat fame. The front sleeve shows a four-color wild collage by the French artist, film-maker and Ferraris collaborator Jacques Brissot, based on photo sessions done by Myriam Tirler, who also shot the back cover and inner sleeve images presenting GOL members and Brunhild Ferrari in Kagel-Exotica-like appearances. Includes an insert with the complete score by Luc Ferrari. Please note: this previously-unpublished work revealing a hidden part of Luc Ferraris poetics is not included in the INA 10CD box set. Only available on this LP edition." - Planam.

Artist: FERRARI, LUC
Title: Heterozygote/Petite Symphonie...
Format: LP
Label: Recollection GRM
Country: Austria
Price: $23.00
"In the field of biology Heterozygous (Hétérozygote) means: a plant whose heredity is mixed. It implies that Hétérozygote, composed between December 1963 and March 1964, is an attempt to engineer a language located both on the musical and on the dramatic plane. You could call this music "Anecdotal Music" for if the organization of events is purely musical, their choice suggests situations justified at two levels: the music and the anecdote. Luc Ferrari explains the piece Petite Symphonie Intuitive Pour Un Paysage De Printemps (1973-1974) in 2002: "This electroacoustic music is part of a series that could be called imaginary soundscape. Unlike Presque Rien Ou Le Lever Du Jour Au Bord De La Mer (Almost Nothing Or Daybreak By The Seaside), where the landscape narrates itself, here a traveller discovers a landscape which he tries to convey as a musical landscape. Brunhild and I were in the Gorges du Tarn area. We chose to take a small path that was going up a rocky mountain for about ten kilometres. After a last turn, a totally unexpected landscape opened before my eyes. It was sunset. Before us, a vast plateau spread open with soft curves up to the horizon, up to the sun. The colours ranged from dry grass yellow to purple, in the distance, with the darkness of a few small groves punctuating the space. The almost bare nature was presenting itself to the eye, free from any obstacle. We could see everything. Later, when I recollected this place and the sensations I had experienced there, I tried to compose a music that could revive this memory. The Causse Méjean is a high plateau, about 1000 m high, in the Massif Central mountain range. It is dotted by scattered farms. A few people bring their flocks of sheep home. I thought about evoking this solitary and hazy human presence by including snippets of conversations I had had with some of the shepherds. Human language is woven into the musical texture; the sound of the voice says more than its actually meaning. Once, a shepherd told me ... I am never bored. I listen to the landscape. Sometimes I play my flute and then I listen to the echo responding... Thinking of him, I used the flute and its echo in my music." - Recollection GRM.

Artist: FERRARI, LUC
Title: Labyrinthe de Violence/Dance
Format: LP
Label: Alga Marghen
Country: Italy
Price: $32.00
"One-sided release. Dance was part of a sound/visual installation called Labyrinthe De Violence. Previously unpublished, this radical experimental work has now been released on LP record in collaboration with the New Media Dept of Centre Pompidou (National Museum of Modern Art) in Paris for Oeuvres sonores 2, a 2-day-event organized by Emanuele Carcano at Beaubourg on April 5th & 6th, 2009. Labyrinthe De Violence was an installation for tape sounds and 2 slide projectors conceived in 1975 by Luc Ferrari. The installation was a visual and sound metaphor of violence within contemporary civilized society. Four different rooms with a central space created the spatial context of this work. The specific environmental sonority (1. Violence; 2. Pollution; 3. Profit; 4. Mechanism / Paysage / Danse) created for each of the four rooms naturally superposed themselves in the central space. Dance was one of those sonorities, minimally constructed using 2 different sounds: a very low electronic drone deeply resonating for the whole duration with, in the end, the accumulation of deconstructed sequences played by Luc Ferrari on an electric organ. Documenting one of Luc Ferraris most beautiful and mysterious sonic works, this LP edition will be the first in a series of Alga Marghen projects presenting a still undiscovered side of the poetical universe of this fundamental composer. This 1-sided LP, issued in an edition limited to 500 copies only." -Alga Marghen

Artist: FERRARI, LUC
Title: Presque Rien
Format: Double LP
Label: Recollection GRM
Country: Austria
Price: $31.00
"Recollection GRM presents four musique concrète masterpieces by French electro-acoustic innovator Luc Ferrari -- all of the Presque Riens collected together in one vinyl set for the first time. Presque rien n°1, le lever du jour au bord de la mer (1967-1970): "Following the complete disappearance of abstract sounds, we can regard this piece as a sonic snapshot and the culmination of an evolution. This is a realistic rendering (as faithful as possible) of a fishing village waking up. The first idea of minimalism." Presque rien n°2, ainsi continue la nuit dans ma tête multiple (1977): "Description of a landscape at night that a soundman attempts to define through microphones, but the night surprises the hunter and creeps inside his head. It then becomes a double description: the inner landscape transforms the outer night and by composing it, adds its own reality (a fantasy of reality) or, perhaps, a psychoanalysis of his nightscape..." Presque rien avec filles (1989): "Within paradoxical landscapes, a photographer/composer is hidden while girls are having a sort of picnic on the grass. Without being aware of it, they offer him the spectacle of their intimacy." Presque rien n°4, la remontée du village (1990-1998): "I always hesitated before releasing Presque rien. For instance, it took two years for the first one to come out and things went on this way. The fourth one took nine years of hesitating. But here it is. Perhaps because this is a real presque rien fake where reality and lies mix. This is the ascent into the old town of Ventimiglia." -Luc Ferrari; Produced by Peter Rehberg. Layout: Stephen OMalley. Cut by Rashad Becker at Dubplates & Mastering, Berlin, October 2012.
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Artist: FERRARI, LUC
Title: Presque Rien Avec Luc Ferrari
Format: DVD
Label: Robot
Country: USA
Price: $20.00
2008 release. "The first DVD release on Elica is a beautiful 50-minute portrait of composer Luc Ferrari made by his friend Jacqueline Caux with Olivier Pascal, which is at the same time fully informative and acutely representative of Ferraris spirit. Features Elise Caron and Luc Ferrari going through archive documentation, intriguing dialogues, invented autobiographies, music performances, evocative installations, sidewalk accidents, encounters with sound artist Christof Schläger and musician eRikm, and more. Documenting the work of one of the most groundbreaking and seductive composers of the 20th century, this film also shows Luc Ferraris "extremely libertarian personality: his spontaneity, his inclination towards hedonism and sensuality, his curious and open character, his rejection of all kind of power and of all stable position within institutions, his pronounced taste for jeux, his sense of self-derision and his ferocious refusal of all dogmatism." Jacqueline Caux is a writer, film-maker, and organizer of live events. She is the author of the essential Luc Ferrari interview book Almost Nothing with Luc Ferrari (2002), as well as books on Anna Halprin and Louise Bourgeois and several experimental films and remarkable documentaries, including the highly acclaimed Cycles of the Mental Machine (2006) on Detroit techno, Tales from the Torn Symphony (2010) on the performance of Ferraris Symphonie dechirée, and Man from Tomorrow (2014) on Jeff Mills. Olivier Pascal has collaborated with, among others, director Claude Duty. Original French version with English subtitles; NTSC region-free DVD in large format digipak cover with notes in French and English by Jacqueline Caux." - Robot.

Artist: FERRARI, LUC
Title: Programme Commun
Format: LP
Label: Sub Rosa
Country: Belgium
Price: $16.00
"Sub Rosa presents two substantial pieces from electro-acoustic musique concrete innovator Luc Ferrari: "Programme commun pour clavecin et bande magnetique" (1972), performed by Elisabeth Chojnacka, and another previously-unreleased piece that he held dear: "Les emois dAphrodite" (1986/1998), performed by San Franciscos MC Band under his direction. "Programme commun...: Although cheerful, this piece of music asks a serious question: can one separate ones political and artistic concerns, either directly, as a film can allow, or indirectly, as in this music? Mostly though, this music is my way of commemorating the signing, in 1972, of the Programme Commun. Les Emois dAphrodite: From the 1986 version I have retained the character of this piece, a kind of disjointed rock that periodically pops up as Aphrodites dance. I have added harmonic manipulations, or a progression toward disjointed harmony, which is what I currently look for (I have not said which is my current aesthetics). Finally, the introduction of samplers makes it possible to convey the liveliness of time to disjoint tones." -Luc Ferrari

Artist: FERRARI, LUC & BRUNHILD
Title: Programme Commun
Format: Double CD
Label: Sub Rosa
Country: Belgium
Price: $19.00
"Sub Rosa presents two volumes of work from French composer Luc Ferrari and his wife and closest collaborator, Brunhild Ferrari. These two volumes are being released together and simultaneously, as a sign of continuation. For Luc Ferrari, this is the first full-length CD to come out after the trilogy Sub Rosa developed with him. What we have here is three substantial pieces: "Programme commun pour clavecin et bande magnetique" (1972), performed by Elisabeth Chonacka, "Didascalies" (1993) performed by Jean-Philippe Collard-Neven, Claude Berset, and Vincent Royer (in 2009) and previously available only on vinyl (note that "Didascalies" and "Didascalies 2" are two different compositions), and another previously-unreleased piece that he held dear, "Les emois dAphrodite" (1986-1998), performed by San Franciscos MC Band under his direction. Sub Rosa is also pleased to release for the first time the solo works of Brunhild Ferrari: "Derivatif" (2008), "Brumes du reveil" (2009) and "Tranquilles Impatiences" (2010), forming a trilogy on reconstruction from a memory that is still quite alive. These works are new bricks in the erection of a liberating oeuvre." -Sub Rosa.

Artist: FERRARO, JAMES
Title: Citrac
Format: Double LP
Label: Arbor
Country: USA
Price: $26.00
"The Citrac collection presents one of James Ferraros most cinematic visions; showing his recent mode of soundworld creation in top form. By shying away from pure musical creation and opting towards the organic birth of sonic universes, James finds a new way to tell a story. Evoking vastly imaginative imagery, this 80+ minute suite spanning two LPs, contains the previously released Postremo Techno Mundus Symposium, excerpts and alternative edits from Liquid Metals Alternative Soundtrack to Digital Overdrive, and the all new Digital Tribe. Presenting deep-nightmarish atmospheres of surveillance and captivity on through the rush of the open road; the hypnotic, lo-fi result is one that could only come from Ferraros alien mind, eternally stuck in a 1980s vision of an impossibly archaic future. In an edition of 400 double LPs with full color printed inner-sleeves in pro-printed black and white cardboard sleeves and printed labels by James." - Arbor

Artist: FERRARO, JAMES
Title: Clear
Format: LP
Label: Holy Mountain
Country: USA
Price: $15.00
"Clear and Discovery were origianlly released as two companion CDRs by JAMES FERRARO (of the whole SKATERS / LAMBORGHINI CRYSTAL / 90120 / SPLASH / NIRVANA axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discovery is comparable to Daft Punks album of the same name but played in reverse at 16 rpm through a boombox in a boiler room. These two records contain the sounds of pulling out with tapping beats of fluid dropped on a soft convertible top (open), much like those fictitious Giorgio Moroder songs for the upcoming Olympics in Atlantis or a reworking of that award-winning song from Revenge of the Nerds-or is it "Wonderwall"-into a theme for a future ski jump at the Great Pyramids. Are you ready for the lizard people to compete? Now available as mastered vinyl LPs with a digital download." - Holy Mountain

Artist: FERRARO, JAMES
Title: Discovery
Format: LP
Label: Holy Mountain
Country: USA
Price: $15.00
"Clear and Discovery were origianlly released as two companion CDRs by JAMES FERRARO (of the whole SKATERS / LAMBORGHINI CRYSTAL / 90120 / SPLASH / NIRVANA axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discovery is comparable to Daft Punks album of the same name but played in reverse at 16 rpm through a boombox in a boiler room. These two records contain the sounds of pulling out with tapping beats of fluid dropped on a soft convertible top (open), much like those fictitious Giorgio Moroder songs for the upcoming Olympics in Atlantis or a reworking of that award-winning song from Revenge of the Nerds-or is it "Wonderwall"-into a theme for a future ski jump at the Great Pyramids. Are you ready for the lizard people to compete? Now available as mastered vinyl LPs with a digital download." - Holy Mountain

Artist: FERRARO, JAMES
Title: Far Side Virtual
Format: LP
Label: Hippos In Tanks
Country: USA
Price: $21.00
"James Ferraro paints a 21st century still life on his debut album for Hippos In Tanks. The record is called Far Side Virtual. Each song, a melodious reflection of the moment now, comes shrink-wrapped in HD fidelity as glossy as a 2012 Toyota Prius. Ferraros muse is some enigmatic modern metropolis, where the streets are as slick as i-Pads, and where the symphonies ring with Macbook message alerts. Through the steam rising from our latte mocha chinos, he invites us to gaze out at the dreamy disorientation of our digital lives. Imagine a Darius Milhuad-guided tour of 5th Avenue. Imagine a Whole Foods bakery that sells only cakes emblazoned with frosting replicas of Camille Pissarros Haying at Eragny. These are the surreal utopias Ferraro brings to life with sixteen swirly-pop concoctions sure to sell out at the candy stores. So slip in your ear buds, and welcome to Far Side Virtual." - Hippos In Tanks.

Artist: FERRARO, JAMES
Title: Feed Me
Format: CDR
Label: New Age
Country: USA
Price: $10.00
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Artist: FERRARO, JAMES
Title: Hacker Track
Format: CDR
Label: Summer Headrush 2009 Series
Country: USA
Price: $9.00
"warning Hacker Track�?� is an eXtremely addictive cyber drug downloadable online into your brain" - Muscleworks Inc. Latest batch of good time confusion from Mr Ferraro...
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Artist: FERRARO, JAMES
Title: iAsia
Format: CDR
Label: Summer Headrush 2009 Series
Country: USA
Price: $9.00
"Fifth part of the Summer Headrush 2009 Series. New sounds from 107.7 Hyppereal Radio XM Mars. Recorded 2009."
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Artist: FERRARO, JAMES
Title: K2-Chameleon Ballet
Format: LP
Label: Olde English Spelling Bee
Country: USA
Price: $17.00
"In Chameleon Ballet I wanted to create a work of magic that simulates a dream atmosphere of post industrial landscapes, with the waking memory of a romantic alien encounter occurring in the dream. Dedicated to the mystery of night and the magic of dreams -- James Ferraro. Debut limited edition album by this new sci-fi synth project of James Ferraro of The Skaters et al, with 1980s minimal wave moves bisected by the kinda keyboard patterns you mightve found on an Edgar Froese solo album or post-Body Love Klaus Schulze then exploded with barbarous invocations, syruped-vocals and some black drone atmospherics. Or, as the cover art suggests, urban landscapes as visioned by showroom dummies illuminated under 3 am neon. Another killer. -- David Keenan. Remastered and expanded version of the CD-R release on New Age Discs -- this has an additional previously unreleased track. Limited edition of 425 copies. Black & white printed covers." -Olde English Spelling Bee
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Artist: FERRARO, JAMES
Title: Last American Hero
Format: LP
Label: Olde English Spelling Bee
Country: USA
Price: $17.00
"Remastered reissue of an obscure tape that came out in a Europe-only edition in late 2008 on Dreamtime Taped Sounds - the label run by Lieven Martens of Dolphins Into The Future. This is a very unique work in the massive Ferraro discography as it employs rock instrumentation in a minimalist fashion to dazzling effect. Features the tracks "F-150 NIGHT EROS AT THE HIGHWAYS END", "BLACKTOP TUMBLE WEED: EMPTY MONSTER ENERGY DRINK CAN", & "HEADLINES (ACCESS HOLLYWOOD)". Limited edition of 450 copies. Includes a download coupon for the mp3 version." - OESB. "THE ENERGY ENHANCED GLADIATOR WISHES TO MERGE AS ONE WITH HIS GIRL. HIS TONGUE RING GLOWS UNDERNEATH THE RENO MOON. HER SILVER SILENCE BEGS FOR HIS PLEASURE. HE CAN HEAR HER CALL DEEP WITHIN HIS BEING, AS THE DESERT CLOUDS ROLL ON OVER HIS METAL SLAVE. SHE SUBMITS TO BE PARKED AND THE SHADOW OF LOVE IS AMOUNG THEM. A BLACKTOP TUMBLE WEED ROLLS AROUND THE DRIED TAR ONLY A DREAM OF ITS MASTER BLOWING IN THE WIND. FROM THE HAND OF THE GLADIATOR WHO NOW HUNTS FOR A DREAM, A FLAT SCREEN DREAM. A GROUP OF HUMANS PRESUMED LOST FOR THE LAST DECADE AND A HALF WERE FOUND ALIVE CAMPING OUT IN THE BACK RECESSES OF A COSTCO SUPER MARKET. AFTER BEING LOST DEEP INSIDE OF THE COSTCO BUILDING FOR WEEKS WITHOUT ANY OUTSIDE CONTACT, THEY FINALLY STARTED THE SETTLEMENT OF "NO FEAR". The front cover (JUDGE JUDYITE IN SODOM AND GOMORRAH) represents the programmed citizen and the process of its logical sequence as visible from the working creative inner ego of the program (the living human hosts perspective) in a snapshot form in the empty world created by the MODERN Gomorrah temple BEST BUY plaza center. The back cover represents the same idea but this one exhibits the inner head perspective of the "LIQUID ENERGY ENHANCED GLADIATOR IN THE DIGITAL COLOSSEUM A.G.* *After Google " - James Ferraro.

Artist: FERRARO, JAMES
Title: Multitopia
Format: LP
Label: Olde English Spelling Bee
Country: USA
Price: $17.00
"New album from James Ferraro of The Skaters/Lamborghini Crystal et al, the first run ever presented under his own name. Multitopia is our reality system, James writes in the liner notes. A post 9/11 reality technology in between the frames of data reception. A cross wire into new head and necessary evolution upon the impact of the towers. It feels like a major work from James, the first fully-conceived album to go beyond his initial brain-fried 1980s nightmare culture documentation, reconciling both dystopian and utopian mindsets in a vision of Pan as Multitopia. Body modification, the blurring of sexual persona (via cracked images of James on the back with a modified pair of breasts chilling next to an arcade game) and cyborg intelligences are all recurrent tropes in James work but here he explodes them all, with some of the most aggressively nuanced keyboard and drum work of his entire career, kicking off with a full kit sound that sits somewhere between industrial steel drums and chaos pads then building to an evocative peak that then dissolves into wave after wave of fluxing keyboard drone and oddly looped vocal fragments. The gravity of the music is truly omnivorous, devouring drone, punk, new wave, industrial and minimal synth modes and spitting them back out as intensely detailed black and white visions of the future now. James somehow manages to interweave vacuous TV announcements and cheap anchor man quips alongside the lucid, microtone rich keyboard work, situating the whole deal in a virtual, godless netherworld with each track a further descent into hell. It is both beautiful and horrifying. A major work from James - no one is doing anything remotely like him. Highly recommended. -- David Keenan. Remastered version of the CD-R release on New Age Discs. Limited edition of 425 copies. Color printed covers. Dedicated to Zac Davis." -Olde English Spelling Bee

Artist: FERRARO, JAMES
Title: Night Dolls With Hairspray
Format: LP
Label: Olde English Spelling Bee
Country: USA
Price: $16.00
"while your out tonight listening to records in reverse and getting off slashing tires in the night in your purple mohawk and heels sacraficing your soul to the sound all dolled up in shiny leather as a human cockroach with studs remember to pick up a copy of NIGHT DOLLS WITH HAIRSPRAY for the ultimate halloween night experience set your brain on fire with the out of this world sound from the planet airhead entertainment!!!! AVAILABLE halloween night!!!! the one and only blue haired new wave freakazoid from planet shock tart,the Glaminator himself Jimmy Ferraro of the legendary “The Blow Up Dolls of 143rd St.�? comes now with his first solo fully produced juke box hit smasher!! guaranteed to run shivvers up the spines of all the lipstick and studded weirdos and queer night glammers with big hairsprayed hairdos out there. this one is for all the blow dryer dreamers somewhere out there singing in the mirror of their shampoo perfumed bathrooms beckoning a mysterious moon lit love.for the leather punkster muffins with green tongues and pockets filled with cheez whiz on the subway, where a world just outside the subway window leads to the back alleys of 143rd st. where the garbage pail kids from hell in metal bras all dolled up in New York Cities finest 99cent store eye shadow, blush and glitter sing the soundtrack to the seedy nether worlds of the teenage fantasy machine...Leather High School!! which is Saved By The Bell meets Marquis De Sade in its principle or shall we say in its male Principal who is a masochistic cross dresser underneath that pretty little socially acceptable mask of his. tune into the sound that all the lunatic love puppets are craving, the magical pop radiance that outshines their topiary styled hairdos and made them into hopelessly romantic cheetah spotted glam dolls from the underground. armed with their glammy sound that is much like the soundtrack spilling out of a 1970s Time square erotic/b-movie theater, they parade the night streets as TERROR THIRSTY GLAMzoids wishing upon their neon pop shooting stars, terrorizing New York City with their studs,high heels and air guitars,THIS IS THE RECORD THAT MADE THEM DO IT!! so if you wanna sing along in a friday nights bubble bath or stalk the midnight streets dressed as a baroque pervo in make up pick this one up, for Night Dolls With Hairspray has it all!!!!!!!" - OESB.
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Artist: FERRARO, JAMES
Title: On Air
Format: CDR
Label: New Age
Country: USA
Price: $10.00
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Artist: FERRARO, JAMES
Title: On Air
Format: Double LP
Label: Underwater Peoples
Country: USA
Price: $24.00
"Electrocuted Moon Hair, Cone Headed Space Punks in Fast Forward Neo Tokyos Virtual Flat Screen Pop Stars, Jetset Tabloids Zebra Print Moon Boats Splattering Ketchup Packets are just some of the themes that pour out of the Musical Imaginarium of James Ferraros highly anticipated Fully Restored and Remastered Version of the 2009 Limited Edition CD-R Classic On Air, featuring the online hit singles Cinderella, On Air, Flashy Kamikaze and more!! Take a electric bite out of the Space Age Glam Sound of Metal Spaz Punks combing their 30 ft Tall Green Mohawks under Saturns Post-American Desert Skies and find out what happened after MTV laser-ed their logo into the moon. Made available by Underwater Peoples Records, 2 LPs fully loaded with Pop Art Mania guaranteed to give all the 21st Century Digital Children a fresh breath of Glam Rock Magic!!!" - Underwater Peoples.

Artist: FERRARO, JAMES
Title: Rapture Adrenaline
Format: DVD
Label: Hundebiss
Country: Italy
Price: $24.00
"Originally released on a limited critically acclaimed VHS edition, this succulent reissue presents an exclusive extra, Welcome To Candyland, an interview with the author and, at the same time, an exciting voyage through some cult virtual-hyper-reality-simulacro. The OJ chase, Hollywood forever cemetery, Dr. Phil are just some ingredients of this delicious visual trippy cake. The movie Rapture Adrenaline is an educational mixtape program, a cyber marine combat training video designed through primitive editing techniques. Operating mythological transformations of popular movie iconography, it reaches the merging point of the magical and the political." -Hundebiss

Artist: FERRARO, JAMES
Title: Rerex
Format: Triple LP
Label: Aguirre
Country: Belgium
Price: $43.00
"Aguirre Records present a reissue and the first vinyl release of James Ferraros Rerex, originally released in 2009. James Ferraro is an experimental musician, composer and virtual atmospherist born in Bronx, New York. Ferraro has released material under a wide array of aliases, and was a member of the Californian two-piece avant-garde project The Skaters. His album Far Side Virtual (2011) was chosen as "Album of the Year" by the UKs Wire Magazine in 2011. Ferraro has been producing small runs of releases on cassette, CD-R, and VHS with a wide variety of styles all representing different dreams of a demonic mind tower spanning from freak flesh bodybuilder atmospheres to ambient modern world/psych. First on New Age Tapes and later on MuscleWork Inc., self-run cassette/CD-R labels primarily used for releasing small runs of his solo work. In the summer of 2009, Ferraro composed and recorded the "Summer Headrush Series" in Antwerp, Belgium for Musclework Inc. The series is loosely based on visualizations that came to mind while receiving self-induced hypocapnia (aka, choking oneself) or as its commonly called "free fall". The albums being representatives of the free fall head space. Other albums from the Headrush Series are: Body Fusion 1 and 2, iAsia, Wild World, Son of Dracula and Hacker Track. The Rerex album is vintage hypnagogic Ferraro and with its length (almost three hours), it may be considered a "magnum opus" of his. Using cheap casio keyboards, loops, effects and difficult to trace samples, Ferraro creates a slightly haunting but oh-so beautiful musical world. Please use headphones for a dynamic HD headphone experience. Artwork by James Ferraro. Mastered and lacquer cut by Christoph Grote-Beverborg at Dubplates & Mastering. Lay-out by Jeroen Wille. Edition of 500." - Aguirre.

Artist: FERRARO, JAMES
Title: Son Of Dracula
Format: CDR
Label: Summer Headrush 2009 Series
Country: USA
Price: $9.00
"Part 8 of the Summer Headrush 2009 Series. Recorded Summer 2009. Out now and forever......."
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Artist: FERRARO, JAMES
Title: Wild World
Format: CDR
Label: Summer Headrush 2009 Series
Country: USA
Price: $9.00
"Hello Earthlings..... Just Visiting! Need Help Back to MARS! Spacecraft out of FUEL! Anything Helps!"
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Artist: FERREYRA, BEATRIZ
Title: GRM Works
Format: LP
Label: Recollection GRM
Country: Austria
Price: $23.00
"Argentine electroacoustic composer Beatriz Ferreyra describes each of the pieces included on GRM Works: Demeures aquatiques (1967): "This electroacoustic piece, articulated into two clearly distinct parts, draws its sound source from the classical and unorthodox instruments -- metal sheets, glass rods, etc. -- invented by the Baschet brothers. I wanted to show the contrast between the rhythmic repetition of a sounding object, which gives out a feeling of fixity, an electroacoustic flavour and the continuous re-creation of the same sensation through similar yet not identical sounds." Un fil invisible (2009) For Christine Groult: "This piece was inspired by the various stages of Medieval Alchemy. The alchemical process is one of transformation, whose actual subject is the alchemist himself. Here, the process is inextricably tangled with the transformation of sounds and the very structure of the piece." Médisances (1968/69): "This electroacoustic piece for 4 channels was produced by manipulating such items as orchestral instruments, a mouth bow, breath and some unexpected technical defects." Les Larmes de linconnu (2011): "This is the first part of a work inspired by the Qabalists Carlos Suares (consciousness-energy), Rivka Cremici (charm of the mystic energy) and Shinta Zenke (dazzling Hebrew calligraphy) to whom I dedicate this music. Through its letters-numbers, the Qabalah expresses three different levels of primordial equation of the universe: the level of the archetype, that of the event and the incarnation, and the universal and cosmic level... I would like to thank the wonderful flutist Hernan Gomez for his kindness and his musicality during the recording." "The music of Beatriz Ferreyra bears a magnetic force, which generates a truly recognisable style that could be defined as a unique sense and intuition for sound. Whether in her early works (Médisances, Demeures aquatiques) or in the more recent ones featured here, one can easily perceive a freedom-loving musical personality. A pioneer alongside Pierre Schaeffer, in the 50s and 60s, she worked on the development of the famous Solfège de lObjet Sonore (Music Theory of the Sounding Object) before freeing herself from the institution to focus on creating a challenging and independent music." --Christian Zanési and François Bonnet, Paris, 2015. Digital transfer by Jonathan Fitoussi; layout by Stephen OMalley; photos by Laszlo Ruszka (1983/87) © Ina, Bernard Perrine (1969); translations by Valérie Vivancos. Coordination GRM: Christian Zanési & François Bonnet. Executive production: Peter Rehberg. Cut by Rashad Becker at Dubplates & Mastering, Berlin, November 2014." - Recollection GRM.

Artist: FFH
Title: Tiocfaidh Ar La
Format: 7"
Label: Gods of Tundra
Country: USA
Price: $7.00
"A very unique release for both FFH and Gods of Tundra. After discovering both of us shared an interest and obsession with the Irish Republican Army and the conflicts and Troubles in Northern Ireland, we decided working together on a project based on this would be worth while. This 7" is the result. It is the most superior FFH offensive to date. Superior in sound, in lyrics, and in ideas. Artistically, it looks very little or nothing like any other GOT release, but all these things just add to the unique quality of the record. 26 +6 = 1. Editon of 250." - Gods of Tundra.

Artist: FIELDED
Title: White Death
Format: 7"
Label: Sophomore Lounge
Country: USA
Price: $6.50
"Picking up and sweeping forward with this home-sewn, four-song 7", White Death is Fieldeds first release since stunning us with Terrageist (Catholic Tapes, 2010), the Chicago Music Award-nominated full-length for which her praises were sung by Kevin Hufnagel (of Dysrhythmia, in his Top Ten Albums of The Year) and Foxy Digitalis, referring to Fielded as "a collection of all the best moments of Bjork, which makes her better." The White Death 7" is a special, limited-edition pressing of 250 (150 black/100 white) with art direction by Mikie Poland (Aethletics) and hand-printed/fold-over jackets by Dan Davis (Kin Ship Press)." - Sophomore Lounge.
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Artist: FIFTY FOOT HOSE
Title: Cauldron
Format: LP
Label: Phoenix
Country: UK
Price: $24.00
Repressed. "Deluxe LP format only; 180 gram pressing. Cauldron was Fifty Foot Hoses first and most famous recorded work, released on Limelight Records in 1968. Founded by Cork Marcheschi, the band played continuously around the Bay area of northern California throughout the mid-60s. Marcheschi, who had developed a taste for R&B and the avant-garde music of composers such as Edgard Varèse, started out as the bands bass player, but his interest in experimental music prompted him to develop his own musical instrument, similar in function to the hybrid developed by Simeon Cox, and which was the underpinning of the Silver Apples sound. The band played a lot of gigs, but the experimental nature of their music tended to perplex audiences unused to such sounds. However, a four-track demo led to the band signing on the experimental Mercury subsidiary, Limelight Records, and under the eye of producer, Dan Healey (later to work extensively with the Grateful Dead), Cauldron appeared in 1969. As the album didnt fit into any particular mold, it largely went un-noticed at the time, but to the modern listener, this is an album that has stood the test of time particularly as Marcheschi used just about every electronic device known to man, including audio generators, echodette, squeaky box, siren, ring oscillator circuits and two Theremins. Given Cauldrons lack of success, the band disintegrated, although several members were to quickly resurface in the musical Hair. However, by the late 70s and early 80s, interest in the bands singular sound was rekindled, with the likes of Pere Ubu, Throbbing Gristle and Chrome all deriving inspiration from its music. An important and influential album." - Phoenix.

Artist: FIFTY FOOT HOSE
Title: Red The Sign Post/If Not This Time
Format: 7"
Label: Get Hip
Country: USA
Price: $5.00
"Color wax! Great obscure 60s psych single with killer picture sleeve." - Get Hip.
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Artist: FIGURE STUDY
Title: Figure Study
Format: LP
Label: Dark Entries
Country: USA
Price: $18.00
"The debut album from the Manhattan-based duo of NATHAN ANTOLIK and APRIL CHALPARA. FIGURE STUDY formed in 2009, after meeting through the Wierd Records weekly party, where they would play their first concert soon after. While their debut 7" contained two songs recorded in 2009, this full length contains all new material recorded throughout the past year. For their debut self-titled album, Figure Study utilizes a carefully tailored set up of vintage analog synthesizers and drum machines. Figure Study creates a lush sound where haunting vocals echo over dark melodies that reflect an isolated and disintegrating world. Songs flux between dissonant dance numbers and more sparse, somber compositions, each carrying a sense of urgency and modernism. Figure Studys sound includes influences from such early underground artists as Kirlian Camera, Nine Circles, and The Actor. The album was recorded in their small Chinatown studio using a sparse set-up of analog synthesizers, drum machines and sequencers. It was mixed at The Wave Lab in Brooklyn by AJ TISSIAN and mastered for vinyl at Fantasy Studios in Berkeley by GEORGE HORN. Each LP is packaged in a specially designed jacket and includes an insert with lyrics. Figure Study draw their own model using shapes and forms from the synthetic landscape." - Dark Entries

Artist: FILHO, HUGO
Title: Paraibo
Format: LP
Label: Shadoks
Country: Germany
Price: $46.00
"Everything began in 1977 when the poet, Antonio de Padua Carvalho invited me to create melody for his poetries. At that time I was lead guitarist of the band The Gentlemen (a garage northwest group that included Ze Ramalho, who released the wonderful DLP together with Lula Cortez in one of his line-ups and recorded a rare LP and one 45). For this unique project we invited Ze Ramalho, the musician and composer Elisio Alexandrino (Golinha), to control the four-channel tape recorders the musician Enilton Araujo, the twelve string viola arrangements were done by Irapuan (Pupu), drummer Edmilson (Crauna), percussion by special guest Ze Crisologo, and Hugo Filho (Hugo Leão) on nylon guitar,bass, keyboards and art direction. This LP is really special, Brazilian charm and poetic words. Even in Brazil, an incredible rare album, only 500 pressed, given to friends and sold in shops- the first private pressing in this country. If Sacros, Lula Cortez, Mutantes and El Congreso is something you like, you will love this one. Lots of folk elements which devolve in twisted endings. Something you want to play to your new girl on a crazy summer night. And for you guys in N.Y. with Brazilian roots (Arto Lindsay) this is something you should play at your next party. A great album this is. 450 numbered LPs, glossy heavy sleeve, 180 gram pressing." -Shadoks

Artist: FILLE QUI MOUSSE
Title: Trixie Stapleton 291
Format: LP
Label: Bichon
Country: France
Price: $19.00
1st time ever readily available on vinyl - the rarest entry on the legendary Nurse With Wound list (which is saying something). Ltd. ed. of 300. "Fille Qui Mousse ("Girl With Froth"??) is one the most mythical albums to be released(?) from France. Recorded in 1972, it was issued in 73 (evidently only as a test pressing in an edition of maybe 50) by the legendary Futura label. Often referred to as the French Faust, FQMs album mixed collage, psychedelic rock, surreal poetry, and organically tapped noise purity with the absolute best of experimental 70s rock-and-beyond. One of the essential reissues of the 70s rock underground." - Bichon. "Straight off, we plunge into that Faust structure...riffing with a psychedelic bent, hints of Gong too...we move into bizarrely constructed patterns of percussive sound and chopped-up rock music, and just as a musical focus takes shape it disappears. A poem, recited by a girl, over an urban landscape populated by numerous barking dogs then gives way to an intensely strange mangled web of sound thats almost brain numbing. And, yet more in the way of strangeness is a piano based piece that recalls some of Roger Doyles early experiments. The only actual song has the most bizarre lyrics (in English) and is followed by an excursion in distorted and processed guitar. Next is where the folk music comes in, but even with gypsy violin FQMs interpretation of folk is strange and twisted. Finally, we return to the psychedelic jamming that opened the album, but with a jazzier edge, ending the album perfectly." - Audion. Very highly recommended!
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Artist: FILLE QUI MOUSSE
Title: Trixie Stapleton 291 - Se Taire Pour Une Femme Trop Belle
Format: LP
Label: Monster Melodies
Country: France
Price: $35.00
"2013 release. Monster Melodies Records presents a reissue of Trixie Stapleton 291 - Se Taire Pour Une Femme Trop Bell by Fille Qui Mousse, originally recorded in 1971. The group was created from the culmination of a movement born after the Second World War, counter culture and the apparition of Lettrism, founded by Isidore Isou who wrote the book The Uprising Youth accompanied by Gabriel Pomerand, Maurice Lemaitre, Jean-Louis Brau, Guy Debord, Gil Wolman. The band consisting of Barbara Lowengreen (vocals), Bernard Gilson (guitar), Sylvie Péristéris (sound effects), Henri-Jean Enu (guitar, vocals), Denis Gheerbrandt (vocals), Daniel Hoffmann (guitar), Benjamin Legrand (piano, vocals), Dominique Lentin (percussion), Jean-Pierre Lentin (guitar, bass), Léo Sab (violin), François Guildon (guitar) recorded its only album in one day on July 8th, 1971. Fille Qui Mousse is on the list established by Steven Stapleton, John Fothergill and Heman Pathak of the 291 musicians who influenced the band Nurse With Wound. Comes as a red translucent vinyl comes in a sleeve which opens up, presenting unpublished photos of the group and containing two postcards reproducing the vintage concert posters and an insert with an unpublished text by Henri-Jean Enu. Edition of 500." - Monster Melodies.

