"The historic Buchla 100 series modular synthesizer was built by Don Buchla in California in early 1960s. An instrument intended for electronic music performance that together with the Moog Modular is one of the most important synthesizers in the history of electronic music. One of the few still fully functional Buchla 100 Synthesizer can be found at the Ernst Krenek Institut in Krems, Austria. During an artist-in residency program, Mario Verandi explored the endless sound possibilities of this rare and extraordinary instrument. The result is his Eight Pieces for the Buchla 100 Series, a journey into experimental minimal electronic music. Mario Verandi is an Argentinean-born composer, musician and producer living in Berlin. With an extensive artistic career, Mario Verandis works are wide-ranging and include electroacoustic and experimental music, music in modern classical and ambient style, live electronic performances as well as sound installations and music for dance, radio and theater. He has also collaborated with several musicians and visual artists. He has performed in several prestigious European festivals including Märzmusik (Berlin), Multiphonies GRM (Paris) and Donaueschinger Musiktage. His works have been awarded in the Prix Ars Electronica Awards (Linz), European Bell Days Composition Prize (ZKM, Karlsruhe), Bourges Electroacoustic Music Competition (France), Stockholm Electronic Art Awards (Sweden) and is included in the Essex Collection of Latin American Art." - Play Loud! Productions.
After nearly a decade of false starts, multiple game plans veering off the rails, and a handful of shattered hopes and/or dreams, the odyssey is finally complete—the new Fusetron site is here.
This is the first phase of a multipart rollout that will span the next few months: the currently browsable stock includes miscellaneous new releases from the past 8+ months (we have a lot of catching up to do), plus approximately a third of our backstock. Note that we’ve reduced/slashed prices on many titles and will continue to do so in order to make room for new stock. We’ll also be expanding / tweaking / improving / debugging the site itself (for example, we still have work to do on the automated international postage system, not to mention the inevitable inventory discrepancies that come with transferring an ancient and massive database to a new system).
Over the next few months, as we take inventory, clean house, and delve into our storage, we will be uploading thousands of additional items, gradually, on a near-daily basis. This will include the majority of the LPs, as well as many titles, in all formats, once thought long-gone. Many currently “sold out” items are likely to resurface.
Finally, once our general backstock is up (probably in the next two or three months) we’ll begin making our extensive stockpile of rarities available online for the first time: tons of random out-of-print titles, "deadstock," warehouse finds, secondhand collectibles, etc., accumulated over the past few decades.
Frequent/returning customers will be getting early access to these items. Details to follow on how this will work (a priority mailing list? a 'frequent flyer'-like program?), but it will not be based on dollars spent. We want to reward those who consistently support us, especially in the discogs marketplace era (to those who show up trying to poach five copies of a one-off rarity, and nothing else, ever… ¯\_(ツ)_/¯ ).
So—we suggest you take some time to dig through the site—even we’ve been surprised by what’s been turning up, and there’s much more to come.