Artist: FILLIOU, ROBERT
Title: Sings Marquis de Sade
Format: Cass
Label: Goaty Tapes
Country: USA
Price: $8.00
"Robert Filliou is one of the more elusive figures of European Conceptualism, and this tape is perhaps his most obscure piece.
Born in France, Filliou fought in the Resistance during World War II before emigrated to Los Angeles, where he worked as a laborer at the Coca-Cola bottling factory. He went on to earn a Masters in Economics at UCLA while supporting himself as a night watchman, busboy, and research assistant. Filliou then traveled to South Korea, where he worked for United Nations Reconstruction Agency.
He launched his creative endeavors only later, in 1960, at thirty-four years old. Like other latecomers (Marcel Broodthaers, Yves Klein) Filliou sat awkwardly between art movements, pivoting between Fluxus, Neo-Dada, and early Conceptualism. His sculptures, performances, and writings were primarily a means of articulating his theories: the Eternal Network, the Creative Economy, and Permanent Creation, which salutes Antonio Gramscis “Permanent Revolution”. But Filliou subscribed to his own, curious brand of Socialism—a utopian concoction of Charles Fournier and German Romanticism, shot through with contemporary interest in Marshall McLuhan and Mao Zedong.
“Robert Filliou Sings Marquis de Sade” is not listed in Fillious catalogue raisonné, and as far as I know, he never performed it publicly. I found a copy in his old friends basement. The piece was presumably made casually and sent as a gift (an anti-artist as determined as Robert Filliou must have enjoyed presenting his art as gifts for amusement).
Here, Filliou sings passages from Marquis de Sade, the eighteenth centurys favorite sexual extremist, antipodal moralist, and scandalizer of the feudal elite. Interestingly, Filliou excerpts passages in which Sade describes how nations torture and kill their prisoners, not the more famous passages that describe the authors deviance. Sung acapella, Fillious tenor quivers with an Old World vibrato, lending Sades text a peculiar ambivalence: is Filliou promoting Sades criticisms or deflating them? Is he shedding light on state violence or mocking our obsession with it? In Fluxus fashion, such answers are left unresolved." - Goaty Tapes.
Covers are marbled, letterpresses, and individually splattered."

Artist: FILLIOU, ROBERT
Title: Whispered History of Art
Format: LP
Label: Slowscan
Country: Netherlands
Price: $32.00
Edition of 186. Slowscan volume 30. Filliou was a Fluxus artist also associated with the Nouveau Réalisme group (along with Yves Klein, Jean Tinguely, François Dufrêne, and Daniel Spoerri, among others).
Side B is a performance of Fillious "Whispered History of Art" (1963) recorded at New Wilderness Studio, New York, in 1977. Side A is an introduction by Dick Higgins. Cover art by George Maciunas.

"In 1943, Robert Filliou joined the Resistance movement organized by the communists and became a member of the French Communist Party during the war (he would later leave it after Titos exclusion for the Communist International).... After working as a labourer for Coca Cola in Los Angeles, he began to study (while continuing to do "odd jobs" to earn his living) and achieved a masters in economics.
In 1951, he took dual French-American nationality. As a United Nations advisor, he was sent to Korea for three years to help write the Constitution and take part in the programmes for economic reconstruction of the country. From there, he travelled in the Far East. From 1954 to 1959, he lived in Egypt, Spain and Denmark, where he met Marianne Staffels, the woman with whom he would share his life and his artistic activity. In 1959, he returned to France (he visited regularly after that). However, he was not attached to any country (as he himself said: "nationality = poet, profession = French"). In Paris, in the Contrescarpe area, Daniel Spoerri introduced him to the world of the plastic artists. This was in the middle of the boom of the 1960s, with the return in strength of Duchamps ideas, the appearance of Fluxus and the effervescent avant-garde of the Nouveaux Réalistes.
With his training in economics and Buddhist thought, he was not attached to any country in particular: "I am not just interested in art, but in society of which art is one aspect. I am interested in the world as a whole, a whole of which society is one part. I am interested in the universe, of which the world is only one fragment. I am interested primarily in the Constant Creation of which the universe is only one product." For him, the work of art was a means of direct action on the world. Like the Brahmin who tries to integrate all the acts in life with the religious rites and duties, Filliou attempted to integrate them with artistic duty, "without worrying about whether the works are distributed or not": "When you make , it is art, when you finish, it is non-art, when you exhibit, it is anti-art." - New Media Encyclopedia.

Artist: FILTHY SOCIAL CLUB
Title: Astral Turd
Format: Cass
Label: Temple Of Be Saint 777
Country: UK
Price: $11.00
"Filthy Social Club is a collaboration project of UK drone/noise veteran Neil Campbell and shamanic hoo-hah man Darren Wyngarde aka Filthy Turd. Lots of hollering and some stupid rhythms. Psychedelic reggae vibe. Ltd. 100" - Temple Of Be Saint 777.

Artist: FINE, MILO
Title: Frequency Etchings (Ongoing Celebrations of Insignificance)
Format: LP
Label: Fusetron
Country: USA
Price: $12.00
"An improvised (and unintentional) rejoinder to such compositions as Rainier Riehns Chants De Maldoror, Cages Cartridge Music and Variations 2 (as realized by David Tudor) and other raw, random electronic music from the late 60s/early 70s." - Milo Fine. Solo clarinet/electronics set recorded live Nov 20,1998 at Roadrunner Records in Minneapolis and presented here in its entirety. This is Milos 19th document following the release of the triple CD Surges/Suspensions Comme Toujours. In the last few years hes been fairly active; a video release on Incus (as the Guttercleaners with partner Susan Sperl), an Ensemble CD on Emanem and participation in 2003s Freedom In The City festival in London where he collaborated with Hugh Davies, Derek Bailey and others. This LP is a numbered edition of 330 with high quality RTI pressing and full color paste-on sleeves.

Artist: FINE, MILO
Title: More Sound Carvings (Ongoing Celebrations of Insignificance)
Format: CD
Label: Sporadic Tangible Documents
Country: USA
Price: $6.00
""More Sound Carvings (Ongoing Celebrations of Insignificance)" features the entirety of Milos solo electronic piano (electronics) set from the 2010 Heliotrope VII Festival and is a sequel to 2008s "Sound Carvings (Ongoing Celebrations of Insignificance)" and 1998s initial "Ongoing Celebrations of Insignificance." - MF

Artist: FINE, MILO
Title: Sound Carvings (Ongoing Celebrations of Insignificance)
Format: LP
Label: Mutant Music
Country: USA
Price: $16.00
"Recorded in concert by Milo Fine (May 16, 2008) at the Ritz Theater (as part of the Heliotrope V Festival), Minneapolis, MN. electronic piano (electronics), voice, Acme whistle. Design and screen printing by Cork Leg Nelson." - Mutant Music. Numbered edition of 300 copies.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Against The Betrayers
Format: LP
Label: Shih Shih Wu Ai
Country: USA
Price: $8.00
"This album consists of "Live" concert pieces and excerpts recorded Sept. 79 - Oct. 80 at the Rainbow Gallery, Walker Community Church, New Riverside Cafe, Olympia Arts Center, and Simpson Church (Whittier Branch - West Bank School of Music)" - [quoted from the LP]. Milo Fine: drums, m-drums, piano, clarinet; Steve Gnitka: guitars, gritkaphone, piano; Anthony Cox: bass. Original release from 1980. Edition of 500.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Another Outbreak Of Iconoclasm (Two Eggs Slightly Beaten)
Format: LP
Label: Fusetron
Country: USA
Price: $8.00

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: April/October 1991
Format: LP
Label: Shih Shih Wu Ai
Country: USA
Price: $10.00
Milo Fine: m-drums II (electronics), drums, piano, clarinet, bass clarinet; Steve Gnitka: guitar. Recorded at the West Bank School of Music, Minneapolis, MN. Limited self released LP from 1992.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Contiguous Chunks
Format: CD
Label: Shih Shih Wu Ai
Country: USA
Price: $10.00
Recorded 2/2/07 & 4/6/07 at the West Bank School of Music. Milo Fine: drum set, m-drums II (electronics), piano, electronic keyboard, b flat/alto/e flat clarinets; Steve Gnitka: guitar; Jason S. Shapiro: piano, synthesizer (2/2/07); Charles Gillett: electric guitar (4/6/07).

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Get Down! Shove It! Its Tango Time!
Format: LP
Label: Shih Shih Wu Ai
Country: USA
Price: $9.00
"Live non-stop set recorded January 20, 1981 at the 7th Street Entry (Minneapolis, Minnesota) by Milo Fine"- [quoted from the LP]. Milo Fine: clarinet, m-drums, clavinet, prepared tape, voice; Steve Gnitka: guitar. Self released LP from Milos long running private label. Original LP from 1986 in an edition of 500.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Hah!
Format: LP
Label: Hat Hut
Country: Switzerland
Price: $12.00
Recorded at Anwatin Middle School, Minneapolis, MN December 29, 1976. Milo Fine: drums, bowed cymbals, piano, clarinet; Steve Gnitka: guitar. Original copies of this 1977 LP on Hat Hut (now Hat Art)- the 5th release for the label, sandwiched between Joe McPhee and Steve Lacy.
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Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Improvisations (Being Free)
Format: LP
Label: Shih Shih Wu Ai
Country: USA
Price: $12.00
The very last copies of this 1975 release, the second on Fines Shih Shih Wu Ai label.

SSWA2

Milo Fine: drums (both Quartets); piano (Solo and Duet); clarinet (Trio and Quartet)/
Maureen Mailey: piano/
John OBrien: trumpet/
Nick Radovich: drums/
Curtis Wenzel: alto sax

"Recorded in concert at Walker Art Center, Minneapolis, MN; March 28, 1975 (except Quartet, which was recorded in concert at the Lutheran Student Center, University of Minnesota, Minneapolis, MN; April 13, 1975)" - SSWA.
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Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Lucid Anarchists (Meat With Two Potatoes)
Format: LP
Label: Shih Shih Wu Ai
Country: USA
Price: $8.00
"Side 1, cut 1 recorded in concert at the Guild of Performing Arts - January 3, 1981. Side 1, cut 2 recorded in concert at Olympia Arts Center - March 15, 1981. Side 1 cuts 3-5 recorded in concert at Olympia Arts Center - February 25, 1981. Side 2 recorded in concert at Olympia Arts Center - May 4, 1981. Milo Fine: piano, clarinet, drums; Steve Gnitka: guitars, violin, mouthpiece; Elliot Fine: drums and percussion on side 2, cuts 2-4." - Shih Shih Wu Ai. Original release from 1981. Edition of 500.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Surges/Suspensions, Comme Toujours
Format: Triple CD
Label: Shih Shih Wu Ai
Country: USA
Price: $20.00
"In 1998, after attending close to every one of the Ensembles bimonthly concerts at the West Bank School of Music for well over a decade, Michael Mann decided the group was long overdue for the opportunity to once again present its work in a concert hall. (The school, you see, is actually an old house; the Ensemble presenting its work in the "living room".) So, he booked a hall on a local college campus for "Two Evenings of Improvised Music", wherein Milo Fine and Steve Gnitka, the nucleus of the Ensemble, collaborated with four of their most stalwart associates -- Scott Newell, John OBrien, Elliot Fine and Jason S. Shapiro -- in trio and quartet formats. He also made arrangements for the event to be recorded. Thus, this triple CD features the vast majority of the music played during those two evenings." - Shih Shih Wu Ai. Milo Fine: piano, drums, marimba/electronics, clarinet, clarinet/electronics, alto clarinet, bowed cymbals; Steve Gnitka: guitar; Scott Newell: tenor sax, wood flutes, "paper"; John OBrien: trumpet, flugelhorn; Elliot Fine: percussion; Jason Shapiro: piano, synthesizer. Massive 3 CD box set with hand drawn cover artwork. Edition of 500.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: The Constant Extension of Inescapable Tradition
Format: LP
Label: Hat Hut
Country: Switzerland
Price: $12.00
Recorded at Studio A, WCAL Radio / St. Olaf College, Northfield, MN, August 20, 1977. Milo Fine: drums, clarinet, prepared piano, bowed cymbal, voice; Steve Gnitka: guitars. Original copies of this 1978 LP on Hat Hut (now Hat Art)- the 8th release for the label.
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Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: The Untenability of Sentience & More Wistful Tunes for the Sincere
Format: Double CD
Label: Shih Shih Wu Ai
Country: USA
Price: $12.00
Limited edition of 500 copies. "I began working with Steve Gnitka in late 1975, after an introduction arranged by Scott Newell, with whom I had already been collaborating for a few years. (Primarily playing guitar, Scott was a member of the Ensemble at the time, and, as he was leaving town, recommended Steve as his ⿿replacement⿝.) Shih Shih Wu Ai 12/13 marks Steves and my 15th collaborative LP and/or CD, while Scotts work with me has previously been documented on SURGES/SUSPENSIONS, COMME TOUJOURS (Shih Shih Wu Ai 7-9) and KOI/KLOPS (Emanem 4060). I first met Charles Gillett in the late nineties, but it wasnt until a few years later (2002) that we really started getting to know one another and, after being exposed to his distinctive approach to the guitar, began collaborating. Charles work with me has previously been documented on SENILITÿ (Emanem 4132) and CONTIGUOUS CHUNKS (Shih Shih Wu Ai 11). Stefan Kac and I are both on the faculty at the West Bank School of Music (me for decades; him since 2005). I first heard him play at a benefit for the School that year where he tore through an a cappella realization of Thelonious Monks ⿿Bye-Ya⿝. (This event provided him the first exposure to my playing as well; on that evening a short piano solo.) Within a short time we began working together in a variety of contexts. MORE WISTFUL TUNES FOR THE SINCERE marks our first collaborative documentation." - Milo Fine, Shih Shih Wu Ai. Recorded August 7, 2009 and September 14, 2009.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: Towards
Format: CD
Label: Shih Shih Wu Ai
Country: USA
Price: $10.00
"This CD could be seen as an indirect result of a phone call Milo Fine received from Davu Seru in 2000. Relatively new to improvised music, Davu was casting about for information and possible collaborative possibilities. Discussions, hearing one anothers music and, ultimately, concerts ensued, the latter often involving Davus main partner Andrew Lafkas, among others. Milo also invited each of them to join the Ensemble at as part of the bimonthly concert series at the West Bank School of Music. As the School has neither the space to allow for a quartet with this instrumentation, nor, for that matter, a decent piano, this CD was recorded at Milos home in late 2003." - Shih Shih Wu Ai. Milo Fine: piano, groan tube wheel, acme siren (upstairs), drum set, bowed cymbals, chimes (downstairs); Steve Gnitka: guitar; Andrew Lafkas: bass; Davu Seru: drum set (upstairs), percussion (downstairs). Newest self released disc from Milo and company.

Artist: FINE, MILO FREE JAZZ ENSEMBLE
Title: You Will Not Be Pressed To Buy (Volume One/Volume Two)
Format: Double CD
Label: Shih Shih Wu Ai
Country: USA
Price: $11.00
"Culled from a pair of 2011 concerts. Both feature multi-instrumentalist Fine (drum set, piano, clarinets) and his long-time partner, guitarist Steve Gnitka with, on the first disk, vocalist Viv Corringham, and, on the second, John OBrien (cornet, flugelhorn). John and Milos collaborative work dates back to 1975 and has been documented on the 1975 "LP Improvisations (Being Free)" LP and the 1996 triple CD "Surges/Suspensions". Vivs move from England to Minnesota in 2004 marked the beginning of her ongoing musical association with Milo. Their first, and, up to this point, only shared document was the 2005 CD "Senilta"." - MF

Artist: FINE, MILO/DAVU SERU/ELLIOT FINE
Title: Percussion Music; Improvised
Format: Double CD
Label: Elfin Publications
Country: USA
Price: $15.00

Artist: FINE, MILO/DAVU SERU/ELLIOT FINE
Title: Second Meeting (Percussion; Improvised)
Format: CD
Label: Elfin Publications
Country: USA
Price: $10.00
"Milo Fine: marimba (electronics), orchestra chimes, bowed cymbals; Davu Seru: percussion; Elliot Fine: drum set, assorted percussion. Recorded in concert at Homewood Studios (Minneapolis) July 11, 2005, this CD documents the trios second encounter. (The entirety of their first concert can be heard on Elfin 1/2: PERCUSSION MUSIC; IMPROVISED). Milos lifework in improvised music began in 1969. Davu started working with free improvisation in 1998, and, in 2000, began his ongoing collaborations with Milo. In addition to being a 44 year veteran of the Minnesota Orchestra, Elliot, Milos father, has a long career as a free lance drummer, teacher, and drum book author. This CD documents his sixth foray into improvised music." - Elfin.

Artist: FINE, MILO/PAUL METZGER
Title: Concerning The Other Condition/Spontaneous Composition..
Format: LP
Label: Neros Neptune
Country: USA
Price: $20.00
...Generator. Neros Neptune presents a split LP of solo works from free-jazz improv master/multi-instrumentalist Milo Fine and guitar experimentalist Paul Metzger. "Moosbruger was recorded on the occasion of my first public collaboration with Paul Metzger. Before the concert, and for a number of reasons, my thought was that, when my name was drawn for a solo, Id be playing drum set. But, as befits the spirit of improvisation (the moment), I grabbed the B flat clarinet, and then, echoing the first time I played piano in public (1971), moved off stage to the prepared piano remains, where the two instruments conjoined. Ulrich is a self-contained section of a set-long (drum) solo I played at the Art of This Gallerys Tuesday Night Improvised Music Series. Moosbruger was recorded on March 21, 2009. Ulrich was recorded on January 20, 2009."-Milo Fine. "I created the Spontaneous Composition Generator to produce a random series of musical actions. It is a device consisting of 37 altered music box movements mounted in a wooden painters box. The alterations include dampening, detuning, replacing, removing, doubling, and reversing the tines. Most of the original melody pins on the cylinders were removed. Rubber bands of various lengths and thicknesses were attached to the winding stems to facilitate a continuously variable tension. One dozen hand-wired piezo pickups are attached to output a stereo signal. The piece on this recording was created November 9, 2009 with a time of 18:43. It was specifically made as a complement to Milos contributions to this Neros Neptune LP." -Paul Metzger. Strictly limited edition of 421 vinyl copies only. Screen-printed onto wax paper sleeves, with an insert. Pressed on 180 gram vinyl.

Artist: FINE, MILO/PAUL METZGER/DAVU SERU
Title: Medusas Lair
Format: LP
Label: Locust
Country: USA
Price: $20.00
"Filleted over two sides of wax, here we have a rare meet up of three of the brightest lights in the twin cities musical orbit. On March 21, 2009, Paul Metzger - best known for his transcendental gypsy raga guitar and banjo meditations - jumped in the ring with percussionist Davu Seru and veteran multi-instrumentalist Milo Fine for an evening of uncompromising spontaneous composition. Medusas Lair is stunning, inscrutably wily, living music. One time edition of 300 LPs pressed on 180 gram virgin vinyl. Milo Fine: Drum Set (Bowed Cymbals), B Flat Clarinet, Prepared Piano Remains, Voice; Paul Metzger: Modified Guitar; Davu Seru: Drum Set." -Locust

Artist: FINGERS, THE
Title: Isolation EP
Format: 7"
Label: Last Laugh
Country: USA
Price: $7.50
"Official reissue of insanely rare 1977 Pittsburgh punk EP.  Mastered from original 7.5 ips tape.  Members went on to form The Features, who released the great Floozie of the Neighborhood single in 1979.  Dont miss your chance to work it out with the Fingers!" - Last Laugh.

Artist: FINIS AFRICAE
Title: A Last Discovery: The Essential Collection, 1984-2001
Format: Double LP
Label: EM
Country: Japan
Price: $29.00
"Gatefold double LP version. Contains two bonus tracks not found on the CD version. Finis Africæ (or Finis Africae): words redolent of mystery and myth, of Europe looking out to new lands, new worlds, new times. And so it is with A Last Discovery, the work of Spaniard Juan Alberto Arteche Guel, and his musical co-adventurers, recorded between 1984 and 2001. After 15 years of musical success in Spain with his band Nuestro Pequeño Mundo, Arteche was ready to experiment with new ideas, and with the purchase of a four-track reel-to-reel recorder he did so, exploring imaginary global music-worlds with a core of like-minded explorers. The group, dubbed Finis Africæ by JAA after reading Umberto Ecos The Name of the Rose, where the term refers to forbidden books and hidden knowledge, released seven recordings over an 18-year period, the best of which are compiled here. Finis Africæ was part of the "new wave" of Spanish music which gradually emerged after the end of the Francoist regime. Using modern electric instruments and traditional acoustic instruments from many cultures blended together via studio alchemy, a magic which grew even stronger with the acquisition of a 16-track recorder after their second release, Finis Africæ created an outward-looking musical multiverse, an unclassifiable amalgam encompassing elements of folk traditions from all over the world, skillfully and lovingly shaped into an inclusive pan-global whole. Deeply influenced by African music, the groups reverberant, organic minimal funk will appeal to DJs as well as all who yearn for the loving warmth that comes with the embrace of global possibilities. With liner notes in Spanish, English and Japanese by JAA, A Last Discovery, is the first release by Finis Africae outside of their native Spain. Come take a retrospective journey of discovery where new worlds await." -EM.
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Artist: FINIS AFRICAE
Title: A Last Discovery: The Essential Collection, 1984-2001
Format: CD
Label: EM
Country: France
Price: $21.00
"Finis Africæ (or Finis Africae): words redolent of mystery and myth, of Europe looking out to new lands, new worlds, new times. And so it is with A Last Discovery, the work of Spaniard Juan Alberto Arteche Guel, and his musical co-adventurers, recorded between 1984 and 2001. After 15 years of musical success in Spain with his band Nuestro Pequeño Mundo, Arteche was ready to experiment with new ideas, and with the purchase of a four-track reel-to-reel recorder he did so, exploring imaginary global music-worlds with a core of like-minded explorers. The group, dubbed Finis Africæ by JAA after reading Umberto Ecos The Name of the Rose, where the term refers to forbidden books and hidden knowledge, released seven recordings over an 18-year period, the best of which are compiled here. Finis Africæ was part of the "new wave" of Spanish music which gradually emerged after the end of the Francoist regime. Using modern electric instruments and traditional acoustic instruments from many cultures blended together via studio alchemy, a magic which grew even stronger with the acquisition of a 16-track recorder after their second release, Finis Africæ created an outward-looking musical multiverse, an unclassifiable amalgam encompassing elements of folk traditions from all over the world, skillfully and lovingly shaped into an inclusive pan-global whole. Deeply influenced by African music, the groups reverberant, organic minimal funk will appeal to DJs as well as all who yearn for the loving warmth that comes with the embrace of global possibilities. With liner notes in Spanish, English and Japanese by JAA, A Last Discovery, is the first release by Finis Africae outside of their native Spain. Come take a retrospective journey of discovery where new worlds await." -EM.

Artist: FINIS AFRICAE
Title: El Secreto de las 12 (The Secret of 12 OClock)
Format: CD
Label: EM
Country: Japan
Price: $18.00
"El Secreto de las 12 (The Secret of 12 OClock) is the second EM Records release by Spaniard Juan Alberto Arteche Guels Finis Africae project. This release collects six pieces from Finis Africaes three 1980s albums, pieces not released on A Last Discovery (EM 1113CD/LP). This collection captures Finis Africae in a more spiritual mode, organic and flowing, with some prominent drone textures, featuring a wide range of instruments including flutes, hand percussion, guitar, sax, keyboards and synths, combined with field recordings in a music which could be heard as a less-chilly and more organic parallel Fifth World to Jon Hassells Fourth. The title track, "El Secreto de las 12," is a Balearic chill-out classic, a firm favorite of Cafe Del Mar DJ Jose Padilla, who spun the track during his sunset sets on Ibiza. This track has circulated only on cassettes for years. "El Secreto" and the accompanying tracks are back, sure to appeal not only to chill-outers and nostalgic DJs, but fans of New Age sounds and organic music. Secret no longer." - EM

Artist: FINIS AFRICAE
Title: El Secreto de las 12 (The Secret of 12 OClock)
Format: LP
Label: EM
Country: Japan
Price: $21.00
"El Secreto de las 12 (The Secret of 12 OClock) is the second EM Records release by Spaniard Juan Alberto Arteche Guels Finis Africae project. This release collects six pieces from Finis Africaes three 1980s albums, pieces not released on A Last Discovery (EM 1113CD/LP). This collection captures Finis Africae in a more spiritual mode, organic and flowing, with some prominent drone textures, featuring a wide range of instruments including flutes, hand percussion, guitar, sax, keyboards and synths, combined with field recordings in a music which could be heard as a less-chilly and more organic parallel Fifth World to Jon Hassells Fourth. The title track, "El Secreto de las 12," is a Balearic chill-out classic, a firm favorite of Cafe Del Mar DJ Jose Padilla, who spun the track during his sunset sets on Ibiza. This track has circulated only on cassettes for years. "El Secreto" and the accompanying tracks are back, sure to appeal not only to chill-outers and nostalgic DJs, but fans of New Age sounds and organic music. Secret no longer." - EM.
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Artist: FINJARN & JENSEN
Title: Finjarn & Jensen
Format: LP
Label: Shadoks
Country: Germany
Price: $48.00
"Numbered edition of 500, glossy heavy sleeve on 180 gram vinyl with insert. "Guitarist, vocalist, composer and artist, Svein Finjarn can be safely called a legend in American rock. He began playing guitar and acting before he was ten years old, and in the fall of 1961, he became the first Norwegian who played in a rock band with a fender Stratocaster. In autumn 1969 he helped put together super heavy rock group Jumbo with Freddy Lindquist, Leif Jensen and Tore Syvertsen. The group had two singles, but were dissolved during the work on their first LP. Finjarn and Jensen made the album complete with Lindquist, Arild Krosby, Arne Kvikstad and Grete Christoffersen. Yngvar Holm wrote an enthusiastic article that was published by the jacket. Briton John Mills was the producer for the album, which came out in autumn 1970, and that could be placed side by side with the hard, progressive rock from abroad. One of the coolest albums made in Scandinavia. The music follows a great underground concept and hits as strong a bands like Blossom Toes, July, Open Mind -- a real British Psychedelic flowerpower album made in Norway." -Shadoks

Artist: FINKBEINER, JASON
Title: Dedicated to Rochester Charles
Format: One Sided LP
Label: American Tapes
Country: USA
Price: $15.00

Artist: FINN, SIMON
Title: Magic Moments
Format: CD
Label: Durtro/Jnana
Country: USA
Price: $14.00
"The first collection of new material from legendary psych-folk giant SIMON FINN since the release of his seminal album Pass The Distance. Recorded in a more personal and stripped-down style and featuring JULIE WOOD from CURRENT 93 on violin. Twelve tracks in all. Will play select North American dates with Current 93 and Six Organs Of Admittance, Summer 2005."

Artist: FINN, SIMON
Title: Pass The Distance
Format: CD
Label: Jnana
Country: Canada
Price: $16.00
"The official legit re-issue of this incredibly rare dark acid folk masterpiece, originally released in England on the legendary Mushroom label in 1970, has been remastered from the original two-track tapes. Four extra tracks, including the never-released seven-inch single of which only a solitary acetate remains, are also included on this 54-minute CD. The 20-page booklet, with full-color cover reproduction of the original artwork, contains all the lyrics to the album, photographs of the musicians, and extensive liner notes by Simon Finn, David Toop (who also plays on the album), Vic Keary of Mushroom Records, and David Tibet of Current 93. Tibet cites this album as one of his 10 top records of all time." - Jnana.

Artist: FINN, SIMON
Title: Pass The Distance
Format: LP
Label: Mayfair
Country: Germany
Price: $31.00
"One of the rarest LPs from the exclusive Mushroom-Label finally gets its official release on vinyl! Often labeled as folk, Simon Finns debut album from 1970 is actually more in the singer/songwriter vein but totally different to everything else you can find in this genre. With a couple of guest musicians (e.g. Kenny Elliot from Second Hand) Simon Finn created ten songs of an eerie, angry, unsettling and, if you hear the track Jerusalem, even disturbing nature. Shortly withdrawn after its release, this demanding album is nearly impossible to find these days so finally here is your chance to listen to this fascinating music. Limited edition of 500." -Mayfair
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Artist: FINN, SIMON
Title: Pass The Distance
Format: LP
Label: Little Big Chief
Country: USA
Price: $21.00
"First released in 1970. A British, dark-acid folk classic. Sounding like Tom Rapp on a horror trip, Finn sets out on a nightmarish journey that knows no appeasement. The mania shining through is greatly enhanced by the talent of multi-instumentalist David Toop, who plays several different songs simultaneously, seemingly without relation to the songs the other musicians are playing. Guitars appear in the wrong key, song structure is blissfully ignored. Originally released on Mushroom records. 500 copies, with liner notes by John Olson of Wolf Eyes/American Tapes.”- Little Big Chief.
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Artist: FIRE
Title: Could You Understand Me
Format: CD
Label: Skyf Zol
Country: South Africa
Price: $17.00
"Maximum (kinda rhymes with Eruptum) fuzz and flailing drums hammered into shape by three hairy gents from Yugoslavia displaced to The Netherlands, first issued on the private Killroy label in 1973. Legend, rumor and speculation surrounds many of the recording details - were they itinerant mineworkers hoping to blow off some steam, or maybe they just couldnt find a decent recording studio in their homeland?  And what twisted tale does the cover art depict, so inflammatory the LP was supposedly banned upon original release?  There is no mystery, however, about the trios raw power or surprising command of the English language - prepare to bleed!" - Skyf Zol.

Artist: FIRE
Title: Fire Plays Dub Landing
Format: Cass
Label: Ya Reach
Country: USA
Price: $6.00
"Sorta out of left-field, as all of Fire Plays Dub Landing stretches for about 22 minutes, this tape came at me (as always) from an anonymous e-mailer [Fire], and it’s burning. It’s like torching your pipe with the hot end of a pistol, considering the j-card art. But completely in a zone that’s cooked in a bath of dub, stripped of it’s reel and duct-taped in warps of bow-tie wrapped echos and chambers of colossal infinity. There’s so much space in the emptiness of Fire Plays Dub Landing that locations feel more like unexplored regions of minds, like going back to that elementary school you once grew up in, looking for nooks and crannies in crevasses you remember, but never actually ventured into. A forgotten nostalgia that follows you in dreams, creeping up like a nightmare, but it’s really just a blissful sleep paralysis, and laying there in the wonder of wake/REM euphoria, finding Fire in a smashed mirage, will you then come to the odyssey of dub madness. It’s pure in a silk way that has little pulled sections of strands. It’s lit and charring into the residual. It’s Fire Plays Dub Landing. GRIP THE TAPE!!!" - Tiny Mix Tapes.

Artist: FIRE DEATH
Title: s/t
Format: LP
Label: Tusco Embassy
Country: USA
Price: $16.00
"Heavy rock formation re-location station, encompassing geographic volcanic jazz fire blasts. Stretched rubber band tape loops collide against a superposition stratified manmade stone dam. Fractured crust giving way to ash and molten metal. Charred remains of soundscape glowing from slow burning embers till it extinguishes into a calcified cool down. J Guy Laughlin on skins and Benjamin Osborne on tape loops and clarinet. Mastered and recorded by Justin Coulter. Hand screen printed edition of 260." - Tusco Embassy
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Artist: FIRE, TEDDY & IGUID FIDD
Title: Chastity Revolution and the Submachine Girl
Format: LP
Label: Feeding Tube
Country: USA
Price: $21.00
"This is Teddy Fires second long player documenting the early 90s home studio sessions recorded by legendary crate digger Pablo Yglesias (aka Pablo Cuba/DJ Bongohead), with his little brother Teddy (aka Theo Wulff) singing and free-styling like the mutant child of Gary Wilson, Jad Fair, Biz Markie, and Captain Beefheart. The first slab released by Teddy, 1996s Fluxing Headset Man (Sealed Hotel), was a mondo-bizzaro pre-pubescent basement shindig of mammoth proportions. But with interview segments, found sounds and whatnot, it vibed almost like a radio show youd catch late at night on WFMU -- weird and lo-fi, but maybe a little self-conscious. This new one, recorded when Teddy was in his pimply mid-teens, leaps into a form-vortex far more full-blown as an album-qua-album. On Chastity, young Mr. Fire is backed by Iguid Fidd, a studio band of revolving personalities. With amazing musical work by such surprising names as guitarist Bond Bergland (Factrix, Saqqara Dogs, Workdogs, Cluster), harmonica-player Fritz Fox (Mutants), guitarist Miki Navazio (Lounge Lizards, Fed Ho, Reggie Workman) and Pablos frequent musical collaborator Phil Nordit Scher (Whimmers), the tunes shift from blazing psychedelic-grunt to wheezing, insane R&B readymade, in the blink of an eye. Chastity has a center that is constantly shifting, with each strange spin bringing another big bubbling gob of something uniquely off-kilter and twistedly splendid. Includes a full-color insert with Teddys surreal mash-up lyrics and beautifully naïf artwork. If you have any interest in 4-track culture, done at its highest level, you should investigate the chimpadelic universe of Teddy Fire. If you think you dont dig real people music or kiddie rock, you may be tempted to dismiss this record out-of-hand, but that would be a mistake. Teddy Fire will have his say. The Revolution starts here." - Byron Coley, 2016. Edition of 500.

Artist: FIREBALL
Title: Blessed Be
Format: 12"
Label: High Roller Society
Country: USA
Price: $12.00
SUPER primitive/low-fi heavy jams from this all-female Brooklyn band. Includes a cover of AMON DUUL IIs "Archangels Thunderbird". Fold-out, silkscreened sleeves.
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Artist: FIREFLY WRECK
Title: 20 Watt
Format: 7"
Label: Pollywog Smile
Country: USA
Price: $4.00
"Portland group who mix sprawling improv and confused rock motions into a very confused and beautiful lo-fi stare." - FE. Hand-stamped/numbered labels. 1993 release limited to 300 copies.

Artist: FIREFLY WRECK
Title: S/T
Format: LP
Label: Imp
Country: USA
Price: $9.00
"Debut album by Portland abstract-fi rock group." -FE. 1994 release.

Artist: FIRST NATION
Title: Coronation
Format: 7
Label: Paw Tracks
Country: USA
Price: $5.50
"The debut single from New York City trio FIRST NATION-MILISSA LIVAUDAIS, NINA MEHTA, and KATE ROSKO. You get the songs "Antelope Attack," which is exactly that-all hoof stomping, melodic tones rustling in the wind, then a feverish rhythmic chase-backed by the cut "Braided Metal," which sounds like the Glen Branca Orchestra gone atonal before giving up and going twee pop. Have played with cohorts and friends The Animal Collective, Excepter, and Gang Gang Dance." - Paw Tracks.

Artist: FIRST, DAVID
Title: Electronic Works 1976-1977
Format: LP
Label: Dais
Country: USA
Price: $18.00
"When people associate composer David First with his musical resume, anyone goes straight to his late 70s avant punk band, The Notekillers and their influential 1980 single The Zipper. Prior to his time in the basements of Philadelphia, he had already played in Cecil Taylor’s ensemble and after the Notekillers broke up he moved to New York City in the early 80s, taking root in the downtown NYC avant garde scene. It was there that First honed his craft for experimental composition and ambient drone which still continues to the present day.
Though this narrative made sense, there was a piece missing in the puzzle of First’s musical background. In 1976, two years after playing with Taylor and the year before starting the Notekillers, he enrolled in a class in electronic music at Princeton in the department headed at the time by legendary electronic composer Milton Babbitt.
During his time at Princeton, First was introduced to the classical electronic music studio there, a lonely outpost of the famed Columbia-Princeton Electronic Music Center which housed one of the very first Buchla 100 series systems acquired by Vladimir Ussachevsky & Otto Luening.
Unfortunately, due to the introduction of digital technology within the music world, this system was left to languish in the studio unattended and nearly forgotten. First fell in love with this equipment and seized the opportunity to compose using the Buchla 100 synthesizer, at first experimenting only with electronic synthesis but later adding in his signature guitar stylings to make these compositions unique to the academic output typical of university music.
Thankfully, these compositions were recorded by First at Princeton on various reel to reel tapes and stored away for over 35 years. It wasn’t until the summer of 2012, when David First and Ryan Martin (of Dais Records) decided to revisit and transfer these reels to compile an album presented here as a selection of genuine, uninhibited exploration into modular electronic synthesis. Limited to an edition of 500 copies with liner notes by David First." - Dais.

Artist: FIRST, DAVID
Title: Privacy Issues (Droneworks 1996-2009)
Format: Triple CD
Label: XI
Country: USA
Price: $30.00
2010 release. Featuring Chris McIntyre and Peter Zummo, trombones; "Blue" Gene Tyranny, keyboards; and The Black Jackets Ensemble. "This was something unexpected and truly different: pulsing electronic textures that derived their rhythm from the beating patterns of closely-tune pitches -- as if Alvin Lucier and Philip Glass had gone on a blind date to CBGBs... David put the beat in beating patterns" --from the liner notes by composer Nic Collins (on his initial exposure to Firsts music in 1987). This special and specially priced set (three CDs for the price of two) contains nine works composed between 1996 and 2009. "1996 was the beginning of a new period for me," says First. "I had spent the prior five or six years creating a lot of music for other players and larger ensembles -- culminating in 1995 with a couple of mountings of my opera, The Manhattan Book of the Dead. I was a little burned out on this and decided to return to a more personal, intimate format -- one that ended up including an even more extensive exploration of tunings, alternative compositional softwares and how my playing techniques interacted with these things. I think I just wanted to go deeper and have more control over the results. During the ensuing years Ive had a few pendulum swings -- forays into beat-oriented pop music with lyrics and vocals and, of course, the re-animation of my rock band from the late 70s -- The Notekillers. But Ive continued, through all of the changes, to maintain my grounding in my love of the drone and associated acoustical phenomena -- a love affair that began in my teenage psychedelic years and will, no doubt, be a most significant aspect of my music path for as long as I am at it. The tracks here represent almost every major work created from 1996 to the present and Im grateful that they will be heard by a wider swath of people than those who lived in NYC or happened to be at one of my touring performances during these years." - XI.

Artist: FIRST, DAVID
Title: Same Animal, Different Cages Vol. 1: Études For Acoustic Guitar
Format: LP
Label: Fabrica
Country: USA
Price: $27.00
"Fabrica Records announces the first volume in the Same Animal, Different Cages series by American composer and improviser David First. On Études for Acoustic Guitar, First twists and bends notes from his steel-string acoustic guitar, an instrument traditionally associated with American folk, country and blues music. And in fact, those genres are central to Firsts explorations here, constituting portions of a palette that also encompasses jazz and Indian classical music. In this series of stylistic hybrids, an expansive tonality is propelled with rhythmic authority. The effect is similar to that of tape manipulation, or to the challenges posed to the inner ear by Phil Niblocks shifting dissonances. Its almost as if the room itself speeds up and slows down as First performs in it, anchoring himself in three humble dimensions and letting time do what it will. The Same Animal, Different Cages series serves as the latest chapter in the oeuvre of a musician whose defining quality is arguably his curiosity. First asks the right questions, and there are no wrong answers. Subsequent volumes in the series will include similar explorations on analog modular synthesizer, harmonica, sitar, computer, voice and electric guitar." - Fabrica.

Artist: FIRST, DAVID
Title: Same Animal, Different Cages Vol. 2: Solomonos for Analog Synthesizer
Format: LP
Label: Fabrica
Country: USA
Price: $22.00
"On this second installment in the Same Animal, Different Cages series of tonal investigations, David First dons his no-madder-than-you scientists lab coat and proceeds to fire up and overheat his newest subject, a Korg MS-20. The resulting six tracks are characterized by rapid-fire analog oscillations, relentlessly and exuberantly pitched up and down to suit their performers curiosity. Solomonos for Analog Synthesizer is synth-based experimental music rooted in actual experimentation. Once again, First delivers two sides of vinyl that are equally hypnotic, intriguing and challenging." - Fabrica.

Artist: FIRST, DAVID
Title: The AM Radio Band
Format: Cass
Label: Robert & Leopold
Country: USA
Price: $6.00
"David Firsts complex career in music started in the academic circles of Princeton in the mid-70s (documented in his recent LP “Electronic Works 76-77 on Dais Records) but quickly jumped ship to the underground punk scenes of the late 70s to create the avant art-punk trio, The Notekillers. Once the 80s hit, First moved his operations to NYC and joined in as an ambient composer amongst the downtown art scenes of the time. His droneworks and conceptual installations have been recognized worldwide on labels as OO Discs and Phil Niblocks XI Records. Most Recently, David has been active collaborating with a variety of guest artists such as Kid Millions (Oneida) and Bernard Gann (Liturgy) as well as his well-respected ensemble, The Western Enisphere. The past year has seen First taking a step back to revisit his solo experimental works - including his breakthrough compositions using vintage signal generators and oscillators dating as far back as the 1950s, to create virtual improvisational symphonies within the air and then broadcast through a variety of transistor radios, each independently taking part in Davids placement of sound with his new medium, frequency bandwidth." - Robert & Leopold.
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Artist: FIRSTPERSON
Title: Issue 3: Realness
Format: Mag
Label: Firstperson
Country: USA
Price: $10.00
"FirstPerson Magazine is a contemporary culture magazine at the intersections of art, music, and style. The publication originated to provide access to the art world in a deeper way. We collaborate with our contributors to share their insights and projects in relevant forms. We mix the content like a symposium with endless possibilities from resources in various fields of media. Contributions: Billygoat, Crocodiles, DailyServing, Limi Feu, Sublime Frequencies / Omar Souleyman, Gemini Editons, Karl Haendel, William Kentridge, Sandy Kim, Magnolia Tapestries, Hitoshi Matsumoto, Agnes Montgomery, New High (M)art, Katja Rahlwes, Steven Shearer, Zoe Strauss, Wolfgang Tillmans." The Sublime Frequencies tour diary is by Alan Bishop and Mark Gergis. It has been described by the authors as "a 12-page indictment on humanity, the West, ethics, post-exoticism and, oh, a travel diary." 77 pages. - First Person.

Artist: FISH & SHEEP
Title: Double Banana
Format: LP
Label: Ruby Red
Country: Portugal
Price: $20.00
"Amazing off shoot of Portugal outsider freaks Loosers . Scrabbling guitars and drums making waste of any concept of presentable fidelity. A sweet sick and captivating motion not too unlike Lambsbread minus the holy smoke."- Byron Coley & Thurston Moore; Bull Tongue.
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Artist: FISH FROM TAHITI
Title: Decal Baby
Format: LP
Label: Harbinger Sound
Country: UK
Price: $23.00
“Decal Baby is a compilation featuring a selection of cuts from Leicesters Fish From Tahiti. The songs were recorded at the start of the 2000s and originally released on numerous 7"s by FFTs Dave Dixey on his own Sorted Records label. This set also contains a number of unreleased tracks recorded during the same period, including the unreleased fifth single. All the tracks feature FFTs trademark lo-fi sound of crazed loops and snatched samples all thrown together to create a drunken hypnotic haze. At times it is almost dubish, at others it ventures deeper into abstract experimental areas. Given Dave Dixeys career starting out in the late-70s with Fuck Off Records artists Anthrax For The People, running the legendary Alternative Capitalists cassette label and decades of promoting weirdness in Leicester,Decal Baby is a worthy salute to a forgotten group and your chance to catch up. Housed in a full color sleeve designed by the original Sorted Records graphics man -- Steve Lippert -- using images from the groups archives. Lippert has also designed covers for Vinyl-on-Demand, Harbinger Sound and Black Sabbath! An edition of 500 copies.” - Harbinger Sound.

Artist: FISHER, MORGAN
Title: Three Faces
Format: 7"
Label: Klang Galerie
Country: Switzerland
Price: $18.00
"Ex member of the legendary Mott The Hoople and 80«s avantgarde pioneer Morgan Fisher (Hybrid Kids) delivers three totally different tracks on this exclusive 7" - ambient, folky, eastern and western - it«s all there. A bit like late Roedelius but less sweet. Ltd. ed. 100 copies." - Klang Galerie. All copies signed by Fisher.
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Artist: FITZ-GERALD & LOL COXHILL, G.F.
Title: The Poppy Seed Affair
Format: Double CD/DVD
Label: Reel Recordings
Country: Canada
Price: $31.00
"Electric guitar radical G.F. Fitz-Gerald and soprano saxophone subversive Lol Coxhill; dual masters of spontaneous art and intuitive music, unleash The Poppy Seed Affair, a three disc collection for your edification and confoundment. The Poppy Seed Affair film was produced in 1981 by Londons anarch-oholic troupe, The Matchbox Purveyors; Ian Hinchcliffe, Jeff Nuttall, Mark Long, G.F. Fitz-Gerald, Lol Coxhill & Foxy. Inimitable soundtrack by Lol Coxhill, sometimes in trio with drummer Robert Wyatt and bassist Archie Leggett. Now rescued from utter obscurity to DVD (NTSC all-region; run time: 30 minutes), this comedic tour-de-farce juggles the insane and the inane with a twist of the profane. Complementing this complete experience are two extraordinary compact discs mastered directly from true-to-life tape recordings out of the G.F. Fitz-Gerald archive. CD1 is an intimate, close-mic concert recording of Fitz-Gerald & Coxhill at Newcastles Spectro Arts Workshop, 1981. Here, the duos mercurial genius for spatial sonics is fully displayed. CD2 collects several works for tape, beginning with "Listen Collage," which reconstructs, à la Faust Tapes, random room sounds of bizarre hippie domesticity, bedroom radios, tape recorders and ambient street sounds from Londons Ladbrooke Grove during the spring of 1969. Unmistakably, this is a prodigious 20-minute audio adventure unique to its epoch. Following "Listen Collage" are two extended works for prepared guitars and sundry effects, leading to the sampled tape loop trip "Band In My Head." And lastly, a tape collage for The Matchbox Purveyors stage show, The Team. This entire disc transforms the magic of the creative moment into deeply experiential realms for our minds-eye. Furthermore, in refusing to impose any impure digital processing whatsoever, these analog recordings remain en vérité. Few guitarists have so audaciously scaled the sonic heights G.F. Fitz-Gerald has, no other saxophonist sounds as Lol Coxhill does, and Reel Recordings proudly presents a profusion of their unadulterated artistry throughout this rare archival collection. The Poppy Seed Affair is delivered as a numbered limited edition of 500 copies." - Reel Recordings.

Artist: FITZ-GERALD, G.F.
Title: Mouseproof
Format: CD
Label: Sunbeam
Country: UK
Price: $16.00
"One of the most unconventional albums ever recorded, this avant-garde psychedelic suite contains elements of folk, jazz, rock and electronica, but has a sound and atmosphere all of its own. Recorded in 1970, but barely released (despite the enthusiastic support of John Peel), original copies now sell for astronomical sums. Guest performers include Judy Dyble (Fairport Convention), Rik Kenton (Roxy Music) and Geoff Leigh (Gong, Kevin Ayers, Henry Cow). This is its long-awaited debut on CD, and comes complete with comprehensive liner notes and rare photographs." - Sunbeam.

Artist: FITZGERALD, PATRIK
Title: Safety Pin Stuck in My Heart
Format: Double LP
Label: Munster
Country: Spain
Price: $27.00
"RSD Black Friday release. Patrik Fitzgerald was one of the oddities that punk rock threw up in 1977. A lone singer with an acoustic guitar, regaling punk audiences with lyrical songs and interspersing them with chats, stories and poems. Is this what people died in the Punk Wars for? The answer is an emphatic yes. Theres no better example of the punk DIY attitude than the lone, slight figure of Patrik Fitzgerald making it happen and expressing himself on stage, singing songs of alienation, observation and imagined situations and often braving hostile receptions to communicate with an audience. While bands had the safety net of each other and the bombast of volume and wattage, he stood alone. Patrik had realism, pathos and incisive, sometimes uncomfortable, lyrics. Those early songs like "Safety Pin in My Heart" and "All Sewn Up" have amazingly stood the test of time and sound as relevant today as then. Patrik Fitzgerald was the "Punk Poet." He is the great forgotten songwriter from the Class of 77. Patrik Fitzgerald never became a household name or punk icon like Rotten, Strummer or Weller, but to his loyal followers he is just as important and as inspirational. Same goes for Mark Perry, Vic Godard and Robert Lloyd. Like them, he is one of punks idiosyncratic, singular voices: artistically successful, but too uncompromising for mainstream and commercial rewards. Fitzgeralds sincere attitude and eccentric appearance -- commonly, a badge-cluttered blazer, red drainpipe trousers and sandals -- set him squarely apart from his new wave brethren. He was always called a poet rather than a singer, as it was all about the words. Words full of tragedy, comedy, cynicism, realism, bitterness, pathos and just occasionally, hope. Tagged the "new Dylan" in 77, he was maybe more the new Leonard Cohen with a touch of social realism, although Bowie was his hero. "The recordings remain true to me, even when I dont. This is what they are; the voice of a small, insecure, somewhat lost person, living in a small, insecure, somewhat lost country." - Munster.

Artist: FIVE OR SIX
Title: Acting On Impulse
Format: CD
Label: Cherry Red
Country: UK
Price: $18.00
"A timely retrospective of one of the less heralded groups of the classic Cherry Red era of the early eighties but one in whom interest is growing. Musically akin to such contemporaries as Wire and This Heat, Five or Six had the distinction of providing the opening track (Portrait) to Cherry Red¹s historic Pillows and Prayers compilation and this little masterpiece is duly featured on this Best Of collection. Also featured are such stellar singles as Another Reason (produced by the late and very legendary Kevin Coyne) and Polar Exposure and also the outstanding cuts from their impossibly rare and greatly sought after Spanish import album, Play Me That Song That Goes Yeah, Yeah, Yeah. After the group disbanded, its members went on to a multifarious range of artistic occupations, such as members of Spring Heel Jack, the Shock Headed Peters, at Factory Records and 4AD Records and in the drama department of the BBC." - Cherry Red

Artist: FIVE OR SIX
Title: Cántame Esa Canción Que Dice, Yeah, Yeah, Yeah
Format: LP
Label: Vinilisssimo
Country: Spain
Price: $26.00
"RSD 2015 release. Originally released only in Spain in 1982 on the Edigsa label after a string of superb early records on Cherry Red, its limited availability elsewhere has made this LP a highly sought-after item for years. Vinilísssimo presents the first ever reissue of Cántame Esa Canción Que Dice, Yeah, Yeah, Yeah by Five or Six, one of the less heralded acts of the classic Cherry Red era. The LP contains a few cuts from their fantastic early singles and EPs, but Five or Six used this opportunity to offer mostly tracks unavailable elsewhere, all displaying the diverse and immense talent of a band that should be more well known. With echoes of Wire, This Heat, and Joy Division, this is one of the rarest and most outstanding records to come out of British post-punk." - Vinilisssimo.

Artist: FIVE STARCLE MEN
Title: s/t
Format: LP
Label: Bobby J
Country: USA
Price: $15.00
"These guys are idiots. Why did they make this? Why? Why? Why? High in the fuckwad pantheon stands this collection of brain drainers. Just say "Oscar Jenkins" 50,000 times at variable speeds. This record proves the whole universe fits on the tip of a needle and is injected regularly. R.I.P. Glen Hobbs, long live Pizza Hut families." - Dusted.

Artist: FIVE TIMES OF DUST
Title: Smile with the Eyes
Format: Double LP
Label: Minimal Wave
Country: USA
Price: $35.00
"A double LP of selections of unreleased material from the prolific outsider/underground duo Five Times of Dust. Formed in 1980 in Bristol, the duo of Mark Phillips (MAP) and Robert Lawrence came together with a shared passion for krautrock, industrial electronics, and the burgeoning DIY tape scene as well as being influence by the Dadaist movement and the works of Burroughs and Ballard. Unconventional and quirky, yet at times melancholic and romantic their music was a perfect escape from the urban decay of early 80s Bristol and Cardiff, the two cities they travelled between at weekends to record. Although unashamedly electronic, the sound of Five Time of Dust is far harder to pin down, in part perhaps due to their location. Both Phillips and Lawrence produced music that owed little to any scene happening in London, Manchester or Sheffield at the time. As a result, the majority of their output sounds like perfectly formed electronic curiosities. The material on Smile with the Eyes spans recordings Lawrence and Phillips made between 1982-1986. As a follow up to The Dadacomputer, their debut cassette release as a duo which we reissued earlier this year, Smile with the Eyes remains lo-fi but is musically more complex. The recordings are catchy, curious and emotionally rich. Whereas The Dadacomputer could be compared with the early output of Robert Rental, Smile with the Eyes is a collection of works that stands all on its own. Smile with the Eyes is a double LP pressed on 180 gram black vinyl and housed in a heavyweight gatefold sleeve. Limited edition to 500 numbered copies." -Minimal Wave.
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Artist: FLAHERTY, PAUL & BILL NACE
Title: An Airless Field
Format: LP
Label: Ecstatic Peace
Country: USA
Price: $17.00
"Paul Flaherty remains one of North Americas most breath-taking free-sax wonders. With white flowing beard and twinkled eye he can either blow solo, levitating all real estate to a higher key of thought, or collaborate with anyone lucky enough to travel his spaceway of experience. Radical guitarist Bill Nace has been connecting with Flaherty for a number of years now. Nace is the secret weapon of the New England underground free scene and has been charming basement dwellers searching for portals to new noise dimensions with his prepared guitar administration in accordance with both Chris Corsano in the legendary Vampire Belt and with Thurston Moore in the magic wildstyle of Northampton Wools. Here, in duo with the master Flaherty, he drops and sails and the two men create journeys both frightening and enlightening. A strange and beautiful session." -Ecstatic Peace.

Artist: FLAHERTY, PAUL & CHRIS CORSANO
Title: Last Eyes
Format: LP
Label: Records
Country: USA
Price: $15.00
"Saxophonist Paul Flaherty and drummer Chris Corsano are New  England-based musicians dedicated to the promise and purpose of free improvisation. Paul has released over 20 recordings since the late 70s, while Chris first appeared on record in 1997. For the past 5 years, the two have operated together in duo format as well as in collaborations with some of the finest freedom thinkers around such as Nmperigns Greg Kelly, Thurston Moore and Jim ORourke of Sonic Youth, Tony Conrad, Matt Heyner of Test and the No Neck Blues Band, Daniel Carter, Christina Carter and Heather Murray of Charalambides/Scorces, Wally Shoup, and Steve Swell. Together, Flaherty & Corsano seek to champion the cause of total free improvisation, an often misunderstood, underestimated, and sometimes even hated artform." - Records.
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Artist: FLAHERTY, PAUL & CHRIS CORSANO
Title: Low Cost Space Flights
Format: LP
Label: Feeding Tube
Country: USA
Price: $18.00
"It has been eight long years since weve had a new duo album by Paul Flaherty and Chris Corsano. The two have played together in other configurations, but we all know there has always been something special and telepathic about their duo collaborations. From the moment they began playing together late in the last century, Paul and Chris communicated in weird, deep ways. And so it is here. Low Cost Space Flights was recorded in June 2013, at Eric Gagnes Thing in the Spring Festival in Peterborough, New Hampshire. And the duo wails through the three tracks. The room in which the performance happened has a nice natural echo, giving a sprongy edge to Flahertys lateral sax runs, while Corsanos feverish percussion dives straight through every hoopsnake Paul rolls in his direction. No surprise. Chris is among the nimblest, most authoritatively athletic drummers to have graced the circles of fire music hell. And Flaherty remains, to my mind, a continuously under-rated player, largely because hes so rooted to his physical place in the universe that is New England. His style slips seamlessly from freak register space-squeedling to bar-walk honkery to a sort of chess players motion-logic. Most of this set veers towards Pauls harder-blowing end of the spectrum and we say Halle-fuckin-lujah! Leave the ballads to the bow ties, for now. Low Cost Space Flights reunites two great goddamn forces of the New England improv scene, and displays their playing at its hermetic, alloyed best. Beautiful Simon Bosse cover art. Great songs titles -- The Dog Paintings of George W. Bush, etc. Whats not to love? Besides lobsters, of course." --Byron Coley; Includes digital download code. Edition of 300.

Artist: FLAHERTY, PAUL & CHRIS CORSANO
Title: The Beloved Music
Format: CD
Label: Family Vineyard
Country: USA
Price: $14.50
"The most thoroughly realized blueprint for a post-hardcore take on improvised jazz to date from the duo of legendarily long-serving New England saxophonist Paul Flaherty and young firebrand drummer Chris Corsano. Forsaking the call and response modes of countless improvising ensembles, the duo deal more in a simultaneity of sound, an elemental non-stop gush of ideas, rhythms and epiglottal forms that at points feels like a small-group response to the orchestral conceptions of the Peter Brotzmann and John Coltrane big-bands as much as epochal duo deals like the Rashied Ali/Frank Lowe and Muhammad Ali/Frank Wright sides."  - Family Vineyard.
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Artist: FLAHERTY, PAUL & WEASEL WALTER
Title: Particles
Format: LP
Label: 8mm
Country: Italy
Price: $30.00
"Imagine the moment before the origin of the Universe, when nothing yet existed. According to the standard theory, our universe sprang into existence as singularity, a zone of infinite density, which is also what is thought to exist at the core of the black hole. The result of its expansion is what we call the Universe and it is also what this album is all about. The gate was opened one night in May, in a basement of Northampton, Ma. by Paul Flaherty on saxophone and Weasel Walter on drums and percussions. Particles sounded to me exactly like the Big Bang of music. An origin, a passage of energy that you can feel, not only listen. There is a shiverig tension throughout the whole album, as if everything was ready to collapse from one moment to another. Of course there is no real explosion, but a sense of constant vibration that has his apex on the final cut, with Flaherty and Walter joined by the incredible voice of Laila Maria Salins. Then, silence and back into the darkness. As someone said that night: Music is the key. We couldnt agree more. 140 grams vynil, first press of 157 numbered copies. Silkscreened." -8mm
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Artist: FLAHERTY, PAUL/CHRIS CORSANO
Title: Steel Sleet
Format: LP
Label: Tyyfus
Country: Belgium
Price: $18.00
"Flaherty - Tenor Sax / Corsano - Drums. Recorded jan. 11, 2004 at WMBR in Cambridge, MA. Vinyl-only, 600 copies."
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Artist: FLAHERTY/BILL NACE, PAUL
Title: No, The Sun
Format: LP
Label: Open Mouth
Country: USA
Price: $19.00
"Edition of 250. Typically, the release show for this LP was busted. Some young pud officers falsely claimed theyd had a noise complaint and shut the thing down, shining lights deep into the ocular orifices of both Flaherty and Nace to make sure their souls were not harboring weapons of mass destruction or something. Such reaction remains sadly typical of the thought crimes perpetrated against those who would think in free-flowing curves during this new Fascist Century. William Bill Nace and Paul Pops Flaherty are two of the finest side-sliding brain wranglers in the greater New England area. Flahertys saxwork has been well known for decades, and is personally responsible for hitching many young mules to the free jazz wagon train. Naces guitar stylings are a more recent development, but they have hewed to such an idiosyncratic path that their constantly renewing techniques feel as timeless as butter. Not sure exactly how these guys fell into the same boat. Presumably Chris Tigercat Corsano was involved. He had, afterall, maintained a long-running eponymous duo with Flaherty as well as one called Vampire Belt with Nace. So that may have been the key. Perhaps the twod get together to jam along with the TV set when Corsano and Bjork would appear on some laye night program. Maybe thats how it started. But whatever the case, the combination of Flahertys long wiggling shrieks and Naces amp-rasped string-explosions is a lovely totter into the abstract eye of a very hot furnace. There is tons of high-aktion skronk on this LP without any kind of apologizing about lack of formal content or linear development (both codewords for bullshit). This mother just GOES. And its sure to appeal to anyone who also likes going. Especially if they hate fucking cops. (Note: the cover art by Rick Fang Myers shows two Bobbies being melted by UFO lasers.) Or even if they just hate Rudy Giuliani, which, presumably we all do. Imagine this as a very loud bullet slowly pushing its way through Rudys skull and just wallow in the pleasure of it all. Yum!" -Byron Coley
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Artist: FLAHERTY/CORSANO/SHOUP
Title: Bounced Check
Format: LP
Label: Records
Country: US
Price: $14.00
"Wally Shoup, Chris Corsano, and Paul Flaherty make up this Screamin free punk-jazz-liquid-solid-noize trio captured LIVE "in your face"-style in Seattle, WA. Totally improvised double sax and drum explopsions that break down into duos and solos and re-ignite as trio howlin paint splattered maddness gone butt-naked wilder. Recorded at an art gallery with Artwork melting off the walls and frightened fans nervously mopping their furrowed blood-stained brows (they were especially afraid one or both of the sax players would expire...... it did feel like attempted sax suicide), this limited LP, which will be the final volume in the RECORDS label plan, represents one half of the concert that emerged on that unsuspecting evening. The other half is being released at the same time (relatively) on the Tyfus label in Finland as BLANK CHECK. Thus creating another pair of sister releases much like the LAST EYES (RECORDS #8) & STEEL SLEET (TYFUS) LP pair released in 2005. The CHECK pair will serve as the document of the only event this trio has played to date, and it presents another blistering historical document of an underground movement that continues to go un-recognized and even un-noticed in most of the so-called civilized baby starvin world. Free music... hard to believe it can still piss people off just by rearing its ugly head... but someones gotta stand up and throw the metaphysical psycho love bombs... thankfully we still have volunteers like these notorious three to kick around the turntable. Sure to sell out within 10 years or my name isnt Bon Jovi." - Records.

Artist: FLAHERTY/CORSANO/YEH
Title: Snow Blind Avalanche
Format: LP
Label: Important
Country: USA
Price: $13.50
"Snow Blind Avalanche is a completely different album than A Rock In The Snow also being released on Important though the two records were made during the same sessions. Snow Blind Avalanche finds the Flaherty/Corsano/Yeh in more abstract free dimensions with Yehs presence in the sound even more firmly established. Recorded as the snow fell. No overdubs. Live in studio. Free-noise-punk-jazz with bent-sick-burning vocals. Amen. - Paul Flaherty. 

Artist: FLAHERTY/CORSANO/YEH AND OREN AMBARCHI/MATT SKITZ SANDERS
Title: Split
Format: 7"
Label: Krayon
Country: UK
Price: $7.00
2010 release. "On the Flaherty/Corsano/Yeh side, oceans of drum kit fire bawling and fluttering string overtones fuse a complex web of ear asterism, infiltrated by a woozy sax line that soon reduces in duration and increases the overall vehemence with fragmented reed chewing rasp and roar joining a myriad of coordinates in this dense labyrinth of free magic. On the flip stunningly crafted harmonic percolations of feedback glare and riff particles slam into tantric drum force blast beats by Matt Skitz Sanders, on this unexpected monolith from Oren. Art by Paul Coors." - Krayon.

Artist: FLAHERTY/SAM GAS CAN/WHITE LIMO, PAUL
Title: Mystery Triangle
Format: LP
Label: Feeding Tube
Country: USA
Price: $15.00
"New music from Paul Flaherty, with Sam Gas Can and White Limo. Pressing of 500 copies, cover art by Joshua Burkett. Like all of the greatest live "festival" records -- Woodstock II (Cotillion 71), Mar y Sol (Atco 72) & 1968 Memphis Country Blues Festival (Blue Horizon 69) -- Mystery Triangle is an especially exceptional souvenir for those people who were there when it happened. But unlike dud compilations, Mystery Triangle provides a truly fine sonic gush for even those of us who were too confused (or scared) to "make" the actual "scene." In November 2011, a goddamn magnificent display of talent went down at Joshua Burketts Mystery Train store in Amherst, MA. And thankfully, Edward "Ted" Lee, the whirling dervish of Feeding Tube, was there to capture the sounds on tape. First up is Paul Flaherty -- the godfather of all that is good and weird in New England. Paul has been woefully under-documented in solo performance. His maniacal sax work is well represented in duo and group settings, but he has always been a bit shy about pure solo work-outs, and he shouldnt be. The beauty of his turn here is stunning. Relying less on the freak-gush that marks his ensemble work, Flaherty creates a pure, blazing line of melodic invention that is a testament to both the power of his lungs and the creativity of his process. Stoned and flowing, his side rips gently into the air with a series of compositional statements that are gorgeous, fully-imagined and a testament to the brilliance of no-net-improvising. Without other players gumming up his works, Paul moves through moods and thoughts with ferocious surety, creating one of the finest recordings in his catalog. Truly a wowser of a set. Sam Gas Can sometimes relies on conceptual theories for his sets, but here is an engine of pure glossalic genius. Working in the tradition of the great sound-poets, Sam offers a bravura performance that stretches itself deep into the Schwitters zone, conjuring up subconscious connections to memories locked far beneath our surfaces. As the great Dredd Foole noted after the set, "No one uses their voice any more." An amazing thing. Finally, White Limo (Chris Cooper, Jess Goddard and Joshua Vrysen), hit the road with a set of cracked electronics halfway between serious aleatory ensembles like Gruppo di Improvvisazione Nuova Consonanza and proletarian ass-crack noisers such as Id M Theft Able. Although they dont seem to play often, this trio (with deep roots throughout of the odd-noise underground) has cracked the code that has daunted many other combos with similar intent, making sounds that manage to be both deeply resonant and weirdly engaging. Totally boss. This is a fully satisfying festival record. Every performer, every note feels essential. One of the best. No shit. Includes mp3 download." -Feeding Tube.

Artist: FLAK MASK
Title: Comb Over And Over Again
Format: 7"
Label: Trd w/d
Country: USA
Price: $4.50
"Reminiscant of the soundtrack to Jodorowskis "Fondo y Lis," this slab of plastic/walpaper/ screenprint/Gumbo will keep your mindwarping as you tap your foot just ever so slightly slightly to the scraping analog tones. 300 pressed." - Trd w/d. "The sounds emitted from the grooves in the vinyl are tippy-top too, a nice balance of exemplary knob n petal extrapolations akin to those found throughout the cream of the Finnish underground crossed w/the narcoleptic, atmospheric langour-froth emitted by someve Brooklyns bossest suitcase rockers." - Siltblog.

Artist: FLAK MASK
Title: Exploring The Magnetic Poles
Format: Cass
Label: Trd w/d
Country: USA
Price: $4.50
"Cut and paste bedroom gabber slowed to a near halt, but still creaping belly down low just fast enough to keep the towering piles of electronic garbage from falling to the floor and crushing whoever happens to be passed out in the piles of mouse shit. 100 copies." - Trd w/d.
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Artist: FLAK MASK
Title: These Landscape Enhancements
Format: LP
Label: Trd w/d
Country: USA
Price: $10.00
"Very most recent attempt to clarify what is right in front of us thru a medium signal known as the wax blob, luckily there are some unseen scientists at the helm, there being many hurdles." - Trd w/d. "..knob n petal extrapolations akin to those found throughout the cream of the Finnish underground crossed w/the narcoleptic, atmospheric langour-froth emitted by someve Brooklyns bossest suitcase rockers." - Siltblog (Re; previous 7" release). Excellent multi-colored silkscreened jackets. Recorded in New Orleans, Spring 2007.

Artist: FLAMEN DIALIS
Title: Symptome-Dei
Format: LP
Label: Papaaver
Country: Belgium
Price: $28.00
"First ever vinyl reissue of this legendary French masterpiece named after the high priest of Jupiter. Not surprising theres an often ritualistic quality to the music, with endless repetitive synth melodies, solemn wordless chanting and brooding layers of mellotron spacing out in an overall eerie occult atmosphere. The lysergic vision of Flamen Dialis recalls like-minded French outcasts as Archa�a, Spacecraft, Verto etc. A truly unique album which was first rescued from obscurity by Mio Records, who reissued the album on cd back in the day, but this has also been long out of print. Mastered from a pristine LP copy as the original masters got lost in the mists of time. Includes pro-printed insert detailing the bands history. Limited to 500 copies on 180gr vinyl." - Papaaver.
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Artist: FLAMING DRAGONS OF MIDDLE EARTH
Title: All Roads Lead to Dome
Format: LP
Label: Mabel Flav
Country: USA
Price: $12.00
"Flaming Dragons of Middle Earth (FDOME) is a band of misfit children and adults who have been holding weekly “practices” for the last eight years at a teen center in the mildly dilapidated town of Turners Falls, Massachusetts. I feel like Volcanic Tongues David Keenan has described the band better than I could so Im going to let him talk for a minute. This is from the Tip of the Tongue write-up for FDOMEs debut LP:
"Led by wheelchair-bound band shaman Danny Cruz and consisting of a rotating group of non-musicians, psychedelic drop-outs, teenage metalheads, kids with Down Syndrome etc, Flaming Dragons play a form of super crude/sophisticated free rock ala The Godz or even a punk-primitive Arkestra but with Cruzs stunning, oracular vocals giving them a mainline to the freak flag style of prime Captain Beefheart, Roky Erickson and Wasa Wasa-era Broughton. Cruzs instant lyric inventions are as mind-boggling as your favourite medium while the group lurch around on staggering brokedown rhythms somewhere between early-Sabbath, Robbie Yeats of The Dead C and The Shaggs. Their material ranges from stripped-down raps to lumbering psychedelic rock, as well as free-form freakouts w/lyrics that obsess over murder, bloodshed, astral creeps and, uh, Joni Mitchell... indeed Cruz makes most sound poets sound like childrens entertainers."
Ive worked closely with Danny and his crew for the last six years, so you can trust me when I say that this new FDOME disc is hands down the best thing the group has recorded and one of the most unusual, yet enjoyable, records Ive had the pleasure of holding in my hands. You can listen to a few songs from the album here.
Some of the bands previous releases have been on Feeding Tube Records, but now Danny is in complete control of his music with the aide of his personal care assistants/bandmates. Take a walk on the wild side, youll be glad you did.�- One Kind Favor. Edition of 300 w/ paste-on covers.
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Artist: FLAMING DRAGONS OF MIDDLE EARTH
Title: Electric Scaryland
Format: Cass + Art
Label: Beniffer Editions
Country: Canada
Price: $9.00
"FDOME frontman and songwriter Danny Cruz picked me up like a construction worker in a Diet Coke commercial. Ill admit it. Our first letter of correspondance was a sinister burn in hell type rant about how Beniffer Editions was going to be swallowed by the earth itself. He was immediately asked for an official release. Electric Scaryland is a group excersive in outsider antics, dis tracks and grunge poetry. Funky Society 1 & 2 are raps that uhhhh spit a few cursive lines towards Sharon Tate, Joni Mitchell and Mother Superior. Youre not buying a MC Trachiotomy tape. Youre buying Rock & Roll music with a deep Sabbath influence. Yes, thats Danny and Ozzy on the back cover with a couch in the background." -Bennifer Editions.

Artist: FLAMING DRAGONS OF MIDDLE EARTH
Title: Freedom
Format: CD
Label: OSR
Country: USA
Price: $6.00
"led by Danny Cruz since at least 2007 , Flaming Dragons of Middle Earth is an institution in the Greenfield / Turners Falls paradise division of Western Mass ... "Freedome" is the latest spectacular from the always enlightening & generous Mind of Cruz & weighs in on misogyny , cannabis , fascist oppression & meditation among other themes . I personally played in FDOME roughly 2008-10 but this is a group no one leaves . hit the group up if youre in the area & live FDOMEs experiential magick firsthand . next song !" - OSR.

Artist: FLAMING DRAGONS OF MIDDLE EARTH
Title: The Seed of Contempt
Format: LP
Label: Feeding Tube
Country: USA
Price: $15.00
"The opportunity to uncover such a talent might only come once in a lifetime. Danny Cruz is a wheelchair-bound adolescent whos apocalyptic lyrics and musical vision are at once life-affirming and evil-obsessed. Taking a page from his heroes, Black Sabbath, Roky Erickson and Sun Ra, Danny and his crew stir a "cauldron of words and sound" on their seemingly endless pursuit towards world domination and total artistic freedom. Culled from over three years of practice tapes and home recordings, "The Seed of Contempt" is a total outsider oddity; falling somewhere inbetween heaven and hell. "Reality-Core" "Mud Lightning Metal". - Feeding Tube.
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Artist: FLASHBACK
Title: #1 Spring 2012
Format: Mag
Label: Flashback
Country: UK
Price: $10.00
"Flashback is a new full-color quarterly music magazine, covering 60s and 70s music in detail. The first issue is scheduled for April 2012. Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the worlds leading music authorities, including Richie Unterberger, Patrick Lundborg and Aaron Milenski. A4 in size (with a gloss cover), 208 pages long and full-color throughout, its packed with extensive new research, exclusive interviews and rare photos. The first issue includes: Mad River: the full story behind San Franciscos great lost acid rock band, by David Biasotti; David Axelrod: the great man talks us through his classic albums, one by one; Linda Hoyle & Affinity: an in-depth interview with the legendary vocalist, by Richard Morton Jack; "The 100 Most Under-Rated Guitarists Of The 60s & 70s" chosen by critics and the guitarists themselves; Fanny: a reappraisal of the pioneering female rock band, by Aaron Milenski. Montage: the Left Banke-related mystery is finally cleared up, by Richie Unterberger and 1950s Proto-Psychedelia: the origins of psych in 1950s exotica, electronic and avant music, explored by Patrick Lundborg, plus detailed reviews of CDs, LPs, DVDs & books, from household names (George Harrison, The Kinks and The Beach Boys) to cult heroes (Phil Ochs, Mellow Candle and Handgjort)." -Flashback.
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Artist: FLASHBACK
Title: #2
Format: Mag
Label: Flashback
Country: UK
Price: $17.00
"Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of theGalactic Ramble and Endless Trip books), it features writing from some of the worlds leading music authorities, including Richie Unterberger, David Wells, Patrick Lundborg, andAaron Milenski. A4 in size (with a gloss cover), 212 pages long, and full-color throughout, its packed with extensive new research, exclusive interviews and rare photos. Contents include:Tomorrow - Richard Morton Jack on Britains great lost psychedelic band, with all new interviews (including Steve Howe) and previously-unseen images. Morgen - at long last, the full story of everyones favorite hard psych album. 13th Floor Elevators - guitarist Stacy Sutherlands last interview. "Early Hard Rock" - Flashback nominates 100 of the best albums in the genre. "Yesterdays Papers" - a study of how vintage pop publications are preserved, and a guide to the best music mags of the 60s and 70s. Hullabaloo - an interview with Gerry Rothberg, editor of the legendary 60s pop mag. Ray Russell - the legendary guitarist talks us through his early albums in depth. Judy Dyble - a detailed interview with theFairport/Trader Horne singer. Dragonfly - the full story behind the legendary heavy psych band. Reviews - in-depth coverage of the latest CDs, LPs, and books." - Flashback.
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Artist: FLASHBACK
Title: #3
Format: Mag
Label: Flashback
Country: UK
Price: $17.00
"Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the worlds leading music authorities, including Richie Unterberger, Patrick Lundborg, and Aaron Milenski. A4 in size (with a gloss cover), 212 pages long, and full color throughout, its packed with new research, exclusive interviews and rare photos. Contents include Mighty Baby - Richard Morton Jack tells the remarkable tale of how Britains sharpest mods went psychedelic before embracing Islam, making two classic albums in the process. Includes extensive interviews and many rare and previously-unseen images. Syd Barrett - and the making of The Madcap Laughs. Tripsichord Music Box - at last, the tale is told of this mysterious SF psych band -- includes a rare interview with manager Matthew Katz. The Common People - the full story of this enigmatic Californian quintet, responsible for one of the late-60s best-loved cult LPs. "Singer-songwriters" - Flashback nominates 50 of the best-neglected albums in this crowded genre. Top Pops & Music Now - the intriguing history of Britains most obscure music weekly. Sandy Roberton - the famed folk-rock producer talks us through many of his productions. "Rock Memoirs" - Richie Unterberger investigates the rock memoir boom, and wonders how it might affect lesser-known artists. "MONO vs. STEREO" - Patrick Lundborg offers a fresh perspective on the debate that has divided audiophiles since the dawn of hi-fi. Reviews - in-depth coverage of the latest CDs, LPs, and books." - Flashback.

Artist: FLASHBACK
Title: #5
Format: Mag
Label: Flashback
Country: UK
Price: $22.00
"Issue #5 of Flashback, Summer 2014. Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the worlds leading pop music authorities. A4 size (with a gloss cover), 212 pages long, and full-color throughout, its packed with new research, exclusive interviews and rare photos. BLOSSOM TOES - This late 60s London quartet made two classic albums, gigged prolifically (including several fabled festivals), and even ventured behind the Iron Curtain. Richard Morton Jack gets their story straight, with the help of many rare and previously-unseen images. JUKEBOX - Luke Haines on twelve tracks that have inspired him. ALBUM BY ALBUM - Pioneering UK independent producer Vic Keary talks us through many of his productions, from pop and jazz to folk and prog. WORLD COUNTDOWN - At long last, the story behind Americas great lost underground paper and its enigmatic English proprietor, Charles Royal. ARCADIUM - An exclusive on the mysterious British prog/psych rockers, by Austin Matthews. OLAV WYPER - A rare audience with the man behind the Vertigo label -- and much more besides. FIRST PERSON - Fairport Conventions close friend Kingsley Abbott describes their early days. WALLY RICHARDSON - The fullest ever interview with the renowned session guitarist, by Scott D. Wilkinson. ROOM - The cautionary tale of the quintet behind the British prog classic Pre-Flight. CULPEPERS ORCHARD - The celebrated Anglo-Danish folk-rockers, by Claus Rasmussen. INTRODUCING ESOTERICA - Patrick Lundborg explains the concept of "esoteric appreciation." EUROPEAN ROCK - Fifty classic albums no collection should be without. ROBERT PLANT - A rare and revealing 1970 interview with the Led Zeppelin frontman. CRYING TO BE HEARD - The great lost Honeybus album, Recital. REVIEWS - Thorough coverage of recent CDs, LPs and books, taking in household names (The Beatles, The Rolling Stones, Led Zeppelin), cult heroes (Badfinger, Davy Graham, The Zombies) and ultra-obscurities (Mormos, Staff Carpenborg and Thors Hammer), with exclusive Q&As about certain items under review."

Artist: FLASHBACK
Title: #6 - Winter 2014
Format: Mag
Label: Flashback
Country: UK
Price: $22.00
“Edited byRichard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble andEndless Trip books), it features writing from some of the worlds leading pop music authorities. In this issue: Sam Gopal: The full story of the British underground enigma. Despite recording frustratingly little, this groundbreaking Malaysian tabla virtuoso had a powerful impact on Londons late 60s underground rock scene. Richard Morton Jack tells his remarkable tale in full for the first time. Jukebox:Cathedrals Lee Dorrian on 12 tracks that have inspired him. Album By Album: The renowned producer and bassist Tony Reeves revisits several of his productions and performances. TeenSet: The story behind this pioneering 1960s American rock magazine. First Person: The reclusive singer-songwriter Bill Fay offers some rare insights into his unique music. Aardvark: At long last, the taxonomy of this elusive British progressive beast. The David: The remarkable tale of these precocious Californian teens. Margo Guryan: A detailed interview with the singer-songwriter behind 1968s wondrous Take a Picture album. James Williamson: An in-depth audience with the legendary Stooges guitarist.Jimmy Page: His fullest ever interview about The Yardbirds, unseen since early 1969. International Albums: Forty intriguing LPs from the furthest reaches of the rock world. Spinal Tap: A rare reprint of Polymer Records 1984 Smell the Glove press kit. Crying to Be Heard: Dick Hamiltons sole album -- the most enjoyable Dylan imitation of the 1960s. Reviews: Thorough coverage of recent CDs, LPs, and books, taking in household names (Bob Dylan,George Harrison, Small Faces), cult heroes (The Artwoods, Soft Machine, Marc Brierley), and ultra-obscurities (Min Bul, Tickawinda, Hot Knives), with exclusive Q&As about certain items under review.” - Flashback.

Artist: FLASHBACK
Title: #7 (Summer 2015)
Format: Mag
Label: Flashback
Country: UK
Price: $23.00
“Issue #7 of Flashback, Summer 2015. Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the worlds leading pop music authorities. In this issue: Vashti Bunyan: In the summer of 1968, Vashti Bunyan set out for the Western Scottish Islands in a horse-drawn wagon. The album she made en route -- and the journey itself -- have become the stuff of legend. Here she tells her story in greater depth than ever before... Jukebox: Wolf Peoples Dan Davies and Tom Watt on 12 tracks that have inspired them. Album by Album: Dave Green and Trevor Tomkins were perhaps the leading rhythm section in 1960s/70s British jazz. Here they talk us through several of their classic recordings. Phonograph Record Magazine: The history of this groundbreaking newspaper and its enigmatic founder-editor, the late Martin Robert Cerf. First Person: Bill Evanss late sister-in-law Pat describes the brilliant pianists unique relationship with her husband Harry. Placebo: The fullest account yet put together of Marc Moulins pioneering early 70s Belgian jazz-funk outfit. Raw Material: Responsible for two of the most sought-after LPs of the progressive era, this British quintets story is finally told. Euphoria: Having met on the Sunset Strip in 1964, William D. Lincoln and Hamilton Wesley Watt Jr. conceived one of the more audacious and extravagant albums of the decade. The Beach Boys: A long-overdue reprint of Michael Vosses eyewitness account of the genius and chaos of Brian Wilson as he toiled on the doomed Smile album. Fuzzy Duck: They were together for less than a year, but Fuzzy Duck made one of the most enduring hard rock albums of their era. Oriental Sunshine: Late 60s Norway was far from pops cutting edge -- but this sitar-toting trios sole album is a lost classic. Jimmy Page: A long-lost interview from September 1970, just before the release of Led Zeppelin III, exhumed from the pages of Rock magazine. Van Morrison: Two illuminating articles that appeared shortly after the release of Astral Weeks, and have barely been seen since. Down Underground: Fifty classic antipodean LPs from the heyday of underground rock. Crying to Be Heard: The sole release by Shaun Davey & James Morris, unheard since 1973.” - Flashback.

Artist: FLASHBACK
Title: #8 (Spring 2016)
Format: Mag
Label: Flashback
Country: UK
Price: $23.00
“Issue #8 of Flashback, Spring 2016. Edited by Richard Morton Jack, Flashback covers overlooked 60s and 70s music in depth, with expert writing, original research, and many rare and previously unseen images. In this issue: The Koobas: This Liverpudlian quartet released numerous 45s; toured with The Beatles; gigged with Jimi Hendrix, The Who, and Pink Floyd; made a fine album in 1968; and became stars in Switzerland -- but success at home proved hard to find. Richard Morton Jack tells their story for the first time. Jukebox: Michael Tanner of The A. Lords and United Bible Studies on 12 tracks that have inspired him. Album by Album: David Hitchcock oversaw classic records for Caravan, Genesis, Camel, and many others. Here he talks Flashback through his productions one by one. Time Out: Starting in August 1968, Time Out quickly became the most important source of information about what London had to offer, musically and otherwise. First Person: Robert Calvert recalls the short and intense career of Catapilla, with contributions from his bandmates Hugh Eaglestone, Brian Hanson, and Ralph Rolinson. Paternoster: Swiftly recorded and only released in their native Austria, Paternosters sole album is one of the most despairing and enigmatic recordings of its time. Stephan Szillus tells its tale for the first time. The Human Beast: Though this Edinburgh trio disowned their weird, hard-rocking LP, it has gone on to become a firm favorite around the world. Richard Morton Jack speaks to them. George Martin: A long-lost and revealing 1968 interview with The Beatles producer, conducted by the late J. Marks and exhumed from the pages of Eye magazine. The Evolution of Rock Critics: Aaron Milenski explores the changing tastes of rock critics -- and how they shaped his own tastes as a teenager. Mushroom: These Dublin teens had a big hit in 1973, toured Ireland relentlessly, and made one of the best "Celtic rock" albums of all time. Richard Morton Jack gets their story straight. Tamam Shud: Tamam Shud was one of the first Australian bands to embrace late 60s acid culture. Ian McFarlane tells their story. The Parlour Band: This Jersey quintet made one of the most highly regarded progressive pop albums of the early 70s. Austin Matthews gives their full history. British Private Pressings: Fifty of the best privately released albums from the heyday of British underground music. Reviews: Thorough coverage of recent CDs, LPs, and books, taking in household names (The Beatles, David Bowie, Van Morrison), cult heroes (Captain Beefheart, Procol Harum, Françoise Hardy), and ultra-obscurities (Robbie The Werewolf, Fuchsia, Lucifer). Crying to Be Heard: The enigmatic Day Breaks by John Wonderling, lost since 1973.” - Flashback.

Artist: FLASHBACK
Title: Flashback #4 Winter 2013
Format: Mag
Label: Flashback
Country: UK
Price: $18.00
"Edited by Richard Morton Jack (co-founder of Sunbeam Records and editor of the Galactic Ramble and Endless Trip books), it features writing from some of the worlds leading pop music authorities, including Richie Unterberger, David Wells, Patrick Lundborg, and Aaron Milenski. A4 size (with a gloss cover), 212 pages long, and full-color throughout, its packed with new research, exclusive interviews and rare photos. The cover stars this time round are UK folk-rock heroes Trees, and the epic accompanying feature includes interviews with all the band members, as well as numerous associated figures, and is illustrated with much rare and unseen material. Also featured are in-depth articles on Beverley Martyn, U.S. psych rockers Mandrake Memorial, Wilkinson Tri-Cycle, and Fraction, cult UK psych faves July, 50 intriguing albums in the notorious exploito genre, an exploration of proto-punk, and part two of Patrick Lundborgs investigation into mono vs. stereo, as well as a thorough CD, LP, DVD and book reviews section." - Flashback.

Artist: FLASHBACK REPOSITORY
Title: s/t
Format: LP
Label: Olde English Spelling Bee
Country: USA
Price: $18.00
"Remastered issue of an obscure tape from the mysterious Outer Limits Collective (Wingdings/Explorers/Matrix Metals/Foxy Baby/Yoga/90210/etc). Limited to 425 copies in pro-printed duo-tone sleeves with a 5-page essay booklet." "The flashback repository is a storehouse of collective waste consciousness from all beings of the universe, i.e. all unfiltered myth & material of the human/alien/animal mind, laying dormant in a hidden dimension resembling a disposal area or transfer station somewhere within our spectral plane. A vast depot for all universal race memory that passes beyond our mortal earthly cognition and subconscious apparatus. This reposited latent substance is available to all organisms within our particular sphere, all beings earthy and paranormal. The recordings here represent the three main stages of unconscious withdrawal: Glimpse, Recurrence, and Manifestation - they are a blue print of sorts. There may be a possibility of the retrieval of materials - the recycling of this substance alongside the development of individual real-time understanding of eternal materials and impressions that are constantly escaping our sensory grip. The repository shows itself as what appears to be part of an undivided whole, a section manifested in our dimensional field through thin channels of emotion & vibration. These phenomena are the result of direct brain-repository contact, a glimpse into the infinite plenitude of energy and data housed by the repository. With each glimpse, each peek through these looking-glass channels, the mind gains a deeper insight into the potentials hibernating within the data-pool and the particular characteristics and movements of the repository. It is important to note that the usage of the word flashback connotes not only the re-collection or re-existence of memory and dream data from the past, but also the future. For instance one can flash forward just as easily and achieve the desired results." -- Outer Limits Inc.

Artist: FLAT STATIC
Title: s/t
Format: LP
Label: Ruff
Country: Australia
Price: $22.00
"Ruff Records presents the first proper reissue of Flat Statics 1985 self-titled LP, recorded in Reservoir, Victoria, Australia, and originally released as a miniscule private edition. This post-punk fossil exemplifies the late 70s and early 80s Australian experimental sound of labels like M Squared, Larrikin Records, and Jarra Hill Records, but with a subtle, funky form accompanied by experimentation with a TR-808 drum machine. Flat Statics members included performance artist Brett Band and early Australian computer pioneer Ant Wilshire. A rare treat from Australias rich musical past, not to be missed. Silk-screened cover." - Ruff.

Artist: FLATGREY
Title: xxxxxx
Format: One-sided LP
Label: Rundownsun
Country: Canada
Price: $14.00
"Long-awaited vinyl debut from vancouver underground noise legend flatgrey. Industrial noise. harsh, industrial noise. pure sound. Mechanical, electrical, valve and tube. scrounged, rescued and resurrected. filtered through obsession. Menacing roars of bass pushed along grinding mechanics, like millions of rows of pneumatic teeth. Heaving, gnashing. compressor hiss, and blast furnace tongue. Incendiary atmosphere, superheated, and forced through junked magnets and shredded cones. A nameless exercise. 1-sided gold offset-printing on heavy black paper. One-sided 12" 33rpm vinyl record with silk-screened b-side. Housed in a crystal-clear, heavy polyvinyl sleeve. Featuring art and layout from the artist." - Rundownsun.

Artist: FLAVIOLA E O BANDO DO SOL
Title: Flaviola e o Bando do Sol
Format: CD
Label: World Psychedelia
Country: Brazil
Price: $18.00
"Another great example of Brasilian psicodelia from the collective of underground musicians in Recife, featuring Flávio Lira in the lead role, along with Lula Côrtes, Pablo Raphael, Robertinho of Recife, and Zé of the Flute. Of the crazy albums from this period, the Flaviola record Flaviola E O Banda Do Sol (Flaviola and the Flock of the Sun) is one of the rarest jewels. Although it was recorded the same year (1974) as Lula Côrtes and Zé Ramalhos Paêbiru album, and with most of the same musicians, this is mainly an acoustic album, rife with poetic language and regional instruments, but also demonstrating the abundant energy of people involved in making something fresh and new. The cauldron of influence in Recife resulted in some very intriguing music, and the Flaviola album is no exception -- its more intimate a trip than Paêbirú, and more accessible an experience than Satwa; this is a brilliant album, full of strange moments (cellophane crinkled into the microphone as percussion), some deft acoustic guitar, and some of the prettiest songs this side of Vashti Bunyan. Notes are more or less in English, and hefty booklet includes lyrics too." World Psychedelia.

Artist: FLESH EATERS, THE
Title: A Hard Road to Follow
Format: CD
Label: Atavistic
Country: USA
Price: $16.00
"A complete reissue of the long out-of-print masterpiece, and 4th release by 70s L.A. punk icons, The Flesh Eaters! Atavistics Hard Road to Followreissue also includes 5 bonus tracks & deluxe artwork in an oversize lyric booklet. Excerpted from Byron Coleys liner notes: Although it was not the last album to be issued under the name of The Flesh Eaters, Hard Road to Follow occupies a unique and special place in the bands pantheon. Released in 1983, by Chris Ds own Upsetter label, it was the fourth annual and final installment in the original sequence of Flesh Eaters albums. Hard Road was also the first to have the same line-up as its predecessor, forever came today. The bands fourth corrosive masterpiece in as many years, hard road is the best evidence of a band that had achieved a still unequaled massiveness of sound. For my money, this particular version of The Flesh Eaters represents the greatest rock band ever. They were it. Their live shows (of which I missed only two or three) were uniformly mind-melting, and while the records they left cannot convey everything that The Flesh Eaters were, they remain among the best albums ever." - Atavistic.

Artist: FLESH EATERS, THE
Title: A Minute to Pray A Second to Die
Format: LP
Label: Superior Viaduct
Country: USA
Price: $22.00
"The Flesh Eaters is the name behind one Chris Desjardins a.k.a. Chris D. Taking his stage name from a 1964 cult film, Chris D. wrote for legendary fanzineSlash in the late 70s and assembled the first of many Flesh Eaters lineups from heavyweights in the burgeoning L.A. punk scene. After releasing a ravenous EP and heart-ripping debut album, The Flesh Eaters unleashed their era-defining statement,A Minute to Pray A Second to Die. Originally released in 1981, A Minute to Pray brings together the greatest band in American rock history: Dave Alvin (Blasters) on guitar, John Doe (X) on bass, Steve Berlin (Los Lobos) on sax, along with Bill Batemen (Blasters) and DJ Bonebrake (X) providing the albums trademark percussive backbone. Chris D. leads the group like a man possessed. Through a series of grotesque vignettes, his lyrical prowess and indelible growl stand toe-to-toe with the musics powerful shifts. From opener Digging My Grave (resembling a diesel-charged Magic Band) to the gothic groove of Divine Horsemen, each song is its own hairy beast. Inspired by African tribal music, 60s garage-rock churn andFunhouse-era Stooges swing, A Minute to Prayremains (according to author / archivist Byron Coley) the best rock record ever recorded. This first-time vinyl reissue has been carefully remastered and features liner notes by Coley. Without a doubt, The Flesh Eaters will hypnotize a new flock of listeners in this millennium." - Superior Viaduct.

Artist: FLESH EATERS, THE
Title: A Minute to Pray A Second to Die
Format: CD
Label: Superior Viaduct
Country: USA
Price: $20.00
"The Flesh Eaters is the name behind one Chris Desjardins a.k.a. Chris D. Taking his stage name from a 1964 cult film, Chris D. wrote for legendary fanzineSlash in the late 70s and assembled the first of many Flesh Eaters lineups from heavyweights in the burgeoning L.A. punk scene. After releasing a ravenous EP and heart-ripping debut album, The Flesh Eaters unleashed their era-defining statement,A Minute to Pray A Second to Die. Originally released in 1981, A Minute to Pray brings together the greatest band in American rock history: Dave Alvin (Blasters) on guitar, John Doe (X) on bass, Steve Berlin (Los Lobos) on sax, along with Bill Batemen (Blasters) and DJ Bonebrake (X) providing the albums trademark percussive backbone. Chris D. leads the group like a man possessed. Through a series of grotesque vignettes, his lyrical prowess and indelible growl stand toe-to-toe with the musics powerful shifts. From opener Digging My Grave (resembling a diesel-charged Magic Band) to the gothic groove of Divine Horsemen, each song is its own hairy beast. Inspired by African tribal music, 60s garage-rock churn andFunhouse-era Stooges swing, A Minute to Prayremains (according to author / archivist Byron Coley) the best rock record ever recorded. This first-time vinyl reissue has been carefully remastered and features liner notes by Coley. Without a doubt, The Flesh Eaters will hypnotize a new flock of listeners in this millennium." - Superior Viaduct.

Artist: FLESH EATERS, THE
Title: Forever Came Today
Format: CD
Label: Superior Viaduct
Country: USA
Price: $20.00
"In the wake of the star-filled A Minute To Pray A Second To Die, The Flesh Eaters frontman Chris D. assembled a leaner, meaner band to deliver his next unbound vision. Forever Came Today, the groups third full-length album, was originally released on Ruby Records in 1982 and features Don Kirk on guitar, Robyn Jameson on bass, Chris Wahl on drums, Steve Berlin on sax and Chris D.s unmistakable voice. "My Life To Live" and "Shallow Water" are masterfully wrought punk tunes, reverberating with heart-wrenching vocals that turn on a dime from desperate whispers to blood-curdling screams. "Drag My Name In Mud" dives deeper into full-throttle rock demonology, bluesy primeval swagger and obsessive imagery, inspired in equal parts by William S. Burroughs and Edgar Allan Poe. This first-time reissue has been carefully remastered and comes with lyric sheet. Forever Came Today is the perfect introduction to The Flesh Eaters dark sense of humor and positively bleak form of rock n roll." - Superior Viaduct.

Artist: FLESH EATERS, THE
Title: Forever Came Today
Format: LP
Label: Superior Viaduct
Country: USA
Price: $22.00
"In the wake of the star-filled A Minute To Pray A Second To Die, The Flesh Eaters frontman Chris D. assembled a leaner, meaner band to deliver his next unbound vision. Forever Came Today, the groups third full-length album, was originally released on Ruby Records in 1982 and features Don Kirk on guitar, Robyn Jameson on bass, Chris Wahl on drums, Steve Berlin on sax and Chris D.s unmistakable voice. My Life To Live and Shallow Water are masterfully wrought punk tunes, reverberating with heart-wrenching vocals that turn on a dime from desperate whispers to blood-curdling screams. Drag My Name In Mud dives deeper into full-throttle rock demonology, bluesy primeval swagger and obsessive imagery, inspired in equal parts by William S. Burroughs and Edgar Allan Poe. This first-time reissue has been carefully remastered and comes with lyric sheet. Forever Came Today is the perfect introduction to The Flesh Eaters dark sense of humor and positively bleak form of rock n roll." - Superior Viaduct.

Artist: FLESH GOLEM
Title: Flesh Golem
Format: 7"
Label: Was Soll Das? Platten
Country: Germany
Price: $12.00
"I will offer you something new from my brand new started series of my new label PDSW. The FLESH GOLEM 7" is out and it has 4 tracks from this Greek Minimal-Synth outfit out of Athens. The songs are dark and gloomy minimal-synth as you all expect it from PDSW and the 7" is limited to 250 copies." -Was Soll Das? Platten.

Artist: FLESHTONE AURA
Title: On Rusticated Slant
Format: 12"
Label: Pleasence
Country: Canada
Price: $15.00
"Hand-etched center labels. Offset printed sleeve with cover art by Nikki Woolsey. Risograph/photocopied 32 page book with a laser cut cover and a silkscreened insert. 
Mastered by Brandon Hocura at Polyphasic Studios. 
Edition of 300. Tad Michalak (Burn Down The Capital), from Offerings: "Andrew Zukerman of Gastric Female Reflex fames curates an intricate & finely tuned landscape of auditory fart jokes and avant-gardism on his first LP as Fleshtone Aura. We are bombarded by the warm energy of a high speed cut & paste dance mix, as if the frantic brain of a 5 year old had been asked to make an aural layout of his attention span, or some sort of table of contents for this LP. This chaos quickly ends with the feeling that all these sounds have been simultaneously thrown off the CN Tower & are falling aimlessly through space, silent before their imminent demise. In their absence, the remaining sounds rumble & clatter in a magnitude of space, its almost relaxing. A free jazz duet for motorcycle & percussion, gears twisting, ominous maneuvers in the dark. Sound crystalizes refracting in a house of mirrors. Piercing sine waves slice through mundanity, as this chameleon writhes at twitches. Bumping dance beats emerge out of human pauses, and carefully placed electro acoustic junk percussion. A piano note stretches into a harsh rumbling landscape of wind noise, fire crackles, scrapping metal and hushed squeals. The definitive sounds of a world post 2012 disaster. 
The 2nd side opens as a 1950s joke factory soundtrack. Classic rock riffs tango with child-ish bleeps & bloops in a bird like call & response. Similar to string of great jokes or slapstick film scenes Andrews collages gestate forward with an oddly nostalgic undertone. Abrasive screeches and sweeps lead to luscious and decadent tidbits of familiarity, unsettling, as they are comforting in their commodified environment. Something like a recapping of a horse race meets postnasal drip. The bubbling voice of Jabba the Hutt dictates some unknown message from beneath the murk. Heart warming abstractions of a human reality." - Pleasence.

Artist: FLESHTONE AURA
Title: Soliloquy for Lieven
Format: LP
Label: Pleasence
Country: Canada
Price: $34.00
Produced in association with Psychic Encumbrance. Hand painted labels/silk screened foil stamped covers. Numbered edition of 100. "Soliloquy For Lieven is a drastic turn for Toronto sound artist Fleshtone Aura. Instead of his signature sample heavy, tape loop collage psychedelia, Soliloquy For Lieven finds him swimming in an ambient ocean of minimalist synth and field recordings. These sounds, often associated with New Age music, are, when realized by Mr. Zukerman, altogether more ominous in tone; exploring a darker side of personal spirituality. Says the artist: "I recorded a bunch of it during a residency on Toronto Island. . . it was made as a sort of sonic impersonation of Dolphins into the Future, that woefully missed the mark." - Pleasence.

Artist: FLESHTONE AURA
Title: Wet Cocomo
Format: Cass
Label: No Basement Is Deep Enough
Country: Belgium
Price: $12.00
"Bon Jovi gets poked in the eye on this bright green Venus-fly trap of a tape. Andrew Zuckerman (for he is the AURA) gives the intrepid listener enough clues to piece together a tasty collage of spiced-meat soundz. Bubbling electronics rub up rudely against Canadian stream-of-consciousness loops, found sound and beat damage forming a crunchy topping. Bite into it. Legalize it! The pace might be frantic but theres no loss of coherence buddy. Closer Gomers Frontispiece is a god- damn classy run through the churchyard at midnight. The silence is broken only by Owls snoring and the subtle clicking of their 360 degree heads. Give a hoot and slip AURA into your SOUL." -Goldsbury Debora.

"Ltd. to 55 hand-numbered copies and comes in a faux-leather antithesis of neo-Darwinism." - No Basement Is Deep Enough.
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Artist: FLEXIBLES
Title: Cities of the Narrow Universe
Format: 7"
Label: Nyali
Country: UK
Price: $10.00
“the flexibles are a repeat-riff power trio of andrew paine, richard youngs and sorley youngs, playing kraut-jams and out-of-step beats over cracked or soaring vocals on oh volcanio, and rumbles and electronic mulch on different kinda face and day mantra. they alternate between grubby low-end riffs and a sparser electronic sound, all imbued with the classic youngs/youngs/paine feel.” - Nyali.

Artist: FLIED EGG
Title: Dr. Siegels Fried Egg Shooting Machine
Format: CD
Label: Phoenix
Country: UK
Price: $18.00
"Japans proggers Flied Egg, consisting of former Strawberry Path alumni Shigeru Narumo and Hiro Tsunoda, supported by former Brush leader, Masayoshi Takanaka, released two albums in the early 70s, Dr. Siegels Fried Egg Machine being the first and undoubtedly the better of the two. Dr. Siegels..., originally released in 1972, is a much more keyboard-oriented affair, with Narumo adding a Moog, celeste and harpsichord to his usual Hammond and piano line-up. On this album, the musical influences are more Uriah Heep than the previous Hendrix-inspired leanings, although touches of Emerson, Lake & Palmer, Deep Purple, Birth Control and even Black Sabbath find their way into the musical mèlange. Dr. Siegels... presents a rich selection of musical styles, culminating with "Guide Me To The Quietness," a glorious prog epic that brings an inventive and enjoyable album to a climactic finale. Digitally remastered. Numbered, limited collectors edition housed in an LP-replica gatefold card wallet." -Phoenix

Artist: FLIED EGG
Title: Dr. Siegels Fried Egg Shooting Machine
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
"Japans proggers Flied Egg, consisting of former Strawberry Path alumni Shigeru Narumo and Hiro Tsunoda, supported by former Brush leader, Masayoshi Takanaka, released two albums in the early 70s, Dr. Siegels Fried Egg Machine being the first and undoubtedly the better of the two. Dr. Siegels..., originally released in 1972, is a much more keyboard-oriented affair, with Narumo adding a Moog, celeste and harpsichord to his usual Hammond and piano line-up. On this album, the musical influences are more Uriah Heep than the previous Hendrix-inspired leanings, although touches of Emerson, Lake & Palmer, Deep Purple, Birth Control and even Black Sabbath find their way into the musical mèlange. Dr. Siegels... presents a rich selection of musical styles, culminating with "Guide Me To The Quietness," a glorious prog epic that brings an inventive and enjoyable album to a climactic finale. Digitally remastered. 180 gram vinyl pressing housed in a gatefold sleeve." -Phoenix

Artist: FLIED EGG
Title: Good Bye
Format: LP
Label: Bamboo
Country: UK
Price: $23.00
"Gatefold LP version on 180 gram vinyl. This is the final album from the band founded by George Yanagi, formed after the disbanding of Strawberry Path after only one astonishing album. Good Bye, originally released in 1972, brings together a live first side bursting with highly energetic, guitar-based loud rock. The studio side is a more sophisticated and progressive affair, with the complex and instrumentally-inspired "521 Seconds Schizophrenic Symphony" being of a particularly high standard. An album sure to appeal fans of 70s hard rock with marked progressive tendencies. Features killer Hammond organs and drums from Hiro Tsunoda (Foodbrain, Yasumi No Kuni)." -Bamboo.

Artist: FLIGHT
Title: Lead Riders
Format: 12
Label: Zoo Music
Country: US
Price: $15.00
"Zoo Music presents the limited edition The Lead Riders EP 12-inch vinyl from Mississippi-based blown out punks FLIGHT. The Lead Riders features six full-throttled exclusive unreleased tracks coated in noise and layered distortion. "An explosive blast of jagged guitars and distorted Woos that nicely balances hooks and production"-Pitchfork. Pressed in a limited edition of 500 vinyl records." - Zoo Music.
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Artist: FLIGHT
Title: s/t
Format: 10"
Label: Kill Shaman
Country: USA
Price: $13.00
"Mississippis one-man band Flight is back with his second ever release, a self-titled 10? EP on Kill Shaman. A perfect medley of 70s glam, 80s punk and 60s psych, Flight applies a fist-pumping lo-fi pop sensibility that is over-distorted, punchy, and punk as fuck. Contains four distinct tracks that completely distinct and kills the inner ear. With the volume turned up to the max, this blown-out and distorted piece of wax will be sure to please any fans of Live Fast Die, Cheap Time, Jesus and Mary Chain and anything else that shreds while maintaining a deeply seeded sense of pop-punk. Think of it as the perfect medium for early 90s fuzz-gaze and 70s glam punk." - Kill Shaman.

Artist: FLIPPER
Title: Album - Generic Flipper
Format: Cass
Label: Subterranean
Country: USA
Price: $6.00
"The groundbreaking, radical first album from 1982s great acid hope of punkdom. Melts in your mind, not in your ear. This is the original, pre-sellout version!" Original 80s cassette copies.
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Artist: FLIPPER
Title: Album - Generic Flipper
Format: CD
Label: Water
Country: USA
Price: $15.00
"The first record from San Franciscos legendary Flipper, originally released in 1982. Post-hardcore? Post-punk? Art-rock? Despite being a part of SFs punk scene, Flipper were really only punk in spirit, eschewing conventions and making no concessions. Sludgy, distorted, atonal, noise-rock jams that sound as urgent and heavy as they must have 25 years ago. A huge influence on bands such as Nirvana (their current line-up includes Krist Novoselic on bass) and The Melvins. Album - Generic Flipper contains the classics Sex Bomb, and Life." - Water.
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Artist: FLIPPER
Title: Album - Generic Flipper
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $20.00
"The first record from San Franciscos legendary Flipper, originally released in 1982. Post-hardcore? Post-punk? Art-rock? Despite being a part of SFs punk scene, Flipper were really only punk in spirit, eschewing conventions and making no concessions. Sludgy, distorted, atonal, noise-rock jams that sound as urgent and heavy as they must have 25 years ago. A huge influence on bands such as Nirvana (their current line-up includes Krist Novoselic on bass) and The Melvins. Album - Generic Flipper contains the classics Sex Bomb, and Life." - Water.
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Artist: FLIPPER
Title: BlowN Chunks
Format: LP
Label: ROIR
Country: USA
Price: $11.00
"Recorded live at NYCs legendary CBGBs, November 1983, you get all nine tracks from the original cassette-only release, plus four bonus tracks. Features liner notes by CARLO McCORMICK, STEVE DePACE, and MICHAEL GOLDBERG."
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Artist: FLIPPER
Title: Gone Fishin
Format: CD
Label: Water
Country: USA
Price: $15.00
"The second and final studio album for the original line-up of SFs Flipper was first released in 1984. Flipper took the punk tag to extremes, as no other band in the world was playing punk this slow, sludgy, dark and disturbed. Featuring the haunting Survivors Of The Plague and the public incrimination of Sacrifice, Gone Fishin is an art-punk classic that holds up alongside their more heralded debut."" - Water.

Artist: FLIPPER
Title: Gone Fishin
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $18.00
180 gram vinyl. "The second and final studio album for the original lineup of S.F.s Flipper was first released in 1984. Flipper took the punk tag to extremes, as no other band in the world was playing punk this slow, sludgy, dark and disturbed. Featuring the haunting Survivors Of The Plague and the public incrimination of Sacrifice, Gone Fishin is an art-punk classic that holds up alongside their more heralded debut." -4 Men With Beards

Artist: FLIPPER
Title: Love Canal
Format: 7"
Label: Superior Viaduct
Country: USA
Price: $12.00
"Flipper formed in San Francisco in 1979 on the cusp of Ronald Reagans presidency. It seems fitting that their debut single (originally released on Subterranean in 1981) turns environmental disaster into the bands modus operandi. Chorus-less and catchy-as-hell, Love Canal features all that would become Flipper trademarks in four art-damaged minutes: knuckle-dragging tempo, ear-splitting feedback, basslines to crash your car to and a depraved frontman wailing about uncomfortable American matters. Ha Ha Ha is even more direct in its intent, mocking suburbia with a flat, almost psychotic laugh. This reissue comes with original sleeve design. Limited edition red vinyl." - Superior Viaduct.

Artist: FLIPPER
Title: Public Flipper Limited: Live 1980-1985
Format: Double CD
Label: Water
Country: USA
Price: $19.00
"Public Flipper Limited was originally released in 1986 as a double LP of live material culled from 1980-1985. The sound quality and playing are both a grimy, distorted mess, which suits the band just fine. Always alternating between endearing and abrasive, Flipper left no room for the middle ground of like. The album title is a shot at John Lydon and his alleged plagiarism of Flippers artwork for his own PIL and it proves that Flipper was never opposed to alienating its audience, no matter how sanctified. Harsh, art-rock classics from one of SFs most important post-hippie-era bands. On CD format for the first time ever." - Water.

Artist: FLIPPER
Title: Public Flipper Limited: Live 1980-1985
Format: Double LP
Label: 4 Men With Beards
Country: USA
Price: $25.00
180 gram vinyl, full color gatefold sleeve with Flipper on tour game insert. "Public Flipper Limited was originally released in 1986 as a double LP of live material culled from 1980-1985. The sound quality and playing are both a grimy, distorted mess, which suits the band just fine. Always alternating between endearing and abrasive, Flipper left no room for the middle ground of like. The album title is a shot at John Lydon and his alleged plagiarism of Flippers artwork for his own PIL and it proves that Flipper was never opposed to alienating its audience, no matter how sanctified. Harsh, art-rock classics from one of SFs most important post-hippy era bands." - 4 Men With Beards

Artist: FLIPPER
Title: Sex Bomb Baby!
Format: CD
Label: Water
Country: USA
Price: $15.00
"Originally released in 1987, Sex Bomb Baby! is actually a collection of Flipper material dated no later than 1982, comprised of singles, B-sides, and compilation tracks. The single version of Sex Bomb is an all-out classic, a frenetic, yelping punk answer to Louie, Louie and the rest is no slouch either, outrageous, harsh, sludge-punk from San Franciscos finest. On CD format for the first time ever."" - Water.
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Artist: FLIPPER
Title: Sex Bomb Baby!
Format: LP
Label: 4 Men With Beards
Country: USA
Price: $20.00
Repressed. 180 gram vinyl, printed inner sleeve with lyrics. "Originally released in 1987, Sex Bomb Baby is actually a collection of Flipper material dated no later than 1982, comprised of singles, B-sides, and compilation tracks. The single version of Sex Bomb is an all-out classic, a frenetic, yelping punk answer to Louie, Louie and the rest is no slouch either -- outrageous, harsh, sludge-punk from San Franciscos finest." -4 Men With Beards.

Artist: FLIPPER
Title: Some Day/Distant Illusion
Format: 7"
Label: Subterranean
Country: USA
Price: $4.50
"One of this worlds most controversial bands returned in 1990 after a hiatus of several years and the death of a key member, with two new songs by Bruce Loose, Ted Falconi, Steve DePace and new bassist John Dougherty. Packaged in a transparent pouch on colored vinyl." - Subterranean.
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Artist: FLO & ANDREW
Title: Take Suicide
Format: 12"
Label: Mannequin
Country: Germany
Price: $16.00
"A holy grail of the minimal synth and one of the most obscure Italian musical projects, reissued on Mannequin Records. Originally released in 1981 by Broadbean Records, Flo & Andrews Take Suicide was home-recorded and home-mixed by the duo in Bologna, using early drum machines like the Boss DR-55 and the Korg KR-55, analog synthesizers, guitar, saxophone and tape loops. "To Committ Suicide" travels through contort and nervous synth sounds and loops, taking somehow inspiration from the No Wave heroes, while "Japanese Girls" is a beautiful minimal electronics track in the mythology of the futuristic rise of Japan." - Mannequin.

Artist: FLOAT RIVERER
Title: s/t
Format: LP
Label: Golden Lab
Country: UK
Price: $22.00
"Consistency. Repetition. Hypnotism. Dance-trance.Spacemen 3 as heard through a very narrow filter, indeed. They just get straight down to it, 10 seconds in and you could be 10 hours in. Id like to hear that, actually: Float Riverer playing the same riff for 10 hours straight, the vocals sometimes dropping out. Only formed in Manchester end of 2011, and every song sounds roughly, brutally, gloriously the same. Fucking great stuff." --Everett True, Collapse Board.

Artist: FLOATING DI MOREL
Title: Goal Less Play
Format: LP
Label: Play Loud!
Country: Germany
Price: $26.00
2013 release. "Fourth album by Berlin rock n rollers Floating di Morel.
Kai Drewitz (ex PLO), Sabine Blödorn and Thorsten Neu (former Kissin Cousins) "sound like Sky Saxon & the Seeds did float, uneffortless, it´s just there as it pops into your head like a thumb stuck in the mouth." -(39 Clocks Jürgen Gleue about FdM). The Berlin based band Floating di Morel releases their new record "Goal Less Play" again on play loud!. After "Said My Say" and the inclusion in the "play loud! (live) music series" this will be their fourth studio record. The album is strictly limited to 300 copies. The cover art has been created by artist Lara Esther Goldman as "unique copies"." - Play Loud!

Artist: FLOATING DI MOREL
Title: More Memory Than Now
Format: LP
Label: Hidden
Country: Germany
Price: $20.00
1995 release.
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Artist: FLOATING DI MOREL
Title: Real People Psych
Format: LP
Label: Marshy Power
Country: Germany
Price: $18.00
"The dark side of psychedelic has not lost any of it allure on people with attitude and lofi-equipment in the years since Velvet Underground or the third Big-Star-Album. The Berlin trio Floating Di Morel has freed this type of 60�??s coolness, that which is attached to flared jeans, in their album without much fuss from the retro graveyard. In the 80s there was a retro-psychedelic movement which was bypassed by New-Wave-Cool �?? jagged electronics without emotionality and with the 60�??s-Noir-Cool �?? grinding guitar without emotionality �?? with their flea market casio fenders. Floating Di Morel goes further, eliminating the guitar and sounding, with this small quirk, so refreshed, that during the interlude, one could imagine oneself being in Martinique. It is not for nothing that on the cover, next to 60s underground heroes Skip Spence and Moondog, Green Velvet are portrayed." Edition of 300. Highly Recommended!!
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Artist: FLOATING DI MOREL
Title: Remixe von Zenfaschisten / 100 Records
Format: 7"
Label: On-Off
Country: Germany
Price: $6.50
2000 release.

Artist: FLOATING DI MOREL
Title: Said My Say
Format: LP
Label: Play Loud!
Country: Germany
Price: $22.00
“2009 release. Floating di Morel is probably the best rock n roll band to come out of Germany since 39 Clocks. This might sound like overblown hype, but its not; the few critics who attended the bands rare live performances were all flabbergasted. Here are a few reference-points: Suicide, free jazz, Throbbing Gristle, The Jesus and Mary Chain, Big Star, White-Light-hysteria -- stuff Floating di Morel likes but doesnt copy at all. Get ready for one of the strangest and most exciting acts from Berlin.” - "Third album by Berlin rock n rollers Floating di Morel.
Kai Drewitz (ex PLO), Sabine Blödorn and Thorsten Neu (former Kissin Cousins) "sound like Sky Saxon & the Seeds did float, uneffortless, it´s just there as it pops into yr head like a thumb stuck in the mouth."
(39 Clocks Jürgen Gleue about FdM)." - Play Loud.

Artist: FLOATING DI MOREL
Title: Takna Pakna (G)Kram
Format: 7"
Label: Toaster Im Test
Country: Germany
Price: $8.00
1997 release.
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Artist: FLOOR ABOVE
Title: Bishop
Format: LP
Label: Savage Quality
Country: USA
Price: $16.00
"Bleak and blown out loner hardcore." - Savage Quality. "Raw and hollow hardcore played with absolute fury and determination - clean guitars that are tortured more than played, and vocals that are more in line with the by product of a backwoods exorcism." -Robert Collins (Terminal Escape).

Artist: FLOORBORED
Title: s/t
Format: Cass
Label: Floorbored
Country: USA
Price: $5.00

Artist: FLORES, CHRISTOPHER/JANEK SCHAEFER
Title: Split
Format: LP
Label: Snail Article
Country: USA
Price: $15.00
"This split LP marks the first release from Baltimore resident Christopher Flores. After touring throughout the US with various post rock and experimental bands, Flores has recently focused more on solo activities, blurring the lines between acoustic and digital composition. Although the opening track, M.O.R.T., is created purely in the digital realm one begins to hear gently plucked strings, soft bells and waves of radio beneath its tactile surface. In the second track, Edits for Piano Flores creates an intricately defined landscape using only piano as source. Within this overall sound, delicate melodies begin to form as distortion slowly swells to the surface. Janek Schaefers Orders EP collects five pieces ranging in sound from the crackle and hiss of record debris, to the carefully layered hum of bass, to a chorus of family members singing the word love. The record also features a meticulously edited locked groove created using Schaefers custom made audioh!Splicer software. An extremely diverse EP that effectively carries the listener from one sonic environment to another." - Snail Article.

Artist: FLORIDA
Title: Haunted House
Format: 7"
Label: Shdwply
Country: USA
Price: $7.00
"What a great year in music it has been, all these lo-fi seedlings popping up all around us and making our lives better. With that said, I bring you FLORIDA, not to be confused with those other Florida bands. This Florida incorporates a ghoulish brand of lo-fi pop akin to John Maus and Ariel Pink but not to a point where it becomes bland or insipid, moreso Florida took some of the same influences of David Bowie that John Maus and Ariel Pink did, in that way they are alike. Of course just when I think Ive pinpointed the bands sound I hear a song full of psychotropic drone, appeasing the John Cale fan in me. This band has a great 7-inch out on Shdwply Records and I most certainly encourage you to purchase it."-Weekly Tapedeck.

Artist: FLOW, THE
Title: Greatest Hits
Format: CD
Label: Shadoks
Country: Germany
Price: $15.00
"Very rare album by The Flow with Pete Fine on guitars/vocals, Monte Farber on bass/vocals, Steve Starer on drums, compositions by Pete Fine and Monte Farber. This is a guitar burner total. If youre into Blue Cheer and extra heavy Fuzz guitar is your thing, you´ll love this album. Great songs, a mindblower. Finally it came out on CD with 3 bonus tracks and poster-booklet. In those rebellious and psychedelic times we barely earned enough to pay for food at times, while developing our musical horizons. I am amazed we survived those days. Eventually, we became a 3 piece band - The Flow. We rented a room in NYC -- also renting a room was Wicked Lester, a band later to be known as KISS. We used the space for our own explorations. With our limited funds, we could only complete half of the project so we released the record with one blank side and later on, added more material." -Pete Fine

Artist: FLOWER & NEIL CAMPBELL, MICHAEL
Title: Wharf Cat
Format: CD/7"
Label: Golden Lab
Country: UK
Price: $27.00
"Full-length CD-R + 7" single + silk screened art book by illustrator Lucy Jones. Limited to 250 copies. Second outing on Golden Lab for the pairing of Michael Flower & Neil Campbell (following a limited, instant sell-out double cassette in 2011). Best known for helping to establish the entire British underground psychedelic noise/drone scene as members of legendary unit Vibracathedral Orchestra, they are today, quite rightly, two of its most lauded proponents. This release -- a beautifully packaged CD-R/7"/book set with stunning silk screened print work by Manchester artist Lucy Jones -- pays reverence to that fact. The music was recorded spontaneously at live shows at Leeds Wharf Chambers and Hebden Bridges Trades Club, as well as at Michael Flowers home, and it demonstrates a more mellow, major-scale bliss-out version of the "Sister Ray"-inspired endless web of intricate psychedelia that appeared on their previous release. It is, needless to say, utterly without peer." - Golden Lab.

Artist: FLOWER OF FLESH AND BLOOD
Title: S/T
Format: LP + CD
Label: Awesome Vistas
Country: USA
Price: $15.00
"This is the first release of music project by New York writer/musician SEAN KENNERLY. Eight songs of slow rock that has pop energy somewhere in it, it also sounds like the music itself has taken some type of pills, some sedatives, some mellowing downer of some kind. Musicians: Sean Kennerly singing, guitar; JEFF KISH guitar; HISHAM BHAROOCHA (BLACK DICE) drums; CHRIS JOHANSON bass. Recorded, mixed, and produced by CHRIS MOORE at Stay Gold and Headgear. Features art by Chris Johanson and JOHANNA JACKSON, silkscreened by NEIL BURKE at Monoroid. Includes a bonus CD." -Awesome Vistas

Artist: FLOWER TRAVELLIN BAND
Title: Made In Japan
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
"Following critical acclaim but meager record sales in their native Japan after their superb debut album, Satori (ASH 3002CD/LP), Yuya Uchida and his Flower Travellin Band decamped to Canada following an invitation to open for local jazz-rock outfit Lighthouse. While there, Lighthouse leader and keyboard player Paul Hoffert offered to produce the bands next studio album, the ironically-titled Made In Japan, originally released in 1972, although it must be said, Hofferts musical vision didnt always reflect the bands. However, Uchida was particularly happy with the results; although again, critical acclaim didnt translate into significant record sales and the band duly parted company following their half-live/half-studio release, Make Up (ASH 3033CD). Housed in a gatefold sleeve with slip case and original LP artwork. Digitally remastered. Hand-numbered edition of 1000 copies." - Phoenix.

Artist: FLOWER TRAVELLIN BAND
Title: Make Up
Format: Double CD
Label: Phoenix
Country: UK
Price: $24.00
"When released in 1973, Make Up, with its incredible faux-leather imitation attaché case outer bag, looked every bit the last word in over-the-top packaging and now originals, complete and in good condition, fetch hundreds of dollars in the collectors market. However, despite the lavish packaging, Make Up did little to enhance the groups already considerable reputation and the various band members went their separate ways immediately after the albums release. Although the album has been described as "inconsistent," there are some definite stand-out tracks, and generally Make Up reflects the varied influences that the band drew on throughout their sadly short career. This double album consists of both live and studio recordings and features keyboardist Nobuhiko Shinohara. 2CD housed in a replica outer slip-case and deluxe gatefold sleeve, including the original LP insert. Numbered, limited edition." -Phoenix

Artist: FLOWER TRAVELLIN BAND
Title: Make Up
Format: 2LP
Label: Phoenix
Country: UK
Price: $33.00
"When released in 1973, Make Up, with its incredible faux-leather imitation attaché case outer bag, looked every bit the last word in over-the-top packaging and now originals, complete and in good condition, fetch hundreds of dollars in the collectors market. However, despite the lavish packaging, Make Up did little to enhance the groups already considerable reputation and the various band members went their separate ways immediately after the albums release. Although the album has been described as "inconsistent," there are some definite stand-out tracks, and generally Make Up reflects the varied influences that the band drew on throughout their sadly short career. This double album consists of both live and studio recordings and features keyboardist Nobuhiko Shinohara. 2LP housed in a replica outer slip-case and deluxe gatefold sleeve, including the original LP insert." -Phoenix

Artist: FLOWER TRAVELLIN BAND
Title: Satori
Format: CD
Label: Radioactive
Country: UK
Price: $17.00
"Possessing the vision to select Akira Joe Yamanaka as their vocalist, the Flower Travellin boys elevated themselves above other Japanese bands of the time, whose efforts were largely confined to imitating British and American bands of the era. Satori , which was released in 1971, is a conceptual hard rockpsych album driven by Hideki Ishimas furious guitar licks which erupt and explode over the harmonic heart beat of the drums and bass and Yamanakas banshee-like vocal style which was turning him into an occidental Iggy Pop or Ozzy Osbourne while the band itself was rapidly becoming Japans answer to Led Zeppelin or Black Sabbath. Satori is a huge album in every way. From power chords to Easterntinged North African six string freak-outs and crashing tom-toms, the band flexes its collective muscle from start to finish." - Radioactive.

Artist: FLOWER TRAVELLIN BAND
Title: Satori
Format: LP
Label: Phoenix
Country: UK
Price: $23.00
New 2016 repress. "Deluxe LP format; 180 gram pressing. Reissue of the second Flower Travellin Band album, originally issued by Atlantic Records in Japan in 1971. Satori is a conceptual hard rock/psych album driven by Hideki Ishimas furious guitar licks which erupt and explode over the harmonic heart beat of the drums and bass. Yamanakas banshee-like vocal style turned him into an occidental Iggy Pop or Robert Plant while the band itself was rapidly becoming Japans answer to Led Zeppelin. Satori is a huge album in every way. From power chords to Eastern-tinged North African six-string freak-outs and crashing tom-toms, the band flexes its collective muscle from start to finish. In short, this is a real rock classic of the type they simply dont make any more.” - Phoenix.

Artist: FLOWER, MICHAEL
Title: Returning to Knowing Nothing
Format: LP
Label: QBICO
Country: Italy
Price: $23.50
"Finally: the first solo LP by Vibracathedral Orchestra member Michael Flower! The music here reminds me of LaMonte Young Theatre of Eternal Dreams... echoes of Zazeelas voice, Conrads violin, Jennings soprano sax, MacLises drumming... but its the Flower alone, deep and mesmerizing! Incredible artwork by Robert Thomas from Sunburned Hand of the Man." - QBICO.
SOLD OUT

Artist: FLOWER, MICHAEL & EOIN SHEA
Title: Syrian Rue
Format: DVD
Label: Syrian Rue
Country: UK
Price: $16.50
"Films by Eoin Shea using music by Michael Flower. Hand coloured/degraded/overlayed found super-8 footage. Four films made to recordings of Michael Flower shows from the Fall Brawl tour with Sunburned Hand of the Man and the Magik Markers in September 2005. High quality Taiyo Yuden discs compatible with US players, Digipak cover with paste-on artwork, Running time 30 minutes."

Artist: FLOWER-CORSANO DUO
Title: Four Aims
Format: Double LP
Label: VHF
Country: USA
Price: $18.00
"The Four Aims is the much-anticipated second full-length by the long-running duo of MICK FLOWER (VIBRACATHEDRAL ORCHESTRA, SUNROOF, MICHAEL FLOWER BAND) and CHRIS CORSANO (FLAHERTY/CORSANO, JANDEK, BJORK, SUNBURNED). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record with the electrifying sound of Flowers virtuosic, heavily amplified Japan Banjo (also known as a Shaahi Baaja) over Corsanos free-wheeling percussion. Other tracks show off subtle improv moves, with both players using extended techniques to generate a wide range of unusual sounds. Corsanos technical mastery is almost without peer in his generation (Alex Neilson, maybe)-his ability to take the lessons of nearly five decades of free playing and extend them into new ranges is startling and exciting. Rather than play backup, Corsano meets Flowers strings and organ head-on with his own drum-bowing, cello, and circular-breathing-fired melodica." - VHF

Artist: FLOWER-CORSANO DUO
Title: The Chocolate Cities
Format: CDR
Label: Flower Corsano Duo
Country: UK
Price: $7.00
"5 live cuts from Cambridge, UK & Geneva in 2009. Originally available on the Flower-Corsano U.S. Fall tour. Cover done in loving tribute to The Co-ops (UK grocery store) chocolate bar packaging."

Artist: FLOWER-CORSANO DUO
Title: The Four Aims
Format: CD
Label: VHF
Country: USA
Price: $13.00
"The Four Aims is the much-anticipated second full-length by the long-running duo of MICK FLOWER (VIBRACATHEDRAL ORCHESTRA, SUNROOF, MICHAEL FLOWER BAND) and CHRIS CORSANO (FLAHERTY/CORSANO, JANDEK, BJORK, SUNBURNED). In the couple years since their debut, The Radiant Mirror (Textile), the two have toured and recorded frequently, expanding their range to include a mind-boggling array of free sound. "I, Brute Force" kicks off the record with their signature-one of the most original in rock/free/whatever music-the electrifying sound of Flowers virtuosic, heavily amplified Japan Banjo (also known as a Shaahi Baaja) over Corsanos free-wheeling percussion. Other tracks show off subtle improv moves, with both players using extended techniques to generate a wide range of unusual sounds. Corsanos technical mastery is almost without peer in his generation (Alex Neilson, maybe)-his ability to take the lessons of nearly five decades of free playing and extend them into new ranges is startling and exciting. Rather than play backup, Corsano meets Flowers strings and organ head-on with his own drum-bowing, cello, and circular-breathing-fired melodica. DBL.LP due in April." -VHF

Artist: FLOWER-CORSANO DUO
Title: The Undisputed Dimension
Format: 7"
Label: No-Fi
Country: UK
Price: $11.00
"Its not often that two musical behemoths clash heads and the result is so powerful and seismic, but there is truly nothing more explosive than this seemingly tiny 7". With one of the worlds best drummers; the magnificent Chris Corsano (Vampire Belt, Death Unit, Vampire Cant, etc.) and one of the UKs prime improvisers Michael Flower (of the Vibracathedral Orchestra) on Japanese banjo this was always going to be something special, but really just how intense these two tracks are is almost impossible to put into words. Anyone who has seen the duo perform live might have an inkling of the kind of heady psychedelic experience their music drags out of you, and on The Undisputed Dimension their shows are truncated to just ten minutes of music." - No-Fi.
SOLD OUT

Artist: FLOWER-CORSANO DUO
Title: Youll Never Work In This Town Again
Format: CDR
Label: Flower Corsano Duo
Country: USA
Price: $7.00
"Material from the October 2009 tour done with the Flower-Corsano mobile multi-track recording unit. Two tracks (17 & 7 minutes long) from Wood St. Galleries in Pittsburgh, PA and one 19-minute track from Issue Project Room in Brooklyn, NY. 43 minutes total."
SOLD OUT

Artist: FLUFFY LUMBERS
Title: Harry Dollands
Format: 7"
Label: Group Tightener
Country: USA
Price: $5.00
"FLUFFY LUMBERS is the project of SAMUEL FRANKLIN (BIG TROUBLES) hailing from the oddly prolific musical hub of Ridgewood, New Jersey (home to Vivian Girls, Real Estate, Titus Andronicus, Julian Lynch, etc)." - Group Tightener

Artist: FLUTE & VOICE
Title: Drachenlieder
Format: LP
Label: Wah Wah
Country: Spain
Price: $24.00
“Formed by multi-instrumentalists Hans Reffert (Flute) and Hans Brandeis (Voice) in Mannheim in 1969, the Flute & Voice duo discographic debut was issued on Pilz that same year. Their second album was originally recorded in 1973, but it remained unreleased for 22 years until Jack Wieber Records issued it on CD in 1995 as part of a 2 album CD (along with Imaginations Of Light) and now available on vinyl LP format through Wah Wah. But some more material was composed in 1974/1975 and recorded, albeit never going further than the demo stage. Those old tapes showed a further evolution from the previous recordings. They had, of course, the same basic concept, but more intrincate structures and technical challenges were taken. When Brandeis and Reffert met in 1995 to prepare the reissue of Flute & Voice plus Hallo Rabbit on CD they rescued these tapes and thought of chosing the best tracks to re-record them in a proffessional studio. This was done between February and June of 1996 and the results conform Drachenlieder, an album that does not pale in comparison with its predecessors, and one that you wouldnt have thought it was recorded in the nineties if we havent told you as it keeps the excitement, feeling and sound of their 70s recordings.
"We were on a continuous search for something “new.” “This guy is cool, he’s got it...” or “That one is uncool...” were the two main criteria for us to distinguish two categories of musicians: the inven tive, artistic creators of new sounds and the success-oriented plagiators of “commercial” mainstream music. Rarely did we accept other musicians as birds of the same feather, like e.g. the Scottish Incredible String Band or the American Oregon Ensemble – sometimes, but mostly never." (From Hans Brandeis website)
"It was our goal that all our musical compositions should differ from each other as much as possible. Therefore, we adopted elements and ideas from most diverse music traditions and styles – at that time, just like today, an attitude completely opposed to commercial interests." (From Hans Brandeis website)
"For special stage performances and recording sessions, musicians from very different lines joined us: soul and jazz saxophone player Thomas Böhmer, the Indian tabla player Bal Kulkarni who also had played with the Beatles sometime, Ron Martin, the black percussion player from the States, cellist and drummer Clemens Schuster and violin player Dorle Ferber, to name just a few."
"Our approach to music as well as the content of our song lyrics of that time clearly reflected the zeitgeist of the late 1960s: a growing awareness for the social aspects of music and the responsibilities of musicians, hippie values, mind-expansion... Regarding the music, however, we consistently fell between all stools: the jazzers would say that our music was rock, the rockers would regard it as jazz; the folk people considered it as avantgarde music, the avantgarde musicians, however, stated that “now – this is really nothing but pure light music,” and for the musical entertainers, finally, it was a “noble (but lost) art” – for many a one, our music was just too complicated, for others just too naive... Our concept, therefore, was more a kind of “anti-concept:” not wanting to move from one point to another, but to expand from one point into all directions." (From Hans Brandeis website) Krautrock meets world music, heady psychedelic jazz, ethnic explorations. As you can imagine, the bands sound is unique and unlike anything else youve heard, but it will appeal those into artists such as Magic Carpet, Oriental Sunshine, Saddhu Brand, Mick Softleys Sunrise LP, Bobby Callenders Rainbow LP, Sagram, a.o.
Fans of Magic Carpet, King Crimsons In The Court Of The Crimson King, Third Ear Band, Kalacakra, Oriental Sunshine, Bobby Callender, Clem Alford, Kali Bahlu or the "sitar side" of Popol Vuh will enjoy this one! First ever vinyl release, the Wah Wah edition is limited to only 500 copies housed in a cover drawn by Hans Reffert himself.” - Wah Wah.

Artist: FLUTE & VOICE
Title: Imaginations of Light
Format: LP
Label: Amber Soundroom
Country: US
Price: $26.00
"Flute & Voice came from Mannheim/Ludwigshafen, Germany, and was founded by Hans Reffert and Hans Brandeis in 1970 during an amazing weekend at the home of Hans Reffert, where the concept of the legendary album Imagination Of Light was born. The album is really progressive/underground with lots of flutes by Flute Hans Reffert as well as sitar, electric and acoustic guitar and vocals by Voice Hans Brandeis. Short time after this their very interesting album was released ( in April 1970 ) at the legendary Pilz-Label. This official reissue is the first one on vinyl and includes one bonus-track. Nice fold-out-cover and 180 gram." - Amber Soundroom.
SOLD OUT

Artist: FLUTE & VOICE
Title: Imaginations of Light + Hallo Rabbit
Format: Double LP
Label: Wah Wah
Country: Spain
Price: $37.00
"Formed by multi-instrumentalists Hans Reffert (Flute) and Hans Brandeis (Voice) in Mannheim in 1969, the Flute & Voice duo discographic debut was issued on Pilz in 1970. It featured a progressive mixture of ethnic influences and accoustic experimentations making it one of the most sought after pieces from krautrocks most underground scene. Hans Reffert was already considered one of the best guitarists in the Mannheim/Heidelberg area, having played banjo since the age of 12 and then studied with guitar master Siegfriend Schwab, and when he joined forces with Hans brandeis the two experimented with various instruments and voices to find their sound. Imaginations Of Light features a wide range of different tools to make a whole sound spectrum that melts psyched out folk with experimental jazz and world music. Flutes and voices, obviously, are joined by different types of guitars (acoustic, electric, dobro...), electric bass and sitar, all performed by the two Hanses, plus cello, violin and moroccan percussions courtesy of guest musicians Clemens Schuster (cello), Dorle Ferber and Julia Gallwitz (violins) and Guru Gurus Mani Neumeier (percussions - Reffert himself played some years in Guru Guru during the eighties).
Their second album, Hallo RabbitI, originally recorded in 1973, only saw the life as a test pressing that, at the time, was rejected by BASF for release. And so it remained in the vaults until Jack Wieber Records issued it on CD in 1995 as part of a 2 album CD (along with Imaginations Of Light). It shows a progression that some sources have noted to be a more direct and clearly structured sound, but obviously without any concessions to their principles of experimentation in sound, use of different instrumental textures, and their rich ethnic background.
"We were on a continuous search for something “new.” “This guy is cool, he’s got it...” or “That one is uncool...” were the two main criteria for us to distinguish two categories of musicians: the inventive, artistic creators of new sounds and the success-oriented plagiators of “commercial” mainstream music. Rarely did we accept other musicians as birds of the same feather, like e.g. the Scottish Incredible String Band or the American Oregon Ensemble – sometimes, but mostly never." (From Hans Brandeis website)
"It was our goal that all our musical compositions should differ from each other as much as possible. Therefore, we adopted elements and ideas from most diverse music traditions and styles – at that time, just like today, an attitude completely opposed to commercial interests." (From Hans Brandeis website)
"For special stage performances and recording sessions, musicians from very different lines joined us: soul and jazz saxophone player Thomas Böhmer, the Indian tabla player Bal Kulkarni who also had played with the Beatles sometime, Ron Martin, the black percussion player from the States, cellist and drummer Clemens Schuster and violin player Dorle Ferber, to name just a few."
"Our approach to music as well as the content of our song lyrics of that time clearly reflected the zeitgeist of the late 1960s: a growing awareness for the social aspects of music and the responsibilities of musicians, hippie values, mind-expansion... Regarding the music, however, we consistently fell between all stools: the jazzers would say that our music was rock, the rockers would regard it as jazz; the folk people considered it as avantgarde music, the avantgarde musicians, however, stated that “now – this is really nothing but pure light music,” and for the musical entertainers, finally, it was a “noble (but lost) art” – for many a one, our music was just too complicated, for others just too naive... Our concept, therefore, was more a kind of “anti-concept:” not wanting to move from one point to another, but to expand from one point into all directions." (From Hans Brandeis website)
"Compared to the general standard of central Europe, this is most remarkable" (Volker Kriegel said after hearing the duo play).
Krautrock meets world music, heady psychedelic jazz, ethnic explorations. As you can imagine, the bands sound is unique and unlike anything else youve heard, but it will appeal those into artists such as Magic Carpet, Oriental Sunshine, Saddhu Brand, Mick Softleys Sunrise LP, Bobby Callenders Rainbow LP, Sagram, a.o.
Fans of Magic Carpet, King Crimsons In The Court Of The Crimson King, Third Ear Band, Kalacakra, Oriental Sunshine, Bobby Callender, Clem Alford, Kali Bahlu or the "sitar side" of Popol Vuh will enjoy this one! The Wah Wah edition is limited to only 500 copies, housed in the original psychedelic gatefold cover originally drawn by Hans Reffert and expanded with the inclusion of their second LP, Hallo Rabbit, issued in vinyl for the first time ever!” - Wah Wah.

Artist: FLUWELEN KOORD
Title: Luxe Poesjes
Format: 7"
Label: Ultra Eczema
Country: Belgium
Price: $12.00
"One thing is for sure: those paintings are not going to make themselves! Shaking the hands of these four painting graduates is much easier since Fluwelen Koord came into being; these days, they’re as clean as my dad’s white car. They’ve buried their brushes and pencils ever since their debut CDR sold out (all 35 copies of it). In no time at all, with jackets firmly buttoned, they’ve forged ahead to dominate stages in Belgium and Holland with their combination of non-music, no wave art punk and plastic dandyism; arrogant Flemish poems couched in a racy Croatian accent. Limited to 200 copies, stamped artwork by Dennis Tyfus" - Ultra Eczema.
SOLD OUT

Artist: FLYING CALVITTOS
Title: Goodbye You Spaghetti Punks
Format: 7"
Label: Insolito
Country: Germany
Price: $11.00
"An obscure Record by an obscure band. A true Australian DIY Classic that isnt much known outside of OZ. Were really proud to get this EP re-released for the first time." - Insolito.
"Flying Calvittos - Goodbye You Spaghetti Punks (Groove Records, Australia 1980) A strange noise-rock monstrosity from the nation behind, come to think of it, some of the finest records in the genre (SPKs "No More," Slugfuckers "Deaf Disco", any early Tactics). This record however is hopelessly obscure, and doesnt have much of a reputation outside of the want lists of Oz-punk completists. That is wrong, wrong! The EP ranges from sick, amazing Electric Eels/X Blank X noise/art/punk howl to Residents-y blubber to the oddly anthemic klutzy and scrappy atmosphere of the title track. It is odd that this band sank without much of a trace, especially as it seems like they hailed from Sydney." - Johan Kugelberg.

Artist: FLYING CANYON
Title: Flying Canyon
Format: CD
Label: Soft Abuse
Country: USA
Price: $12.00
"Soaring like The Eagles on Robitussin, Flying Canyons mournful California folk-rock slowly ascends into the desert sky. Imagine the distant moan of a melted CSN&Y cassette floating up from a boombox deep in a ravine while crows pick at a corpse on the mesa. Existing in the sun-baked tradition of burnt-out Cosmic Californians like Sky Sunlight Saxon, Skip Spence, David Crosby and Phil Perlman, frontman Cayce Lindner is tapping a rich vein of indigenous folk, rock & country. Much like their forefathers, Flying Canyon are not traditionalists. With organ, fuzz bass, cathedral harmonies & cavernous drums, the band slows the pace to a funeral crawl.  An apocalyptic and almost religious feeling emanates from this music, while Lindner, with quavering vocals of the Young/Garcia axis and a sensitive masculinity akin to Kristofferson, delivers his high desert eulogies; mournful tales of eternal love and despair. Backing Lindner in Flying Canyon are Shayde Sartin (Kelley Stoltz, The Skygreen Leopards, Giant Skyflower Band, etc) and Jewelled Antlers Glenn Donaldson (The Skygreen Leopards, Thuja, Giant Skyflower Band, The Franciscan Hobbies, etc). Donaldson recorded Flying Canyon on a crumbling reel-to-reel tape machine at his home in San Franciscos famed Mission District, mere blocks from where Sir Douglas Quintet recorded their classic Together After Five LP." - Soft Abuse.

Artist: FLYING LIZARDS, THE
Title: The Secret Dub Life Of The Flying Lizards
Format: LP
Label: Staubgold
Country: Germany
Price: $18.00
"Jah Lloyd meets David Cunningham on The Secret Dub Life Of The Flying Lizards from The Flying Lizards. These legendary recordings from 1978 are now available on vinyl for the first time." - FE. "The source tapes for this LP were recorded in Jamaica by Jah Lloyd (Patrick Francis) as part of a series he made for Virgin Records Front Line label. The original tapes were not released and were offered to me by Front Lines Jumbo Vanrennen with the suggestion that I should remix the music. I accepted the project, expecting lots of time in one of Virgins studios to play with the music and the equipment, only to be presented with a mono master tape. So I began to invent (or perhaps re-invent) techniques of editing, looping, filtering and subtraction to deal with unremixable mono material (these were the days before samplers). The subsequent work took a long time: as I thought it might be something of an indulgence, I worked on it at weekends and evenings rather than let it interfere with other projects. The techniques used here expanded my vocabulary of musical electronic (as opposed to electronic music) treatments and appear in a very different form on records made at that time, notably Fourth Wall, my collaboration with Patti Palladin, and my production work on Michael Nymans records. The original players remain unidentified. Jah Lloyd used various combinations of musicians but did not include who played on which tracks." --David Cunningham, May 1995.

Artist: FLYING SAUCER ATTACK
Title: P.A. Blues
Format: CDR
Label: VHF
Country: USA
Price: $10.00
"Personal selection of live material compiled by Dave Pearce for "casual" release. The centerpiece is "P.A. Blues," a massive collage of bracing, full-on sound recorded at various 1994 shows. Moving through various moods and grooves, the piece is similar to the material on the out of print In Search Of Spaces/Live CD released a few years back on Hermes Corp, tho theres no overlap in the contet between the two CDs. Also included: the 1995 groups take on the oft-covered "She Moved Through The Fair, a subdued performance of "The Season Is Ours," and an uncirculated (and assaultive) 1994 instrumental rehearsal, which I believe pre-dates FSAs first live performance. In mini-gatefold. 4 tracks, 66 mins" - VHF.
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Artist: FLYNN, DEVIN
Title: Light Show Music for Joshua White & Gary Panter
Format: LP
Label: Arbitrary Signs
Country: USA
Price: $25.00
"A psychedelic melange of acid guitar jams and cartoon music for the Joshua White/ Gary Panter exhibition at the Museum of Contemporary Art Detroit." - Arbitrary Signs. Packaged in 2 color screened sleeves with art by Gary Panter and a 4 page foldout insert with art and an interview with Joshua White and Gary Panter.

Artist: FLYNT & NOVABILLY, HENRY
Title: NovaBilly
Format: CD
Label: Locust
Country: USA
Price: $14.50
"Taste the magic! NovaBilly is another edible audible from Henry Flynts dusty lower Manhattan bunker and it stands as one of the fullest, most beauteous document of Flynts tenure with a full working rock band to date. For less than one calendar year between 1974 and 1975, Henry Flynts hard driving, heavy jamming agit country rock band, NovaBilly embraced bareknuckled deep fried groove attacks, bearded hippie jam band workouts & a monstrous melange of blues, boogie and free jazz squeal into a musical soufflé that could only have come together with Flynt cooking up what was proven to be, time and again, an impossible vision within the confines of the SOHO art orbit of the 70s. After a couple performances at Anthology Film Archives and studio sessions in Richmond, Virginia and Manhattan, the band postered SOHO in a last ditch effort to get some traction with the hipsters that read, Party on down to the Kitchen. Stoned country music for rock country. The gig, like all the others before it, was poorly attended. NovaBilly played what would be their last live gig at the Kitchen on June 27, 1975. NovaBilly covers a damned fine and important moment in Henry Flynts musical career. If the Insurrections laid the foundation for his anti-war primitive garage rock sound, the emergence, nearly a decade later, of NovaBilly is the realization of Henrys own vision of obtuse personal politics (I was a creep), provocative left-wing posturing (check their version of the world communist anthem The International!) and a gleefully recombinant spin on southern music. 13 cuts and 60 minutes of old glory!" - Locust.
SOLD OUT

Artist: FLYNT & NOVABILLY, HENRY
Title: NovaBilly
Format: Double LP
Label: Locust
Country: USA
Price: $27.00
"Double LP version, deluxe gatefold packaging. "Taste the magic! NovaBilly is another edible audible from Henry Flynts dusty lower Manhattan bunker and it stands as one of the fullest, most beauteous document of Flynts tenure with a full working rock band to date. For less than one calendar year between 1974 and 1975, Henry Flynts hard driving, heavy jamming agit country rock band, NovaBilly embraced bareknuckled deep fried groove attacks, bearded hippie jam band workouts & a monstrous melange of blues, boogie and free jazz squeal into a musical soufflé that could only have come together with Flynt cooking up what was proven to be, time and again, an impossible vision within the confines of the SOHO art orbit of the 70s. After a couple performances at Anthology Film Archives and studio sessions in Richmond, Virginia and Manhattan, the band postered SOHO in a last ditch effort to get some traction with the hipsters that read, Party on down to the Kitchen. Stoned country music for rock country. The gig, like all the others before it, was poorly attended. NovaBilly played what would be their last live gig at the Kitchen on June 27, 1975. NovaBilly covers a damned fine and important moment in Henry Flynts musical career. If the Insurrections laid the foundation for his anti-war primitive garage rock sound, the emergence, nearly a decade later, of NovaBilly is the realization of Henrys own vision of obtuse personal politics (I was a creep), provocative leftwing posturing (check their version of the world Communist anthem, The International!) and a gleefully recombinant spin on southern music. Thirteen cuts and 60 minutes of old glory!" - Locust.
SOLD OUT

Artist: FLYNT & THE INSURRECTIONS, HENRY
Title: I Dont Wanna
Format: CD
Label: Locust
Country: USA
Price: $14.50
"Our man Flynt shatters the categories once again with this surprise collection of his short lived basement rock protest band, The Insurrections, from 1966. Let there be no doubt in anyones mind: Flynts version of protest music isnt your cultural-commissar school of folk posturing. Its agro and Flynt is an unhinged showman on helium induced vox and the electric guitar (his teacher was none other than Lou Reed). Imagine a mix of Sky Saxon (of Seeds fame) with a dash of Roky Erickson thrown in on vocals, a little bit of the Cramps scary monster dramatics thrown in for good measure & the swamp chugalug laziness of vintage Pussy Galore and you get an idea what Flynt was up to at this phase in his non-career. Features legendary sculptor Walter De Maria on drums, confirming our hidden suspicion that in every great artist theres a desire to rock & beneath every fine gallery, there is a basement. Photos by George Maciunas." - Locust. Highly Recommended!
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Artist: FLYNT & THE INSURRECTIONS, HENRY
Title: I Dont Wanna
Format: CD
Label: Locust
Country: USA
Price: $14.50
"Our man Flynt shatters the categories once again with this surprise collection of his short lived basement rock protest band, The Insurrections, from 1966. Let there be no doubt in anyones mind: Flynts version of protest music isnt your cultural-commissar school of folk posturing. Its agro and Flynt is an unhinged showman on helium induced vox and the electric guitar (his teacher was none other than Lou Reed). Imagine a mix of Sky Saxon (of Seeds fame) with a dash of Roky Erickson thrown in on vocals, a little bit of the Cramps scary monster dramatics thrown in for good measure & the swamp chugalug laziness of vintage Pussy Galore and you get an idea what Flynt was up to at this phase in his non-career. Features legendary sculptor Walter De Maria on drums, confirming our hidden suspicion that in every great artist theres a desire to rock & beneath every fine gallery, there is a basement. Photos by George Maciunas." - Locust
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Artist: FLYNT & THE INSURRECTIONS, HENRY
Title: I Dont Wanna
Format: LP
Label: Bo Weavil
Country: UK
Price: $27.00
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Artist: FLYNT, HENRY
Title: Back Porch Hillbilly Blues Volume 1
Format: LP
Label: Locust
Country: USA
Price: $18.00
"180 gram vinyl. Like a hidden relic from the far side of the Harry Smith catalog, these early 1960s recordings are a splendid collection of high lonesome hillbilly fiddle and ukulele instrumentals that are surely Henry Flynts most articulated statements to date of his honest-to-god, true-to-life affinity and love for that dry earth choogaloo upper mountain lower boogaloo foot stomping folk music. Standouts include the acid fried 13th Floor Elevators-ish Sky Turned Red and the 15-plus minute lazy zen epic hum and strum album closer, Blue Sky, Highway and Tyme. No doubt, this is Appalachian bruit driving music bar none." -Locust
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Artist: FLYNT, HENRY
Title: Back Porch Hillbilly Blues Volume 1 & 2
Format: Double LP
Label: Bo Weavil
Country: UK
Price: $35.00
"This is the limited (500 copies ) double vinyl pressing of avant-hillbilly master fiddler Henry Flynt, originally on Locust, as two separate CDs. Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening echo rock, in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of Jamboree, Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms, schisms and jisms. This is music that howls from a unique voice whose love for the folk songbook (known and imagined) is as resonant as a cowbell and as deep as a freshwater." - Bo Weavil.
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Artist: FLYNT, HENRY
Title: Back Porch Hillbilly Blues Volume 2
Format: CD
Label: Locust
Country: USA
Price: $14.50
"Here we find ourselves hot on the skidmarks of Henrys brawl with sonic self invention documented on last summers splendid Raga Electric with two complementary volumes emerging from the same physical time but a very different head space continuum indeed. On BPHB Volume 2, avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening echo rock, in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of Jamboree, Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms, schisms and jisms. This is music that howls from a unique voice whose love for the folk songbook (known and imagined) is as resonant as a cowbell and as deep as a freshwater well." - Locust

Artist: FLYNT, HENRY
Title: Back Porch Hillbilly Blues Volume 2
Format: LP
Label: Locust
Country: USA
Price: $18.00
"180 gram vinyl. Here we find ourselves hot on the skidmarks of Henrys brawl with sonic self invention documented on last summers splendid Raga Electric with two complementary volumes emerging from the same physical time but a very different head space continuum indeed. On BPHB Volume 2, avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening echo rock, in which Flynt does his best to compete with the electroecho buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of Jamboree, Flynt proves once again that his is not a music simply rooted in the taut belt of New York-isms, schisms and jisms. This is music that howls from a unique voice whose love for the folk songbook (known and imagined) is as resonant as a cowbell and as deep as a freshwater well." -Locust
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Artist: FLYNT, HENRY
Title: Back Porch Hillbilly Blues, Vol. 1
Format: CD
Label: Locust
Country: USA
Price: $14.50
"Like a hidden relic from the far side of the Harry Smith catalog, these early 1960s recordings are a splendid collection of High lonesome hillbilly fiddle and ukulele instrumentals that are surely Henry Flynts most articulated statements to date of his honest to god, true to life affinity and love for that dry earth choogaloo upper mountain lower boogaloo foot stomping folk music. Standouts include the acid fried 13th Floor Elevators-ish Sky Turned Red and the 15 plus minute lazy zen epic hum and strum album closer, Blue Sky, Highway and Tyme. No doubt, this is Appalachian bruit driving music bar none." - Locust.

Artist: FLYNT, HENRY
Title: C Tune
Format: CD
Label: Locust
Country: USA
Price: $14.00
"2008 repress, originally released 2002. Henry Flynt is a seasoned tourist of The World Of The Other Ear and C Tune is his ringing, psychedelic meditation on/from the cosmos. Call it a sonic postcard or call it late night head music or even call it ecstatic minimalism if you have to. On this forty seven plus minute foray, our man Flynt takes his electrified fiddle and blends his droning sonic calisthenics with lonesome swing melodies and high decibel screech to the somnambulistic playing of his expat mathematician pal Mr/Mrs. C.C. Hennix on Pran Nath Tamboura. Recorded in 1980 in an undisclosed pocket of the galaxy and now available for blissful consumption." -Locust
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Artist: FLYNT, HENRY
Title: Glissando No. 1
Format: CD
Label: Recorded
Country: USA
Price: $21.00
"A trance-tape piece, constituting one of three known examples of the Illuminatory Sound Environment genre (the other two being Catherine Christer Hennixs The Electric Harpsichord (Die Schachtel 2010) and HENRY FLYNTs upcoming Celestial Power (Quadraphonic Version)). JOHN BERDNTs enthralling liner notes explain ISE as "an unfurling sound field of overwhelming but far from gratuitous sensuality, a highly tuned texture where all of the aspects are coordinated to make a deeply unusual whole, a new kind of perceptual gestalt.... The piece has a disorienting flow that does something strange to time. Its internal structural logic is fascinating but lacks the distraction of an obvious narrative drama-an eternal sound, implying a potentially endless process.... Glissando No. 1 is perhaps the darkest and most feverish expression of the genre, its massed strings and continual timbral transformations covering both a broad audio spectrum and saturating all points in the stereo field with a hallucinogenic and emotive canopy." Companion track "Stereo Piano" from 1978, performed by CATHERINE CHRISTER HENNIX, is also included (her "billowing cloud" piano technique applied to a scale of Flynts, subsequently layered by Flynt himself). With sixteen-page booklet." -Recorded.

Artist: FLYNT, HENRY
Title: Graduation
Format: Double LP
Label: Superior Viaduct
Country: USA
Price: $29.00
"HENRY FLYNT took a high-brow approach to so-called low-brow music. Combining sounds from his native North Carolina with an avant-garde sensibility honed in New York Citys loft scene in the 1960s, Flynt created what he describes as "new American ethnic music." As a student of Hindustani singer Pandit Pran Nath alongside La Monte Young and Terry Riley, an associate of the Fluxus movement, and even a live collaborator with the Velvet Underground, Flynt was a part of one of the 20th centurys richest art and music milieus. Graduation, recorded between 1975 and 1979, was meant to be the debut of his avant-garde hillbilly music. The albums title track is a slow, twisted ballad that unfolds like a funeral dream over dirge-like country riffs. "Celestial Power," the albums 20-minute closing track, is an entrancing minimalist composition performed strictly with oscillating vibrato guitar. As Flynt explains, "I aspire to a beauty which is ecstatic and perpetual, while at the same time being concretely human and emotionally profound." Shelved upon its completion in 1980, Graduation was not released until after the turn of the century. In 2013, it still sounds years ahead of its time. Includes digital download card." -Superior Viaduct.
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Artist: FLYNT, HENRY
Title: Graduation
Format: Double LP
Label: Superior Viaduct
Country: USA
Price: $29.00
"Henry Flynt took a high-brow approach to so-called low-brow music. Combining sounds from his native North Carolina with an avant-garde sensibility honed in New York Citys loft scene in the 1960s, Flynt created what he describes as new American ethnic music. As a student of Hindustani singer Pandit Pran Nath alongside La Monte Young and Terry Riley, an associate of the Fluxus movement, and even a live collaborator with the Velvet Underground, Flynt was a part of one of the 20th centurys richest art and music milieus. Graduation, recorded between 1975 and 1979, was meant to be the debut of his avant-garde hillbilly music. The albums title track is a slow, twisted ballad that unfolds like a funeral dream over dirge-like country riffs. Celestial Power, the albums 20-minute closing track, is an entrancing minimalist composition performed strictly with oscillating vibrato guitar. As Flynt explains, I aspire to a beauty which is ecstatic and perpetual, while at the same time being concretely human and emotionally profound. Shelved upon its completion in 1980, Graduation was not released until after the turn of the century. In 2013, it still sounds years ahead of its time." - Superior Viaduct.

Artist: FLYNT, HENRY
Title: I Was A Creep
Format: 7"
Label: Locust
Country: USA
Price: $8.00
"another fix from the Henry Flynt vaults featuring henry with his downtown NY agitcountry band NovaBilly. Culled from the May 1975 NovaBilly concert at Anthology Film Archives, youd be hard pressed to find a finer representation of Henrys convergence of high lonesome Carolina hillbilly twang and the NY no wave groove than on these two sides: "I was a creep (soul mash" & Left Ear (Greensboro Senior High Song). Get it fast! We only did up 300 copies of this one & when theyre gone, theyre gone." - Locust. "If I hadnt known already it was Henry Flynt, Id have swore it was a recording of Bob Mothersbaugh fronting 10 60 75 (The Numbers Band) from some long forgotten Saturday night stint at JBs in Kent. Those chooglin barroom blues, weve all hadem! The flip is way more curious & shows the real Rolling Thunder that year didnt belong to Dylans revue but instead to an anonymous bunch called NovaBilly whose solid backbeats & higher key interactions of fiddles n gits reduces the white frocked, turban wearing, mime-faced Renaldo & Clara folly to the outhouse of hokum.In fact, this is so great I got an uncontrollable urge to scream Fuck Bob Neuwirth! at the top of my lungs. So please excuse me while I amble down to the basement & expell my catharsis. Thank you." - Siltblog. "This thing is a sophistos "real people" disc, recorded by this Flynt guy in 1975 some time after the holler depicted on those LPs. Ill just say that the a-side sounds like 1979 no-wave as predicted using a Roxy Music-brand magic eight ball and that the flip is just a serious bite of moon cheese, weird and disorienting. There aint very many of these and life is too short to harbor regret�?�as I have learned. Rats." - Z Gun.
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Artist: FLYNT, HENRY
Title: New American Ethnic Music Volume 4: Ascent to the Sun
Format: CD
Label: Recorded
Country: USA
Price: $16.50
"The final release in the New American Ethnic Music series (but not the last Henry Flynt on Recorded) is Ascent to the Sun, a brilliant, sparkling hillbilly raga in the family of You Are My Everlovin but with a unique double violin approach and a mind-bending structure all its own. The piece covers incredible ground in terms of specificity of mood and sentiment, and is deeply listenable and experimental at once. It is a new creation by Flynt circa 2004, engineered by Tim Barnes." - Recorded
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Artist: FLYNT, HENRY
Title: People Think
Format: Book
Label: Flynt, Henry A.
Country: USA
Price: $13.00
"concerns the uneasy consciousness." -Henry Flynt. 1998.
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Artist: FLYNT, HENRY
Title: Purified by the Fire
Format: CD
Label: Locust
Country: USA
Price: $14.50
Recorded 12/14/81. "The psychedelic sounds of musical pioneer Henry Flynts drone works with collaborator C.C. Hennix are quietly becoming the stuff of legend. Over some 40 plus minutes, we are treated to a true tour de force thats part Hindustani inflected musical miasma and part warped hillbilly vibrational swing that sways in and out of auditory focus. This is vertiginous music for the third ear. Line Up: Henry Flynt (Violin); C.C. Hennix (Pandit Pran Nath Tamboura)." - Locust.
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Artist: FLYNT, HENRY
Title: Raga Electric
Format: Picture Disc LP
Label: Locust
Country: USA
Price: $42.00
"In the early 60s, fresh from his clean behind the ears years at Harvard, Henry was undergoing rapid ideological shifts: cavorting with Maciunas and the whole Fluxus bit, doing performances at Yoko Onos loft and recording with La Monte Young; having it out with his Stalinist cohorts over the relative merits of a good blues run and searching for a new musical language outside of the various generic artistic restrictions before him at the time. What he arrived at was an expressive practice he dubbed audact (auditory acognitive cultural activity) and that is what you will hear on this collection. Collecting key material from 1963 to 1971, Raga Electric is a 7 piece distillation of some of Henrys most adventurous, audactatious, outsider musical endeavors. The record begins with, of all things, a hybrid, off the wall treatment of the traditional supranationalist anthem The Marines Hymn sung in a thick tongued, fully untudored Hindustani vocalese to brilliantly sun drenched, lightly strummed acoustic guitar accompaniment. The title cut, Raga Electric, is a twisted, howling fake hindustani rag with staccato untuned guitar and bleating screams recorded at his home just a few short hours after catching Pandit Pran Nath at a downtown morning concert. The howling orgasmic yodel of a visionarys self-posession and certain surrender on this 1966 cut puts Henry somewhere at the epicenter of the folk isolationist world of Jandek and the ethnodislocation of the Sun City Girls, to name but a few. The side long closer, Free Alto, is a monstrous exploration of the ins and outs of the tenor saxophone which, upon hearing it, Terry Riley referred to as a very articulated musical program. Though it remains Henrys single meeting with the instrument, over the course of some 13 odd minutes, he finds out everything he needs to know about the horn and gets into some pretty hairy free squelch and squeal territory in the process. I was just pulling sounds out of a hat and just stringing them together, he recently told me. As hats go, this one should fit the heads of todays listeners just fine." - Locust. Limited picture disc, edition of 250 copies.
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Artist: FLYNT, HENRY
Title: Raga Electric
Format: LP
Label: Locust
Country: USA
Price: $18.00
"Limited edition 180 gram vinyl version with glossy insert. In the early 60s, fresh from his clean behind the ears years at Harvard, Henry was undergoing rapid ideological shifts: cavorting with Maciunas and the whole Fluxus bit, doing performances at Yoko Onos loft and recording with La Monte Young; having it out with his Stalinist cohorts over the relative merits of a good blues run and searching for a new musical language outside of the various generic artistic restrictions before him at the time. What he arrived at was an expressive practice he dubbed audact (auditory acognitive cultural activity) and that is what you will hear on this collection. Collecting key material from 1963 to 1971, Raga Electric is a 7 piece distillation of some of Henrys most adventurous, audactatious, outsider musical endeavors. The record begins with, of all things, a hybrid, off the wall treatment of the traditional supranationalist anthem The Marines Hymn sung in a thick tongued, fully untudored Hindustani vocalese to brilliantly sun drenched, lightly strummed acoustic guitar accompaniment. The title cut, Raga Electric, is a twisted, howling fake hindustani rag with staccato untuned guitar and bleating screams recorded at his home just a few short hours after catching Pandit Pran Nath at a downtown morning concert. The howling orgasmic yodel of a visionarys self-posession and certain surrender on this 1966 cut puts Henry somewhere at the epicenter of the folk isolationist world of Jandek and the ethnodislocation of the Sun City Girls, to name but a few. The side long closer, Free Alto, is a monstrous exploration of the ins and outs of the tenor saxophone which, upon hearing it, Terry Riley referred to as a very articulated musical program. Though it remains Henrys single meeting with the instrument, over the course of some 13 odd minutes, he finds out everything he needs to know about the horn and gets into some pretty hairy free squelch and squeal territory in the process. I was just pulling sounds out of a hat and just stringing them together, he recently told me. As hats go, this one should fit the heads of todays listeners just fine." -Dawson Prater
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Artist: FLYNT, HENRY & CC HENNIX
Title: Dharma Warriors
Format: CD
Label: Locust
Country: USA
Price: $15.00
"The Dharma Warriors was the elemental guitar/drum rock concoction of Henry Flynt & C.C. Hennix. In 1983, the pair hooked up in Woodstock at Hennixs rented house and let freedom ring with two lengthy boombox recordings. Warriors of the Dharma and Mount Fuji on My Mind are classics of unrefined blues boogie and unhemmed stoner rock." -Locust
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Artist: FLYNT, HENRY & CC HENNIX
Title: Dharma Warriors
Format: LP
Label: Locust
Country: USA
Price: $18.00
"Limited vinyl LP version. The Dharma Warriors was the elemental guitar/drum rock concoction of Henry Flynt & C.C. Hennix. In 1983, the pair hooked up in Woodstock at Hennixs rented house and let freedom ring with two lengthy boombox recordings. Warriors of the Dharma and Mount Fuji on My Mind are classics of unrefined blues boogie and unhemmed stoner rock." -Locust
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Artist: FLYNT, HENRY & THE INSURRECTIONS
Title: I Dont Wanna
Format: LP
Label: Locust
Country: USA
Price: $18.00
"180 gram vinyl. Our man Flynt shatters the categories once again with this surprise collection of his short-lived basement rock protest band, The Insurrections, from 1966. Let there be no doubt in anyones mind: Flynts version of protest music isnt your cultural-commissar school of folk posturing. Its aggro and Flynt is an unhinged showman on helium-induced vox and the electric guitar (his teacher was none other than Lou Reed). Imagine a mix of Sky Saxon (of Seeds fame) with a dash of Roky Erickson thrown in on vocals, a little bit of the Cramps scary monster dramatics thrown in for good measure & the swamp chugalug laziness of vintage Pussy Galore and you get an idea what Flynt was up to at this phase in his non-career. Features legendary sculptor Walter De Maria on drums, confirming our hidden suspicion that in every great artist theres a desire to rock & beneath every fine gallery, there is a basement. Photos by George Maciunas." -Locust
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Artist: FNU RONNIES
Title: Golem
Format: Cass + Poster
Label: Skrotup
Country: USA
Price: $12.00
"FNU Ronnies surprised and won over a slew of discerning listeners when their debut came out in 2008. Their abrasive and chaotic approach to jagged punk rock marred with heavily distorted electronic vibes was like discovering a brand new aphrodisiac for noiseniacs.On Golem, the trio adds a new layer to their fender bending. Imagine a semi-analog liaison between a short-circuiting TR 808, dime store pulp instruments played through a blown-out car stereo and vocals recorded with a can at the end of a string, in the shadow of a huge black monolith. Three songs of goofy perfection and industrial snap-to carnage lasting a total of seventeen minutes, with the epic title track clocking in at the ten minute mark, makes Golem the closest youll get to sipping maple syrup with a straw, without actually sucking." -Skrotup
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Artist: FNU RONNIES
Title: Meat
Format: 7"
Label: Richie
Country: USA
Price: $5.00
"FNU Ronnies aint in no way Chrome obsessed unless you call takin a huge shit on Helios Creeds head a form of tribute. The lip moves these guys gabble forth slur around the atmosphere like a mistve toxic mold spores before dropping into the wanton wire n drum carnage & the whole thing sounds like a drunken Borg short-circuiting to a lethal mix of equal parts Deutch-Amerikanischen Freundschafts debut & Wires Pink Flag. This one needs to heard to be coveted." -Siltblog
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Artist: FNU RONNIES
Title: s/t
Format: LP
Label: Night People
Country: USA
Price: $14.00
"This record has been in the works for a little while now and Night People couldnt be more happy to see it finally out. FNU RONNIES find home turf in both Philly and Oakland and have a previous 7-inch on Richie Records. This one-sided 12-inch contains the same material as the recent cassette/CD on Denmarks Skrot Up label, but is now reissued on vinyl. Deluxe art work by band member JIM VAIL with silkscreening by SHAWN REED. FNU Ronnies are a weird almost indescribable mix of fucked up hardcore propulsion, industrial heaviness, electronics thrashing, and punked out cyborg nihilism. Aesthetic themes elude to psychedelic nightmares, Middle Earth monsters, and generally dark times. Seeing this band live last summer was a revelation into how musical genres could be mutated into something truly unpredictable and inspiring." - Night People
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Artist: FNU RONNIES
Title: S/T
Format: 7"
Label: Richie
Country: USA
Price: $5.50
"This record has been in the works for a little while now and we couldnt be more happy to see it finally out. FNU Ronnies find home turf in both Philly and Oakland and have a previous 7inch on Richie Records. This 12" contains the same material as the recent cassette/CD on Denmarks Skrot Up label but we think youll find the reissue well worth it. Deluxe art work by band member Jim Vail with silkscreening by Shawn Reed, FNU Ronnies are a weird almost indescribable mix of fucked up hardcore propulsion, industrial heaviness, electronics thrashing, and punked out cyborg nihilism. Aesthetic themes elude to psychedelic nightmares, Middle Earth monsters, and generally dark times. Seeing this band live last summer was a revelation into how musical genres could be mutated into something truly unpredictable and inspiring." - Richie.
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Artist: FNU RONNIES
Title: Saddle Up
Format: LP
Label: Load
Country: USA
Price: $17.00
"FNU Ronnies have been burning the long one on this platter, emerging with a masterpiece of sealed plastic heavy on heady froth. For those that demand rock fury it is here in buckets. The sound on this LP is a murky tunnel of punked out alien sounds with dirty sounds & ideas last talked about at NASA around the time of the last faked moon landing. So if future sounds are where you lay your jammy pack, this LP is gonna be playing where you park. Comes in intense gatefold jacket." -Load.

Artist: FO A RM
Title: #5 (autonomy)
Format: Book/CD
Label: Sedimental
Country: USA
Price: $16.50
156 page softbound book, with added CD. "Special section on Phillipine composer Jose Maceda. An in-depth interview with the reclusive Serbian radio composer Arsenije Jovanovic. An essay on the early scores of Robert Ashley by cellist Alex Waterman. A history of the non-profit artists residency by the Boston-based Berwick Research Institute. Contributions from: Giancarlo Toniutti, Francisco Lopez, Achim Wollscheid and John Duncan, Michael Bullock, Max Krafft, Luis Lopez with composer Barbara Held, Przemyslaw Jasielski, Michael J. Schumacher, Lionel Marchetti, Paolo Javier, Steven Zultanski and Travis Nichols, Chris McDonald. Sedimental pressed compact disc at 80 minutes in length: Jonas Baes, Barbara Held, Arsenije Jovanovic, Jose Maceda and Michael J. Schumacher." -Sedimental.
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Artist: FO A RM
Title: No. 4
Format: Mag/CD
Label: Fo A Rm
Country: USA
Price: $12.50
"Includes an exclusive soundwork from Phill Niblock entitled Ghosts and Others. The material on the CD is a very different work that Phill created for an installation at MJ Scumachers Studio Five Beekman series in March of 1998. Because this material is much more of an audio collage/field recording than Phills typical composed droneworks he never felt comfortable for it to be released as a regular document. This is the first formal, and only, release of the document. It is a full length CD. (Topography) includes essays by sound theorists Douglas Kahn (Noise Water Meat) and Steven Connor (Dumbstruck), lengthy interviews with minimalist luminary Phill Niblock and Biennial darling Julianne Swartz, articles by composers Marc Behrens, Eric LaCasa and Jean-Luc Guionnet, an historical essay by Eliot Weinberger and poetic works by William Fox, Charles Stein and Rachel Daley, among many other things. FO A RM is an interdisciplinary journal of arts and research, published once yearly. We encourage cross-genre methods and investigative projects, with a focus on sound-art, experimental poetics and social sculpture. Each issue clusters around a given topic, gathering together a variety of perspectives, methods and articulations, from the extravagant to the pedestrian."

Artist: FOCKEWULF 190
Title: Microcosmos 82-86
Format: Double LP
Label: Vinyl-On-Demand
Country: Germany
Price: $41.00
"Suberb synth- and wave-tunes of Fockewulf 190 including the two Italo-disco-classic 12"s Body Heat and Gitano plus more demos and so far unreleased treasures like Orient Express collected from the archive of Victor. Victor once stated: The Fockewulf 190 project was created as a shape equal to a substance, experimental analogy electronic music connected to the theatrical and mimic power of rock and the romantic and esthetic force of the electronic dance of the 80s. We translated those expressive channels with the force of a psychedelic mind folded into a magic and evocative world, an profound research into ourselves. This personal and futuristic mysticism originated the dark side of Italo disco. The publishing, 25 years later, of what should have been our first album in 1986, Microcosmos, shines a light on the sonic creativity of the Fw 190, also because its a record composed only by simple original demos; something pure and synthetic, uncontaminated by commercial compromises." - Vinyl-On-Demand. Gatefold sleeve; numbered edition of 600 copies.

Artist: FOCKEWULF 190
Title: The First and Second Side of the Mystic Synth
Format: 4 LP Box/7"
Label: Pripuzzi
Country: Germany
Price: $106.00
"Limited to 99 copies. This box set combines the last and long-overdue work of the highly influential, enigmatic, and near-mythical Italian group Fockewulf 190, The First and Second Side of the Mystic Synth, with a re-work of the 1986 demo LP In the Rooms of Memory, a clear vinyl repress of the 2011 double LP compilation Microcosmos 1982-86 (only available as part of this box set), a bonus 7", and a shirt. The First and Second Side of the Mystic Synth and In the Rooms of Memory are also available as a standalone double LP (PRIP 004LP). As protagonists of the dark side of Italo disco that evolved and developed in the mid 80s, Fockewulf 190 influenced countless newborn artists all over the globe. This final studio LP, The First and Second Side of the Mystic Synth, in combination with a re-work of the 1986 demo LP In the Rooms of Memory, represents the final chapter of Fockewulf 190s output, as mastermind and co-leader Victor Life (who formed Fockewulf together with vocalist Dario DellAere) sadly passed away in early 2014. Microcosmos collects the groups two original 1984 singles, Gitano and the legendary Body Heat, together with demos from 1982-86 and remixes by Maurizio Piazza and Fockewulf. "Body Heat," which features the "voice of Italo Disco," Fred Ventura, caused I-F to exclaim, "It rocks so hard, its a scandal." Few were aware at the time of the full extent of Fockewulf 190s mystical sonic concepts, which dealt with the esoteric integration of Kabbalah into electronic music. Fockewulf 190 was created as a shape equal to a substance, experimental analog electronic music connected to the theatrical power of rock and the romantic and aesthetic force of electronic dance music of the 80s. Fockewulf translated those expressive channels with the force of a psychedelic mind folded into a magic and evocative world." - Pripuzzi.

Artist: FOCKEWULF 190
Title: The First and Second Side of the Mystic Synth
Format: Double LP
Label: Pripuzzi
Country: Germany
Price: $34.00
"Gatefold double LP limited to 400 copies. The last and long-overdue work of the highly influential, enigmatic, near-mythical Italian group Fockewulf 190. As protagonists of the dark side of Italo disco that evolved and developed in the mid 80s, they influenced countless newborn artists all over the globe. This final studio LP, The First and Second Side of the Mystic Synth, in combination with a re-work of the 1986 demo LP In the Rooms of Memory, represents the final chapter of Fockewulf 190s output, as mastermind and co-leader Victor Life (who formed Fockewulf together with vocalist Dario DellAere) sadly passed away in early 2014. Fockewulf 190 was created as a shape equal to a substance, experimental analog electronic music connected to the theatrical power of rock and the romantic and aesthetic force of electronic dance music of the 80s. Fockewulf translated those expressive channels with the force of a psychedelic mind folded into a magic and evocative world. Decades after their formation, their esoteric electronic music and evocative vision can be fully appreciated by a freshly synthesized generation, offering something remarkably definitive and, quite honestly, essential." - Pripuzzi.

Artist: FOLDED SHIRT
Title: s/t
Format: 7"
Label: Fashionable Idiots
Country: USA
Price: $5.00
"Four tracks of top shelf Cleveland mongoloid punk.  F/S features: one Homostupid, one Grabbie, one Darvocet, and some dude from California.  Not much else to say, pick this up and listen yer IQ level straight down into the dirt." - Fashionable Idiots.
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Artist: FOLDED SHIRT
Title: S/T
Format: LP
Label: Fashionable Idiots
Country: USA
Price: $11.00
"Cleveland dummies, FOLDED SHIRT return to burn with this highly anticipated long play. Moron punk greatness caused by some genius pressing "record" in a room with MR. CALIFORNIA, one DARVOCET, one HOMOSTUPID, and one GRABBY. Think of a punk version of Trout Mask Replica and you might be getting close? This is a split release with the excellent Proud to Be Idiot label." -Fashionable Idiots
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Artist: FOLEY, BLAZE
Title: Cold, Cold World
Format: LP
Label: Secret Seven
Country: USA
Price: $18.00
"Cold, Cold World captures BLAZE FOLEY and his working band-THE BEAVER VALLEY BOYS-from their first Texas studio recordings dating from 1979 and 1980. Blaze and the band-anchored by the renowned GURF MORLIX-are at the top of their form. Previously only available on CD, now on vinyl. This LP contains 13 songs and comes with a code to download the album plus four additional songs that were included on the CD release. A Secret Seven / Lost Art Records co-release." - Secret Seven

"He is one of the most spiritual cats Ive ever met; an ace finger picker; a writer who never shirks the truth." - Townes Van Zandt
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Artist: FOLK SPECTRE
Title: The Blackest Medicine
Format: LP
Label: Woodsist
Country: USA
Price: $12.00
"Black vinyl with silk screened covers. Limited to 500. Solo tunes by Pete Nolan of the Magik Markers, GHQ, Vanishing Voice, Virgin Eye Blood Brothers, etc.." - Woodsist.

Artist: FOLKAL POINT
Title: s/t
Format: CD
Label: Zeitgeist
Country: UK
Price: $18.00
“Based in Bristol, England, this teenage quartet made one of the most sought-after folk albums of all time. Originally released in 1972, it combines folk standards with contemporary material by Bob Dylan, Tom Paxton, and others, all set to precise guitar arrangements and the gorgeous, wistful vocals of Cherie Musialik. With original copies changing hands for several thousand dollars, it makes a welcome return to CD here.” - Zeitgeist.

Artist: FOLKLORDS, THE
Title: Release The Sunshine
Format: LP + 7"
Label: Lion Productions
Country: USA
Price: $22.00
"2013 repress. Band leader Tom Waschkowski. He very graciously offered for this LP package a band history, lyrics, some terrific photos, and best of all, a rare pre-album single that the band had self-released. This allows us to offer up as perfect a reissue of this album as humanly possible. The Folklords Release The Sunshine is a captivating album, a notion shared by the many collectors worldwide who fight for original copies, which are few and far between. Glorious sound, as the reissue taken directly from the master-tapes. Bonus single is an exact replica of the rare, privately issued non-LP single, which features haunting, drum-less versions of Forty Second River and Unspoken Love, both of which were re-recorded for the original Allied release. Now, on to the presentation -- the highest quality mastering and pressing; the resulting LP is housed in a poly-lined sleeve, inside an ultra-heavy 1960s style gatefold jacket, which is housed in a loose-fitting plastic sleeve." - Lion

Artist: FOLLAKZOID
Title: II RMX
Format: 12"
Label: BYM
Country: Chile
Price: $15.00
"This album-released on the Chilean BYM label-brings together the finest musicians of Sacred Bones Records, PSYCHIC ILLS and MOON DUO, into one unique work, featuring songs from acclaimed Santiago group FOLLAKZOIDs II album. This assemble becomes the top of the crop easily, with steady motorik, hazy psychedelia and space atmospheres, taking the kosmiche Chilean music to NYC and then launching it into Outer Space. Features the cut "9" remixed by Psychic Ills, backed by "Trees" remixed by Moon Duo. For fans of: The Soft Moon, Psychic Ills, Wooden Shijps, Moon Duo, The Holydrug Couple, CAVE, and Hawkwind. Limited edition pressing of 500 copies." -BYM.

Artist: FOLLAKZOID
Title: S/T
Format: 12"
Label: Sacred Bones
Country: USA
Price: $12.00
"Föllakzoid (prounounced foll-ack-zoid) started playing together three years ago in Chile when they were 20 years old. They were an eclectic group as far as musical taste, having dabbled in everything from classic rock to punk. The first time they jammed together they played non- stop without speaking for two hours and were seemingly over taken by a trance without any clear reference point. After they played their first show they began to delve into 60’s German krautrock while cultivating their love of and simultaneous propulsion towards motorik beat. They recorded their first record a year after they started and also birthed BYM (Blow Your Mind) Records to release this record and others from their burgeoning psych scene in Santiago, Chile. The label’s output is entirely analog using only tape recordings. We look forward to bringing them over next year to play some NY shows and hopefully do their first US tour." -Sacred Bones
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Artist: FOLSOM, ROBERT LESTER
Title: Music And Dreams
Format: LP
Label: Mexican Summer
Country: USA
Price: $22.00
"One of the first of many reissues on the Mexican Summer slate brings forth a 1976 private press affair from Georgias Robert Lester Folsom, a high-quality and shimmering, unbuttoned-collar collection of marina rock and sunset ballads. Long out of print and worth a small fortune on eBay, this release is a perfect companion to your copies of "Something/Anything", "If Only I Could Remember My Name" and your Bobb Trimble reissues. Soft is not a four letter word, and this release proves why. Vaguely psychedelic and professionally rendered, this is a strong and consistent brace of rock, staid yet breezy. "At this point, it sounds current and refreshing, especially on album highlight My Stoves On Fire, which contains the best non-sequitur (I think I love you baby/ my stoves on fire) that may or may not actually be a metaphor for his heart and/or penis." - Mexican Summer.
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Artist: FONTAINE FEATURING URARIDER, RYAN
Title: S/T
Format: LP
Label: Psychic Sounds
Country: USA
Price: $23.00
"Haunting sirens of the East invoke nomads reflection on a solo Ayahuasca trip in the southernmost tip of Chile. Musician and artist RYAN FONTAINE is known for his production on early 2000 midwest punk bracket nasties ROTTEN LIVING and IMPRACTICAL COCKPIT, however here he conjures up personal creeping rhythms of a nightside city wandering soundtrack for the newly formed URARIDER, featuring CLAIRE HUBBARD (CAETHUA) and NAOMI JOY (MOTHER OF FIRE), to breathe beautiful, yet chilling, tales of traveling the darker regions of the human soul to bring back this burning gem. Limited pressing of 500 picture disc 12" LP." -Psychic Sounds.

Artist: FONTAINE, BRIGITTE
Title: Comme a la Radio
Format: LP
Label: Superior Viaduct
Country: USA
Price: $19.00
"Featuring ARESKI BELKACEM and ART ENSEMBLE OF CHICAGO, Comme a la Radio is the sophomore album in BRIGITTE FONTAINEs prolific career. While her debut, Brigitte Fontaine Est...Folle, is a unique take on French chanson, here the Art Ensemble provides the perfect setting for Fontaines exploration of free-verse poetry. Often arrhythmic and spoken, her vocals command the same spontaneity and grace that her collaborators applied to their instruments. The albums eight-minute title track sets the tone: a sparse bass line keeps time as Fontaine dances around stabs of flute and trumpet. On "Tanka II," named for a form of concise Japanese poetry, Areski (who provides percussion throughout) plays hand-drums atop flurries of bass as Fontaine coos and whispers pensively, gradually uttering controversial phrases. "LEte LEte" centers around a repeated motif with individual lines of high-pitched melody on a bed of muted horns. Each track is its own world, with Fontaines incredible range, both in style and substance, acting as the glue between the immense talent involved. The overall effect is chilling, and it is no surprise that Comme a la Radio is often cited as Fontaines best known work." - Superior Viaduct.
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Artist: FONTAINE, BRIGITTE
Title: Comme à la Radio
Format: LP
Label: Superior Viaduct
Country: USA
Price: $22.00
"Featuring Areski Belkacem and Art Ensemble of Chicago, Comme à la Radio is the sophomore album in Brigitte Fontaines prolific career. While her debut, Brigitte Fontaine Est...Folle, is a unique take on French chanson, here the Art Ensemble provides the perfect setting for Fontaines exploration of free-verse poetry. Often arrhythmic and spoken, her vocals command the same spontaneity and grace that her collaborators applied to their instruments. The albums eight-minute title track sets the tone: a sparse bass line keeps time as Fontaine dances around stabs of flute and trumpet. On Tanka II, named for a form of concise Japanese poetry, Areski (who provides percussion throughout) plays hand-drums atop flurries of bass as Fontaine coos and whispers pensively, gradually uttering controversial phrases. LÉté LÉté centers around a repeated motif with individual lines of high-pitched melody on a bed of muted horns. Each track is its own world, with Fontaines incredible range, both in style and substance, acting as the glue between the immense talent involved. The overall effect is chilling, and it is no surprise that Comme à la Radio is often cited as Fontaines best known work." - Superior Viaduct.

Artist: FONTAINE, BRIGITTE
Title: Est.. Folle
Format: LP
Label: Superior Viaduct
Country: USA
Price: $19.00
"French poet and chameleonic vocalist BRIGITTE FONTAINEs career spans over four decades. Only a few years before her 1968 debut, Brigitte Fontaine Est...Folle, she moved to Paris to become an actress and took her prodigiously mature voice into the studio. Rich in the drama she brought to theater, Fontaine synthesized chanson (French pop song) and world music, which eventually won her international acclaim as a performer and collaborator with a variety of artists from around the world (Art Ensemble of Chicago, Sonic Youth and Stereolab, to name just a few). On Est...Folle, Fontaine takes flight over conductor JEAN CLAUDE VANNIERs brilliant arrangements. Vannier, best known for his work on Serge Gainsbourgs Histoire De Melody Nelson, is in fine form, using what would become his trademark stylings: lush strings, taut rhythms culled from across the globe and a healthy dose of whimsy. "Il Pleut" swings from understatement to rapturous delight. "Une Fois Mais Pas Deux" is an infectious pop song that could have been culled from a French New Wave soundtrack. Fontaine is adventurous and multi-dimensional with sophisticated lyrics, poignant melodies and enthralling delivery. Such artful handling of meter and rhyme (or lack thereof) is rare in pop song. Far from the eras ye-ye phenomenon, but never fully removed from its traditions, Est...Folle is an essential link in French pop music, exuberantly pushing the genre into more conceptual and experimental sounds." - Superior Viaduct.

Artist: FONTAINE, BRIGITTE
Title: s/t
Format: LP
Label: Superior Viaduct
Country: USA
Price: $22.00
"Never one to settle on a single musical style, Brigitte Fontaine followed up her debut, Est?Folle, and her astonishing collaboration with The Art Ensemble of Chicago, Comme à la Radio, with the most eclectic release of her lengthy career, 1972s Brigitte Fontaine. It is telling that Fontaine chose an eponymous title for her third album, the sole release from her venerable 70s catalogue attributed to her alone. Here the actress-cum-singer has finally arrived. From the introspective opening track, simply named Brigitte, seductive melodies perfectly hang above slithery bass lines and acoustic strumming. On Moi Aussi, a sparse and trance-like duet with long-time collaborator Areski, Fontaine muses, They put me in a cage and after they told me You fly down. Brigitte Fontaine is an unmatched European art-pop masterpiece anchored by both vocal and lyrical dexterity?in many ways, Fontaines most compelling work and an excellent entry point for those unfamiliar with this unique French icon." - Superior Viaduct.

Artist: FONTAINE, BRIGITTE/ARESKI
Title: LIncendie
Format: LP
Label: BYG
Country: France
Price: $15.00
2012 repress. LP reissue, in gatefold sleeve. "LIncendie is the first collaboration between Areski and Brigitte Fontaine. Its an exceptional album for BYG records. In a perfect symbiosis with Brigitte Fontaines magnificent voice and surrealist texts, Areski creates a minimalist ethno-folk acoustic universe. In the uniquely French dark chanteuse genre, this is a classic. Originally released in 1974."

Artist: FONTANA, GIOVANNI
Title: Epigenetic Poetry
Format: LP
Label: Recital
Country: USA
Price: $16.00
"An anthology documenting the sound works by the Italian sound poet Giovanni Fontana (b. 1946). These pieces, dating from 1968 – 2014, are scarcely available; culled from cassette magazines and art-book compendiums, along with two unreleased recordings. Fontana has been a pioneer of Italian visual poetry, sound poetry, and experimental theater since the mid-1960s. Together with peer Adriano Spatola, Giovanni worked on the publication Tam Tam (founded in 1972). He also rode in the same wagon as Arrigo Lora-Totino, splicing, pasting, and folding the compass of Italys intermedia.

In one light, Fontanas voice erects a brutal and guttural effigy of man, primitive and hermetic. Yet, stepping to the side – one can see the thin strands of support bolstering such combustibles. As chested-strings of a piano, Fontana strikes firmly across the resonating spread of discovery and acceptance. In addition to voice; jaw-harp, guitar, whistle, piano, and harpsichord are featured in these recordings, though the musical elements are secondary to the voice. Mouth, throat, and even nose [Poema a naso features a microphone inserted in the nostril] take the stage-light.

The interconnection between Giovannis visual and audio artwork is significant. Words twist and dissolve; blotted with ink, soaring across an empty score. This album acts as a frame for these 14 pieces, which can be seen as they are heard – spilling from speakers as letters meeting paper. First edition (315 copies) includes 16 page 9"x9" pamplhet with 3 critical essays: “Hypervox and electrophonic mask” by Giovanni Fontana, “Giovanni Fontana: Poetry as Action and Sound” by Patrizio Peterlini, “Giovannis Adventures in Mediumland” by Jean-Pierre Bobillot. Color images (score excerpts, artwork, etc.) and Program Notes written by Fontana" - Recital.

"Fucking brilliant Sound Poetry rescue by Recital. Giovanni Fontana is a Sound Poet active from the late 60s right up to today. Epigenetic Poetry is a survey of his career and is really fantastic. The first nine pieces are from 1968- 1983 and the last five are from between 1993 and 2014. I got a little nervous when the newer stuff started as increased technology is usually a detrimental factor, but, no worries, the newer pieces are just as great as the old ones. This is top notch Sound Poetry with a lot of tape work and some instruments. Epigenetic Poetry is right up there with the best Alga Marghen Sound Poetry reissues. Anybody who is interested in Modern composition should be very interested in Sound Poetry. Comes with a beautiful and informative colour booklet. If you are unfamiliar with Sound Poetry, this would be a great place to dive in." - Scott Foust.

Artist: FOOD
Title: Forever Is A Dream
Format: LP
Label: Capitol
Country: USA
Price: $14.00
"Exact repro reissue on 180 gram vinyl. Eerie soft-edged psych rock originally released in 1969. Featuring lead vocals by Steve White, known for throwing a babys head in a garbage can in his role in Herschell Gordon Lewis film Just For The Hell Of It." "Mysterious, wondrous masterpiece that most collectors dismiss as the little brother to the other Capitol monsters (Gandalf and Common People) when its actually the best of the three. Intensely emotional and dramatic; these guys had a vision and multiple listens begin to reveal its depth. String-laden ballads hold hands with fleeting blasts of power chords. Bits and pieces that seem to have no purpose blend together to create a surprisingly coherent whole. Its hard to know if they even intended this to be a concept album, but its definitely a case of the whole being more then the sum of the pieces, good as the pieces are." - Acid Archives.
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Artist: FOOD COURT
Title: s/t
Format: LP
Label: Kye
Country: USA
Price: $18.00
"Kye is proud to present the eponymous debut LP by Australias Food Court. Centered around the core trio of James Rushford, Joe Talia, and Francis Plagne -- (alongside contributions from Yuko Kono, Chloë Smith, Alexander Garsden, Nat Grant, Simon Charles, and Callum GFroerer) -- Food Court present two live interpretations of Solages Fumeux fume par fumée, driving the curious nature of the original composition into radical and extreme new open space. Food Court arrives in a Karla Pringle designed full-color sleeve, with accompanying insert, in an edition of 400 copies." - Kye.

Artist: FOOLE, DREDD
Title: A Long, Losing Battle with Eloquence and Intimance
Format: LP
Label: Ecstatic Peace
Country: USA
Price: $13.00
"7 songs of studio-recorded solo Dredd Foole on vocals and acoustic guitar, in a totally different vein than the last Dredd Foole & the Din record with Pelt & Thurston Moore ( The Whys of Fire )." "For years and years (maybe about 17 or so), people have been pleading with Dan Ireton to record an album of his songs, as they are here, "mostly in one take". That has, almost unbelievably at this point, finally been taken care of. Not necessarily "new" or particuarly "weird", this is unquestionably (for lack of better terminology), "American". And when was the last time you could admit to that? In front of a crackling fire, it could perhaps sound good enough to melt into the floor, but even those illuminated by mere fluorescence will find pure captivation. Words, voice, guitar, culturally-informed emotional expression. Printed inner sleeve with lyrics, just like the old days. Great Kim Gordon cover." - FE.

Artist: FOOLE, DREDD
Title: Daze On The Mounts
Format: CD
Label: Family Vineyard
Country: USA
Price: $14.00
"Hey, smooch! The FOOLE, aka DAN IRETON, has finally come out and ended a near decade of silence and Daze on the Mounts, a spiraling three-dimensional crest of the so-called avant-folk expression, is the celebratory homecoming. Originally a limited 2004 CDR, this reissue presents the colossal side for all. In collaboration with MATT VALENTINE and ERIKA ELDER (MV/EE, BUMMER ROAD, TOWER RECORDINGS), two of modern-times purest interstellar travelers, Dredd Foole bounds between Tim Buckley-esque bellow and a hyper-extended take on the song form (a dewy mash of Ra-space and Vermont-lore) alongside environmental treatments (harmonica, synthesizer, percussion) and his own acoustic guitar work to fully transcend limitations. From the visceral 80s garage days with THE DIN to becoming a beacon for many a free folk explorer, the Foole remains a bona fide master of universal revelation." - Family Vineyard.

Artist: FOOLE, DREDD
Title: In Quest Of Tense
Format: CD
Label: Forced Exposure
Country: USA
Price: $13.00
"Dredd Foole is the name used to designate the music of Boston-area vocal/guitar artist Dan Ireton. He used to lead a band under the name Dredd Foole & the Din, recording two great, mostly neglected albums in the 80s for labels known as Homestead and PVC. It was commonly known that his band was one of the only Boston bands worth seeing post-Mission of Burma (who backed him up actually, as the original Din, on his debut single in 1982). Those records were fine for the time, but they hardly captured the full intensity-scope of the 1st-gen post-VU/Stooges blare of that band in their prime. In the late 80s Dan wisely abandoned the rock band format and has sporadically been performing a series of breathtaking shows in the otherwise ready-to-be-nuked-today local "club scene" ever since. Sometimes solo acoustic, sometimes with percussion, electric slide guitar or violin accompaniment, he sings with one of the most electrifying post-Tim Buckley vocal chords ever heard, and his concept of multiphonic non-traditional folk music with apocalyptic come-down power-appeal has finally been documented with this long overdue release. A masterpiece of personal trance-sound-vision & legitimate psychedelic space-whisper revelations, at your command." - FE. 1994 release in a stunning C.O.N. Artists designed/assembled silkscreened, fold out sleeve.

Artist: FOOLE, DREDD
Title: Songs To Despond Ya
Format: LP
Label: Apostasy
Country: USA
Price: $14.00
"Taken from a live recording from a year or so ago, showcasing his solo acoustic songs (no effects on guitar or voice). Sleeve art by Michael K. Edition of 500." -Apostasy

Artist: FOOLE, DREDD & THE DIN
Title: The Whys of Fire
Format: CD
Label: Ecstatic Peace
Country: USA
Price: $11.00
"Thurston Moore and Pelt in Dredd Fooles Din this time around (past Din members include Mission of Burma & the Volcano Suns). Mastered by Jim ORourke. Quite handsome Acutal-tribute cover art. The Whys of Fire: The idea evolved a couple years ago. Dredd was playing a lot again, after his move to Vermont, and it seemed like the time to get some of his new instant compositional gambits onto tape. It so happened that Pelt were going to be coming to town pretty soon. That seemed like a good connection. Chris and Thurston both played with Dredd already in various action units, so that made sense. Hell, it all made sense. In the way that things can on hot, buggy nights in a swamp, when theres plenty of cold beer and enough electricity to go around." - Ecstatic Yod. Features Dredd Foole (voice), Patrick Best (prepared amplified acoustic guitar), Mike Gangloff (esraj, tanpura), Jack Rose (prepared electric guitar), Chris Corsano (drums, percussion) and Thurston Moore (electric guitar).

Artist: FOOLE, DREDD and THE DIN
Title: Ghost Rider/Frankie Teardrop
Format: Cass
Label: Open Mouth
Country: USA
Price: $5.00
Includes Chris Corsano, Bill Nace and John Truscinski.
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Artist: FOOM
Title: Six Of My Favorite Turds
Format: Triple 7"
Label: Stomach Ache
Country: USA
Price: $11.00
1996 release. "Imagine a Hasil Adkins type character whos under the sway of Beefheart and AC/DC rather than Elvis. A crazed and personal peek at someone definitely more fucked up than you." - Clear Spot.

Artist: FOOM
Title: Surface Noise and Imperfections
Format: LP
Label: No Fidelity Audio
Country: USA
Price: $14.00
"Green marbled vinyl in limited edition, hand-glued, artisanal LP sleeves. Cut-up, lo-fi electronics. Ambient, drone, modern classical. Foom (no reference to the old Marvel Comics fan club) is a catch-all name for musical projects by Bostons Whitehaus Family peripheral member Chris Lichatz. His solo output dates back to the 1990s, and ranges from the demented blues-based Butthole Surferisms of 1994s Six of My Favorite Turds (Stomachache Records) to the abstract lo-fi electronics of 1998s self-released No Fidelity Audio CD. This new LP ends a 10+ year commercial release hiatus, and showcases his now-honed technique of layering loops from distressed thrift store and dollar-bin vinyl into hypnotic sound collages. Years ago I made a full album of layered skipping vinyl, and distributed it for free as a small run CD-R, but there wasnt a reliable way to perform live with the skipping records and get them to do what I wanted, plus it was unwieldy. And so this set-up was born: one battery operated turntable, a splitter, two looping pedals, and a pile of forgotten easy listening vinyl. These pieces are supposed to be like dreams, and that kind of sleepy but disjointed confusing reality you feel when dreaming, where things are familiar but somehow wrong. Pleasant drones lead to angular chaos and coalesce into competing rhythms, only to degenerate, William Basinski-style, into a quiet rumble. The hand-crafted LP sleeve is wildly divergent from his recent CD-R history, Im not much on self-promotion he admits. This long-overdue proper packaging for one of Bostons slept-on lo-fi composers is definitely the presentation his music warrants." -No Fidelity Audio.

Artist: FOOT VILLAGE
Title: Friendship Nation
Format: LP
Label: Gilgongo
Country: USA
Price: $13.00
"As fad diets and food pyramids come and go, you are what you eat still sounds like a pretty decent ground rule. After nearly three minutes of tribal percussion smackdowns, jungle growls, and cuckoo-house ululations, FOOT VILLAGEs Protective Nourishment lets us know what recipes the no-electricity Los Angeles drum freaks love most: I like pee pee in my coke, the bands GRACE LEE yowls, to which a robot voice supplements, Im not afraid to eat my greens. Lee and another Foot Village member, BRIAN MILLER, are also bandmates in Load/Ecstatic Peace noise act GANG WIZARD, and Millers huge role in the local underground scene includes helping run art-punk hangout the Smell, organizing music festivals called Neon Hates You, and putting out music on his own Deathbomb Arc label. Along with Load band FRIENDS FOREVERs JOSH TAYLOR, Lee and Miller raise a controlled, communal racket on Protective Nourishment, from forthcoming full-length Friendship Nation"-Pitchfork
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Artist: FOR EVERY RIVER BURIED
Title: For Every River Buried
Format: LP
Label: Bobby J
Country: USA
Price: $18.00
"Often mistook for the sequel to "This Skin is Rust" (the "legendary" double LP by TWENTY SIX) due to the similar Corwoodian cover art.. but this is an unrelated release. A song cycle with layered acoustic guitars, recorder, vocals." - Bobby J. "... with enough anonymous mystique to look good in any young persons burgeoning collection." - Opprobrium. Late 90s release.

Artist: FORCED EXPOSURE
Title: #12
Format: Mag
Label: Forced Exposure
Country: USA
Price: $5.00
Divine Horseman, Christmas, Tesco Vee, Drunks With Guns, Richard Meltzer, Child Molesters, Eddie Flowers, etc. Summer 1987.
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Artist: FORCED EXPOSURE
Title: #13
Format: Mag
Label: Forced Exposure
Country: USA
Price: $5.00
Chain Gang, Big Black, Eugene Chadbourne, Raymond Pettibon, Richard Meltzer & Nick Tosches, Philip K Dick, Vertical Slit/Jim Shepard, etc. Winter 1988.
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Artist: FORCED EXPOSURE
Title: #14
Format: Mag
Label: Forced Exposure
Country: USA
Price: $5.00
Robert Williams, Sonic Youth tour diaries, Spacemen 3, Henry Kaiser, etc. Fall 1988.
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Artist: FORCED EXPOSURE
Title: #15
Format: Mag
Label: Forced Exposure
Country: USA
Price: $5.00
Diamanda Galas, Sun City Girls, Eddie Flowers, Steve Albini, Richard Meltzer, Lydia Lunch, etc. Summer 1989.
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Artist: FORCED EXPOSURE
Title: #17
Format: Mag
Label: Forced Exposure
Country: USA
Price: $5.00
1991 issue. MX-80, Eugene Chadbourne, Alexandro Jodorowsky, Richard Meltzer, Rudy Rucker, Steve Albini, Chris D., TONS of reviews, etc.

Artist: FORCED EXPOSURE
Title: #18
Format: Mag
Label: Forced Exposure
Country: USA
Price: $5.00
"Most recent issue (from 1993). The largest ever, at 148 pages, and is perfect bound. It features a full color self-portrait painting by New Zealands Chris Knox on the cover (of the Tall Dwarfs, etc.) Inside is the longest, most detailed interview ever published with Knox, which pretty much covers the entire history of rock-music related culture. Other features include: an interview w/ Boyd Rice, long novel excerpt by Richard Meltzer on San Diego peep shows, fiction by Charlie Goucher Jr. (of the Sun City Girls), fiction by Scott Mulrane, and a very extensive review section (of records, books, videos, etc)." - FE.

Artist: FORD & LOPATIN
Title: Emergency Room
Format: Picture Disc LP
Label: Software
Country: USA
Price: $20.00
"A few new developments for electronic production duo Games. The pair comprised of Oneohtrix Point Nevers Daniel Lopatin and Tiger Citys Joel Ford are no longer calling themselves Games -- instead, they now go by the very Italo disco-sounding Ford & Lopatin. First order of business for F&L: running a new offshoot of Brooklyn label Mexican Summer, appropriately titled Software." -- Cribbing from Pitchfork. "To precede the release of Channel Pressure, Ford & Lopatin will be releasing an Emergency Room 12", which features the album track Emergency Room along with a remix by Gavin Russom and a dub mix by The Bug. The limited 12" (1200 copies) will have four variations of x-ray artwork. A beautiful, essential and strictly limited piece." -Software

Artist: FOREST
Title: BBC Concert
Format: LP
Label: Klimt
Country: France
Price: $23.00
"Recorded in May and October 1972 for BBC Radio 1 by DJ Bob Harris, these sessions may be all that remain of this seminal acid folk bands elusive third album! Featuring songs not heard on either one of their LPs--1969s self-titled debut and 1970s Full Circle, both on Harvest--it is speculated that many of these songs would have appeared on their imminent third album had they not been suddenly dropped from their label (due to low sales and rapidly changing musical tastes). By 1972 Dez Allenby had left the band, leaving brothers Adrian & Martin Welham as the only remaining members, although Dave Panton (viola, sax) and Dave Stubbs (bass) were brought in for their live performances. By this time, particularly on tracks like Everyday Laugh, the Welham brothers were moving more into avant-rock territory and one can only speculate on where they could have gone from here. All songs by Welham & Welham except a version of Ray Charles 1958 hit Leave My Woman Alone." -Klimt.

Artist: FOREST
Title: Forest
Format: CD
Label: Radioactive
Country: UK
Price: $17.00
"New, official reissue (previous version on BGO is long gone). Like their COB reissue, this is a stepped up quality remaster from Radioactive. Originally issued by Harvest in 1969, this is one of the definite debut folk albums of all time." - FE. "As the 1960s progressed, almost every musical genre was affected by the  psychedelic boom - and folk was no exception. Artists such as Bert Jansch, Davy Graham and Donovan had introduced elements of world music into their repertoires by 1965, and in 1966 the Incredible String Bands debut kicked the door wide open for a generation of young musicians to follow. Forest, whose two Harvest albums have long elated listeners and eluded collectors, featured prominently among them, and have become synonymous with so-called acid folk, inspiring - alongside Vashti Bunyan, COB and a handful of others - the current wave of successful underground folk acts. Originally called The Foresters Of Walesby the band abbreviated their name to Forest and were fortunate enough to meet John Peel at a  local gig and he encouraged them to play in London. After a triumphant gig in Notting Hills All Saints Hall at Christmastime 1968, Forest were offered a management deal with Blackhill Enterprises, home to amongst others, Pink Floyd and Roy Harper. It wasnt long before offers of record contracts came their way and the band eventually signed to EMIs nascent Harvest label. This, their debut album was recorded at Abbey Road early in 1969 and featured completely original material, with their strangely-sculptured melodies and partially improvised accompaniment. The playing is often inspired and the albums recording quality excellent.  Mastered at Abbey Road by NickWebb from the original analogue tapes. Featuring full participation from founding band member Martin Welham." - Radioactive.

Artist: FOREST SWORDS
Title: Dagger Paths
Format: LP
Label: Olde English Spelling Bee
Country: USA
Price: $16.00
"Wirrals Forest Swords make a textured, gauzy music as indebted to the Liverpool regions rich musical heritage as it is to the bleak-yet-beautiful coastal environment from which it was born. The result is something completely organic, sounding like a dancehall mix of Mogwais more luscious soundscapes, Burials sample-strewn claustrophobia, and Ennio Morricones spaghetti western scores. The records sweaty and thunderous dub grooves and cavernous guitar licks rub shoulders with RnB shuffles, dread-soaked percussion, and heady drones to create a visceral and epic sound. "Dagger Paths" consists of specially remastered versions of songs from the out-of-print cassette singles Miarches and Glory Gongs, along with brand new tracks. Full color pro-printed covers and insert - also includes a download coupon for the mp3 version." - OESB.
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Artist: FOREST SWORDS
Title: Dagger Paths
Format: CD
Label: No Pain In Pop
Country: UK
Price: $15.00
"FOREST SWORDS make a textured, gauzy music as indebted to the Liverpool regions rich musical heritage as it is to the bleak-yet-beautiful coastal environment from which it was born. The result is something completely organic, sounding like a dancehall mix of Mogwais more luscious soundscapes, Burials sample-strewn claustrophobia, and Ennio Morricones spaghetti western scores. The records sweaty and thunderous dub grooves and cavernous guitar licks rub shoulders with RnB shuffles, dread-soaked percussion, and heady drones to create a visceral and epic sound. Dagger Paths consists of specially remastered versions of songs from the out-of-print cassette singles Miarches and Glory Gongs, along with brand new tracks." - No Pain In Pop.
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Artist: FORMA
Title: Cool Haptics EP
Format: 12"
Label: Bunker New York
Country: USA
Price: $13.00
"Formas combustible mixture of lush synth explorations and frenetic rhythm has captivated the margins of the international synth scene since their acclaimed 2011 debut on John Elliotts Spectrum Spools label. Following 2012s OFF/ON, the trio set a direct course toward the shadowy perimeter of the dancefloor, with John Also Bennett replacing original member Sophie Lam. They recently revealed that they had been working on music that didnt really fit into an album format, but would work as a 12" aimed more at dancefloor audiences -- and thats what you have here: two epic 15-minute tracks of blissed-out kosmische techno." - Bunker New York.

Artist: FORMA
Title: Forma
Format: LP
Label: Spectrum Spools
Country: USA
Price: $20.00
"FORMA (Mark Dwinell, Sophie Lam, & George Bennett) emerged on the NYC minimal synth scene in 2010 with a singular vision of cosmic Krautrock for a new age. On their eponymous debut LP, the Brooklyn-based electronics trio merges the melodic flow and primitive rhythms of their motorik predecessors with the hypnotic drones of minimalism, creating an intricate work both addicting and rewarding with repeat listens. Like many of the LPs 11 tracks, the churning and relentless "FORMA237B" draws its energy from a precarious equilibrium between structural rigidity and free improvisation, a dynamic at the heart of FORMAs universe. With lush, distant soundscapes as interludes between these peaks, FORMAs inaugural full-length is a harmonious and expansive expression of the enduring power of kosmische musik. Mark Dwinell and Sophie Lam: (Roland RS-09, Roland SH-1000, Roland RE-101, Yamaha CS-15, Crumar DS-2, Oberheim SEM, DSI Morpho, Moog LP, Farfisa Compact Combo), George Bennett (Roland TR-707, Alesis HR-16B). Cut at Dubplates & Mastering, March 2011." - Spectrum Spools

Artist: FORMA
Title: Off/On
Format: LP
Label: Spectrum Spools
Country: USA
Price: $21.00
"Off/On is an evolutionary act of fissure, the opening of a rift in Formas sonic landscape. The second LP from the Brooklyn cosmic synth trio of Mark Dwinell, Sophie Lam, and George Bennett, Off/Ons universe is darker, its terrain more enigmatic and aggressive than 2011s critically-acclaimed self-titled album. Recorded at the renowned Schoolhouse space in Bushwick, Off/On combines swirling arpeggios, gnarled sequences, and deconstructed motorik rhythms to conjure an atmosphere of entropic propulsion by unseen forces. Yet the emotional summits of Off/On are greater than those of its predecessor, its crystalline melodic peaks made more pronounced by the shadowed depths below. It is this synthesis that gives Off/On its singular vision; a sense of unity forged by its own inner tensions. Mark Dwinell and Sophie Lam: Moog LP, Moog Prodigy, Roland SH-1000, Roland RS-09, Oberheim SEM, Yamaha CS-15, Korg Lambda, Akai AX73, DSI Tetra, DSI Mopho, Crumar DS-2. George Bennett: Roland TR-707, Roland TR-606, Alesis HR-16B. Mastered by Andrew Veres. Cut at Dubplates and Mastering, Berlin." - Spectrum Spools.

Artist: FORMA
Title: Physicalist
Format: Double LP
Label: Kranky
Country: USA
Price: $24.00
Gatefold sleeve. "Physicalist is the third album from New York City synthesis trio Forma. Since their acclaimed self-titled debut in 2011, Forma have been perfecting a distinctive style of improvised kosmische and minimalism that blends swirling arpeggios, ambient soundscapes, and driving motorik beats. Physicalist is a sprawling, double LP journey featuring new member and multi-instrumentalist John Also Bennett. The first Forma album to include acoustic instrumentation, Physicalist owes more to American composers like Harold Budd or Terry Riley than Klaus Schulze and other Krautrock visionaries. The album was recorded during marathon sessions at Brooklyns Garys Electric studio, and is packaged in a gatefold jacket with original artwork by Robert Beatty and a liner notes essay by writer and critic Michael Barron. Physicalist was mastered by Bob Weston. Formed in 2010 by Mark Dwinell in Bushwick, Brooklyn, Forma released their first two full-length LPs on John Elliots influential Editions Mego imprint, Spectrum Spools. Physicalist is the first full-length statement from the new lineup, which also includes founding member and percussionist George Bennett. The double LP contains two distinct halves; the first consisting of rhythmic compositions derived from the trios formidable array of modular and vintage synthesizers, and the second breaking from the grid with ambient, free-flowing experiments on piano, flute and acoustic percussion. The album marks a departure from Cool Haptics, the groups techno-leaning 2014 EP on The Bunker New York. Physicalist takes its title from physicalism, the philosophical belief that all phenomena in the universe are created entirely from physical interactions. Using a synthesizer as its foundation, kosmische music turns algorithms into art by investigating infinite possibilities within a set of physical parameters. The electronic composer Laurie Spiegel once suggested that a looped algorithmic sequence could go on forever, and as long as humans were able to interact with it, it would never cease to interest us. This is the bedrock of improvisation, and it is from this vantage point that Forma have created Physicalist, an American kosmische music in which a boundless voyage gives way to a structured environment -- a programmed jazz with the grid as guidepost. Were not interested in providing an escapism for people, says member Mark Dwinell, We want to instead connect with people through a vigilantly monitored present. To us, that real moment, shed of any fancy, is just as divine." - Kranky.

Artist: FORMATT
Title: Re:Take_Repeat
Format: CDR
Label: Audiobot
Country: Belgium
Price: $10.00
"Latest release from Belgian sound manipulator Peter Smeekins aka Formatt. A dense mix of soft droney shimmer and all manner of glitch and crunch. Imagine hearing Low or some other slow motion band through a concrete wall so thick that just the bare essence makes it through, a sort of ghostly outline, a dreamy, barely audible hum, then stretch it into a gauzy soft sound blanket and spread it out over the whole record. This soft, shimmery bed is the foundation for all of Re:Take_Repeat. Over the top of this Formatt fiddles and fidgets, like some tinkering mad scientist, glitches and crackle, bursts of shortwave interference, white noise, industrial machinery, haunting EVP-like transmissions, pops and creaks, amp buzz and distant feedback, its like some giant mysterious soundmaker upended his rusty old tool box full of sounds and dumped all of those strange sharp metallic shapes, all over the thick velvety background, like stars sparkling chaotically in the black night sky." 2006 release. Out of print, limited to 100 copies.


Artist: FORMER GHOSTS
Title: Fleurs
Format: LP
Label: Upset The Rhythm
Country: UK
Price: $19.00
"Former Ghosts is the synthpop-inspired band formed and led by Freddy Ruppert (of This Song Is A Mess But So Am I) and consisting of Jamie Stewart (of Xiu Xiu) and Nika Roza (of Zola Jesus). The album sweeps through you with its sweet melodic side, sprinkling in sharp, chaotic, discordant moments -- as if to punish you for having enjoyed yourself, for having let your guard down. Dreams plays through with melodies and textures reminiscent of early synth-pop, kept alive with the warm heart-like thumping of the synthetic kick drum. Freddys (This Song Is A Mess But So Am I) vocals crawl low through the hallucinatory soundscape, led on by the gentle buttering of Jamies back-ups in the chorus. Jamies (Xiu Xiu, etc) influence on the album enters obliquely, buttering some of the albums harder edges, organizing the sometimes disoriented moments of glitch and electro-mania. He plays an unfamiliar role -- softer, more understated (in his particular context) -- but in his familiar style. Starring solo on I Wave, youre drawn into the springy synths, cushioned by his smooth voice--the track is almost a reprieve from heavier textures found elsewhere in the album. On white vinyl." -Upset The Rhythm

Artist: FORMERLY FAT HARRY
Title: Goodbye For Good: The Lost Recordings 1969-72
Format: CD
Label: Hux
Country: UK
Price: $19.00
"Formerly Fat Harry are one the forgotten greats of late 60s British rock. The band was formed in London in 1969 by ex-Country Joe & the Fish bassist Bruce Barthol and two old friends from the Berkeley, California folk music scene, Gary Petersen and Phil Greenberg. Fat Harry was soon signed up by the original Pink Floyd management company. Playing a highly idiosyncratic brand of Americana that frequently experimented with jazz time signatures, the band played at two of the now-legendary free concerts in Hyde Park, the 1970 Bath Festival, Phun City and many of the clubs of the era such as The Marquee in London. A quartet of musicians musicians, admired by everyone from Ralph McTell to Edgar Broughton and Michael Chapman, the group made only one LP for Harvest Records before disbanding in 1972. Though reflecting their musical and songwriting abilities, that record failed to capture their true flavor. Now, this previously-unreleased collection of studio demos and live recordings (taken from the bands own archive) finally sets the record straight, delivering a heady mix of country, folk, blues and psychedelia, as well as including for the first time ever a version of their much-loved live favorite, Mariachi Riff. The accompanying 16-page CD booklet includes comprehensive liner notes, featuring interviews with the band, plus rare photographs from their own archive." -Hux

Artist: FORMERLY FAT HARRY
Title: Mariachi Riff Live And Free Music
Format: LP
Label: Shagrat
Country: UK
Price: $27.00
"Second archival release in one year by this fabled late 60s band, featuring Bruce Barthol -- ex-Country Joe & the Fish. Formed in Croydon, Surrey, UK in 1969 by Barthol and two mates from Berkeley, California, Gary Peterson and Phil Greenberg, Formerly Fat Harry were managed by the legendary Blackhill Enterprises (Peter Jenner and Andrew King, original managers of the Floyd) -- they played many gigs in the UK before their demise in 1972, such as two of the Hyde Park free concerts, Phun City, and the 1970 Bath Festival, as well as many college and club gigs. The bands one and only eponymous LP on Harvest Records didnt really reflect their true capabilities (Hux released a far more interesting selection of material from the groups own archive early this year Goodbye For Good) -- a fabulous mix of country, blues and psychedelia. This Shagrat LP reflects another side of the band -- FFH could also be very experimental, playing in odd time signatures and they were completed by a series of the greatest UK jazz drummers -- Laurie Allan, Alan Jackson and John Marshall. Side two of this limited edition 500-only vinyl LP features two free music tracks recorded in 1969 -- something the band rarely did live. Side one features a 24-minute version of their much-loved favorite Mariachi Riff, which has been favorably compared to the best live work by both the Grateful Dead and Quicksilver Messenger Service -- an epic acid-rock tour de force. It was recorded live at Aylesbury Friars in December 1970. The original tapes have been digitally transferred and mastered by Ron Geesin. Packaged in a beautifully mind-blowing sleeve by legendary British psychedelic designer Mike McInnerney (who designed the sleeve for The Whos Tommy), the LP comes with a nice insert with photos, gig adverts from the era and an evocative essay about the band by long-time fan, Colin Hill. Limited run of 500 copies." -Shagrat

Artist: FORMERLY FAT HARRY
Title: s/t
Format: LP
Label: Prog Temple
Country: UK
Price: $23.00
"180 gram LP version. Led by Bruce Barthol (bassist with San Francisco psych heroes Country Joe & The Fish), this oddly-named quartet coalesced in London in 1969 and soon gained admirers for their laid-back country-influenced sound. They became a fixture in the citys underground clubs and at free festivals, but their sole album appeared in late 1971, by which time their moment had passed. It makes its long-awaited return here, complete with background notes." - Prog Temple.

Artist: FORNO, CARLA DAL
Title: Fast Moving Cars
Format: 7"
Label: Blackest Ever Black
Country: UK
Price: $12.00
"Fast Moving Cars is the debut solo single from Carla dal Forno (F ingers, Tarcar). Poignant, alluring, happy/sad art-pop?Both a song of devotion and a dream of leaving. Languid, dub-wise, but with a heartbreaking clarity and economy of expression. The arrangement is stark, if not austere: rooted bassline, dry snare, noirish synth-drift and whispers of reverb conspire to open space rather than fill it. Its perfect for Carlas voice, a floating understated alto. "Dont be so daft, do something exciting? ". The lyrics are frank; fluent in the feelings that underpin the beginning, middle and end of a relationship." - Blackest Ever Black.
SOLD OUT

Artist: FORTI, SIMONE
Title: An Evening Of Dance Constructions
Format: DVD
Label: Artpix
Country: USA
Price: $23.00
"In the spring of 1961 Simone Forti presented a program titled Five Dance Constructions and Some Other Things in a concert series organized by her friend, composer La Monte Young, at the New York loft studio of Yoko Ono. These radically new dances created circumstances for the performers direct, non-stylistic actions. Each of the pieces was performed in a different place in the loft, with the audience moving from location to location to view them. Some of the pieces required elementary structures: a hanging rope, rectangular wooden boxes which were placed throughout the loft like a sculptural installation. In 2004 the Museum of Contemporary Art in Los Angeles invited Forti to re-create these dance constructions at the Geffen Contemporary space, in conjunction with the exhibition A Minimalist Future Art as Object 1958 1986. This DVD documents that evening and includes Huddle, Slant Board, Platforms, See Saw, Roller Boxes and Accompaniment for La Montes 2 sounds and La Montes 2 sounds. The soundtrack of La Monte Youngs 2 Sounds has been re-mastered and the composers notes accompany the video. In addition, there is a question and answer session with Forti at the conclusion of the performances." --Artpix. All Region NTSC format; total playing time: 1 hour, 28 minutes.

Artist: FORZA ALBINO
Title: Infestation
Format: 12"
Label: Posh Isolation
Country: Denmark
Price: $22.00
"Forza Albinos debut tape ”MOT” left quite a stir within areas of the industrial scene and to those people ”Infestation” should be no let down. Even if this new piece is somewhat different in approach, the emotional palet is very much the same and once again it leaves the listener in such an uncomfortable place. Strong analogue synthesis and piercing and drooling vocals that stick on to you.." - Posh Isolation. Edition of 250 copies. In plain white disco sleeves with a full-size insert printed on both sides.

Artist: FOSSILS
Title: Fly By Night
Format: Cass
Label: Cauliflower Dreams
Country: Belgium
Price: $9.00

Artist: FOSSILS
Title: Get
Format: Cass
Label: Tape Tektoniks
Country: Germany
Price: $12.00
"confused  canadian feedback unit bending thinks that are meant to break." - Meu Dia De Morte.

Artist: FOSSILS
Title: Scarface
Format: Cass
Label: Blackest Rainbow
Country: UK
Price: $11.00

Artist: FOSSILS
Title: Sound Theft
Format: Cass
Label: Fag Tapes
Country: USA
Price: $8.50
"More insane Canada tape damage electronics crew. strange exorcism vocals, garbage instruments. like going lake swimming at night and imagining all these fucked up water snakes and shit just below yer feet. then you look up and imagine thousands of knives falling at you from the sky. amazing ! edition 50 cassette." - Fag Tapes.

Artist: FOSSILS
Title: The Golden Door
Format: 7"
Label: Kye
Country: USA
Price: $12.00
"David Payne began building his Fossils empire back in 2004. Since that time Fossils has colonized the underground circuit with a steady flow of ultra-limited tapes/cdrs, many of them through Davids own Middle James Co imprint. The Fossils sound is always one of formless despair. Churning low-grade electronics, primitive tape manipulations, and an aura of stoned reverie are all genuine signatures. Kye is pleased to offer Fossils a rare vinyl outing, showcasing two classic new works. The Golden Door delivers a lo-fi elevation over grey clouds of looping ferric tape, whilst War Puzzle could have been swept off the floor at Cold Storage - a strange and paranoid collage of crumpled guitar and collapsing sine waves. With both pieces edited/mixed by Graham Lambkin and mastered by Jason Lescalleet, this is Fossils like youve never heard them before. The Golden Door arrives in one of three Lambkin-designed sleeves - each depicting the back of someones head, in a hand-numbered edition of only 100 copies. Dig in." -KYE
SOLD OUT

Artist: FOSSILS
Title: Void For Rent
Format: Cass
Label: Fag Tapes
Country: USA
Price: $8.50
"more decrepit bug covered tape slime from Hamilton Ontario fuckin" Canada! magnetic scratch drags in the purple night. edition 77." - Fag Tapes.

Artist: FOSSILS/DARKSMITH
Title: Million Year Spree
Format: LP
Label: Kye
Country: USA
Price: $17.00
A handful of "artist copies" of this 2011 release, each including a small portfolio of full-size insert prints by Tom Darksmith, in an edition of 38. "Million Year Spree is the first in an occasional series of shared LPs where two like-minded souls meet under one umbrella. Hamilton, Ontarios Fossils have long been the reigning kings of no-fi acoustic sewage, producing an endless stream of outstandingly dire handcut confusion. Calfornias Darksmith came to public attention last year via their peerless Total Vacuum LP (Hanson). Wilting electronics, floppy turntableism and sun-baked cassette protocol are combined and destroyed in a claustrophobic void. With additional mixing by Graham Lambkin and mastering by Jason Lescalleet Million Year Spree is the last word on being and nothingness. Hand-numbered edition of 400." - KYE.

Artist: FOSSILS/SICK LLAMA
Title: Action Mono #4
Format: Cass
Label: Fag Tapes
Country: US
Price: $8.50
"Left and right stereo separation for each band. Kinda like 3 tapes in one! Color covers, edition of 50." - Fag Tapes.

Artist: FOSSON, MARK
Title: Digging In The Dust: Home Recordings 1976
Format: LP
Label: Tompkins Square
Country: USA
Price: $17.00
"Kentucky native Mark Fosson recorded one album for John Faheys Takoma Records in 1976 which went unreleased until 2006. Mark recently found the home demo for that session. Heres what he has to say about them: These 11 tracks are the songs I began writing after acquiring my first 12-string guitar. I recorded them in my living room on a Pioneer RT 1050 2-track reel-to-reel with a rented microphone (I believe it was an AK6414 but I wont swear to it). All are originals except for Back In The Saddle Again which resulted from my other obsession at the time of watching old black & white Gene Autry movies any chance I could... Most of these songs would appear later in slightly altered form on The Lost Takoma Sessions, but these original versions are my personal favorites. I cant believe the tapes have survived so long and still sound as clean as the day I recorded them." -Tompkins Square.

Artist: FOSTER, JOE/KELVIN PITTMAN
Title: Split
Format: Cass
Label: Cherried-Out Merch
Country: USA
Price: $6.00
"a side each by two former-Super Unity members. You may know Joe (South Koreas flavorite whitey) from his group English. Really awesome/dynamic electronics+sound poetry, nice use of quiet parts and hiss. You may know Kelvin as "the black guy in the Portland Bike Ensemble", but also he is the most talented/interesting saxaphone free improviser in Portland. If you were to try to sell me a tape and tell me it was a dude sitting in your living room playing a sax, I would say no fucking thanks (dont really care for the instrument in most cases). Kelvin is the immaculate exception, trust me. Edition of 98. " - Cherried-Out Merch.

Artist: FOSTER, JOSEPHINE
Title: A Wolf In Sheeps Clothing
Format: CD
Label: Locust
Country: USA
Price: $14.50

Artist: FOSTER, JOSEPHINE
Title: Joy Will Come..
Format: 7"
Label: Art School Dropout
Country: Australia
Price: $7.50
October 2005 tour single.

Artist: FOSTER, JOSEPHINE
Title: This Coming Gladness
Format: CD
Label: Bo Weavil
Country: UK
Price: $17.00
"This is Colorado-based Josephine Fosters (Born Heller, The Supposed) debut release for Bo Weavil Recordings, and her third full-length album. This Coming Gladness is the highly-awaited follow-up to 2006s A Wolf In Sheeps Clothing on Locust. This Coming Gladness is transcendental fin de siècle songs from one of the great unsung voices and songwriters of our modern times. Josephine Foster unites rarely united royal realms: self-penned operatic art songs cast in freely-rendered blues with electric guitars and drums beating the path along with harp and piano flourishes. She has a voice that was trained for opera, but creaks like ancient mountain folk floating out from a dusty Victrola. She surpasses any "weird-folk" labelling through the sheer timelessness of her songcraft -- making baroque balladry sound new yet remembered from some not-too distant shared American past. Joining her on this recording is electric guitarist Victor Herrero and drummer Alex Nielson." - Bo Weavil

Artist: FOSTER, JOSEPHINE
Title: This Coming Gladness
Format: LP
Label: Bo Weavil
Country: UK
Price: $24.00
"Previously released on CD by Bo Weavil Recordings, now available on vinyl. This is Colorado-based Josephine Fosters (Born Heller, The Supposed) debut release for Bo Weavil Recordings, and her third full-length album. This Coming Gladness is transcendental fin de siècle songs from one of the great unsung voices and songwriters of our modern times. Josephine Foster unites rarely united royal realms: self-penned operatic art songs cast in freely-rendered blues with electric guitars and drums beating the path along with harp and piano flourishes. She has a voice that was trained for opera, but creaks like ancient mountain folk floating out from a dusty Victrola. She surpasses any "weird-folk" labeling through the sheer timelessness of her songcraft -- making baroque balladry sound new yet remembered from some not-too distant shared American past. Joining her on this recording is electric guitarist Victor Herrero and drummer Alex Nielson." -Bo Weavil

Artist: FOSTER, JOSEPHINE
Title: What Is It That Ever Was?
Format: CDR
Label: 100 Songs I Sing
Country: USA
Price: $10.00
"16 songs, 40+mins long. What a far out release from Josephine Foster, we can barely describe the unusal mixing and melting on her newest self released effort. From the fire noise guitar blasting prelude to all manner of elegant folk musings and musical enchantments performed with piano, percussion, guitar, and Josephines amazing and unique voice. Including many original compositions, improvised songs, Japanese folk songs, and a couple jam-backed spoken word performances, a very ambitious and captivating release!"
SOLD OUT

Artist: FOSTER, JOSEPHINE & THE SUPPOSED
Title: All the Leaves are Gone
Format: CD
Label: Locust
Country: USA
Price: $14.50
"You may have gotten a dose of opera school dropout Josephine Fosters startling mixture of avant arrangements & acoustic mountain folk as half of the spare twisted up Appalachian duo, Born Heller. To many, the effect of her voice -- on record and in concert -- has been nothing short of chilling since the duos Locust debut. After a 180 degree shift in style only, Josephine Foster & the Supposed offer up a 12 cut blow out thats exuberant and hard hitting. On All the Leaves Are Gone, Josephine embraces her rock and roll heart and intuitively summons up the mojo of legendary songstress Patti Smith as she rides the crest of a fluid and angular rhythm section thats as triumphant as the sound of classic Television and trebly west coast psychedelia from decades gone by. Lyrically, stylistically and musically, this is a fearless, soon to be classic post-punk rock and roll record that delivers the goods from start to finish." - Locust

Artist: FOSTER, JOSEPHINE & THE SUPPOSED
Title: Live on Molten Truth Tour 2004
Format: CDR
Label: 100 Songs I Sing
Country: USA
Price: $10.00
Live on Molten Truth Tour 2004 Washington D.C., The Warehouse Next Door. Features Josephine Foster (vocals, guitar), Brain Goodman (electric guitar, vocals), Andrew Colwell (bass, vocals), and Rusty Peterson (drums).

Artist: FOTHERINGAY
Title: 2
Format: CD
Label: Fledgling
Country: UK
Price: $17.00
"This is what would have been -- and now IS -- the second release for UK folk-rock legends Fotheringay, including all members Sandy Denny, Pat Donaldson, Trevor Lucas, Gerry Conway, and Jerry Donahue. These are the original recordings from 1970. Fotheringay remain one of the great might-have-beens of British music. They lasted less than a year, and released just one album, but their disappearance robbed the early 70s scene of a group of musicians capable of taking folk-rock to new heights of subtlety and musicianship. Now, the nine songs on that debut album; assumed for almost four decades to be their sole testament, are joined by the eleven that would have constituted a follow-up. Sadly, they broke up during the recording sessions for their second album. Incredibly, all the tapes survived in various record company archives. Thirty-eight years later, the surviving members of the group have mixed all the material to finally complete this remarkable album. When originally released, the debut album went straight into the Top Twenty in both Melody Maker and NME, and is now an acknowledged classic recording of British folk-rock. It is very, very rare that musicians get the chance to complete a project begun 38 years earlier. The second Fotheringay album has been eagerly awaited by all fans of Sandy Denny, British folk-rock, and by pretty much everyone in general." - Fledgling

Artist: FOTHERINGAY
Title: BBC Live in 1970
Format: LP
Label: B13
Country: Russian Federation
Price: $29.00
"140 gram LP clear vinyl in clear PVC sleeve (ltd. ed. 500 copies). After her legendary tenure with Fairport Convention came to an end in 1969 (during which time she was voted Britains best singer), Sandy Denny, along with Trevor Lucas (of Eclection), decided to put together a new band. In early 1970 Fotheringay, named after a FC song (and featuring the talents of Jerry Donahue and Pat Donaldson), was born. Despite rave reviews along with the release of one excellent album for Island that same year, the band quickly fell apart due to personal reasons. These BBC sessions, recorded in April and November of 1970--and featuring amazing versions of songs like The Sea and The Ballad of Ned Kelly, from their self-titled studio album, as well as versions of songs like Eppie Moray and John The Gun, that were works in progress at the time--are a welcome compendium to their repertoire." -B13.

Artist: FOTHERINGAY
Title: Essen 1970
Format: LP
Label: Thors Hammer
Country: Germany
Price: $33.00
"Fotheringay was the legendary English folk group around singer Sandy Denny who died a long time ago. She had become well-known with the groups Strawbs and Fairport Convention and was elected best British singer several times. At the end of 1969, she founded Fotheringay together with four friends. They could immediately sign a contract with the Island label. On Friday, 23rd October 1970, they had a gig at the third Essen Pop & Blues festival in the Gruga Hall. The concert was then recorded semi-professionally by the host. Now, the tapes have been elaborately re-mastered by Fotheringay guitarist Jerry Donahue who got the most out of the sound that was technically possible. LP in gatefold cover (with an LP-sized eight-page booklet in colour)." -Thors Hammer

Artist: FOTHERINGAY
Title: Fotheringay
Format: CD
Label: Fledgling
Country: UK
Price: $15.50
"New reissue of one of the highest regarded British folk-rock albums, featuring Sandy Denny. Originally issued by Island in 1970 (previous Hannibal CD long o/p). With additional artwork and bonus tracks." - FE. "Fotheringays beautiful debut album was recorded in 1970, and has long been regarded as one of the greatest achievements of British folk-rock. Sandy Denny, Trevor Lucas, Jerry Donahue, Pat Donaldson and Gerry Conway created a magical ensemble sound and one of the finest albums of Sandys career. It has been out of print for sometime. For this carefully remastered edition Fledgling have restored all of the original artwork and added four bonus tracks -- performances recorded at the 1970 Rotterdam Festival. Remastering approved by original producer Joe Boyd." - Fledgling.